m.music kathak

26
Question Booklet 1\'0. 00002 llP/277/1 (To be filled up by tire candidate by hlue/black ball-poi1ll pen) Roll No.1 L--L __ __ __ -L __ Roll ;'\0. (Write the digits in ' .... ords) Serial No. of Ans,",'cr Sheet ............................................. . Day and Date ................................................................... . (Signature of In\'igilator) INSTRUCTIONS TO CANDIDATES (l onl:- hlue/black ball-point pen in Ihe space abo\-e and on both sides of the Answer Sheet) I. \\ 1lhi11 10 minutes oflhe issue of tile Question Booklet. ehed. the Question Booklet to ensure Ihal it contains all the pages in correct sequence and that no page/question is missing. In case of f'aulty Question Booklet bring it to the notke orthc Superintendent/lnvigilators imillediately to obtain a fresh Question Booklet. 2. Do not bring any Inose paper. written or blank, inside the Examination Iiall except the Admit Cart! without it!>; envelope. 3. A separate Amwer Shel'l l\' gil'en. It Jhould not be j(dt!ed or mutilated. A WCOIlt! Amwer Sheet .\'hall not be provided. On(r the Al1swer Sheet will be evaluated. 4. \\o'rite your Roll Numberand Serial Number of the !\ns\\er Sheet by pen in the space pr.ided abme. 5. On the front page Answer Sheet. write by pefl your Roll Number il1 the .\'[JlIce provided at the top lIl1d by darkening the circle.\' at the bottom. Also. wherever applicable, write Ihe Question Booklet Numher alld tlte Set Numher in appropriate pla('l!.\'. 6. No overwriting allowed il1 tlte el1trie,<; oj Roll No., Que,\'tion Booklet IW. and Set no. (if(tIly) 011 OMR sheet (111(1 Roll No. (Ind OMR sheet Ito. on the Queston Booklet. 7. Any cltange in the uJoresaid efltries ;,\' to he verified hy tlte illvigilator, otlterwi,\'e it will he tllkenlls Ultjt,; rmea",,'. 8. Eaclt queJJirm in/hi\' Booklet {,followed hyfour lIlternative afl.\'wers. For ellch question, you lire to record tlte nJrre('( optitm 0" the All.\'wer Slteet hy darkening lite appropriate cire/e i" the corre_\pondi"g roK' of the Allswer Sheet, by pen liS mel1tiolled ill tlte given Oil the fir.", page oftlte An.\wer Sheet. 9. I-or t:ach question, darken onl) one circle on the Al1s\\er Sheet. ou darken more than one circle or darken a circle partially. the answer will be treated as incorrect. 10. Sole that thc (///.\'I),('/, once/Wed ill ink call!lot he changed. I(you do not lI'ish to aflemp/ a Ijlles/ion. Icurc all/he circln ill/he corresponding !'Ow hlunk ('o'Uch qllestion will he mrarded zcro mark.v II. f'or rough \\ork. u'>t: the inner back page of the title cover and the blank page at the t:nd of this Booklet. 12. Deposit only OMR Answer Slteel at the end of the Test. 13. You are not permitted to leave the Lxamination llaJllllltil the end of the Test. 14. If' a candidate attempts to use any form of lin fair means, he/she shall be liable to such punishment as the l'niversity Illay determine and impose on him/her. Total No. of Printed Pages :28

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Page 1: M.Music Kathak

Question Booklet 1\'0. 00002

llP/277/1 (To be filled up by tire candidate by hlue/black ball-poi1ll pen)

Roll No.1 L--L __ L-~ __ ~~ __ -L __ L-~

Roll ;'\0. (Write the digits in ' .... ords)

Serial No. of Ans,",'cr Sheet ............................................. .

Day and Date ................................................................... . (Signature of In\'igilator)

INSTRUCTIONS TO CANDIDATES (l ~e onl:- hlue/black ball-point pen in Ihe space abo\-e and on both sides of the Answer Sheet) I. \\ 1lhi11 10 minutes oflhe issue of tile Question Booklet. ehed. the Question Booklet to ensure Ihal

it contains all the pages in correct sequence and that no page/question is missing. In case of f'aulty Question Booklet bring it to the notke orthc Superintendent/lnvigilators imillediately to obtain a fresh Question Booklet.

2. Do not bring any Inose paper. written or blank, inside the Examination Iiall except the Admit Cart! without it!>; envelope.

3. A separate Amwer Shel'l l\' gil'en. It Jhould not be j(dt!ed or mutilated. A WCOIlt! Amwer Sheet .\'hall not be provided. On(r the Al1swer Sheet will be evaluated.

4. \\o'rite your Roll Numberand Serial Number of the !\ns\\er Sheet by pen in the space pr.ided abme.

5. On the front page I~rthe Answer Sheet. write by pefl your Roll Number il1 the .\'[JlIce provided at the top lIl1d by darkening the circle.\' at the bottom. Also. wherever applicable, write Ihe Question Booklet Numher alld tlte Set Numher in appropriate pla('l!.\'.

6. No overwriting l~' allowed il1 tlte el1trie,<; oj Roll No., Que,\'tion Booklet IW. and Set no. (if(tIly) 011 OMR sheet (111(1 Roll No. (Ind OMR sheet Ito. on the Queston Booklet.

7. Any cltange in the uJoresaid efltries ;,\' to he verified hy tlte illvigilator, otlterwi,\'e it will he tllkenlls Ultjt,; rmea",,'.

