misa immaculada concepcion

NIHIL OBSTAT: Rev. Fr. Leo Nilo C. Mangussad Minister of Liturgical Music

IMPRIMATUR: + Gaudencio B. Cardinal Rosales, D.D. Archbishop of Manila

DATE: 30th October, 2007

Alejandro D. Consolacion II

MisaInmaculadaConcepcion

for cantor, congregation and mixed voices;with brass, percussions and organ

VOCAL SCORE

Copyright © August 2007 by Alejandro D. Consolacion IIPublished and Owned by the Manila Cathedral-Basilica.

All Rights ReservedIt is illegal to photocopy music.

PUBLISHED BY :Cathedral-Basilica of the Immaculate Conception

MANILA METROPOLITAN CATHEDRAL-BASILICACabildo cor. Beaterio, Intramuros, Manila

Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192Mobile: 0917.400.9131, 0928.743.0067

E-mail: [email protected], [email protected]

© Alejandro D. Consolacion II 2007Published and Owned by the Manila Cathedral-Basilica

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing from the publisher/owner or as expressingly permitted by

law. Inquiries concerning reproductions outside the scope of the above should be sent to the publisher/owner .

Permission to perform or to record the works (except in the course of divine worship) should be obtained from the Manila Cathedral-Basilica.

First published 2007Cover design by Matthew Niel Hebrona

Cover is a detail of circa 1627 Composer’s photo by Ferdie Espeleta

Music originated on Sibelius

INSTRUMENTATION

(a) Large Ensemble:

3 Trumpets in Bb2 Tenor trombones

Bass tromboneTuba

Timpani and Percussion (2 players)Organ

2 Trumpets in BbTimpani and Percussion (1 players)

Organ

CONTENTS

MISA INMACULADA CONCEPCION

Panginoon, Maawa Ka 1 55

Papuri sa Diyos 4 57

Alleluia 22 64

Santo 27 66

Misteryo ng Pananampalataya 29 68

Dakilang Amen 30 68

Ama Namin 30 69

Aklamasyon sa Ama Namin 34 71

Kordero ng Diyos 35 71

MARIAN HYMNS

Mary Crowned with Living Light 38 73

Remember, O Mary Immaculate 41 74

Holy Mother of our Savior 44 76

Holy Mary, Now We Crown You 48 78

Original

FOREWORD

Minor Basilica of the Immaculate ConceptionMANILA METROPOLITAN CATHEDRAL-BASILICA

CABILDO cor. BEATERIO, INTRAMUROS, MANILA, PHILIPPINESTels. 527-1796, 527-3093, 527-3889, 528-3876 Fax: 536-0192

Alejandro D. Consolacion II‘s new composition, entitled , launched at the 2nd

acknowledged role as the launching venue of new liturgical compositions in the Archdiocese of Manila becomes a functional reality.

Indeed, in restoring the historic, half-a-century-old MCB Pipe Organ to its original form and function

which in the 1960s and ‘70s was home to big concerts, generally featuring popular liturgical songs. Central to our objectives is to make the pipe organ an instrument of inspiration, its wonderful sounds a compelling invitation to talented local musicians, especially conductors and composers, to come up with more songs that are best sung with the pipe organ accompaniment. It is important to note that the MCB Pipe Organ is the biggest in Southeast

Our decision to make the Manila Cathedral-Basilica Pipe Organ Festival an annual event emphasizes MCB’s desire to echo resoundingly the continuing call for greater support to the MCB Pipe Organ and the challenge for

come up with a new song and launch it at the 2nd MCB Pipe Organ Festival came at a time when the Cathedral-Basilica was conceiving the plan of commissioning someone to compose a Marian liturgical song that would

Immaculate Conception. In a way, he came as a handy catch, and we commissioned him to the projects thereby.

through the marvel of music and the magical melody of the soul.

Through the annual MCB Pipe Organ Festival, we hope to offer a continuing venue for the launching and popu-lar propagation of more compositions of this kind in the future and from different composers.

Our invitation continues and we await more responses.

(SGD.) MSGR. NESTOR CERBORector

PREFACE

The Manila Cathedral-Basilica is not only the seat of the bishop; it is also the center and the inspiration for the liturgical life in the diocese. “Liturgical services are not private functions, but are celebrations of the Church, which is the sacrament of unity, namely the holy people united and arranged under their bishop.” (Constitution on the Sacred Liturgy, Sacrocantum Concilium n. 26)

Bearing this in mind and the organ being the perfect instrument to be used in the liturgy, the Cathedral had its pipe organ restored in 2006 and organized a yearly festival wherein the focus is the liturgy. Special attention is given to the music performed during the celebration of the Eucharist on December 8, this being the feast day of its patron saint, Mary the Immaculate Conception, and December 10, the anniversary of the dedication of the Post-War Manila Cathedral - Basilica.

For a long time, the singing of a choir during the liturgy eliminated the participation of the assembly; the people were simply to listen. With the initiation of the 2nd Vatican Council, the possibility for the community to partici-pate became evident. The advent of contemporary/new music eventually eliminated the art-music of the choir.

The highlight of the Second Manila Cathedral-Basilica Pipe Organ Festival (2007) is the newly composed Mass in Tagalog together with a set of Four Marian Hymns by Alejandro D. Consolacion II. The Mass is written for congregation, cantor and choir with organ and brass. The diversity of talents present in the Church is recog-nized resulting in a festive and rich harmonious accord.

In most parishes, the Ordinary of the Mass is entirely sung by the congregation. In this composition, however, the community, cantor and choir alternate, accompanied by the organ. A healthy balance between listening and participating is explored in this composition, adding a rich polyphonic music to and thus enriching the simple congregational singing. The alternate singing becomes the outward evidence of a church, working as the Body of Christ, with its many parts making up a single unit.

May this encourage the many choirs in our parishes to sing in Four Parts (Mixed Voices), challenge the quality of playing among our organists, and enjoin the congregation to participate and be one in worship.

(SGD.) LEO RENIER

It was March 2007 that I received an invitation from Msgr. Nestor Cerbo, rector of the Manila Cathedral-Basilica (MCB), to compose a congregational mass for the use of the Cathedral. It was also during this time that I received my new appointments as Titular Organist of the Union Church of Manila and as sub-organist at the MCB. Being offered this chance to write works that will highlight the glorious Cathedral organ was also a good opportunity for my dream of composing works for choir and organ to come into fruition. I am deeply humbled and honored for this possibility.

Since this is a congregational mass, writing simple melodies that will be easily remembered by the community was my goal, melodies that will stimulate the senses and uplift the congregation to join in singing with one accord in the worship of God.

