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MICROPHONE Characteristics, Classifications, and Types.

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Microphone is one of the essential tools in broadcasting. Hence, getting familiar with it is a must for all broadcasters.

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Page 1: Microphone

MICROPHONECharacteristics, Classifications, and Types.

Page 2: Microphone

What is a Microphone?

Page 3: Microphone

What is a Microphone?A small, portable assembly for the pick-up and conversion of sound into electrical energy.

Sound Waves

Electrical energy

Sound Waves

Page 4: Microphone

Sound Generating Elements of a Microphone

Diaphragm, voice-coil, air pressure

Page 5: Microphone

Characteristics of Microphones

1- Sound-generating Systems

DYNAMIC Microphone• Most rugged• Can withstand high-sound levels (input overload)• Can withstand fairly extreme temperatures• No battery needed• Good for vocals and music instruments

Page 6: Microphone

Characteristics of Microphones

1- Sound-generating Systems

CONDENSER Microphone

• Sensitive to phyisical shock• Sensitive to input overload• Sensitive to temperature change• Needs small battery• Higher quality sound at greater distances

Page 7: Microphone

Characteristics of Microphones

1- Sound-generating Systems

RIBBON Microphone

• Sensitive to phyisical shock• Sensitive to input overload• Sensitive to temperature change• No battery needed• Higher quality sound at greater distances

Page 8: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

CARBON Microphone• oldest and simplest microphone that uses carbon dust. • the technology used in the first  telephones and is still used in some telephones today. • The carbon dust has a thin metal or plastic diaphragm on one side. As sound waves hit the diaphragm, they compress the carbon dust, which changes its resistance. By running a current through the carbon, the changing resistance changes the amount of current that flows.

Page 9: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

FIBER OPTIC Microphone

• fiber optic microphones can be extremely small, and they can be used in electrically sensitive environments. • They can also be produced with no metal, which makes them very useful in magnetic resonance imaging (MRI) applications and other situations where radio frequency interference is an issue. 

Page 10: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

LIQUID Microphone

• invented by Alexander Graham Bell and Thomas Watson • a precursor to what would later become the condenser microphone • used a metal cup filled with water and sulfuric acid. A diaphragm was placed over the cup with a needle on the receiving side of the diaphragm. Sound waves would cause the needle to move in the water. A small electrical current ran to the needle, which was modulated by sound vibrations. • The liquid microphone was never a particularly functional device, but it makes a great science experiment

Page 11: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

ELECTRET Microphone

• most widely used microphones on Earth • cheap and relatively simple, electret mics are used in cell phones, computers and hands-free headsets • a type of condenser microphone in which the external charge is replaced with an electret material, which by definition is in a permanent state of electric polarization  

Page 12: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

LASER Microphone

• works by capturing vibrations off of a plane, like a windowpane, for example, and transmitting the signal back to a photo detector, which converts the reflected laser beam into an audio signal.

Page 13: Microphone

Characteristics of Microphones

Other Types (according to Sound-generating Systems)

CRYSTAL Microphone

• By attaching a diaphragm to a crystal, the crystal will create a signal when sound waves hit the diaphragm.

Page 14: Microphone

Characteristics of Microphones

2- Pick-up Patterns

• the territory within which a microphone can hear well.• Omnidirectional, Bidirectional, Unidirectional, and Cardioid

Page 15: Microphone

Characteristics of Microphones

2- Pick-up Patterns

OMNIDIRECTIONAL Microphone

• the microphone hears sounds from all directions EQUALLY well.

Page 16: Microphone

Characteristics of Microphones

2- Pick-up Patterns

BIDIRECTIONAL Microphone

• the microphone hears better in TWO OPPOSITE directions.

Page 17: Microphone

Characteristics of Microphones

2- Pick-up Patterns

UNIDIRECTIONAL Microphone

• the microphone hears better in ONE direction (the front of the microphone than its side or back.

Page 18: Microphone

Characteristics of Microphones

2- Pick-up Patterns

CARDIOID Microphone

• the microphone hears in a HEART-SHAPED pattern but hearing is more concentrated on the front rather than on the side.

Page 19: Microphone

Characteristics of Microphones

2- Pick-up Patterns

CARDIOID Microphone

• the microphone hears in a HEART-SHAPED pattern but hearing is more concentrated on the front rather than on the side.

Page 20: Microphone

Characteristics of Microphones

o STATIONARYo Desko Stando Hangingo Hiddeno Long distance

3- Physical Forms (Mobile & Stationary)

o MOBILEo Hando Lavaliereo Boomo Wirelesso Headset

Page 21: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

HAND Microphone

Page 22: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

LAVALIERE Microphone

Page 23: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

BOOM Microphone

Page 24: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

WIRELESS Microphone

Page 25: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

HEADSET Microphone

Page 26: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

DESK Microphone

Page 27: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

STAND Microphone

Page 28: Microphone

Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

HANGING Microphone

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Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

HIDDEN Microphone

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Characteristics of Microphones

3- Physical Forms (Mobile & Stationary)

LONG DISTANCE Microphone

Page 31: Microphone

Special Features of Microphones

POP FILTERS

Eliminates breath pops that could occur when someone is speaking into the mic at close distance.

It also reduces distortion when the mic is held close to a very loud sound source.

Page 32: Microphone

Special Features of Microphones

WINDSCREEN

It’s made of acoustic foam rubber, is put on the microphone to eliminate, or at least to reduce, the low rumble of wind noise.

When used outside, shotgun mic are entirely covered by windscreen.

Page 33: Microphone

USING THE MICROPHONE

How to use a hand microphone:

• CHEST POSITION (ex.: news reporting, hosting)• MOUTH (ex.: outdoor reporting/hosting)• SINGING• INTERVIEWING CHILDREN

Page 34: Microphone

USING THE MICROPHONE

CHEST POSITION

Page 35: Microphone

USING THE MICROPHONE

MOUTH POSITION

Page 36: Microphone

USING THE MICROPHONE

SINGING

Page 37: Microphone

USING THE MICROPHONE

INTERVIEWING CHILDREN

Page 38: Microphone

USING THE MICROPHONE

INTERVIEWING CHILDREN

Page 39: Microphone

USING THE MICROPHONE

Microphone Techniques:

• ON-MIC• OFF-MIC• FADING ON• FADING OFF• BEHIND OBSTRUCTION

Page 40: Microphone

USING THE MICROPHONE

Microphone Techniques:

ON-MIC• The speaker is closer to the mic• It appears the speaker is at the main scene

Page 41: Microphone

USING THE MICROPHONE

Microphone Techniques:

• OFF-MIC• The speaker is away from the mic• It appears the speaker is away/far from the main scene

Page 42: Microphone

USING THE MICROPHONE

Microphone Techniques:

• FADING ON• The speaker is moving closer to the mic• It appears the speaker is moving towards the main scene

Page 43: Microphone

USING THE MICROPHONE

Microphone Techniques:

• FADING OFF• The speaker is moving farther from the mic• It appears the speaker is moving away from the main scene

Page 44: Microphone

USING THE MICROPHONE

Microphone Techniques:

• BEHIND OBSTRUCTION• The speaker is talking behind a wall/room.

Page 45: Microphone