8. Eaclt queJJirm in/hi\' Booklet {,followed hyfour lIlternative afl.\'wers. For ellch question, you lire to record tlte nJrre('( optitm 0" the All.\'wer Slteet hy darkening lite appropriate cire/e i" the corre_\pondi"g roK' of the Allswer Sheet, by pen liS mel1tiolled ill tlte guidelilte~' given Oil the fir.", page oftlte An.\wer Sheet.

9. I-or t:ach question, darken onl) one circle on the Al1s\\er Sheet. If~ ou darken more than one circle or darken a circle partially. the answer will be treated as incorrect.

10. Sole that thc (///.\'I),('/, once/Wed ill ink call!lot he changed. I(you do not lI'ish to aflemp/ a Ijlles/ion. Icurc all/he circln ill/he corresponding !'Ow hlunk ('o'Uch qllestion will he mrarded zcro mark.v

II. f'or rough \\ork. u'>t: the inner back page of the title cover and the blank page at the t:nd of this Booklet.

12. Deposit only OMR Answer Slteel at the end of the Test. 13. You are not permitted to leave the Lxamination llaJllllltil the end of the Test. 14. If' a candidate attempts to use any form of lin fair means, he/she shall be liable to such punishment as

the l'niversity Illay determine and impose on him/her.

Total No. of Printed Pages :28

Page 2: M.Music Kathak

llP/277/1 No. of Questions: 100

W'if<it~: 100

Time: 2 Hours Full Marks: 300

9ydj;: 300

Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect answer. Zero mark Vo.!ill be awarded for each unattempted question.

31f~'l'fi m ~ ~ ~ 'l>l "S!'l"R on'tl ~ WI'! 3 (<iR) 3tof; 'l>l %1 JI rii iii TfMrf rrrr it fr-nJ: !!!'fi 3fq; <l?T?:T >it I i! 'III ~ 31 j~ R <l WI'! 'l>l

~1'<Ii'" ~irnl (2) If more than one alternative answers seem to be approximate to

the correct answer, choose the closest one.

7Jft; 1l"!ilf'l'fi ~",F~q", dW Bit dW if; f.!q;c: >r<i\<l,;t, cit r-i"'c<lA Bit dW

~I

01. The famous figure of a dancing girl was found in excavation of:

(I) Gupta Period (2) Indus Valley

(3) Harappa (4) Maurya period

~ <'it ~ >Ifu;;; 'jRf ~ ~ ~ ~ i! >!T'<! ~ 2il :

(I) :J'<l ~ (2) ~ 'llil

(3) ~ (4) m4~

02. Mixture of Natya and Nritta creats :

(I) SangecL

(3) Nritya

3

(2) Chaturang

(4) Drama

P.T.O.

Page 3: M.Music Kathak

llP/277/1

'IT"Cil 31'h: 1<"1 it wWHl 'Rffi ~ :

(I) w-1Io (2) ~

03. Natya Shastra is written by :

(I) Brahma

(3) Bharat

'IT"Cil 'IJRjI it ("r~(11 ~ :

(I) ~ (2) iR O'jffi

04. Writer of Mannasollas is :

(I) Someshwar

(3) Nanya Dev

~1'Hi)&lI~ it \"r~(11 ~ :

(I) -Britm

(3) 1<"1

(2) Ved Vyas

(4) Dhananjai

(3) 'R"(1

(2) Sharang Dev

(4) Narad

(3) 1F'I ~

as. How many matras are there in Shikhar Tal?

fu&1: "(1T('[ it ~ 1lT"5IT i ) (I) 15 (2) 17 (3) 10

06. Mixture of different Laya forms:

(I) Jati (2) Yati (3) Tatkar

( I ) "lTf(f (2) 'Ifu

07. The Jati of Dadra tal is :

(I) Tisra

(3) Khand

4

(3) (1 «'h 1\

(2) Chatasra

(4) Misra

(4) 'lTZ'f>

(4) ~

(4) 'If\i';

(4) 14

(4) Palte

(4)'1<'2

Page 4: M.Music Kathak

(1) ftR;r (2) _ (3) ~

08. Who is the author of Abhinaya Darpan : (1) Pundreek Vithal (2) Someshwar

(3) Nandikeshwar

3lf'l'l'I G'fuI it; ~ "" '111'1 ~ : (1) !i0s{lili ~

(3) '1Pc;~-m:

(4) Chitrasen

(2) wr-m: (4) fililfl'1

09. Which of the following Tal has fifteen matras :

(1) Jhap Tal (2) Roopak Tal (3) Rudra Tal (4) Sawari Tal

f~"1f<'1l1l1d it ~ ~ <IR'1 it ~ lII'II ~ : (1) WI <IR'1 (2) <"'1<Ii <IR'1

(3) ~ <IR'1

10. Visham belongs to :

(1) Joti (2) Grah

f<ItfI! ~~f-'tld i : ( 1 ) ;;rrftr ~

(3) <ffiI ~

11. Gopuchchha belongs to : (1) Kriya (2) Prastar

5

(4) ~ <IR'1

(3) Yati

(2) mr ~ (4) ll1'i ~

(3) Kal

UP/277/1

(4) fiI~

(4) Marg

(4) Yati

P.T.O.

Page 5: M.Music Kathak

llP/277/1

'ng'0l w~f.-'l<! t : ( 1 ) flf;l:rr it (3) 'ffi1 it

12. Kuaad is a form of :

(2) ~it

(4) 71fu it

(1) Laddi

~~>!'nR t: (1) ~ q;]

(2) Layakari (3) Jati

13. Dance performed by Devi Parvati is called:

(1) Manipuri dance (2) Lasya

(3) Mohini attam (4) Kudi attam

~ 'IT'f<ft &m ~ 'l'!T 1f'! t : (1) qfUl~{I1f'!