The is written in two versions. The original is for Cantor, Choir and Organ with

and keyboard. This may be used in small churches that do not have choirs to tackle singing in voices. I wrote the accompaniment for organ, later on transcribing the original organ part for a keyboard instrument to give consideration to churches that use the keyboard or piano. The inclusion of chords above the piano accompaniment will be useful for amateur organists and will encourage other instrumentalists to join in worship.

feelings in the celebration. The cantor leads the community. The choir parts were written in simple harmonization encouraging both amateur and professional choirs to showcase their God-given talents.

The last section of this book includes four hymns for Mary, the Immaculate Conception. I wrote these to preserve hymn singing during the liturgy. I personally believe that the teachings of the church and its theology are located in hymns. Hymnody has been my mission for the past year after being made aware of the weakening of hymn singing in churches not only in the Philippines but also worldwide. Most of the Marian text was drawn from the Liturgy of the Hours.

It is my fervent hope that parishes will be able to utilize all these works, the and the Marian Hymns, to enrich their church worship and for the community to be able to participate more in the liturgy.

My deepest gratitude I give to the people who have contributed wholeheartedly to this mission, namely; Msgr. Nestor Cerbo, for his dedication and enthusiasm in propagating the liturgy through music; Leo and Donna Renier, for their perpetual support and guidance; Cealwyn Tagle, for his continuous and enduring encouragement especially in organ music; Ferdinand Bautista, Holland Buela and Jonathan Ayson, for their constructive listening and editing of the initial music score; Matthew Niel Hebrona, for his creative graphic designs; Ferdi Espeleta, for sharing his talents in photography; Jean Arevalo, for her uplifting lyrics and for patiently and meticulously

God, the source of all wisdom.

ALEJANDRO D. CONSOLACION II

Moderato ( q = c.105 )


Panginoon, Maawa Ka

for cantor, congregation and mixed voices; with brass, percussions and organ


commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

Voices

Organ

Pa

CANTOR SOLO

p legato

ngi- no- on,- ma a- wa-Ch. 8' and 2'

p espress.

Sw.

Ped.

8

Ka.

cresc.

Pa

mp

ngi- no- on,- ma a- wa- Ka. Pa ngi- -

14

no on,- ma a- wa- Ka. Ma

with CONGREGATION

a- wa- Ka sa a - -

SOPRANO

Ma

mp cresc.

a- wa- Ka sa a

poco dim.

- -

ALTO

TENOR

mp cresc. poco dim.BASS

© Copyright 2007 Alejandro D. Consolacion II

Published/owned by the Manila Cathedral-Basilica

Photocopying this copyright material is ILLEGAL.

2

23

min. Kris

mf espress.

CHOIR only

to,- ma a- wa- Ka.

cresc.

Kris to,- ma -

mf espress. cresc.

SoloSw.

mf

3

Man.

31

a wa- Ka. Kris to,- ma a- wa- Ka.

dim.

Ma a- wa-

dim.

Ped.

39

Ka sa a min.

p

- -

p

p

Ch. 8' and 2'

Sw.

3

47

Pa

DESCANT SOPRANOS

mp espress.

ngi- no- on,- ma a- wa- Ka. Pa ngi- -

Pa

ALL VOICES

and CANTOR unis.

mp espress.

ngi- no- on,- ma a- wa- Ka. Pa ngi- no- on,- ma a- wa-

54

no on,- ma a- wa- Ka, ma a- wa- Ka. Ma

with CONGREGATIONunis. poco cresc.

a- wa-

Ka. Pa ngi- no- on,- ma a- wa- Ka. Ma

poco cresc.

a- wa-

Sw.

61

Ka, sa a min.

p

- -

p

4

Jubilant ( q. = c.70 )

Papuri Sa Diyos

1.

1.

2.

2.

Voices

CANTOR

Pa

mf

-

Gt.

with reeds.

mf sempre marcatoOrgan

Pedal

6

pu ri- sa Diyos sa Ka i- ta- a- san,- at sa lu pa'y- ka pa- ya- pa- an.-

Sw. mp

13

Pa pu- ri- sa Diyos sa Ka i- ta- a- san- at

cresc.

sa lu pa'y- ka -

cresc.

5

20

pa ya- pa- an.-

Gt.

f sempre marcato

27CHOIR and

CONGREGATION

Pa

mfANTIPHON

pu

unis.

- ri- sa Diyos sa Ka i- ta- a- san- at sa

brightly

Gt.

Sw.

34

lu pa'y- ka pa- ya- pa- an.- Pa pu- ri- sa Diyos sa Ka i- ta- -

6

41

a san- at

div.

sa lu pa'y- ka pa- ya- pa- an.

ff

-

div. ff

ff sempre marcato

48CANTOR

1. At

mf

sa

7

54

lu pa'y- ka pa- ya- pa- an- sa ma nga- ta ong- mayma bu- ting- ka lo- o- ban.-

Sw.

mf

trmpt.

Ped.

61

Pi nu- pu- ri- Ka na min,- Di na- ra- ngal- Ka na

cresc.

min,-

69

Si

f with CONGREGATION

na- sam- ba- Ka na min,- Ni lu- lu- wal- ha- ti- Ka na min,-

Si

f

na- sam- ba- Ka na min,- Ni lu- lu- wal- ha- ti- Ka na min,-

f

Gt.

fSw.

8

77

Pi na- sa- sa- la- ma- tan- Ka na min- da

cresc.

hil- sa da ki- - la

Pi na- sa- sa- la- ma- tan- Ka na min- da

cresc.

hil- sa da ki- - la

cresc.

84

Mong kal wal- ha- ti

ff

- an.-

Mong kal wal- ha- ti

ff

- an.-

ff

ff marcato

9

90ANTIPHON

mf

Pa

unis.

pu- ri- sa Diyos sa ka i- ta- -

mf brightly

97

a san- at sa lu pa'y- ka pa- ya- pa- an.- Pa

div.

pu- ri- sa Diyos sa

div.

104

ka i- ta- a- san- at sa lu pa'y- ka pa- ya- pa- -

10

110 CANTOR

2. Pa

mf

ngi- -

an.

ff

ff

ff marcato

118

no ong- Diyos, Ha ri- ng La ngit,- Diyos A mang- Ma ka- pang- ya- ri- han- sa la hat.- Pa ngi--

Sw.

mf

Ped.

126

no ong- He su- kris- - to, Bug

poco cresc.

tong- na A nak,-

11

134

Pa

f with CONGREGATION

ngi- no- ong- Diyos, Kor de- ro- ng Diyos, A -

Pa

f

ngi- no- - ong Diyos, Kor de- ro- ng Diyos, A -

f

142

nak ng A ma,- A

f

nak- ng A -

nak ng A ma,- A

f

nak- ng A -

f

12

150

ma.

ff

ma.

ff

ff

ff marcato

157ANTIPHON

Pa

mf

pu

unis.

- ri- sa Diyos sa ka i- ta- a- san- at sa lu pa'y- ka pa- ya- pa- an.-

mf unis.

