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    Painter, sculptor, and printmakerAlex Katz has been ihe began his studies at the Skowhegan School of PaintingSkowhegan exposed him to painting from life, which rematices today. Katz explains that Skowhegans plein air painto devote my life to painting. | Moose Horn State Park, 1975, Oil o

    In Land

    We T

    A journey to Maine has always promised an woods, a breath of fresh air, and the opport

    on pristine beaches. Thanks to a network of

    conservationists this will continue to be tru

    Written by

    Maura Ewing

    Artwo rk co urtesy o f

    Alex Katz

    I ll

    56 maine | themainemag.com

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    58 maine | themainemag.com Nov

    or generations, Mainers haveenjoyedand perhaps taken forgrantedthe states vast wildernessand ragged shorelines. Our statesbeauty attracts newcomers,seasonal residents, and vacationersalike. Over the past few decadesas more and more people fall inlove with the state, interest in real

    estate has risen dramatically, anduntouched properties have becomea coveted commodity.

    In response to this rapid development,

    communities have created local land trusts.

    What largely began as small, informal groups

    of friends scraping together money and

    raising funds from neighbors has evolved

    into formalized nonprofit organizations.

    Today, Maine has one of the strongest land

    conservation networks in the country. The

    goals of these independent land trusts are

    as diverse as the landscapes they protect,

    but they all share an overarching mission to

    preserve Maines natural assets.

    On a crisp summer evening, Tom Bradbury,

    executive director of the Kennebunkport

    Conservation Trust, stands before the

    bandstand under a white canopy at the

    trusts crowded fifteenth annual lobsterbake. With a microphone in one hand

    and a plastic cup of wine in the other, he

    speaks in a manner reminiscent of both

    a political campaign speech and a proud

    fathers wedding toast. Im looking for your

    enthusiasm, he says. People will see what

    were doing, and if they see the community as

    something important it will commend them

    to participate. Enjoy the James MontgomeryBlues Band and enjoy the fireworks. Thank

    you so much for coming!

    About 200 people erupt into applause. A

    group of college-aged kids raise their beers

    and chant, Tom! Tom! Tom!

    In the back corner, Dave Jourdan leans

    against a picnic table strewn with plates of

    lobster shells and corncobs. He chuckles.

    Tom could be the mayor of this town! Hes a

    visionary. He sees the big picture and knows

    how to get there, he says. Bradburys vision

    is simple, though its influence on the future

    of his growing community will undoubtedly

    be profound: preserve Kennebunkports

    natural heritage.

    The trusts conservation holdings include

    1,000 acres of continuous wilderness, asignificant percentage of the small towns

    14,000 acres. The trust also owns the small

    islands that decorate Cape Porpoise Harbor

    and stands as visible reminders to all those

    who have gathered for the lobster bake.

    Bradbury takes a moment to gaze at the

    harbor. The islands define the feel and the

    look of the harbor. In size theyre small, but

    in terms of value theyA development boom

    spurred Bradburys i

    land conservation. T

    trusts werent forme

    Maineits because y

    he says. When I was

    go anywhere; everyth

    Around the same time

    late philanthropist anworthy Maine causes

    increased developme

    friend, Tom Cabot, fou

    Heritage Trust to pres

    family had enjoyed fo

    reached out to grassro

    and asked them to join

    Bradbury was among

    "It doesn t mattpau per or a pra c ommon bon

    Katz has spent every summer in Lincolnville since 1954. The wstate envelops the viewer in nature. | 01 Good Afternoon 2, 1974, Oil on linenand Vincent, 1961, Oil on Linen, 84 x 74 inches |

    F

    Tom Bradbury

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    60 maine| themainemag.com No

    Bradbury recalls one of the first board

    meetings he attended. He had borrowed a

    car from the general store where he worked

    at the time. Im driving up to the meeting

    at the Cumberland Club and the muer of

    my Pontiac falls o. Luckily, Ive got a coat

    hanger in the back. So I hook up the coat

    hanger to keep the muer othe groundI

    was a little bit late, he says. As it turned out,

    Peggy Rockefeller also had transportation

    dicultiesthe pilot of her private jet

    mistakenly headed toward her familys Mount

    Desert Island home instead of Portland.