(3) ~~

14. Geet Govind is written by :

(1) Narad

(3) Sharang Dev

-.fm 'nr'l«; it ~ t : (1) 'If«:

(3) 'iTrM ~

(2) i'!R<l

(4) ~~

(2) Jai Dev

(4) Ada Rang

(2) ~

(4 ) 31";T \'1

15. When three matras are counted in one matra called:

(1) Zarab (2) Tigun (3) Biyad

6

(4) Tal

(4) ilK'! q;]

(4) Upaj

Page 6: M.Music Kathak

(I) W'I (2) f<rT! (3) ~

16. When a poetry is set into Tal is called:

(I) Toda (2) Tukra (3) Permelu

"'" q;fo«rr qi] d leNo; ~ t <it "3it ~ %' :

(I) ~ (2) ~ (3) ~

17. Lucknow Gharana of Kathak is famous for:

(I) Lasya ang

(3) Big Parans

(2) Taiyari

(4) Tandavang

q;'I'l> 1<'l 'liT <'n,H dO "RAT ~ t .............. if; fW\ : (I) ffiBI 3TIl (2) ~

(3) ~ 'm (4) <m!q aiTT

18. The smallest unit of time in music is called:

(I) Tali (2) Matra (3) Vibhag

( I ) (![('fl (2) lW!T (3) fcr'lJll

19. Basic bole of any Tal played on Tabla is called:

(I) Laya (2) Chala (3) Theka

(I) i.1'l (2) "ffi'!T (3) ~

7

llP/277/1

(4)~

(4) Kavitta

(4) ~

(4) Khali

(4) 1SIfC'ft

(4) Vilambit

(4) fqC'1fk1d

P.T.O.

Page 7: M.Music Kathak

llP/277/1

20. Sankeerna Jati is formed by mixing of two Jatis :

(1) Tisra and Misra (2) Chatasra and Misra

(3) Chatasra and Khand (4) Tisra and Khand

~ "ITf(r f!M <it "Ilfct~l ~ ~ "ft "iil'l"ffi t : ( 1 ) ftR;r 31'h: fillJ'l (2) "11m 31'h: fillJ'l

(3) "11m 31'h: = (4) ftR;r 31'h: = 21. In Dhamar Tal 'Ga' bole comes on which matra :

'Il1T1: (ffi1 it "']" oiffi fo!>B 'lrm 'R 3lTffi t : (1 ) 3 (2) 5 (3) 8 (4) 11

22. Which of the following is not Yati :

(1 ) Sarna (2) Mridanga

(3) Goppuchcha (4) Khanda

f.l':Oj Fe'! p" <I it "ft <iR '1fu '11if t : (1 ) WIT (2) ~ (3) 'n'lml (4) .=

23. Haste mudras are of how many types:

(1 ) 2 (2) 4 (3) 6 (4) 8

~ :Jl" ~ >RiTnft t : (1 ) <it (2) "In: (3) 1'9: (4) =

24. When middle finger and ring finger of Pataka haste rests on thumb mudra formed is called:

(1) Allapadma (2) Sinhmukha

(3) Hansasya (4) Tripataka

8

Page 8: M.Music Kathak

llP/277/1

"f'I 11"1l1T am 31'1 If~ i'fi I 'l<l!q;] ~ 'lOJ ii ~ 1:R Dl! ~ "IT<il t <l'! ffi 'Th'ft 'lOJ t : (1) ~ (2) Mr ':PlI (3) i\1l~

25. Dheer Lalita Nayak is :

(1) Shree Ram (2) Shree Krishna

(4) Ravan (3) Yudhisthira

(1) m WI (2) m¥l (3) '!fmm: (4) <Jq1Jj

26. Nritta is a kind of dance which lacks:

(1 ) Tal (2) Laya

(3) Bhav (4) Anga sanchalan

V\l('n >!'fiR qft Fl t ~ ......... "i'fiT 31'lJ'.l m t : (1 ) <m'I (2) ffi

(3) 'lJ'.l (4) 31ll f{'6I1C11

27. Alarippu is the starting piece of :

(1 ) Bharat nattaym (2) Kuchchipudi

(3) Mohini attam (4) Kuddi attam

31<'1IRg ~ Fl "i'fiT ri_ "RllT t ?

(1 ) 'R(f '1181 '\ (2) ¥ft:¢t (3) ~3lPl (4) ~3lPl

28. Yakshgan is a dance drama from:

( 1) Madurai (2) Malabar

(3) South Karnatak (4 ) Kerala

9 P.T.O.

Page 9: M.Music Kathak

llP/277/1

'l8:f1TR 'll"Cil1"'l ~ ~ it <l'<if.'fij % ?