13

165

Pa

div.

pu- ri- sa Diyos sa ka i- ta- a- san- at sa lu pa'y- ka -

div.

172

pa ya- pa- an.

ff

-

ff

ff marcato

178 poco rit.

poco dim.

14

Andantino ( q. = c.52 )


182 CANTOR

I

p

kaw- na nag a- a- lis- ng ma nga- ka sa- la- nan- ng

Sw.

p legato

189

san li- bu- tan,- I

mp moving

kaw- na nag a- a- lis- ng ma-

CHOIR and

CONGREGATIONMa

mp

a

unis.

- wa- Ka sa a min,- ma a- wa- Ka sa a min.-

mp unis.

15



182 CANTOR

I

p

kaw- na nag a- a- lis- ng ma nga- ka sa- la- nan- ng

Sw.

p legato

189

san li- bu- tan,- I

mp moving

kaw- na nag a- a- lis- ng ma-

CHOIR and

CONGREGATIONMa

mp

a

unis.

- wa- Ka sa a min,- ma a- wa- Ka sa a min.-

mp unis.

196

nga ka sa- la- nan- ng san li- bu- tan,-

Tang

mp

ga

unis.

- pin- Mo ang a ming- ka hi- li- ngan,- tang ga- pin- Mo ang a ming- ka hi--

mp unis.

201

Ma-

mf

li ngan.- CHOIR

ONLYI

ff

kaw

with conviction

- na na lu- luk- lok- sa ka nan- ng A ma,-

ff with conviction

ff

16

207rit.

rit.

a wa- Ka sa a min.___- Ma

mp

a- wa- Ka sa a min.-

Ma

mf


mf

mf

Sw.

mp

Man.

Ped.

Jubilant ( q. = c. 70 )214 TENORS

and BASS

3. Sa

mf

pag--

f

Gt.

marcato

222

I

mf

kaw-

kat I kaw- la mang- ang ba- nal,

cresc.

I kaw- la mang- ang Pa ngi- no- on.-

mf

Sw.

Gt. f

17230

la mang,- O He su- kris- to,- ang Ka ta- as- ta

sop div.

- a- san.-

Sw. Gt.

Trmpt.

237

Ka

f with CONGREGATION

sa- ma- ng Es pi- ri- tu- San to,- sa Ka lu- wal- ha- -

Ka

f

sa- ma- ng Es pi- ri- tu- San to,- sa Ka lu- wal- ha- -

fGt.

f

Ped.

Sw.

244

ti an- ng Diyos A ma,- A men,- ng Diyos A -

ti an- ng Diyos A ma,- A men,- ng Diyos A -

18

252

ma, A men.-

ma, A men.-

ff

259

FINAL ANTIPHONPa

SOPRANOS DESCANT

f

pu- ri- sa Diyos, Pa pu- ri.-

CHOIR, CANTOR

and CONGREGATION

Pa

f unis.

pu- ri- sa Diyos sa ka i- ta- a- san- at sa

f sempre staccato

19

266

At sa lu pa'y- ka pa- ya- pa- an.- Pa pu- ri- sa

lu pa'y- ka pa- ya- pa- an.- Pa

div.

pu- ri- sa Diyos sa

div.

272

Diyos, Pa pu- ri.- Lu pa'y- ka pa- ya- pa- -

ka i- ta- a- san- at

cresc.

sa Lu pa'y- ka pa- ya- pa- -

cresc.

20

278

an.

an.

285

A

ff

men.

poco a poco cresc.

- A men.-

A

ff

men.

poco a poco cresc.

- A men.-

ff poco a poco cresc.

ff

21

292

A men.-

A men.-

non rit.

non rit.

297

A men!-

fff

A men!-

fff

fff sfz

22

Jubilant ( q. = c.70 )

Alleluia

1.

1.

2.

2.

Voices

Al

CANTOR

mf

le- -

Gt. f sempre marcatoOrgan

Pedal

6

lu ia,- al le- lu- ia,- al le- lu- ia.-

Sw.

mf

13

Al le- lu- ia,- al le- lu- ia,- al le- lu- ia.-

2321 With CONGREGATION

Al le- lu- ia,- al le- lu- ia,- al le- - -

Al

mf

le- lu- ia,- al le- lu- - ia, al le- - -

Al

mf

le- lu- ia,- al le- lu- ia,- al le- - -

mf

Al le- lu- ia,- al le- lu,- al le- lu- ia,- al le- - -

mf

Al le- lu- ia,- al le- lu- ia,- al le- - -

27

lu ia.- - Al le- lu- ia,- al le- lu- - ia.

lu ia,- - al le- lu- ia.- Al le- lu- ia,- al le- - -

lu ia,- - al le- lu- ia.- Al le- lu- - ia,

lu ia,- - al le- lu- ia.- Al le- lu- ia,- al le- -

lu ia,- - al le- lu- ia.- Al le- - - lu- ia,-

24

33

al le- lu- - - ia.-

CANTOR

Nag -

ia, al le- lu- - - ia.-

al le- - - lu- - - ia.-

lu ia,- al le- lu- - - - ia.

al le- lu ia.-

38

wi ka- ang Pa ngi- no- on,- "Ma pa- lad- ang ma nga- ta ong- nag -

Sw.

mp legato

25

42

ti ti- pon- sa A king- Nga lan."- Al le- lu

cresc.

- - ia.

45

Al

With CONGREGATION

le- lu- ia,- al le- lu- ia,- al le- lu- -

Al

mf

le- lu- ia,- al le- lu- - ia, al le- lu- -

Al

mf


Al

mf

le- lu- ia,- al le- lu,- al le- lu- ia,- al le- lu- -

Al

mf


Sw.

Gt.

mf

2652

ia. Al le- lu- ia,- al le- lu- - ia, al -

ia, al le- lu- ia.- Al le- lu- ia,- al le- lu- ia,- - al -

ia, al le- lu- ia.- Al le- lu- - ia, al - -

ia, al le- lu- ia.- Al le- lu- ia,- al le- lu- ia,- al -

ia, al le- lu- ia.- Al - - le lu- ia.- al -

Ped.

58 poco rit.

poco rit.

le lu- - ia.- -

le lu- - ia.- -

le lu- - ia.- -

le lu- - - ia.

le lu- - ia.- -

ff

2 2

27

Triumphantly ( q = c. 115 )

Santo

Voices

San

fCHOIR and CANTOR

proclaiming

to,- San to,- San to,- Pan gi- no- ong- Diyos na ma ka- pang- ya- -

f

Trmpt. Gt.

Organ

Ped.

10

ri han,- Na pu- pu- no- ang la ngit- at lu pang ka lu- wal- ha- ti- an- Mo.

cresc.