    Grateful he hadn't had to tell Ms. Rockefellerwhy he was late, Bradbury gives a full belly

    laugh at the memory. The beauty of it was

    that we were at the same meeting for the

    same purpose with the same dedication. It

    doesnt matter if youre a pauper or a prince

    the land is a common bond.

    Peggy Rockefeller and Tom Cabots project

    blossomed. Over the past thirty years, the

    Maine Coast Heritage Trust has preserved

    more than 130,000 acres of land,

    including 275 coastal islands.

    Warren Whitney, who manages the

    organizations Maine Land Trust

    Network, explains: When Peggy

    Rockefeller and Tom Cabot founded

    the Maine Coast Heritage Trust, they

    said we should connect landowners

    who want to conserve their land with

    organizations that can do that. They

    thought it would take some limitedamount of time, maybe ten years,

    and then it would all be done. But of

    course, were all still working hard at it

    today, and there is still lots to be done.

    In addition to conserving land, the trust s

    Maine Land Trust Network serves as an

    umbrella organization for the local trusts

    in Maine by helping these organizations

    access funding and by facilitating

    communication and collaboration. The

    local trusts have grassroots awareness

    of their area and so they work very well

    as a team with the resources that Maine

    Coast Heritage Trust has, Whitney says.

    Ed Kfoury, board president of the

    Rangeley Lakes Heritage Trust, spreads

    out a map on the t able before him. This

    is the Rangeley region. All of this darkgreen is ours, he says. Kfoury points to a

    conglomeration of lakes straddled by the

    New Hampshire and Canadian border.

    This is the Seven Islands property, part

    of 250,000 acres that goes north. This

    land here is spectacular and its mostly

    uninhabited. I have one, two, three

    townships Id like to get my hands on, he

    says with a grin that indicates hes aware of

    the audacity of the statement he just made.

    Most of the people selling land are doing it

    because they want to get a return, but they

    also dont want to see their land trashed;

    theyre attached to it. Were good people to sell

    it to. Weve communicated with owners who

    say, Now where are you going to get that kind

    of money? and I say, Were working on it!

    The trusts track record speaks for itself:

    since its inception in 1990, the organization

    has preserved roughly 12,500 acres of land,

    including 45 miles of lake shorefront. With

    his career as an IBM executive behind him,

    Kfoury focuses on the trusts negotiations

    and fundinga happy marriage of his

    passion for land and his expertise in business

    negotiations. Some funding comes from

    grants, but local trusts are largely dependenton contributions from individual members,

    which can range from a few dollars to tens of

    thousandsor millionsof dollars.

    Kfoury leans back in his chair. Most of us,

    depending on what weve done in life, havent

    done things that are going to last forever.

    This stu, done right, will, he says.

    On Maines southern coast, a stroll through

    Cape Elizabeth makes the nearby urban

    center of Portland seem a distant memory.

    Oa winding rustic road, the Jordan

    familys farm stand teems with local goods.

    Penny Jordan throws her hands up as she

    marvels at her familys empire of produce.What more could you ask for? Its like Gods

    country here, she says.

    The Jordans sell to the areas locavores,

    supplying specialty grocers and soup

    kitchens alike. The familys fields will be

    used as farmland in perpetuity due to a

    farmland easement the Jordans placed on

    their property under the guidance of the

    Cape Elizabeth Land Trust. Conservation

    easements are legal agreements that limit

    the use of a property, and they are generally

    tailored to fit the wishes of the owner

    and the assets of a property. Woodland

    easements, for example, can render property

    forever wild or allow sustainable logging

    and recreational activities. In this case,

    the farmland easement gave the Jordans

    peace of mind by allowing them to realize

    the value of their land without having tosell it for development. The easement also

    lowered their propertys assessed value, and

    " M ost of u s, depen din g on whatwe've don e in l i fe , haven 't don ethin g s that are g o in g to last forever .This stu ff , don e r ig ht , w i l l . "

