modern and contemporary art part 2: dallas #5224 november 14, 2015

modern & contemporary artnovember 14, 2015 ❘ dallas

part II: dallas

Front Cover Lot: 70066

Inside Front Cover Lot: 70035

Inside Back Cover Lot: 70098

Back Cover Lot: 70052

ISBN: 978-1-63351-160-6

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Modern & Contemporary Art Part II: DallasNovember 14, 2015 | Dallas

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Session OneModern & Contemporary Art

Lot 70077

4 To view full descriptions, enlargeable images and bid online, visit HA.com/5224

70001

Pablo Picasso (Spanish, 1881-1973)Plate K (from Black Face service), 1948Glazed ceramic plate9-1/2 inches (24.1 cm) diameterEd. 100Inscribed ‘K,’ with the Madoura Plein Feu and D’après Picasso stamps on the reverse

LITERATURE:A. Ramié, 46.

Estimate: $2,000-$3,000

70002

Pablo Picasso (Spanish, 1881-1973)Profil de Taureau, 1956Glazed ceramic10 inches (25.4 cm) diameterEd. 450Stamped with ‘Empreinte Originale de Picasso’ and ‘Madoura Plein Feu’ on the reverse


Estimate: $2,000-$3,000

Session One, Auction #5224 | Saturday, November 14, 2015 | 11:00 AM CT 5

70003

Pablo Picasso (Spanish, 1881-1973)Le Taureau, 1957Partially glazed terracotta plate15 inches (38.1 cm) diameterEd. 148/250Numbered and inscribed with ‘Edition Picasso Madoura’ and stamped with ‘Edition Picasso’ and ‘Madoura Plein Feu’ on the reverse

LITERATURE:A. Ramié, 392;G. Ramié, 529.

NOTE:This work was reproduced as the poster image for the Vallauris 10th Biennale Internationale de Céramique d’Art, 1986.

Estimate: $5,000-$7,000

70004

Pablo Picasso (Spanish, 1881-1973)Bull plateGlazed ceramic plate6-1/2 inches (16.5 cm) diameterInscribed ‘Edition Picasso’ with the Madoura Plein Feu stamped on the reverse

Estimate: $700-$900


70005

Pablo Picasso (Spanish, 1881-1973)Figure de Proue, 1952Partially glazed ceramic pitcher8 x 10 x 4 inches (20.3 x 25.4 x 10.2 cm)Ed. 154/300Inscribed with ‘Edition Picasso’ and ‘Madoura’ and numbered on the underside

LITERATURE:G. Ramié, 712;A. Ramié, 244.

Estimate: $4,000-$6,000

70006

Pablo Picasso (Spanish, 1881-1973)La Source, 1954Partially glazed ceramic pitcher11-1/4 inches (28.6 cm) highEd. 78/100Inscribed, numbered, and stamped with ‘Edition Picasso’ and ‘Madoura’ on the underside


Estimate: $6,000-$8,000


70007

Pablo Picasso (Spanish, 1881-1973)Hibou, 1954Glazed ceramic pitcher9-1/2 inches (24.1 cm) highEd. 500Inscribed ‘Edition Picasso Madoura,’ with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $3,000-$5,000

70008

Pablo Picasso (Spanish, 1881-1973)Tetes, 1956Partially glazed earthenware pitcher5 inches (12.7 cm) highEd. 500Inscribed with ‘Edition Picasso’ on the underside


Estimate: $4,000-$6,000


70009

Pablo Picasso (Spanish, 1881-1973)Quatre visages, 1959Glazed and painted earthenware pitcher9-3/8 inches (23.9 cm)Ed. 11/300Inscribed and stamped ‘Edition Picasso’ and ‘Madoura’ on the underside


Estimate: $5,000-$7,000

70010

Pablo Picasso (Spanish, 1881-1973)Chouette aux taches, 1951Glazed ceramic vase with enamel11-1/4 inches (28.7 cm) highEd. 300Inscribed and stamped ‘Edition Picasso’ and ‘Madoura’ on the underside


Estimate: $4,000-$6,000


70011

Pablo Picasso (Spanish, 1881-1973)Tarasque, 1954Partially glazed ceramic pitcher14 x 12 x 8 inches (35.6 x 30.5 x 20.3 cm)Ed. 28/50Inscribed with ‘Edition Picasso’ and numbered on the underside