18

Ho

f with CONGREGATION

sa- na,- ho sa- na- sa ka i- ta- a- san.- Ho sa- na,- ho sa- na- sa ka i- ta- a- san.- Pi

mf

-

CHOIR Ho

f

sa- na,- ho sa- na- sa ka i- ta- a- san.- Ho sa- na,- ho sa- na- sa ka i- ta- a- san.- Pi

mf

-

f mf

28

27

nag

CANTOR and

CHOIR

pa- la- ang na pa- ri- ri- to- sa

poco cresc.

Nga lan- ng Pa ngi- no- on.-

poco cresc.

34

Ho

ff with CONGREGATION

sa- na,- ho sa- na- sa ka i- ta- a- san.- Ho sa- na,- ho -

Ho

ff


ff

ff

40 rall.

rall.

sa na- sa ka i- ta- a- san.- - -

sa na- sa ka i- ta- a- san.- - -

29

Moderato maestoso ( q = c.90 )

Misteryo ng Pananampalataya

Cantor

Si

fwith CONGREGATION

Kris to- ay na ma- tay.-

Soprano

Alto

Si

f

Kris to- ay na ma- tay.-

Tenor

Bass

Si

CANTOR with

BASSES

f

Kris to- ay na ma- tay.- f Si

f

Trmpt.Gt.

Man. Man.Organ

Ped.

6

Si Kris to'y- na bu- hay.-

Si Kris to'y- na bu- hay.-

Kris to'y- na bu- hay.- Si Kris to- ay ba ba- lik- sa wa -

Man.

Ped.

30

12 rit.

rit.

Si

ff

Kris to- ay ba ba- lik- sa wa kas- ng pa na- hon.-

Si

ff

Kris to- ay ba ba- lik- sa wa kas- ng pa na- hon.-

kas ng pa na- hon.- ff

ff

Ped.

Moderato maestoso ( q = c.90 )

Dakilang Amen

Cantor

A

with CONGREGATION

f

men,- a men.-

Soprano

Alto

A

f

men,- a men.-

Tenor

Bass

A men,- a men.- f A -

f

Trmpt.

Man. Man.Organ

Ped.

31

6

A men,- a men.-

A men,- a men.-

men,- a men.- A men,- a men,- a -

Man.

Ped.

12 rit.

rit.

A

ff

men,- a men.- A men,- a men.-

A

ff

men,- a men.- A men,- a men.-

men,- a - men. ff

ff

Ped.

32

Andante ( q = c.67 )

Ama Namin

Voices

CANTOR. CHOIR and

CONGREGATION

A

mf espress.

ma- na min,- su ma- sa- la- ngit- Ka,

Organ

Ch.

mf

Sw.

Sw.

Ped.

7

Sam ba- hin- ang Nga lan- Mo, Ma pa- sa- a- min- ang ka ha- ri- an- Mo, Sun din- ang lo ob-

12

Mo, di to- sa lu pa- pa ra- ng sa la ngit.- Big yan- Mo po ka mi- nga yon- ng a ming- ka-

17

ka nin- sa a raw- a- raw.- At pa ta- wa- rin- Mo ka misa a ming- ma nga- sa la,- pa ra-

33

22

nang

poco cresc.

pag pa- pa- ta- wad- na min- sa nag ka- ka- sa- la- sa a min.- At

f

h'wag Mo po ka -

poco cresc. f

f

27

ming i pa- hin- tu- lot- sa tuk so,

dim.

- at

mf

i

unis.

ad- ya- Mo ka misa la hat- ngma sa- sa- -

dim. mf unis.

mf

33

ma,

cresc.

sa la hat

f

- ng ma sa- sa- ma.-

cresc. f

cresc. ff

34

Andante ( q = c. 67 )

Aklamasyon sa Ama Namin

Cantor

Sa

f

pag

with CONGREGATION

- kat- sa 'yo nag mu- mu- la- ang ka pang- ya- ri- han- at kal wal- ha- -

Soprano

Alto

Sa

f

pag- kat- sa 'yo nag mu- mu- la- ang ka pang- ya- ri- han- at kal wal- ha- -

Tenor

Bass

f

fOrgan

5

ti an,- mag

ff

Ped.

pa- sa- wa- lang- hang gan.- A men.- A men.-

ti an,- mag

ff

pa- sa- wa- lang- hang gan.- A men.- A men.-

ff

ff

35

Andante religioso ( q. = ca. 42 )

Kordero Ng Diyos

Voices

Sw.

Kor

CANTOR

mp espress.

de- ro- ng Diyos na nag a- a- lis- ngma nga- ka sa- la- nan- ng

mp legato espress.Organ

Pedal

6

san li bu- tan,- Ma

with CONGREGATION

mf legato

a- wa- Ka, ma a- wa- Ka sa a min.- Kor

CANTOR

mp

de- ro- ng Diyosna nag-

Ma

mf legato

a- wa- Ka, ma a- wa- Ka sa a min.-

mf legato

Sw.mp

36

12

a a- lis- ng ma nga- ka sa- la-- nan ng san li- bu- tan,-

With CONGREGATION

Ma

mf legato

a- wa- Ka, ma a- wa- Ka sa a -

Ma

mf legato

a- wa- Ka, ma a- wa- Ka sa a -

mf legato

18

min. Kor

CANTOR

mf

de- ro- ngDiyos na nag a- a- lis- ngma nga- ka sa- la- nan- ng san

cresc.

li- bu- tan,- I -

min. I -

37

23 poco rall.

poco rall.

pag ka- lo- ob- Nin yo- sa a min- ang ka pa- ya- pa- an.-

pag ka- lo- ob- Nin yo- sa a min- ang ka pa- ya- pa- an.-

mp

28

p

That in all things, God may be glorified!!!

August 28, 2007

38

Words from the Stanbrook Abbey

Additional words by Jean C. Arevalo

Moderato semplice ( q = ca.100 )

ENTRANCE HYMN

Mary Crowned With Living Light


Organf

Man.Ped.

7 ALL

VOICES

1. Ma

2. Vir

mf(Choir and Congregation)

ry,

gin

-

-

crowned

Mo

with

ther-

li

of

ving

our

- light,

God,

Tem

Lift

ple

us

- of

when

the

we

Lord,

fall,

13

Place

Who

of

were

peace

named,

and

u

ho

pon-

li

the

- ness,

Cross

- Shel

Mo

ter

ther

-

-

of

of

the

us

Word.

all. Fa

Mys te

ther,-

- ry

Son

- of

and

sin

Ho

less

ly

-

-

life,

Ghost,

19

In

Hea

our

ven-

fal

sings

len

your

- race,

praise,

Free

Ma

from

ry-

sha

mag

dow,

ni

-

-

you

fies-

ref

your

lect

name

- ple

through

ni

e

- tude

ter

-

-

of

nal-

grace.

days.

