midge and annabelle paragraph - with teacher annotations

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The following selection came from an AP English Language & Composition summer institute held at Nova Southeastern University in July 2007. The presenter and the wonderful donor of all the resources given was Ms. Shirley Council. The suggested response came from the presentation materials. I use them solely as a model for my own students’ writing. The annotations are my own. Annabel and Midge came out of the tearoom with the arrogant slow gait of the leisured, for their Saturday afternoon stretched ahead of them. They had lunched, as was their wont, on sugar, starches, oils and butterfats. Usually they ate sandwiches of spongy new white bread greased with butter and mayonnaise; they ate thick wedges of cake lying wet beneath ice-cream and whipped cream and melted chocolate gritty with nuts. As alternates, they ate patties, sweating beads of inferior oil, containing bits of bland meat bogged in pale, stiffening sauce; they ate pastries limber under rigid icing, filled with an indeterminate yellow sweet stuff, not still solid, not yet liquid, like salve that has been left in the sun. They chose not other food, nor did they consider it. And their skin was like the petals of wood anemones, and their bellies were as flat and their flanks as lean as those of young Indian braves. Here is the suggested response to the following question: “In a well-written essay, analyze how the author uses language to reveal her views of Midge and Annabelle.” Midge and Annabel are coming out of a tea-room after lunch, “with the arrogant slow gait of the leisured, for their Saturday afternoon stretched in front of them.” If they feel so leisured just because they have the afternoon off, they are probably office workers or schoolgirls – people who do work quite hard the rest of the week. They are obviously quite young, since they

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Page 1: Midge and Annabelle Paragraph - With Teacher Annotations

The following selection came from an AP English Language & Composition summer institute held at Nova Southeastern University in July 2007. The presenter and the wonderful donor of all the resources given was Ms. Shirley Council. The suggested response came from the presentation materials. I use them solely as a model for my own students’ writing. The annotations are my own.

Annabel and Midge came out of the tearoom with the arrogant slow gait of the leisured, for their Saturday afternoon stretched ahead of them. They had lunched, as was their wont, on sugar, starches, oils and butterfats. Usually they ate sandwiches of spongy new white bread greased with butter and mayonnaise; they ate thick wedges of cake lying wet beneath ice-cream and whipped cream and melted chocolate gritty with nuts. As alternates, they ate patties, sweating beads of inferior oil, containing bits of bland meat bogged in pale, stiffening sauce; they ate pastries limber under rigid icing, filled with an indeterminate yellow sweet stuff, not still solid, not yet liquid, like salve that has been left in the sun. They chose not other food, nor did they consider it. And their skin was like the petals of wood anemones, and their bellies were as flat and their flanks as lean as those of young Indian braves.

Here is the suggested response to the following question: “In a well-written essay, analyze how the author uses language to reveal her views of Midge and Annabelle.”

Midge and Annabel are coming out of a tea-room after lunch,

“with the arrogant slow gait of the leisured, for their Saturday

afternoon stretched in front of them.” If they feel so leisured just

because they have the afternoon off, they are probably office

workers or schoolgirls – people who do work quite hard the rest of

the week. They are obviously quite young, since they habitually

eat a lunch loaded with calories, mainly carbohydrates and fats, and

yet their skin is “like the petals of wood anemones,” and they are

slender, almost thin, “like young Indian braves.”

blee, 09/16/10,
We need to address the idea of unity. Notice how much of the paragraph is centered on the meal time as a whole, not just the food: that is for the next paragraph.
blee, 09/16/10,
At this point an inexperienced writer would probably quit the sentence prematurely. By extending the description, not only is direct textual support used, but the writer reinforces the same feelings of authorial disgust found in the passage.
blee, 09/16/10,
Here, the writer makes a claim (“they are probably…”) but nests it within an If…Then statement with the textual justification for her claim preceding the claim itself. This way, his/her reader is not wondering what support she is using to make her claim.
blee, 09/16/10,
In class we discussed how this was an excellent example of an integrated quotation. Try to use the author’s own words to do your work for you.
Page 2: Midge and Annabelle Paragraph - With Teacher Annotations

