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Painter, sculptor, and printmakerAlex Katz has been ihe began his studies at the Skowhegan School of PaintingSkowhegan exposed him to painting from life, which rematices today. Katz explains that Skowhegans plein air painto devote my life to painting. | Moose Horn State Park, 1975, Oil o
In Land
We T
A journey to Maine has always promised an woods, a breath of fresh air, and the opport
on pristine beaches. Thanks to a network of
conservationists this will continue to be tru
Written by
Maura Ewing
Artwo rk co urtesy o f
Alex Katz
I ll
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or generations, Mainers haveenjoyedand perhaps taken forgrantedthe states vast wildernessand ragged shorelines. Our statesbeauty attracts newcomers,seasonal residents, and vacationersalike. Over the past few decadesas more and more people fall inlove with the state, interest in real
estate has risen dramatically, anduntouched properties have becomea coveted commodity.
In response to this rapid development,
communities have created local land trusts.
What largely began as small, informal groups
of friends scraping together money and
raising funds from neighbors has evolved
into formalized nonprofit organizations.
Today, Maine has one of the strongest land
conservation networks in the country. The
goals of these independent land trusts are
as diverse as the landscapes they protect,
but they all share an overarching mission to
preserve Maines natural assets.
On a crisp summer evening, Tom Bradbury,
executive director of the Kennebunkport
Conservation Trust, stands before the
bandstand under a white canopy at the
trusts crowded fifteenth annual lobsterbake. With a microphone in one hand
and a plastic cup of wine in the other, he
speaks in a manner reminiscent of both
a political campaign speech and a proud
fathers wedding toast. Im looking for your
enthusiasm, he says. People will see what
were doing, and if they see the community as
something important it will commend them
to participate. Enjoy the James MontgomeryBlues Band and enjoy the fireworks. Thank
you so much for coming!
About 200 people erupt into applause. A
group of college-aged kids raise their beers
and chant, Tom! Tom! Tom!
In the back corner, Dave Jourdan leans
against a picnic table strewn with plates of
lobster shells and corncobs. He chuckles.
Tom could be the mayor of this town! Hes a
visionary. He sees the big picture and knows
how to get there, he says. Bradburys vision
is simple, though its influence on the future
of his growing community will undoubtedly
be profound: preserve Kennebunkports
natural heritage.
The trusts conservation holdings include
1,000 acres of continuous wilderness, asignificant percentage of the small towns
14,000 acres. The trust also owns the small
islands that decorate Cape Porpoise Harbor
and stands as visible reminders to all those
who have gathered for the lobster bake.
Bradbury takes a moment to gaze at the
harbor. The islands define the feel and the
look of the harbor. In size theyre small, but
in terms of value theyA development boom
spurred Bradburys i
land conservation. T
trusts werent forme
Maineits because y
he says. When I was
go anywhere; everyth
Around the same time
late philanthropist anworthy Maine causes
increased developme
friend, Tom Cabot, fou
Heritage Trust to pres
family had enjoyed fo
reached out to grassro
and asked them to join
Bradbury was among
"It doesn t mattpau per or a pra c ommon bon
Katz has spent every summer in Lincolnville since 1954. The wstate envelops the viewer in nature. | 01 Good Afternoon 2, 1974, Oil on linenand Vincent, 1961, Oil on Linen, 84 x 74 inches |
F
Tom Bradbury
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Bradbury recalls one of the first board
meetings he attended. He had borrowed a
car from the general store where he worked
at the time. Im driving up to the meeting
at the Cumberland Club and the muer of
my Pontiac falls o. Luckily, Ive got a coat
hanger in the back. So I hook up the coat
hanger to keep the muer othe groundI
was a little bit late, he says. As it turned out,
Peggy Rockefeller also had transportation
dicultiesthe pilot of her private jet
mistakenly headed toward her familys Mount
Desert Island home instead of Portland.
Grateful he hadn't had to tell Ms. Rockefellerwhy he was late, Bradbury gives a full belly
laugh at the memory. The beauty of it was
that we were at the same meeting for the
same purpose with the same dedication. It
doesnt matter if youre a pauper or a prince
the land is a common bond.
Peggy Rockefeller and Tom Cabots project
blossomed. Over the past thirty years, the
Maine Coast Heritage Trust has preserved
more than 130,000 acres of land,
including 275 coastal islands.
Warren Whitney, who manages the
organizations Maine Land Trust
Network, explains: When Peggy
Rockefeller and Tom Cabot founded
the Maine Coast Heritage Trust, they
said we should connect landowners
who want to conserve their land with
organizations that can do that. They
thought it would take some limitedamount of time, maybe ten years,
and then it would all be done. But of
course, were all still working hard at it
today, and there is still lots to be done.
In addition to conserving land, the trust s
Maine Land Trust Network serves as an
umbrella organization for the local trusts
in Maine by helping these organizations
access funding and by facilitating
communication and collaboration. The
local trusts have grassroots awareness
of their area and so they work very well
as a team with the resources that Maine
Coast Heritage Trust has, Whitney says.
Ed Kfoury, board president of the
Rangeley Lakes Heritage Trust, spreads
out a map on the t able before him. This
is the Rangeley region. All of this darkgreen is ours, he says. Kfoury points to a
conglomeration of lakes straddled by the
New Hampshire and Canadian border.
This is the Seven Islands property, part
of 250,000 acres that goes north. This
land here is spectacular and its mostly
uninhabited. I have one, two, three
townships Id like to get my hands on, he
says with a grin that indicates hes aware of
the audacity of the statement he just made.
