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ARCHITECTURAL DESIGN PORTFOLIO MICHELLE FRIESEN

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ARCHITECTURAL DESIGN PORTFOLIO

MICHELLE FRIESEN

[MOD]ULAR RESIDENCE

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2

ZIMMER HOUSE14

CONTENTS

CV4

WRITER’S STUDIO10

ISE SHRINE16

DOMINANT VOID18

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WALL DETAIL17

WATERCOLOUR 119

WATERCOLOUR 220

DRAWINGS21

EDUCATION

09/2012-present Bachelor of Architectural Science Ryerson University, Toronto, ON Class of 2017

EXPERIENCE

02/2014- present Executive Committee: Secretary AIAS, Ryerson Chapter, Toronto, ON Weeklymeetingsalongwithorganizingandhostingevents. Includedinitiativetakentohelpexpenseandprepare fundraisers.

03/2011- present Supervisor Shoppers Drug Mart, Burlington, ON Leadershipskills,customerserviceandmanagingstaff.Retail managementincludedmerchandisingandsalestracking.

09/2013 - 02/2014 Second Year Representative AIAS, Ryerson Chapter, Toronto, ON Organizedandwasanactiveleaderinrunningevents,trips, fundraisersandspeakersforpresentationsandlectures.

Michelle [email protected]

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TECHNICAL SKILLS

AutoCAD 2010-2014 AdobeSuiteCS5(Photoshop,InDesign,Illustrator) Revit2014 Rhinocerous4andVisualARQ SketchUp8

VOLUNTEER EXPERIENCE

04/2014 Architecture Firm Coordinator Ryerson Architecture Building, Toronto, ON APechaKuchaformattedeventbyTorontofirms,followedbyanapkin sketchcompetition.Responsibleforcontactingfirmstobepresenters.

04/2014 Event Organizer McDonald’s Lounge, Dundas Street, Toronto, ON AIAS10Trendsfundraisingeventandcompetitionillustratingwhattrends foreseeninCanadiancultureinthenext10years.Responsibleforsetting upvenue,welcomingguests.

REFERENCES

Available upon request.

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[MOD]ULAR RESIDENCE - Torornto

Software:Sketchup 8 and Revit 2014Autocad 2014Adobe Suite CS5 (Photoshop,InDesign,Illustrator)

Background:AproposedlotonthePortlandsforvariouscondobuildingtypologiessuchasTower+PodiumandBlock.Theseco-op’shadtoincludecommercialspaceonthemainlevel,followedby8to10storeysofresidentialunitsandamenities.

Sketchup Massing6

Major Concept: Health and Wellness

MycommunitydesignwasbasedaroundHealthandWellnessincludingbeingactiveandeatingwell.Healthrepresentsproactiveactivity,whilewellnessisinternalemotions.OneofthemajorproblemsinModernsocietyisthecreationofanonymouscommunities,withalackofcommunicationandinteractionwithourneighbors.Thissteamsfromthelossofthe“openbackyard”asanopenpublicspacewherepeoplecanworktogethertoachievehealthylifestyles.Byintegratingurbanagriculture,adiversegroupofpeoplecanbebroughttogether,topromotehealthylifestylesandsustainabilitythroughcooperationandsocialinteraction.

NS Perspective SectionSouth Elevation North Elevation

BOARDWALK

PARK ST

Building axonometric

HealthCommunity Modularity Security Views

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PORT LANDS CANAL

PARK

PARK AVE.

SE

RV

ICE

LA

NE

BOARDWALK

PE

DE

STR

IAN

STR

EE

T

DC FBA G

5

4

3

2

6

7

8

1

E

UP

DN DN

1

1

23

45

6

7

8 8

9

10

16

11

1220

14

19

13

15

17

18UP

UP

Cafe

Prepared Foods

Tea and Pasterie

Deli

Bakery

ProduceSalad and Juice Bar

Checkout Loading

Display

Dairy

Garbage Room

Small Storage

Recieving

Office Reception

Large Storage

Small Reception

Mailing Room

Ground FloorFarmer's Market Services

Main Lobby

123456789

10

11121314151617181920

Rentable Office Space

Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse

PORT LANDS CANAL

PARK

PARK AVE.