    - E d Kfou ry

    Alex Katz, largely considered one of the most important American artists of our time,donated more than 400 of his works to the Colby College Museum of Art in 1992. Ongoing

    selections from the collection, which now includes nearly 700 pieces of his work, arepresented at the museum's The Paul J. Schupf Wing for the Works of Alex Katz.

    | Blueberry Field, 1959, Collage, 13 15/16 x 17 inches |

    Warren Whitney

    Ed Kfoury

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    62 maine | themainemag.com Nov

    the financial benefits have allowed them to

    expand the farms services, which include a

    mobile farm stand for elderly residents and

    an on-property restaurant.

    Jordans Farm is now part of the more than

    600 acres the Cape Elizabeth Land Trust has

    preserved. Other properties include Robinson

    Woods, where hikers can taste the salt air as

    they walk beneath 300-year-old trees, and

    a large part of the seven-mile patchwork of

    walking trails that traverse from Portland

    Head Light to Kettle Cove in Cape Elizabeth.

    Chris Franklin, the executive director ofthe Cape Elizabeth Land Trust, sums up

    the importance of his work: The

    varied land use, the scenic vistas,

    and the rural character of the

    town are served by open space.

    Our natural heritage creates

    our sense of place and sense of

    community. Once a property is lost

    to development, its gone forever.

    Franklin is the only full-time

    employee of the trust, though the

    success of his work depends on

    the skills and dedication brought by board

    members and volunteers.

    Ted Darling, the trusts board president

    and a professional marketing strategist,

    was inspired to join the trust five years ago

    when the woodlands behind his house were

    slated for residential development. Usinghis skills in marketing, Darling organized

    fundraising drives that tripled the trusts

    membership, now at 600, in three years. The

    backbone of a trusts work, volunteers such

    as Ted Darling will coordinate educational

    programs, organize guided hiking tours, and

    provide the manual labor needed to steward

    conserved property.

    Farther up the Maine coast, rolling mountains

    and vast forests are not only valued for

    recreational purposes but are home to fragile

    ecosystems. The Coastal Mountains Land

    Trust conserves property across fifteen

    townships in midcoast Maine. Stahere

    have used GIS mapping to locate ecologically

    valuable areas and establish preservation

    goals. Kristen Lindquist, the trusts director

    of development and an accomplished poet,explains the balance the organization is

    working to achieve. Were protecting the

    land for people to enjoy, as well as for its many

    conservation values, some of which may be

    sensitive to overuse, she says. There is a fine

    line with encouraging people to appreciate the

    natural landscape firsthand without loving it

    to death.

    The Coastal Mountains Land Trust is

    raising funds to conserve Bald and Ragged

    mountains, which are home to the Camden

    Snow Bowl ski area an

    of trails. The project w

    and carefully expand

    four-season access fo

    snowshoers, and cros

    while simultaneously

    sensitive areas.

    Lindquist is a Camden

    the area after high sc h

    parts of the country, b

    rationalize living anyw

    I came back and staye

    an incredibly beautifu

    landscape is what givsets the stage for the q

    she says. The blissful t

    continues to leave her

    times of stress she ste

    the clean air, and says

    Everything else just f

    Lindquist works to co

    connect donors to the

    what were doing to pr

    love, they want to sup

    The land trusts in Ma

    a natural legacy that w

    in perpetuity. In time,

    conservationists will

    another generation of

    Trusts across the stat

    programsfrom sum

    afterschool activities

    fostering passionate fwords of Tom Bradbu

    love and love what yo

    "The n atu ral lan dsc ape is what g ivesthe plac e c harac ter an d sets the stag efor the qu al i ty of l i fe we have."

    -Kr isten L in dqu ist

    Alex Katz: New Work is currently on exhibition at the Farnsworth Art Museumin Rockland through October 31. This exhibition focuses on Katzs most recentworks from his annual Lincolnville sojourn.|Sunset 2, 2008, Oil on linen, 108 x 84 inches |

    Ted Darling

    C h r is Fr a n k l in

    Kristen Lindquist