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TRANSCRIPT
Table of Contents
Acknowledgements v
Foreword: A. Deniz BOZER vii
Chapter 1: The Fusion of Utopia and Dystopia in The Land of Cockaigne 1
Cemre Mimoza BARTU
Chapter 2: The Dialectic Interplay between Utopia and History: The Republic by Plato and
Thomas More’s Utopia 17
Şafak HORZUM
Chapter 3: Were We Really Born to Breed?: Questioning Women’s Place in the Society in
Katherine Burdekin’s Swastika Night 39
Anıl BADI
Chapter 4: Deconstruction of the Self: Aldous Huxley’s Island as a Utopian Synthesis of Eastern
Philosophy and Western Science 49
Seçil ERKOÇ
Chapter 5: Beyond Humans “At the Age of Men”: Posthumanism and Anthropocene in Gemma
Malley’s The Declaration and Jeanette Winterson’s The Stone Gods 71
Kübra BAYSAL
Chapter 6: From Ecotopia to Ecodystopia: Postnatures and “Survivance” in Sarah Hall’s The
Carhullan Army 87
Kerim Can YAZGÜNOĞLU
Chapter 7: Child Heroes/Heroines in Their Shining Armours to Save the Earth-in-distress:
Environmentally Conscious Dystopic Representations in Sarah Holding’s The
SeaBEAN Trilogy 105
Fatma AYKANAT
Chapter 8: “The Lottery”: A Modern Primitive Dystopia Originating from Religion 135
Ayşe GÜNEŞ
Chapter 9: ‘The Memory Remains’: Dystopian Love in Black Mirror in the Episode of “The
Entire History of You” 149
Başak AĞIN
Chapter 10: Commodified Lives: Human Cloning in Kazuo Ishiguro’s Never Let Me Go and the
Television Series, Orphan Black 171
Pelin KÜMBET
Notes on Contributors 191