SE

RV

ICE

LA

NE

BOARDWALK

PE

DE

STR

IAN

STR

EE

T

DC FBA G

5

4

3

2

6

7

8

1

E

UP

DN DN

1

1

23

45

6

7

8 8

9

10

16

11

1220

14

19

13

15

17

18UP

UP

Cafe

Prepared Foods

Tea and Pasterie

Deli

Bakery

ProduceSalad and Juice Bar

Checkout Loading

Display

Dairy

Garbage Room

Small Storage

Recieving

Office Reception

Large Storage

Small Reception

Mailing Room

Ground FloorFarmer's Market Services

Main Lobby

123456789

10

11121314151617181920

Rentable Office Space

Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse

Additional Exterior Renders

Showingtheoutdoorbalconyspacesthatlookoveroneanother,encouraginginteractionamongsttheresidents.

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Unit Axonometric

Studio 1-Bedroom 2-Bedroom 3-Bedroom Flowthrough

3 and 7 4 and 8 5 and 9 6

UP

UP

UP

1

2- Bedroom Studio 2-Bedroom Studio 2-Bedroom Studio 2-Bedroom

Flowthrough-Lower

Flowthrough-Lower

3-Bedroom

Third and Seventh Floor

3-Bedroom

Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse

DNUP

UP

1

1-Bedroom 1-Bedroom 1-Bedroom 1-Bedroom

Flowthrough

Flowthrough

2-Bedroom 2-Bedroom 2-Bedroom

Fourth and Eighth Floor

UP

1

Second Floor

UP

UP

1

2-Bedroom 1-Bedroom 2-Bedroom 2-Bedroom 1-Bedroom

Flowthrough

Flowthrough

3-Bedroom3-Bedroom

Fifth and Ninth Floor

Food DisplaySeating Area

CheckoutKitchen

Garbage Room

Small Storage

Large Storage

Farm To Fork Eatery Services

Main Reception

1234

56789

Rentable Office Space

1

2

34

UP

7

8

9

5

UP

UP

Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse Townhouse

UP

UP

1

1-Bedroom 1-Bedroom 1-Bedroom 1-Bedroom

Flowthrough

Flowthrough

3-Bedroom3-Bedroom

1

Sixth Floor

UP

UP

1

2-Bedroom Studio 2-Bedroom Studio 2-Bedroom Studio 2-Bedroom

Flowthrough

Flowthrough

3-Bedroom3-Bedroom

3

Seventh Floor

UP UP

Plans and Unit Layouts

Thedevelopmentofthebuildingcamefromthestackingofmodularunits.Theunitsincreaseinsize,changeshapeandincreasetheamountofoutdoorspacesforthevariousunits.

UP

UPU

P

DC

FB

AG

5 4 3 2678 1

E

1

HR

V

2- Bedroom

Studio

2-Bedroom

Studio

2-Bedroom

Studio

2-Bedroom

Flowthrough-Low

er

Flowthrough-Low

er

3-Bedroom

HR

V

Third Floor

3-Bedroom

UP

UP

UP

DC FBA G

5

4

3

2

6

7

8

1

E

1

HRV

2- Bedroom Studio 2-Bedroom Studio 2-Bedroom Studio 2-Bedroom

Flowthrough-Lower

Flowthrough-Lower

3-Bedroom

HRV

Third Floor

3-Bedroom

UP

UP

UP

DC FBA G

5

4

3

2

6

7

8

1

E

1

HRV

2- Bedroom Studio 2-Bedroom Studio 2-Bedroom Studio 2-Bedroom

Flowthrough-Lower

Flowthrough-Lower

3-Bedroom

HRV

Third Floor

3-Bedroom

Studio 2-Bedroom 3-Bedroom

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The Writer’s Studio - Toronto

Background:AskedtodesignaWriter’sStudiolocatedonthegroundsoftheSpadinaMuseumandtobeoperatedbytheCityofTorontoCulturalServices.Thewriterwillhaveaanapartmentinoneofthemuseumbuildings.