© Copyright 2007 by Alejandro D. Consolacion II

Published/Owned by the Manila Cathedral-Basilica


3925

Ma

f broaden

ry- crowned with li ving- light, Hand maid- of the Lord, Cho sen- Mo ther-

f broaden

li ving- light,

30

of His Son, Sa viour- of us all. Ma ry,- Mo ther- of His Son, Cho sen- from us

36 1.

1.

all.

man.

40

2.

2.

41

all.

45

48 rit.

41

Text based on St. Bernard's Memorare

Paraphrased by Msgr. Nestor Cerbo

Allegro e legato semplice ( q = ca.130 )

OFFERTORY HYMN

Remember, O Mary Immaculate


mfOrgan

Ped.

7

1. Re

mfCANTOR or MALE VOICES

fluidly

mem- ber,- O Ma ry- Im ma- cu- late- Vir gin,- that

such great con fi- dence,- Im ma- cu- late- Mo - ther to

13

ne ver- was it known, that a ny- one- who comes to

you we humb ly- come, Im ma- cu- late- Vir gin,- be -

4219

your pro tec- tion- was left un as- sis- ted.-

With Choir

O

fore you we stand, sin ful- yet sor row- ful.-

25

Ma

cresc.

ry- con ceived- with out- sin, pray for us who have re -

cresc.pray for us who have re -

32

course to you. O Ma ry- con ceived- with out- sin, pray for us,

4339

pray for us.

pray

44

1.

1.

48 2.

2.

2. With

44

Words by Jean C. Arevalo

COMMUNION HYMN

Moderato e dolce ( q = ca. 85 )


Holy Mother Of Our Savior

Voices

SOPRANOS

and ALTOS

Ho

mf dolce

ly-

Organ mf sempre legato

5

Mo ther- of our Sa vior,- the Spi rit- dwells in you, Oh how great is your

10

beau ty- and the grace bes towed- on you. Ho ly- Mo ther- of our Sa viour,-

15

Bles sed- are you, From a mong- all wo men,- God had cho sen- you.

4521

O Bles sed- Ma ry,- your faith is e ver- las- ting,- re mai- ning- e ver-

26

vir gin,- your heart Im

Im

ma

ma

-

- cu- late-

cu- late.- O Bles sed- Ma ry,-

Ma ry,-

31

Mo ther- of God, Lead us with your gen tle- hand

2nd time to

to Christ, His On ly-

46

36

Son.

SOPRANOS

and ALTOS

2. Ho

mf

ly- Mo ther- of our

41

Sa vior,- we ask your in ter- ces- - sion, Come and help your chil dren,- who

46

seek to rise from shame. Ho

ALLVOICES

ly- Mo ther- of our Sa viour,- Bles sed- are

Ped.

51

you, From a mong- all wo men,- God had cho sen- you.

47

56

Christ, His On ly- Son.

60 rall.

48

Text by Melvin Farrell, S.S.

Stately ( q = ca. 80 )

Holy Mary, Now We Crown You

FINAL HYMN


Solo Tpt.

FANFARE

fOrgan

Ped.

4

7

11

mf cresc.

15

ff

19

fff

OPTIONAL INTRO

49

Andante ( q = 90 )23

1. Glo

VERSE 1 (Choir and congregation)

f ALL VOICES

rious- Queen,look down in kind ness,- while be fore- your throne we stand, Bring God's bles sing- to your chil dren,-

29

Watch our homes and guard our land. Ho ly- Ma ry, now we crown you, Ho nored- Queen of all our race;

35

No ble- Vir gin,- may our tri bute- win your love and gain us grace.

mf

41

2. Gate

VERSE 2 (Choir only, in harmony)

f

of Hea ven,- you were Mo ther- to the King of heav'n and earth;

dim.

f(Organ doubles voices)

dim.

5045

Now,

mf poco cresc.

be Mo ther- to your sub jects,- In our souls, give Je sus- birth.

mf poco cresc.

to your

49

Ho ly- Ma ry,- now we crown you, Ho nored- Queen of all our race;

cresc.

cresc.

53

No

f

ble- Vir gin,- may our tri bute- win your love and gain us grace.

f

57

FANFARE 2

f

61

51

66

3. Queen

VERSE 3 (Choir and Congregation)

f ALL VOICES

of Man kind,- while cre a- tion- speaks the gran deur- of God's love,

f

Ped.

70

Mold our hearts to seek His glo ry- Till we reach our homes a bove.-

74

Ho

CHOIR SOPRANOS

ly- Ma ry,- now we crown you, Ho nored- Queen of all our race;

Ho

ALL OTHER VOICES

ly- Ma ry,- now we crown you, Ho nored- Queen of all our race;

78Largamente


ff

A men.-


ff

A men.-

ff

that in all things God may be glorified!!!

October 2007

Moderato ( q = c. 108 )

version for Cantor, Congregation (Unison) and Keyboard

commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival


Panginoon, Maawa Ka


Voices

Keyboard

Pa

pCANTOR

legato

ngi- no- on,- ma a- wa-

Cm Cm Cm/Bb

8

Ka.

cresc.

Pa

mp

ngi- no- on,- ma a- wa- Ka. Pa ngi- no- on,- ma -

Fm Eb9 Fm9/D G

15

a wa- Ka, Ma

with CONGREGATION

a- wa- Ka sa a

2nd time to

- -

Ab Ab/G Fm7 Gsus G Fm7 G

23

min. Kris

mf espress.CANTOR

to,- ma a- wa- Ka.

cresc.

Cm Cm/Bb Ab

mf

Eb/G3

© Copyright 2007 Alejandro D. Consolacion II

Published/owned by the Manila Cathedral-Basilica


56

29

Kris to,- ma a- wa- Ka. Kris to,- ma -

Fm G/F Eb9 Fm/D G

35

a wa- Ka.

dim.

Ma

with CONGREGATION

a- wa- Ka sa a - - -

Ab Ab9 Fm7 Gsus4 G7 Fm7 G

43

min.

p

Cm

47

min.

CmCm9

57

Jubilant ( q. = c. 70 )

Papuri Sa Diyos

1. 2.

Voices

CANTOR AND

CONGREGATION

Pa

mf

-

mf marcato

Eb Bb/Eb Ab/Eb Eb Eb

Keyboard

6

pu ri

ANTIPHON

- sa Diyos sa ka i- ta- a- san,- at sa lu pa'y- ka pa- ya- pa- an.- Pa -

mp

Eb Eb/d Cm7 Cm/Bb Ab Eb/G Db/F Ab/Eb Bb7

14

pu ri- sa Diyos sa Ka i- ta- a- san- at

cresc.

sa lu pa'y- ka pa- ya- pa- -

Eb Eb/d Cm7 Eb/Bb

cresc.

Fm Gm7 Ab Eb9/Bb Fm/Bb Bb4

22

an.