Estimate: $20,000-$30,000


70012

Pablo Picasso (Spanish, 1881-1973)Face, 1969Partially glazed earthenware pitcher12-1/4 inches (31.0 cm) highEd. 290/500Incised with ‘9.1.69’ along the baseStamped ‘Edition Picasso Madoura Plein Feu,’ and incised ‘Edition Picasso 290/500 Madoura’ on the underside


Estimate: $5,000-$7,000

70013

Pablo Picasso (Spanish, 1881-1973)Face, 1955Partially glazed earthenware pitcher12 inches (30.5 cm) highEd. 500Inscribed ‘Edition Picasso Madoura,’ with the Madoura Plein Feu and Edition Picasso stamps on the underside


Estimate: $5,000-$7,000


70014

Pablo Picasso (Spanish, 1881-1973)Visage au nez noir, 1969Partially glazed earthenware pitcher13-1/8 inches (33.3 cm) highEd. 81/200Stamped ‘Edition Picasso’ and ‘Madoura Plein Feu,’ and incised ‘Edition Picasso 81/200 Madoura’ on the underside


Estimate: $25,000-$35,000


70015

Pablo Picasso (Spanish, 1881-1973)Petit visage solaire and Masque rieur (two works), 1968Terracotta tiles6-5/8 x 6-5/8 x 3/4 inches (16.8 x 16.8 x 1.9 cm) (each)Ed. 54/200; Ed. 28/200Each numbered and inscribed, with the Edition Picasso and Madoura Plein Feu stamps on the reverse

LITERATURE:A. Ramié, 551 & 562.

Estimate: $1,200-$1,800

70016

Pablo Picasso (Spanish, 1881-1973)FacePainted and partially glazed terracotta tile8-3/8 x 8-3/8 x 1/2 inches (21.3 x 21.3 x 1.3 cm)Ed. 12/100Numbered and inscribed ‘J. 126 C’ with ‘Empreinte Originale de Picasso’ stamped on the reverse

Estimate: $1,500-$2,500


70017

Pablo Picasso (Spanish, 1881-1973)Square with Female Dancer (A. R. 613), Lozange au barbu (A.R. 628), and Square with Dancers B (A.R. 615) (three works), 1971Terracotta tiles6 x 6 x 0-1/4 inches (15.2 x 15.2 x 0.6 cm) (each)Ed. 174/500; 254/500; 204/500Each numbered and inscribed ‘Madoura,’ with the Poinçon Original de Picasso and Madoura Plein Feu stamps on the reverse

Estimate: $600-$800


70018

Hans Hofmann (American, 1880-1966)Untitled, 1944Mixed media on paper17-5/8 x 23-1/2 inches (44.7 x 59.7 cm)Signed in ink lower left: Hans Hofmann Stamped with the artist’s estate stamp and inscribed verso: 825-3

PROVENANCE:André Emmerich, New York (label verso);Marisa del Re Gallery, New York;Private collection, New York, acquired from the above.

Estimate: $18,000-$24,000


70019

Hans Hofmann (American, 1880-1966)Untitled, 1944Gouache on paper23 x 18-1/2 inches (58.4 x 47.0 cm)Signed in ink lower center: Hans HofmannStamped with the artist’s estate stamp and inscribed verso: M 810-12

PROVENANCE:André Emmerich Gallery, New York;Marisa del Re Gallery, New York;Private collection, New York, acquired from the above.

Estimate: $12,000-$18,000


70020

Hans Richter (American, 1888-1976)Untitled, 1916Pencil on paper9 x 6-3/4 inches (22.9 x 17.1 cm) (sheet)Initialed and dated twice lower right: HR 16

PROVENANCE:Collection of Bernard and Rebecca Reis, New York;Collection of Barbara Poe Levee, Los Angeles, California, by descent;Private collection, Denver, Colorado, by descent.

NOTE:This work is accompanied by a letter from the artist to Bernard and Rebecca Reis stating, “To my friends the Reis - Becky & Bernard - as they have nothing from the Dada period 1916. Here is one authentical! Love, Friedl + Hans Richter / Xmas N.Y. 54”

Estimate: $1,000-$1,500

70021

Hans Richter (American, 1888-1976)Untitled, 1968Pastel on paper8-1/4 x 5-3/4 inches (21.0 x 14.6 cm)Initialed and dated lower right: HR 68Initialed, dated, and inscribed in blue ink verso (crossed out): For Bethna Filipinelli / Hans Richter 68


Estimate: $1,000-$1,500


70022

Jacques Lipchitz (French, 1891-1973)Melancholy, 1928-1930Bronze with brown patina (unique)11-1/2 x 8-3/4 x 6-1/2 inches (29.2 x 22.2 x 16.5 cm)Signed on base: J LipchitzStamped with foundry mark ‘C. Valsuani’ on base


EXHIBITED:Marlborough-Gerson Gallery, New York, Lipchitz: The Cubist Period, 1913-1930, March-April 1968.