Software:RhinowithVisualARQAutocad2014AdobeSuiteCS5(Photoshop,InDesign,Illustrator)

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Major Concept: Writer’s Corner

Themainwindowisdesignedtogivepriorityandimportancetoaviewofthelandscape.Theentranceconstrainsyourviewtotheoutdoorlandscapeuntilyouenterthemainstudioareawhichfeaturesawidecornerwindowwhichhasthebuilt-inwriter’sdesk.Theelevatedstudiolayoutwaschosentomimicthelandscapeofnearbytrees,andfurtherimplyheirachyforthewriter’sdesk.ThewrappingofthefloorandtheceilingemphasizestheSouthernview.

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South Elevation East Elevation North Elevation West Elevation

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A - A’ B - B’

LEVEL 1

A - A’ B - B’

LEVEL 1

A - A’ B - B’

LEVEL 1

A - A’ B - B’

LEVEL 1

EW Section NS Section

Key:

1.Writer’sDesk 4.Washroom

2.ReadingArea 5.Porch

3.Kitchenette

1

2345

A A

B

B

Studio Perspective

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Zimmer House - Toronto

Software:Revit2014AdobeSuiteCS5(Photoshop,InDesign,Illustrator)

Background:ThisprojectwasaproposedsiteontheTorontoPortlands.Givenalotsizeandtoldtopickaclientinwhichtodesignatownhouseonthelakefront.ThechosenclientwasHansZimmer.

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-1 10 2 3

88 89 91 92UP

UP

DN

UP

DN

DN

UP

Major Concept: Soundtrack Soundscapes

Creatingdifferentsoundscapesindifferentroomsthroughoutthetownhouseandemphasisedpublicspacesthatalloweddiverseacoustics.Materialaccousticswasthemainfocusofthisdesign,suchascurvedglulambeams,angledwalls,accousticalpanelsandfoampanels.

NS Section

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Iraka-oi

Katsuogi

Chigi

Kiza-hashi

Munamochi-bashira

THE INNER ISE SHRINENivin Nabeel, Michelle Friesen, Nicola Augustin, Hrishikesh Tailor, Giancarlo Franzoi and John Grzeda

SCIENCE Considered the pinnacle of Japanese traditional architecture, The Shrine is constantly being rebuilt every 20 years, with its construction techniques passed on from previous generations. It is constructed out of un�nished cypress wood, and the plank walls out of thatched reeds or hinoki cypress bark. It has a linear construction style, gabled roof, and raised �oors. The roof is supported by the exterior board walls, with independent exterior pillars support-ing the ridge board. The rafter extensions located at the gable ends, and the horizontal log elements which pro-trude from the roof's ridge, act as weights to keep the roof secure.

PHILOSOPHYInner Ise Shrine in Uji Yamada, Japan is a Shinto shrine. This report deals with the philosophy behind this building and its design. Ise Shrine follows various Shinto philosophies. The shrines are dismantled and the new ones are built every twenty years. This signi�es the Shinto philosophy that nothing is permanent and things in nature keep renewing. It also involves accepting the nature with all of its imperfections and impermanence that is, the philoso-phy known as “Wabi-Sabi”. The inclusion of water cleansing areas in the shrine also conforms to Shinto philosophy.

MUSICDuring the ceremonies that occur every 20 years to re-build the shrine, music is played to encourage people to par-ticipate as well as for religious purposes. While playing music, the participants pray and dance as the ceremony progresses. The style of the music played is of ancient court music and dances are performed in conjunction to them such as Bagaku, Yamatomai, and Ninchomai. Dramas are also preformed for entertainment towards the par-ticipants. A special structure is dedicated to the continuation of this tradition at the Ise Shrine complex known as the “Hall of sacred music and dance.”

VISUAL ARTSThe shrine was constructed during the late Asuka and to the Nara period in Japan. Before the construction of the shrine it was believes that spirits were in the forums of nature such as trees and rocks. Because of this, the symbol of the shrine was a wooden pillar surrounded by stones to symbolize the spirits combining with the spirit of the emperor. When the shrine was constructed it housed the pillar as one of the several relics it contained. Buddhist monks conducting the shrine also dealt with the art of calligraphy. Other art forms included pottery making and sculptures re�ecting on the architecture of the time.