CANTOR

1. At sa

CANTOR

2. Pa ngi- -

mf marcato

Eb Bb/Eb Ab/Eb Eb Bb Eb Bb/D Ab/C Eb

58 30

lu pa'y- ka pa- ya- pa- an- sa ma nga- ta ong- may ma bu- ting- ka lo- o- ban.-

no ong- Diyos, Ha ri- ng La ngit,- Diyos A mang- Ma ka- pang- ya- ri- han- sa la hat.-

mf

Eb Ab/Eb Eb Ab/C Bb Eb

37

Pi nu- pu- ri- Ka na min,- Di na- ra- ngal- Ka

Pa ngi- no- ong- He su- kris- to,- bug tong- na A -

Ab/Eb Bb7 Eb Ab/C Eb/Bb Db/F

44

na min,- Si

f with CONGREGATION

na- sam- ba- Ka na min,- Ni lu- lu- wal- -

nak. Pa

f with CONGREGATION

ngi- no- ong- Diyos, Kor de- -

Bb

f

Cm Gm Ab Cm

5951

ha ti- Ka na min,- Pi na- sa- sa- la- ma- tan- Ka na min- da

cresc.

hil-

ro ng Diyos, A nak- ng A ma,- A

f

-

Gm Ab Ab/G Fm7 Eb/G

58

sa da ki- la- Mong kal wal- ha- ti

ff

- an.-

nak ng A ma.

ff

-

Ab Ab/G Fm7 Bb

mf marcato

Eb Bb/D

64 to ANTIPHON

to ANTIPHON

Ab/C Eb Bb Eb Bb/D Ab/C Eb

60Andantino ( q. = c. 52 )

70 CANTOR

I

p

kaw- na nag a- a- lis- ng ma -

p

Ebm

legato

Bbm/Eb Ebm Db/Eb Ebm Bbm/Eb Ebm Db7/Eb Ebm Db/Eb Ebm

nga

76

ka sa- la- nan- ng san li- bu- tan,- Ma

with CONGREGATION

a- wa- Ka sa a min,- ma a- wa- Ka sa a min.-

CANTOR

I -

Ebm Abm/Eb Ebm Ebm/Db Cb Ebm/Bb Abm Ebm

kaw

82

na nag a- a- lis- ng ma nga- ka sa- la- nan- ng san li- bu- tan.- Tang

mfwith CONGREGATION

ga- pin- mo ang a ming- ka hi- li- ngan, tang ga- -

Ebm Db/Eb Ebm Ebm Db/Eb Ebm Abm Ebm/Bb

pin

88

mo ang a ming- ka hi- li- ngan.- I

CANTOR

kaw- na na lu- luk- lok- sa ka nan- ng A ma,- ma

mf

Abm Ebm/Gb

cresc.

Cb/Gb

ff

Ebm Db/Eb Ebm Ebm Db/Eb Ebm

-

61rall.

a

95

wa- Ka sa a min,- ma

with CONGREGATION

a- wa- Ka sa a min.- Ma

mpCANTOR


mf

Cb/F Ebm Cb/F Ebm

mp

Cb/F Bbmsus4 Bb

Jubilant ( q. = c. 70 )1. 2.102

3. Sa

mfCANTOR

pag- kat- I kaw- la mang- ang ba nal,

cresc.

-

mf marcato

Eb Bb/Eb Ab/Eb Eb Eb

mf

Eb Eb/Bb Cm7

110

I kaw- la mang- ang Pa ngi- no- on.- I

mf

kaw- la mang,- O He su- kris- to-

Cm/Bb Fm7 Bb7 Eb

f

Db Bb7 Eb Eb/D Cm7

118

ang ka ta- as- ta- a- san.- Ka

f with CONGREGATION

sa- ma- ng Es pi- ri- tu- San to,-

Eb/Bb Fm7 Bbsus4 Bb7

f

Cm Gm Ab

62

sa Ka lu- wal- ha- ti- an- ng Diyos A ma,- A -

Cm Gm Ab Fm7

men, ng Diyos A ma,- A men.-

Eb/G Ab Ab/G Fm7 Bb7

mf marcato

Eb

140

FINAL ANTIPHONCANTOR and

CONGREGATION

Pa

mf

-

Bb/D Ab/C Eb Bb7 Eb Bb/D Ab/C Eb

pu

147

ri- sa Diyos sa ka i- ta- a- san,- at sa lu pa'y- ka pa- ya- -

Eb Eb/D Ab/C Eb/Bb Db/Ab Fm7

63

pa

153

an.- Pa pu- ri- sa Diyos sa Ka i- ta- a- san- at

cresc.

sa

Db7 Ab Bb Eb Eb/D Ab/C Eb/Bb

lu

159

pa'y- ka pa- ya- pa- an.-

Fm7 Eb/G Ab Eb/Bb Ab/Bb

mf marcato

EbBb/D Ab/C Eb

167

A men,-

Eb Bb/D Ab/C Eb Ab Eb4/G

174

a men,- a men,-

Fm7 Fm/Eb Db7

64

180

A men!-

Cb Eb9

ff

Eb

sfz

Jubilant ( q. = c. 70 )

Alleluia

1. 2.

Voices

CANTOR

Al le- -

Keyboard mf marcato

Eb Bb/Eb Ab/C Eb/Bb Eb

lu

6

ia,- al le- lu- ia,- al le- lu- ia.-

Eb Eb/D Cm7 Eb/Bb Db Ab/C Bb7 Eb

13

Al le- lu- ia,- al le- lu- ia,- al le- lu- ia.-

Db Bb7 Eb Eb/D Cm7 Eb/Bb Eb/G Ab Bb7 Eb

65

21

Al

CANTOR and

CONGREGATION

le- lu- ia,- al le- lu- ia,- al le- - -

Db/Eb Db/Bb Eb Fm7 Eb/Bb Eb/G Ab

lu

27

ia.- Al le- lu- ia,- al le- lu- - ia,

to 2nd ending

al -

Bb7 Eb Ab Bb7 Eb Fm7 Gm7Eb/G

le

34

lu- ia.- Nag

CANTOR

wi- ka- ang Pa ngi- no- on,- "Ma -

Fm7 Bb7 Eb Eb/D Cm7 Gm7 Ab

pa

40

lad- ang ma nga- ta ong- nag ti- ti- pon- sa A king- Nga lan."- Al le- -

Cm7 Gm Ab Fm7Eb/G

66

lu

44

ia.- Al le- le

2nd ending

lu- ia.-

Absus4 Eb/G Fm7 Bb7 Fm7 Bb7 Eb

Triumphantly ( q = c. 115 )