(1) ~ (2) ~1i'I1~1(

(3) <f~ ih'1fci'f> (4) ~

29. A leading song of Kuchchipudi dance is :

(1) Geetam (2) Kriti

¥it ~ 1"'1 "<'hl >I'll'! Tj\(j % : (1) rfI<m (2) ~

30. Aramandi is associated with:

(1) Kathak

(3) Bharat Nat yam

3HI~·sl \l'<if.'fij % : ( 1 ) 'fi'fi.!>

(3) 'R(f '1181'{

(3) Kummi

(3) 'f"'1\

(2) Kathakali

(4) Manipuri

(2) 'fi~Ii'f>ctl

(4) ~fUlg(l

31. Kerala Kala Mandalam was founded by :

(4) Tarangam

(4) <f\llll

(1) ValIathol Narayan Menon

(3) AlIa Rakha

(2) Pazhani Subramanya Pillai

(4) Swati Tirunal

~ q;\'[] 4MI~ ~ ~ % : (I) 'fR'1~ '11(I~OI iR"'1 ( 3 ) 3l<'ffi"(l9(gj

(2) ~ \i~I~"1 ~

( 4 ) 1?'ITii\ PI'!iOj I fI

32. Which chapter of Natya Shastra deals with natya mandap :

'll"Cil 'ITR'[ ~ ~ 31U1T'l i! 'll"Cil ltstr "<'hl ffi % : (1) 3 (2) 2 (3) 4 (4)8

10

Page 10: M.Music Kathak

11P/277/l

33. Kathak dance has ............ Gharanas :

'f>2f'I; 'l"l it ......... ~ i : (1) 4 (2) 8 (3) 5 (4) 3

34. Mallika Sarabhai is associated with which dance form?

(1) Odissi (2) Kathakali

(3) Kathak (4) Bharal Natyam

~rct1"'1 ~~ f'!;B 'l"l it \1"'1r"'f(! t ?

(1) ~ (2) q;1!I I", ,,11

(3) q;2f'I; (4) "R(j '1161~

35. Jhveri Sisters are associated with which dance form?

(1) Odissi (2) Kathakali (3) Kathak (4) Manipuri

~ ~ f'!;B 'l"l it \1"'1 r"'f(! i ?

(1) ~ (2) 'f>~ (3) q;2f'I;

36. According to Natya shastra number of Karans are:

=~it~~'!il~i: (1) 108 (2) 118 (3) 200 (4) 218

37. Angahars are formed by the combination of:

(1) Asanyut Haste Mudra (2) Sanyukta haste mudra

(3) Karan (4) Bhramari and Karan

~ 'f>T f.rqfur ........ it Wlrr it lil<n i : (1) "1\19;'" ~ ':!OJ (3) ~

11 P.T.O.

Page 11: M.Music Kathak

llP/277/1

38. Number of Angahar according to Natyashastra is :

'1ICiHllf'I it ~ ~ qij -n= t : (1) 28 (2) 34 (3) 32 (4) 43

39. If thumb of Mushti Haste stands stright the mudra formed is :

(1) Shikhar (2) Kapitha (3) Bhramar (4) Chatur

'-TR '1fjn~«f it Wj3 qij m>rr ~ '"' ft;>:n "I"]it cit ffi C[1"('ft ~ ~ t : (I) fu19:1: (2) ~ (3) 1l'R (4) "lll'

40. When all the fingers and thumb of one hand are joined to gather the haste mudra formed is :

(1) Trishool

(3) Ardhsoochi

(2) Katak

(4) Mukul

'-TR ~ ~'l qij "Wi! d,rf<'l'll 3ih: 3i>joT ~ fl:K;n ft;>:n "I"]it cit ffi 'ITffi ~ ~t:

(1) ~ (2) ~ (3) 3l~ (4) ~

41. Nayika who first insults her Nayak and after his departure repents is:

(I) Proshit Patika (2) Kalahantarita

(3) Vipralabdha (4) Vasksajja

'11f~'li1 -em ~ ~ qij 3lQQif'1(1 ~ t 'R'i.! ~ ~ "IR 'R ~ m t : (1) ~~

(3) fClQi'1o>rr

(2)

(4) "i'!ffi'fi ~

42. Nayika whose nayak is fully under her control is called:

(1) Swadheen Patika (2) Abhisarika

(3) Khandita (4) Proshita Patika

12

Page 12: M.Music Kathak

UP/277/1

il:B\ '11f~'li1 f"l~'lil 1T'f<!i ~: ~ "I'IT i( m : ( 1 ) '-''l101R '1ftr<!iT (2 ) aTI'l ~ I R 'Ii I

(3) ljj[Us<11 (4) ~ '1ftr<!iT

43. "Vibhavanubhav Vybhichari sanyogadrasnishpattih" is a statment of:

(1) Abhinav Gupta (2) Bharat Muni

(3) Sharang Dev (4) Jai Dev

"fcr'l1ClT-1'Wf 01!f~ l'i>{I'II~~ f.rt;qfu" : ",,"<!>'R % : (1) aTI'IJ'1q2<{1"<!iT (2) %f '1f'! "<!iT

( 3 ) m{rj ~ "<!iT ( 4 ) "f'l ~ "<!iT

44. Rai folk dance belongs to :

(1) Bundelakhand (2) Vrindavan

(4) Gazipur (3) Mirzapur

"lJt Br<!i--~ fi.nB aft "<!iT % ?

(1) ~ = (2) q;o;lq'1 (3) f~"Ir~(

45. Badhubaran dance belongs to :

(1 ) Uttar Pradesh (2) Rajasthan

(3) West Bengal (4 ) Gujarat

'l'!'R'l ~ fi.nB aft it ~,,"f.-'-f(f % ?

(1 ) ~>$1 (2) ~ (3) QR'1A ~

46. Garba dance belongs to :

(1 ) Uttar Pradesh (2) Rajasthan

(3) Bihar (4) Gujrat

13

(4) '.l"ffi<l

P.T.O.