The author is revolted by what they eat. “Bread greased

with butter . . . patties, sweating beads of inferior oil . . . bland

meat bogged in . . . sauce and the pastries with sweetstuff . . . like

salve that has been left in the sun.” The words “greased,” “ gritty,”

“ sweating,” “ bogged,” and “ stiffening” have strong overtones of

distaste, even disgust. One feels that one bite of the girl’s diet

would have been too much for the author. She dislikes the diet

partly for its texture and appearance, partly for its taste, but largely

for its excessive richness and gooeyness.

The author laughs at Midge and Annabel a little for their

“arrogant, slow gait.” Perhaps they are pretending to be very grand

and that they never work at all. The author understands the feeling

of how much a day off means when you are young and working.

The author also feels that the girls have horrible taste in food, but

she admires their appearance, and is probably a little envious of

anyone who can eat such rich food with no ill effects. The

emotional feelings the author displays about the food and the

obvious admiration for their metabolism, suggests that the author is

blee, 09/16/10,
Interesting how here the writer is judging the author in a controlled manner. This is insightful indeed, and she furthers this line of reasoning in the next series of sentences. Note how each of the following sentences EXTENDS the claim, but uses different evident to construct a larger picture of the author and her motives. Brilliant.
blee, 09/16/10,
Balanced construction showing balance in the writer’s own judgment. After all, if the writer seems reactionary and harsh, this weakens her overall argument.
blee, 09/16/10,
Note how this allows that the girls COULD be misunderstood. The writer’s goal is not to find the ONE and only analysis supportable from the evidence, rather the most likely ONES – maintaining a conversation with the text.
blee, 09/16/10,
This is indeed possible, showing the writer is not closed- minded; creating a good rapport with the reader.
blee, 09/16/10,
The unity of the ¶ is an abstraction about how laughable Midge and Annabelle are. Contrast this with the concrete nature of the previous ¶. Note that the writer can point out MANY things about an abstraction: causes, results, reasons for, reasons against, etc. DON’T restrict the paragraph’s scope, but don’t get sidetracked either. Remember what your topic sentence’s parameters are.
blee, 09/16/10,
Here the writer maturely illustrates FACETS of the disgust: various causes, reasons, or effects. Don’t leave the reader unsatisfied.
blee, 09/16/10,
Rather than expecting the reader to connect the examples the writer provides with the authorial tone the writer HOPES the reader will get, the writer aptly clarifies here what PRECISELY those words do.
blee, 09/16/10,
This is an elliptical construction, allowing the writer to cover much of the original ¶ without resorting to paraphrase or time-consuming copying. Here the writer can be discriminating in what examples best illustrate the feeling of authorial disgust.
blee, 09/16/10,
Here the unifying aspect of the ¶ is revealed, even if there are MANY things this can point out about the food.
Page 3: Midge and Annabelle Paragraph - With Teacher Annotations

a person who could never eat what the girls had without suffering

for it. There is a distinct note of envy in the last sentence. The girls

are not only slender and clear-skinned; they have delicate fresh

complexions “like wood anemones,” and really fit, healthy bodies

“like Indian braves.” Envy of this sort suggests that the author is

herself a woman. She is obviously a good deal older that Midge and

Annabel, for her attitude is patronizing or superior at times. She

looks down on the girls for their horrible taste in food; she laughs at

their childish behavior in the first sentence 4. This attitude of

amused scorn (tolerant amusement, amused superiority) suggests

that she is a good deal more sophisticated than Midge and Annabel.

blee, 09/16/10,
The writer gives a name to the attitude CLEARLY, then provides appositive clarification in parentheses, followed by the PURPOSE of that scorn (the suggestions about the author’s age and sophistication).