Santo

Voices

San

CANTOR

to,- San to,- San to.- Pa ngi- -

Keyboard

Db Gb Db

no

7

ong- Diyos na ma ka- pang- ya- ri- han,- Na pu- pu- no- ang la ngit- at lu pa-

Gb Db Db/C Bbm Fm7

14

ng ka lu- wal- ha- ti- an- Mo. Ho

CANTOR and

CONGREGATION

sa- na,- ho sa- na- sa

C# E/G# Absus4 Ab7 Db

67

ka

21

i- ta- a- san.- Ho sa- na,- ho sa- na- sa ka i- ta- a- san.- Pi

CANTOR

nag- pa- la-

Gbm Ab Db Gbm Gb Ab Bbm

ang

28

na pa- ri- ri- to- sa Nga lan- ng Pa ngi- no- on.-

Fm7 E/G# C# Absus4

34

Ho

CANTOR and

CONGREGATION


Ab7 Db Ab/Db Gbm Ab Db

sa

40

na- sa ka i- ta- a- san.- - -

Ab Gbm Db

68Misteryo ng Pananampalataya / Dakilang Amen

Voices

Si

A

CANTOR

Kris to- ay

men,-

na

a

ma- tay.

men.-

- Si

A

CONGREGATION

Kris to- ay

men,-

na

a

ma- tay.

men.-

- Si

A

CANTOR

Kris

- men,

to'y

a

- na

-

-

Keyboard

bu

men.

7

hay.- Si

A

CONGREGATION

Kris

men,- -

to'y

a

- na bu

men.-

- hay.- Si

A

CANTOR

Kris to- ay

men,-

ba

a

ba- lik

men.-

- sa

A

wa

-

-

kas

12

ng

men,

pa

a

na- hon.

men.-

- Si

A

CONGREGATION

Kris to- ay

men,-

ba

a

ba- lik

men,-

- sa

a

wa kas- ng

men,-

pa

a

na- hon.

men.-

-

-

69


Ama Namin

Voices

CANTOR and

CONGREGATION

A ma- na min,- su ma- sa- -

Keyboard

Bbm9 Bbm Ebm7/Bb Bbm9 Bbm Ebm7Bb Bbm9 Bbm

la

6

ngit- Ka, Sam ba- hin- ang Nga lan- Mo. Ma pa- sa- a- min- ang ka ha- ri- an- Mo,

Fsus4/Bb F/Bb F/Bb Bb Bb/D Ebmsus4 Ebm

11

Sun din- ang lo ob- Mo, di to- sa lu pa- pa ra- ng sa la ngit.- Big yan- Mo po ka mi- nga -

Ab7 DbM7 EbM7 Fmsus4 F Bb

yon

16

ng a ming- ka ka- nin- sa a raw- a- raw.- At pa ta- wa rin- Mo ka -

Bb/D Eb Cm Ebm/C Bb/D Asus4 A7

70

mi

20

sa a ming- ma nga- sa la,- pa ra- nang pag pa- pa- ta- wad- na min- sa nag ka- ka- sa- la- sa a min.- At

Dm C F Bb9 Bb#4 Eb/Bb Ebm/Bb

h'wag

26

Mo po ka ming- i pa- hin- tu- lot- sa tuk so,- at i ad- -

Bb/F Eb/G Bb/D Eb/G

ya

30

Mo ka misa la hat- ng ma sa- sa- ma,- sa la -

Dm7 Gm Dm7 Gm

hat

34

ng ma sa- sa- ma.-

Eb9 Ebm9 Bb F/A Eb/G Ebm/Gb Bb

71


Aklamasyon sa Ama Namin

Voices

Sa

CANTOR and

CONGREGATION

pag- kat- sa 'yo nag mu- mu- la- ang ka pang- ya- ri- han- at kal wal- ha- ti- an,- mag-

Keyboard

Eb/F F7 Bb9 Bbaug Eb/Bb Eb/Bb

pa

6

sa- wa- lang- hang gan.- A men,- A men.-

Bb/F Eb F7 BbBb/A Eb/G Ebm7 Bb

Andante religioso ( q. = ca. 42 )

Kordero Ng Diyos

Voices

Kor

CANTOR

de- ro- ng Diyos na nag a- a- lis- ng ma -

Keyboard

Ebm Abm/Eb Ebm Abm Eb Db/Eb Eb Db/Eb

72

nga

5

ka sa- la- nan- ng san li- bu- tan,- Ma

CONGREGATION

a- wa- Ka, ma a- wa- Ka sa a - -

Eb Db Gb Bb Abm Eb/Gb Ab/Eb Cb Bb7

1. 2.

min.

10

Kor - min. Kor

CANTOR

de- ro- ngDiyos na nag a- a- lis- ngma nga- ka sa- la- nan- ng

Ebm Ab7 Eb Ab/Eb Eb9 Fm Eb/G Ab Eb/Bb Fm7

san

15

li- bu- tan,- I

CONGREGATION

pag- ka- loob- Nin yo- sa a min- ang ka pa- ya- pa- -

Eb/G Bb Fm7 Eb/G Ab Abm Eb/Bb Ab/Bb

an.

20

Eb Ab/Eb Eb Ab Ebm Cb Eb2

That in all things, God may be glorified!!!

August 28, 2007

73

Words from Stanbrook Abbeyadditional words by Jean C. Arevalo

Moderato semplice ( q = 100 )


ENTRANCE HYMN

Mary Crowned with Living Light

Voice

Keyboard

1. Ma

2. Vir

Bb

ry

gin

-

- Mo

crowned

F/A

ther

with

-

li

of

Gm

ving

our

- light,

God,

Gm/F

Tem

Lift

Eb

ple

us

- of

when

F

the

we

Lord,

fall,

Bb

Place

Who

D

of

were

peace

named,

D/F#

and

u -

6

ho

pon

Gm

li

the

- ness,

Cross,

Gm/F

- Shel

Mo

C/E

ther

ter-

-

of

of

the

us

Word.

all.

F

Fa

Mys

Db

ther,

te

-

- ry

Son

Gb/Bb

- of

and

sin

Ho

Ab

less

ly

-

-

life,

Ghost,

In

Hea

Ebm7

our

ven-

fal

sings

Ab

len

your

-

12

race,

praise,

Db

Ma

Free

F/C

from

ry-

sha

mag

dow,

ni

-

-

you

fies

Dm

-

ref

Your

lect

name

- ple

through

Gm

ni

e

- tude

ter

C7

-

-

of

nal-

grace.

days.

F9 F7

17

Ma

Bb

ry- crowned

Bbaug

with li

Eb

ving- light, Hand

Cm7

maid- of

F7

the Lord,

Bb9/D Bb/D

Cho

Eb

sen- Mo

F/Eb

ther- of

Bb/D

His Son,

Eb

© Copyright 2007 by Alejandro D. Consolacion II

Published/owned by Manila Cathedral-Basilica


Words from Stanbrook AbbeyAdditional words by Jean C. Arrevalo

74

23

Sa

Bb/F

viour- of

F7

us all.