Page 13: M.Music Kathak

llP/277/1

(I) ~~ (2) ~

47. Sihu dance belong to :

(1) West Bengal

(3) Assam

~ ~ f'R:! >\l'I fl B "'I f.'lO % ) (I) ~ ~ (2) q"lI(1~

48. Prince dance group belongs to :

(1) Orrisa

(3) ~

(2) Meghalaya

(4) Kerala

(3) 3lWI

(2) Kerala

(4) :rrun

(4) it«1

(3) Karnatak (4) Andhra Pradesh

flR:! SRllJ:l f'Rr "U'i"! fl B"'If.'lO % : (1) ~ (2) it«1 (3) 'lA,,,*,

49. Sangect Research Academy is situated at :

(1) Chennai (2) Kolkata

Wfu! ~ "1'h1~81 ~ Wm % ?

(1) ~ (2) "'I (1 'h(1 1

(3) Mumbai

(3) ~

50. The music journal Chhaya nat is published from:

(1) Sangeet Natak Academy Uttar Pradesh

(2) M.S. College Baroda

(3) Sangeet Research Academy

(4) Sangeet Natak Academy N. Delhi

14

(4) 31Rl ~

(4) New Delhi

(4) ~~

Page 14: M.Music Kathak

Wfto <it ~ '= "'1"0' ~ it ~"'I~ld m t ?

(I) Wfto ~ 31"'I~41 "3<R ~

(2) ll:'!0ll:'!0 ~ ~

(3) Wfto f'tB<f 31"'1~~1 (4) Wfto ~ 31"'I~41 ~ ~

51. Greeva 'Bhed is of ......... types:

Jftcrr iR ~ Wffi q;j t : (I) 4 (2) 6 (3) 8

52. Adhomukha is :

(I) Shiro Shed (2) Grceva Bhed

(3) Drishti Shed (4) Haste Shed

~' 31 ,,:

(I) fuitiR (2) JftcrriR (3) ~iR

53. Anuvrata is :

(I) Shirobhed (2) Greeva Bhed

(3) Drishti Shed (4) Shru Shed

~t: (I) fuitiR (2) JftcrriR (3) ~iR

54. Drishti Shed is of types:

~ iR ~ Wffi q;j t : (I) 6 (2) 8 (3) 10

15

llP/277/1

(4) 10

(4) -rn-iR

(4) 'JiiR

(4) 12

P.T.O.

Page 15: M.Music Kathak

llP/277/1

55. Which among the following in not Dristi Shed:

(I) Alolit (2) Alokit (3) Ullokit (4) Prolokit

f-18f<'lf@d i! it ~ ~ iR "'IiI' % : (3) a011fotid

56. Nartan San.vasva is written by :

(I) Raja Chatrapati Singh (2) Keshav Kothari

(3) Birju Maharaj (4) Raja Chakkradhar Singh

'!(f;f ~ iii ~ % : (I) n;i[ ""' q f<1 ft:io (2)

~ .. ChidRi

(3) ~ ~"I(I"I (4) \T"Il. ~m ft:io

57. Rasa Gunjan is complied by :

(I) Rashmi Bajpai (2) Dr. Ranjana Srivastva

(3) Birju Maharaj (4) Sunil Kothari

ffl ~ li~"ld m ~ ~ % : (I) <ffq ~1"Iq{ (2) Sf 0 -GRr s;;f] cm~CI

(3) ~ ~i'WI"I (4) ~ .. ChidRi

58. Nautanki belongs to :

(I) Bihar (2) Uttar Pradesh

(3) Madhya Pradesh (4 ) Hariyana

ftffl fonB ~ it '" "'I F·'lO % ) (I) ~ (2) 6<r(m (3) ll"! m (4) gl1:~luli

16

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59. When a group of small bole repeated thrice and arrives to sam the bole is called:

(1) Tukra (2) Chakkradar

(3) Ladi (4) Tihai

'"" f'I;"ffi ~ offiq it ~ qi\ <lR om <R: "" Wl 'R 3lri\ hI em offiq qi\ ~ i: (1) ~ (2) -q,"~I( (3) ~ (4) fum

60. Which of the song form describes Holi :

(1) Chaturang (2) Dhamar (3) Tirvat (4) Dhrupad

f·l'..,f<"lf@d it it f'nn 1"JTIR M it M 'lffi i : (1) ~ (2) 'I11f( (3) here: (4) ~

61. Birju Maharaj is a son of :

(1) Lachchhu Maharaj

(3) Achchhan Maharaj

(2) Shambhoo Maharaj

(4) Bindadecn Maharaj

~ 'Iiml"l f'hf1," 'Pl i : (1) ~ 'I~I(I"I (2) 'Ii'i'ltl(l"I

(3) ~ 'Itl(l"l (4) f~~I~l'1 'Itl(l"l

62. Tukra performed in Kathak dance is :

(1) Vachik abhinaya (2) Angika Abhinaya

(3) Satvik abhinaya (4) Aaharya abhinaya

q;"l'f> r:r it f'n'lT "lR q]"('fj ~ i : ( 1 ) q 1f"1 iii 3lf'R'l

(3) f11f ('q iii 3lf'R'l

17 P.T.O.

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63. Badal Paran is performed in which dance?

( I ) Manipuri (2) Odissi

(3) Kathak (4 ) Bharat Nattyam

~ 'lB m ~ i\ f'f;I:rr ;;mn t ) (I) qfUl~(1 (2) ~ (3) 'I>'l"'f; (4) 'ffi! '1I01Q

64. Who among the following is dancer:

( 1) Udai Shankar (2) Ravi Shankar

(3) Shah Alam (4) Vishwa Mohan Bhatta

Pl"1f<"lf@ct i\ -B q;R "*" t ?