Most of the people selling land are doing it
because they want to get a return, but they
also dont want to see their land trashed;
theyre attached to it. Were good people to sell
it to. Weve communicated with owners who
say, Now where are you going to get that kind
of money? and I say, Were working on it!
The trusts track record speaks for itself:
since its inception in 1990, the organization
has preserved roughly 12,500 acres of land,
including 45 miles of lake shorefront. With
his career as an IBM executive behind him,
Kfoury focuses on the trusts negotiations
and fundinga happy marriage of his
passion for land and his expertise in business
negotiations. Some funding comes from
grants, but local trusts are largely dependenton contributions from individual members,
which can range from a few dollars to tens of
thousandsor millionsof dollars.
Kfoury leans back in his chair. Most of us,
depending on what weve done in life, havent
done things that are going to last forever.
This stu, done right, will, he says.
On Maines southern coast, a stroll through
Cape Elizabeth makes the nearby urban
center of Portland seem a distant memory.
Oa winding rustic road, the Jordan
familys farm stand teems with local goods.
Penny Jordan throws her hands up as she
marvels at her familys empire of produce.What more could you ask for? Its like Gods
country here, she says.
The Jordans sell to the areas locavores,
supplying specialty grocers and soup
kitchens alike. The familys fields will be
used as farmland in perpetuity due to a
farmland easement the Jordans placed on
their property under the guidance of the
Cape Elizabeth Land Trust. Conservation
easements are legal agreements that limit
the use of a property, and they are generally
tailored to fit the wishes of the owner
and the assets of a property. Woodland
easements, for example, can render property
forever wild or allow sustainable logging
and recreational activities. In this case,
the farmland easement gave the Jordans
peace of mind by allowing them to realize
the value of their land without having tosell it for development. The easement also
lowered their propertys assessed value, and
" M ost of u s, depen din g on whatwe've don e in l i fe , haven 't don ethin g s that are g o in g to last forever .This stu ff , don e r ig ht , w i l l . "
- E d Kfou ry
Alex Katz, largely considered one of the most important American artists of our time,donated more than 400 of his works to the Colby College Museum of Art in 1992. Ongoing
selections from the collection, which now includes nearly 700 pieces of his work, arepresented at the museum's The Paul J. Schupf Wing for the Works of Alex Katz.
| Blueberry Field, 1959, Collage, 13 15/16 x 17 inches |
Warren Whitney
Ed Kfoury
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62 maine | themainemag.com Nov
the financial benefits have allowed them to
expand the farms services, which include a
mobile farm stand for elderly residents and
an on-property restaurant.
Jordans Farm is now part of the more than
600 acres the Cape Elizabeth Land Trust has
preserved. Other properties include Robinson
Woods, where hikers can taste the salt air as
they walk beneath 300-year-old trees, and
a large part of the seven-mile patchwork of
walking trails that traverse from Portland
Head Light to Kettle Cove in Cape Elizabeth.
Chris Franklin, the executive director ofthe Cape Elizabeth Land Trust, sums up
the importance of his work: The
varied land use, the scenic vistas,
and the rural character of the
town are served by open space.
Our natural heritage creates
our sense of place and sense of
community. Once a property is lost
to development, its gone forever.
Franklin is the only full-time
employee of the trust, though the
success of his work depends on
the skills and dedication brought by board
members and volunteers.
Ted Darling, the trusts board president
and a professional marketing strategist,
was inspired to join the trust five years ago
when the woodlands behind his house were
slated for residential development. Usinghis skills in marketing, Darling organized
fundraising drives that tripled the trusts
membership, now at 600, in three years. The
backbone of a trusts work, volunteers such
as Ted Darling will coordinate educational
programs, organize guided hiking tours, and
provide the manual labor needed to steward
conserved property.
Farther up the Maine coast, rolling mountains
and vast forests are not only valued for
recreational purposes but are home to fragile
ecosystems. The Coastal Mountains Land
Trust conserves property across fifteen
townships in midcoast Maine. Stahere
have used GIS mapping to locate ecologically
valuable areas and establish preservation
goals. Kristen Lindquist, the trusts director
of development and an accomplished poet,explains the balance the organization is
working to achieve. Were protecting the
land for people to enjoy, as well as for its many
conservation values, some of which may be
sensitive to overuse, she says. There is a fine
line with encouraging people to appreciate the
natural landscape firsthand without loving it
to death.
The Coastal Mountains Land Trust is
raising funds to conserve Bald and Ragged
mountains, which are home to the Camden
Snow Bowl ski area an
of trails. The project w
and carefully expand
four-season access fo
snowshoers, and cros
while simultaneously
sensitive areas.
Lindquist is a Camden
the area after high sc h
parts of the country, b
rationalize living anyw
I came back and staye
an incredibly beautifu
landscape is what givsets the stage for the q
she says. The blissful t
continues to leave her
times of stress she ste
the clean air, and says
Everything else just f
Lindquist works to co
connect donors to the
what were doing to pr
love, they want to sup
The land trusts in Ma
a natural legacy that w
in perpetuity. In time,
conservationists will
another generation of
Trusts across the stat
programsfrom sum
afterschool activities
fostering passionate fwords of Tom Bradbu
love and love what yo
"The n atu ral lan dsc ape is what g ivesthe plac e c harac ter an d sets the stag efor the qu al i ty of l i fe we have."
-Kr isten L in dqu ist
Alex Katz: New Work is currently on exhibition at the Farnsworth Art Museumin Rockland through October 31. This exhibition focuses on Katzs most recentworks from his annual Lincolnville sojourn.|Sunset 2, 2008, Oil on linen, 108 x 84 inches |
Ted Darling
C h r is Fr a n k l in
Kristen Lindquist