Bb

Ma

Eb

ry,- Mo

F/Eb

ther- of

Bb/D

His Son,

Eb

Cho

Bb/F

sen- from

F7

us all.

Bb

Text based on St. Bernad's "Memorare"Paraphrased by Msgr. Nestor Cerbo

Allgro e legato semplice ( q = 130 )


Remember O Mary, ImmaculateOFFERTORY HYMN

1.

1.

2.

2.

Verse 1

Re mem

D

- ber- O

7

Ma

G/B

ry- Im ma

A/C#

- cu- late- Vir

D

gin,- that ne

G/B

ver- was

A

it known,

D G/B

that

14

a

D

ny- one- who comes

G/B

to your

A/C#

pro tec

D

- tion- was left

G/B A7

un as- sis

D

- ted.-

D7

O

Text based on St. Bernard’s “Memorare”Paraphased by Msgr. Nestor Cerbo

75

22

Ma

G

ry- con - ceived

A/G

with out- sin,

F#m7 Bm7 C

pray for us

G/B Em7

who have re -

29

course

A7

to you.

D7

O Ma

G

ry- con ceived

A/G

- with out- sin,

F#m7 Bm7 C

pray for

35

us,

G/B Em7

pray

A7

for us.

D Verse 2

With

42

such

D

great con

G/B

fi- dence,- Im ma

A

- cu- late- Mo

D

- ther, to you

G/B

we humb

A

ly-

48

come.

D G/B

Im ma

D

- cu- late- Vir

G

gin,- be fore

A

- you we stand,

D

7654

sin

G

ful-

A7

yet sor

D

row- ful.-

D7

O

Refrain

us.

D

Moderato e dolce = ( q = 85 )

Words by Jean C. ArevaloAlejandro D. Consolacion II

Holy Mother of our SaviourCOMMUNION HYMN

Verse 1

Ho ly- Mo

Eb

ther- of our

Bb/D

Sa

Cm

viour,-

Cm/Bb

the Spi

Ab

rit- dwells

C/G

in you,

Fm7 Bb7

Oh,how

6

great

Eb/G

is your

Ab

beau

Gm7

ty-

Cm

and the grace

Db

be stowed

Ab/C

- on you.

Bbsus7 Bb7

Ho ly- Mo

Eb

ther- of our

Bb/D

11

Sa

Cm

viour,- Bles

Fm

sed- are you,

Bb

from

Eb/G

a mong

Ab

- all wo

Gm7

men,-

Cm

7716

God

Fm

had cho

Bb7

sen- you.

Eb

O

Refrain

Ab

Bles sed- Ma

Eb/G

ry,- your faith

Ab

is e ver- las

Eb/G

- ting,- re -

22

mai

Gsus4

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Words by Melvin Farell, S.S.

Andante ( q = 90 )


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that in all things God may be glorified!!!October 2007

CHURCH ANTHEMS

Aba Ginoong Maria

Alleluia Ave Regina Coelorum

Behold the Wood of the Cross

Dona Nobis Pacem

Cantate Domino

Materials for orchestra is suitable for both versions

Christ our Light

Child’s Prayer

I Will Magnify Thee, O God and my King


Kyrie

Let Christ Into Your Life

Lord God, our Father


Lord Jesus, Sun of Righteousness

Mary’s Lullay

May God Guide Each Step

O Salutaris Hostia

Pater Noster Version for mixed voices is different for treble voices

Pange Lingua

Regina Coeli

Salve Regina

Sing to the Lord

Tantum Ergo

Veni Creator Spiritus

Worship the Lord in Beauty of Holiness

MUSIC FOR THE EUCHARIST AND SERVICES

Mass of St. Scholastica

Misa ng Pagbabalik-loob

Music for the Holy Eucharist, No. 1

Music for the Holy Eucharist, No. 2

Nuct Dimitiis

Te Deum

SELECTED SACRED WORKS OF ALEJANDRO D. CONSOLACION II

For Inquiries:

Alejandro D. Consolacion II(+63915) 861-8013 / (+63920) 920-2289(+63922) 825-5326 / (+63922) 837-5326

[email protected]

Cathedral-Basilica of the Immaculate ConceptionMANILA METROPOLITAN CATHEDRAL-BASILICACabildo cor. Beaterio, Intramuros, ManilaTel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192Mobile: 0917.400.9131, 0928.743.0067E-mail: [email protected], [email protected]

www.manilacathedral.org

ALEJANDRO D. CONSOLACION II enjoys his dual career as Organist and Composer. He studied piano under the tutelage of J. Greg Zuniega. Professor Armando Salarza also contributed to his musicianship as his pipe organ teacher. He studied composition under Manuel Maramba, OSB and Dr. Jonas Baes at the St. Scholastica’s College, where he was a recipient of the Sister Baptista Battig Music Scholarship.

AJ, as Consolacion is fondly called, is regularly invited to write music for the International Bamboo Organ Festival, the San Agustin Music Festival and the National Music Competition for

small to large-scale chorale works, music for solo instrument, chamber music to orchestral and full length musicals. His chorale works are widely performed not only in the Philippines but also in the whole of Asia. His Alleluia (2002) was premiered by the Asian Youth Choir at the Pablo Casals Hall in Tokyo, Japan and was performed in and won Second Prize at the Sacred Polyphonic Category by the University of the East Chorale at the 2003 Guido d’ Arrezo Choir Competition held in Italy. Consolacion’s Child’s Prayer (2006), Four Marian Antiphons (2005), Ave Verum (2004), Dona Nobis Pacem (2004), Pater Noster (2002) and Three Eucharistic Prayers of St. Thomas Aquinas (2001) are among the chorale works well-loved and popularly included in the repertoires of Filipino choirs. Harmonia Ltd. in Japan did publications of his music. His music for Violin and Piano Nocturne (2005) and Tanz (2005) were commissioned competition pieces for the NAMCYA. AJ has been the composer-in-residence for and accompanist of the Mandaluyong Children’s Choir since 2004. The Las Piñas Boys Choir, who regularly commissions him, premiered most of his works for treble voices during the yearly International Bamboo Organ Festival.

As an Organist, he was invited to perform for her Royal Highness

performs as a pianist, organist, accompanist and conductor for small and large crowds here and abroad. He held the position as Organist for the Spanish Baroque Organ at the San Agustin Church (1999-2001) in Manila and the Church of the Holy Trinity in Forbes Park, Makati (2001-2007). Presently, he is the Titular Organist of the Union Church of Manila and Sub-Organist at the Sanctuario de San Antonio Church in Forbes Park, Makati and the Manila Cathedral in Intramuros where he also teaches and trains organists.

AJ is widely known and respected for his gift of improvisation attributed to his lush harmonies, chant-like melodies and witty syncopated rhythms, which give his works a unique spiritual language.

misa immaculada concepcion

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