(I) 'W!~ (2) <fc!~

(3) m 3lTWl (4 ) fcr.Iq~~

65. Indira Gandhi National Centre for the arts is situated at :

(I) Mumbai (2) Delhi (3) Chennai (4) Agra

~ 'll..n ~ iR:< ,,;h: 3llRf ~ ftozro t ?

(I) ~ (2) RITil (3) ~ (4) awm

66. Name the place from where Sitara Dcvi belongs:

(I) Mumbai (2) Noida (3) Delhi (4) Banaras

fu<rrn ~ m ~ -B BklP'l"f{ t : (I) ~ (2) ~ (3) RITil (4) ,,'1RB

18

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67. Pandwani belongs to :

(1) Madhya Pradesh (2) Chhatisgarh

(3) Kerala (4) Bihar

q i j;<'I l;jj \1 ",f.''I<! % : (1 ) 11"1 ~ il (2) ffiffi:r ~ (3) m (4)

68. The term Vern am is associated with:

(1) Kathak

(3) Odissi

<'1 0[",\ 'ir'i; B"'f.''I<! % : ( I ) 'I''l"'Ii il (3) ~il

(2) Bharat Nattyam

(4) Manipuri

(2) 'K(l '11614 il (4) 4fUlg(1 il

69. Nalini-Kamalini is associated to which Dance?

(I) Manipuri

(3) Kathak

(I) 4fUlg(1

(3) 'I''l"'Ii

(2) Kuchipudi

(4) Bharat Nattyam

(2) 'l'"lg~l

(4) 'K(l '11614

70. Raja-Radha Reddy is associated to which dance?

(1) Kuchchipuddi (2) Kathakali

(3) Kathak (4) Bharat nattyam

'J'iIT-umttt ~ ~ il B"'f.''-I<! % : (I) 'l'-4I3~1

(3) 'I''l"'Ii

19

(2) '1'''1 'Iiili en (4) 'K(l '11614

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f'Im

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71. Dhamal dance belongs to ?

(1) Hruyana

(3) Uttar Pradesh

'lllr.l ¥I fit>~i\ ~""r-"1d ~ ? (1) ~Ft'noll (2) ""'ira""

(2) Karnatak

(4) Punjab

(3) O<R~ (4) $iT'!

72. Which of the following is a mask dance of West Bengal ?

(1) Puralia Chhau (2) Mayurbhanj Chchau

(3) Santhali Dance (4) Lai Harova

A"1R1r"'d -q ~ ~ q~ilq ~ "" ~ ¥I ~ : (1) ~&'I'll -.m; (2) l!'{t>t;r-.m; (3) W11<'il ¥I (4) ~ ~

73. Lawani is a dance from : (1) Punjab (2) Karnatak

(3) Jammu and Kashmir (4) Maharashtra

<'11<141 flr;B ""'" ~ ~ "" f.>.rd ~ ? ( 1) $iT'! (2) ""'Ira"" (3) '""i ",,~ill(

74. Lai Haroba belongs to :

(1) West Bengal (2) Manipur (3) Assam

~ ~ flr;B ~"ii ~""r-"1d ~ : (1) -qf~~ (2) qfOl~ (3) a:Rl1l

75. A music magazine 'Sangeet' is published by :

(1) Sangeet Karayalaya Hathrus

(2) Dept. of Culture Uttar Pradesh

(3) Sangeet Research Academy

(4) Sangeet Natak Academy N. Delhi

20

(4) q~Rle

(4) Odissa

(4) ~

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"WiRr" 'llll'O -qf,{q;r ~"it ~i.filfill<1 m ~ : (1) WiRr i.fil~f<il~ ~'H\1 (2) ~~Rl"i.fiT'f f<NrT ~ ~ (3) WiRr fufq <>li.fiI~<iI (4) WiRr ~ <>li.fiI~<iI ~ ~

76. Which place is famous for 'Konark Music and Dance Festival' :

(1) Purl (2) Bhuwaneshwar

(3) Kolkata (4) Konark

'';1114> "'f"li.fi ll?6 6RI "'f~'1' iii ~ <I>'R m "'"" ~ ~ ? (1) ~ (2) '!I'A'!R (3) <l>l<i1i.fi<11 (4) ohl114>

77. Head is :

(1) Anga

1m: ~:

(2) Pratyang (3) Upang

(1) atq (2) "SR$r (3) d'WT

78. Kasak-Masak movement is used in :

(1) Amad (2) Tukra (3) Paran

"i.fiWf;"-lf\1'i.fi "<tiT m mm ~ : (1) 311llG -cr (2) ~-cr (3) 'R1-cr

79. Amad is a :

(1) Urdu word means salutation

(2) Persian word means comming

(3) Hindi word means first

(4) Sanskrit word means exit

21

(4) Angahar

(4) ~

(4) That

(4) "I1G-cr

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3lfIf<': ~ t : (1) "3{ ~ f"l<:ii.f>1 310f t"Sl'llll! (2) -q;mft ~ f"l<:ii.\il 310f t 3lRI

(3) ~ ~ M<:ii.f>1 310f t w;p:f

(4) l'i'!1lct ~ t f"l<:ii.f>1 310f t"IRT

80. Who among the following is Dot a Kathak dancer:

(1) Rohini Bhate (2) Kanak Rele

(3) Shaswati Sen (4) Shobhna Narayan

f.I"'If<1f~ct it "i:\ ~ ~ 'If!li'l'll "Itf t : (1) {)f~"ft .m (2) "i.\i'Ii.\i m (3) ~11~q<il "i:\;! (4) W'l'IT 'lRI'l"1