RELIGIONThe shrines present in Japan are related to traditional ritual practices that occur in the culture. The Shikinen Sengu is not only a religious practice but also serves as preser-vation of the building to help keep it main-tained and from being deteriorated. It is be-lieved that the rebuilding of the shrine restores its power of the deity. The theme of death and rebirth of nature and the short life of all things is a continuing belief re�ected in the shrine’s life. The ceremony also acts as a means of strengthening the community together and reaching a state of purity.

POETRYIn the Japanese culture and religion of Bud-dhism, one of the many jobs of a Buddhist monk was to be a writer and interpreter of sacred literature and writing. A Dharma Master, poet, and a Buddhist priest wrote poems where several of them were inspired by the Ise Shrine. They spoke of in there poems a need for religious experiences that pilgrims could be a part of with the shrine. Monks also tended to sacred books such as the “secret books” where they interpreted them in the Ise shrine. By doing these things they believed they would achieve attain-ment, spirituality, enlightenment and salva-tion.

Front Elevation 1:50 East Elevation 1:50

Site Plan and Site Section 1:400

Shoden

Heart pillar (shin no mihashira)

Old Shrine Precinct (kodenchi)

Canopy

Wooden Screen

Wooden Screen

Wooden Screen

Itagaki

Tono Tamagaki

Uchi Tamagaki

Mizugaki

Itagaki North Gate

GeheidenNorth Gaurdhouse (shukueiya)

Inugaki

Mikeden

Tono Tamagaki North Gate

Uchi Tamagaki North GateMizugaki North Gate

West Treasury East Treasury

Mizugaki South GateBangaki Gate

Iraka-oi

Katsuogi

Chigi

Kiza-hashi

Munamochi-bashira

Software:AdobeSuiteCS5(Photoshop,InDesign,Illustrator)Lasercutting

The Ise ShrineBackground:Agrouphistoryresearchprojecttoexaminehistoricalbuildingsandtheirculturalsignificance.GroupmembersincludedNicolaAugustin,NavinNabeel,HrishiteshTaylorandGiancarloFranzoi.

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Software:Autocad2012AdobeSuiteCS5(InDesign)

Exterior Wall Performance Based DesignBackground:Agroupprojecttodesignvariouswalltypeswithspecificcriteriaforahypotheticalproject.Wallsize,insulationtypeandotherselectivematerialswererequiredtoattainaprescribedperformance.

13mm GYPSUM BOARD0.15mm VAPOUR RETARDER140mm GLASS FIBRE BATTS140mm SPF WOOD STUD11mm OBS SHEATHING20.5mm XPS0.15mm WEATHER BARRIER25mm VENTED AIRSPACE20mm WESTERN RED CEDAR

FLASHING

SLATTED ALUMINUM SHADING

DOUBLE GLAZED WINDOW

VENTFLASHING

REINFORCED CONCRETE SLAB

SUSPENDED CEILING

SECTION 1:20ELEVATION 1:20

PLAN 1:20

BASEBOARD

STEEL ANGLE AND FLASHING

GRAVELVEGETATED ROOF

MEMBRANE

TONGUE AND GROOVE CONNECTIONS

FINISHED FLOORING

STEEL ANGLE

38mm x 140mm WOOD STUD

SUPPORT COLUMN

Exterior Wall: Performance Based DesignASC 303- Term Project

Wall Type 1: OBC 2006 Residential ConstructionThursday, November 7, 2012

Michelle Friesen

SEALENT

WELDING

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Synopsis: Createasculpturalformwherethevoidspaceisclearlythedominantelementofthecomposition.Develop,throughaseriesofsketchandtestmodels,thespaceshowninthisfinalpresentationmodel.

Medium:CarboardandWeldbond

The Dominant Void

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Medium:Watercolouronwatercolourpaper

Medium:Watercolouronwatercolourpaper

“Marigolds” “Pink Periwinkles”

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Medium:Watercolouronwatercolourpaper

Medium:Watercolouronwatercolourpaper

“Sailboats”“Shells By The Water”

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Medium:Penandinkonpaper

Medium:Pencilonpaper

“Nowhere To Go But Up” “Forest Playground”

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