~l. Uma Sharma is associated with :

(1 ) Manipuri dance (2) Kathak

(3) Kathakali (4) Mohini Attam

~ wli <:ik4f-"f<l f : (I) IlfOI3tl1"l "i:\ (2) ~"i:\

(3) q;2If "<I><'iI "i:\ (4) ll'Ifu;ft ~ "i:\

-82. 'India International Dance Festival' is organised in : (1) New Delhi (2) Hyderabad (3) Chennai (4) Udaipur

'.f.-:S'll ."'{~~I'l\'1 ~ C\;l1i<!cl\'1' <m 3M'If"lct m t : (1) ~ ~ (2) ~<;{I"II<; (3) ~ (4) 3<;'l3{

22

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83. Kalka Bindadeen Kathak Mahatsav is held in :

(1) Lucknow (2) Banaras (3) New Delhi (4) Jaipur

'hl<'l'h f'H;I<l\1 ~ 4\!li'\'lCi ~ 3l1<llf"td mm i ? (1) <'1<91& (2) 'HiHi (3) ~ f<:ffiI (4) ~

84. Atit and anagat belongs to :

(1) Grah (2) Jati (3) Marg (4) Prastar

a1<il<r aID: .3A1"'1<I ~ 14 f"llf i : (1) $"~ (2) onfu~ (3) l!11f~ (4). *'"' ~

85. Nadira Babbar is a famous:

(1) Vacalist (2) Sitar Player

(3) Dancer (4) Theatre personality

'11f<ro 'fOiR ~l4f-"ld ~ : ( 1) lJ1<i{I~ (2) tmm: 'IlG'! ~ (3) ~~ (4) \1tIi<I ~

86. When two Kapitha haste are joined at their wrists the haste mudra formed is: (1) Khatwa (2) Bharund

(3) Varah (4) Koorma

"'" ~ m.rr ~ 'hM?<I ~ OR! 'fi1: ~ ~ <l\ oniI <it <FA CfR'fi ~ ~ i: (1) ~ (2) ~ (3) '!W (4) <pi!

87. When the forefingers of soochi are close are close to each otehr (bent inward) the haste mudra formed is :

(1) Pasha (2) Kee1ak (3) Shakat (4) Chakra

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"'" $i! "IDI!J <tt -m lffi'R ~ ~ iii f.I<IK; ~ ~ ~ it <it m a;R'i\ ~~t: (1) '1m (2) ",1<'1'1> (3) 'II'IiG (4) "UI>

88. When Ring finger (anamika) is bent in Aral haste the haste mudra

formed is called :

(1) Mayura

(3) Mushti

(2) Ardha chandra

(4) Shuktunda

"'" ~ ~ ij 3HIf"'I>1 <tt ~ R>u OIRII t <it m a;R'i\ ~ ~ t : (1) ~ (2) aN'R (3) ~ (4) '«'I>dOs

89. Nritta haste is used in :

(1) Kuchipudi dance

(3) Manipuri

~ ~ wiPT Wu OIRII t : (1) ~ ~ 1"1 ij (3) 'l"'I~ ij

90. Number of Tali io Ektal is :

~<Ir.I ij~ <tt ~ :

(2) Mohihiattam

(4) Kaths Kali

.......... ij (2) '1'''''' .~ (4) ifiI'll'l> <ill ij

(1) 2 (2) 4 (3) 6

91. Number of Kali in Deepchandi tal :

~~<lr.lij~<tt~t : (1) 2 (2) 1

24

(3) 4

(4) 1

(4) 0

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92. Which of the following tal has equal number of matras to Dhamar Tal:

(1) Deep Chandi (2) Chautal

(3) Matta (4) Rudra

R"'lf<.1f«ld "it ~ ~ <IR'I "it ~ <IR'I ~ <ro<I1: lfI'IT ~ ?

( 1) <ftq~ (2) iftdl<.1 (3) mr (4) ~

93. Girish Karnad is related to :

( 1) Tabla (2) Sarod (3) Santoor (4) Theatre

fTRm ~ *Iklf.><RJ t : (1 ) <I'ffiT~ (2) "WiG-Q (3) ~~ (4) Wi'I~

94. Vijai Shankar is related to :

(1) Sarod (2) Santoor (3) Flute (4) Dance

~ 00 *lklf-"1d t : (1) "WiG ~ (2) ~-Q (3) ~-Q (4) 1"'-Q

95. Who among the following is Kathak danceer :

(1) Hema Malini (2) Vaijanti Mala

(3) Kamal Hassun (4) Neelima Azeem

R"'lf<'lltid "it ~ ~ -1'" ~ *Iklf..t.Rf ~ ?

(1) ~ qif<'lofl (2) ~ l!R'fT

(3) ~~

96. Ratna Shah is related to :

(1) Manipuri dance

(3) Theatre

25

(2) Kathak dance

(4) Violin

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WIT m W4f..'W i : (1) q"'I~1 1<"1 "\'t

(3) ~"\'t

97. Pt. Jasraj is related to :

(1) Violin (2) Vocal

1j 0 "I <:1{ I "I <:114 f'*lll ~ :

( 1 ) ell ~ RiH "\'t (2) lIl'R "\'t

98. Gudai Maharaj is related to :

(1) Tabla (2) Sitar

~ Q!lRI"I <:114f.>ffl ~ :

( 1 ) <W<'IT"\'t (2) fu<rR "\'t

99. Pt. Ram Narayan is related to :

(1) Sitar (2) Sarod

1jo WI 1RI~ul <:1l4f-tld ~ :

(2) ~"\'t

(2) _ 1<"1 "\'t

(4) eMf<!l1"\'t

(3) Pakhawaj

(3) Vocal

(3) lIl'R "\'t

(3) Sarangi

(3) ~"\'t

(4) Tabla

(4) <W<'IT"\'t

(4) Sarangi

(4) ~"\'t

(4) Flute

(4) ~"\'t

100. The famous figure of a dancing girl found in excavation of Hrappa was made up of:

(1) Bronze

(3) Iron

(2) Teracotta

(4) Copper.

~ '1ft ~ "\'t JIl1<f 'l<'1{d "" '1ft 'IflI M><:1,*1 'ffi i : (1) ;w;J (2) ~{Iqi)GI

(3) -.ftm (4) <ir.;r

26 100

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(p; gfi<lo;l ii> 1l1!J7f 3mm1T !1"" lIT "." anr -"" ii> 1(l'I't' '{'iif lIT

iJ;,m ;ft1'fI- """" '"'" -. ik 11 tt fffii) I. Jl'R ~r «1 ih I firfR it 1 0 f'iRc it 3Rl: m ~ c'i fi!; lI"'I'!'l'I if >:l'il 'r'3 ~ ~ 'r-'-c .; i

Jl'R ~ ~ ~1 ~r«1ihl ~ '![it "fR 'R ~ 'f'RT iWliT\1 ~-~ 'fir ~ 0'1 -­

lI"'I'!'l'I <fir c;mr ~r«1ihl lIT'<! ;p c'il

2. • 'ljq.j if fHQ;IQ;1 <Wrr lTiffl-"" ii> Jirnfi<Rt, fi;r@j 'i1 ~ ~ ~ 1%ffi q;[1];i["f11'l ~ 'f -mill

3. anr-"" 3TWT 11 ~ "'" tl Pt .. '" >i/#- 3ih .. tt fil'{iif <!IT', <pm anr-"" 'I't/-ff;<II ~, iJ;,m anr-"" "" tt ~""io;. fi1i'<T ~,

4. 3N'!T 31'J'h'1iih i!2!T 'lm-1ft q;] IIilliih ~'1ll 3lffiUT-'r'3 'R it'! it fl'mt! 1"lH 'R fffiil'1

5. anr-"" ii> 1l1!J7f!1"" lIT ik 11 3IrRT 3Id .. oio; f.mffirl ""'" lIT fffii' "." ;fti/ fifit ¢ oft 7Irp "" e:'1 .,.;-.,.; 3114,40; it ¢ llR - gfi<lo;l "" ~ "." #?: "" """" ::dOrrr "",,"' lIT

~,

6. 3fto rrro Jirro "" lIT Jid .. oio; ~ .,.gfiito;l fi= q #?: fi= (4fi; oft( 0'1) "." R~Of8fiaq;1 fIT 31j~qiqj 3Th 3lTo l.fIT" 3Trro ra ~ qff RFctti!?jj' if 3QJ7H1JI0/ qff 3TjllFrr 'I't/ tl

7. ::;rrifm .fiIm4)' if oft( oft Qfi4cR "'!if f.r(/fiTOi mr .",fUm mr <nfirii 3Rf.".,. I!.'" ~

11T'R "" "'"" 11RT ~ I 8. llR-gfi<lo;l if Jffitq; llR ii> ;;fT'( Jihif'ilo; anr fifit 'lit tl Jffitq; llR ii> Jo;if'ilih anr ii> fi'rr<

31TfF1ft anr -"" oft 'ik/f.itrl rffiIr ii> m>f.I fifit 'lit 'l" oft anr -"" ii> 1l1!J7f !1"" lIT fifit 'lit f.rfflf ii> 3TJ= ik 11 7Irp ""'" t I

9. m Jl'R it 'lm it ~ ~ "'" m '1'f 'fir 1JTf!T 'Ji't 1 "'" it 3lf% yir 'fir 1JTf!T m 'R 3J?lq[ "'" '1'f 'fir ~ 'W1 'R q;: 'lm lfffil 'IT'IT ~ I

1 O. """ e:- fi;; I!.'" "" t<lIt/ mr Jifi;;n anr .,.." 'I't/-." """" t I 4fi; 3m< fi;;ifI llR "" anr 'I't/-~ .".;t t; '""'""" rffiIr ii> m>f.I fifit 'lit "oft ~-oft !'m'fI m. e:-, t1# """,- lIT fpr

:;fo; fifit .,,;m I 11. 1l!i 'WI it ~ Jl'R -~f@ ih I it 'I'" ~ '"' it 3i?;1: 'ITffi 'r'3 i!2!T 'lm - ~f@ ih I in 3ifu'l 'r'3 q;]

>riP! 'Ji'tl

12 . • in 3'RR'[ <Ii<m 3ft rrr Jirr anr -"". 'ljq.j if ;:;pjj ;p ?; 1

13. • B1Wi! iR it ~ <nJ1\lT 'ljq.j it '!Ti;1: "fR <fir ~ ~ ~ 1

14. '1ft; ~ 3'fR!0f • if ~ "f11'l'i\ q;] >riP! 'W!T ~, <it q;: r" ~q rq ill M ~ &m f'mffi:il