LITERATURE:Lipchitz: The Cubist Period, 1913-1930, Marlborough-Gerson Gallery, New York, 1968, cat. no. 59, illus.;A.M. Hammacher, Jacques Lipchitz, Harry N. Abrams, Inc., New York, 1975, cat. no. 95, illus.;A. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonne, Volume One: The Paris Years, 1910-1940, Thames & Hudson, Inc., London, 1996, p. 86 and p. 197, cat. no. 243, illus.

Estimate: $80,000-$100,000


70023

Francisco Zúñiga (Mexican, 1912-1998)Two Figures, 1971Conté crayon on paper66-1/2 x 35 inches (168.9 x 88.9 cm) (sight)Signed and dated lower left: Zúñiga / 1971

PROPERTY FROM THE ESTATE OF ROD MCKUEN

NOTE:We want to thank Mr. Ariel Zúñiga who confirmed the authenticity of this lot. This work will be included in the forthcoming catalogue raisonné V of Francisco Zúñiga’s drawings.

Estimate: $8,000-$12,000


70024

Ricardo Roque Carpani (Argentinian, 1930-1997)Untitled, 1966Oil on canvas51 x 38 inches (129.5 x 96.5 cm)Signed and dated lower right: Carpani / 66

PROVENANCE:Private Latin American Art collection, Pennsylvania;Acquired by the present owners from the estate of the above, 2005.

Estimate: $12,000-$18,000


70025

Diego Rivera (Mexican, 1886-1957)Velorio, 1928Watercolor on rice paper15-1/4 x 11 inches (38.7 x 27.9 cm)Signed and dated lower left: Diego Rivera 1928

PROVENANCE:Frida Kahlo, Mexico;Hans Teichert, Chicago, Illinois;Milton Holland Appraisers, Los Angeles, California;Private collection, acquired from the above;By descent to the present owner.

LITERATURE:S. Ramos, Diego Rivera Acuarelas, 1935-1945: Coleccion Frieda Kahlo, Mexico City, 1948, pl. 19, np, illus.; Diego Rivera: 50 años de su labor artística, Exposicion de Homenaje Nacional, Mexico City, 1951, Instituto Nacional de Bellas Artes, Museo Nacional de Artes Plásticas, pl. 1, p. 136, illus.

Estimate: $40,000-$60,000


70026

Mario Carreño (Cuban, 1913-1999)Untitled, 1943Crayon on paper8-1/2 x 11-1/2 inches (21.6 x 29.2 cm) (sight)Signed and dated upper right: Carreño - 43Inscribed verso: To Mary - my good friend / Mario Carreño 43

Estimate: $7,000-$9,000


70027

Alexander Calder (American, 1898-1976)Baseball, 1966Gouache on Arches paper29-1/2 x 42-1/2 inches (74.9 x 108.0 cm)Signed and dated lower right: Calder 66

PROVENANCE:Galerie Maeght, Paris, France;Joel Boggart Gallery, New York, 1978;Private collection, Michigan;Marscha Goodkin Gallery, Chatsworth, California;Private collection, Roscoe, Illinois, circa 1990;A.B. Levy’s Fine Art, Palm Beach, Florida, October 26, 2014, lot 300;Private collection, Miami Beach, Florida, 2014.

EXHIBITED:Fondation Maeght, St. Paul de Vence, “Calder,” April 2-May 31, 1969, no. 244;[The above exhibition also traveled to] Louisiana Museum of Modern Art, Humlebaeq, Denmark, June 29-September 7, 1969, no. 203, and Stedelijk Museum, Amsterdam, Holland, October 4-November 16, 1969, no. 178;Haus der Kunst, Munich, Germany, “Calder,” May 10-July 13, 1975, no. 145;[The above exhibition also traveled to] Kunsthaus Zürich, Zürich, Germany, August 23-November 2, 1975, no. 145..

LITERATURE:Fondation Maeght, Calder, St. Paul de Vence, 1969, exhibition catalogue, p. 188, no. 244, illustrated in black and white; Archives Maeght, Calder, l’artiste et l’oeuvre, Paris, 1971, p. 118, illustrated in black and white.

NOTE:This work is registered in the archives of the Calder Foundation, New York, under no. A00822.

Estimate: $30,000-$40,000


70028

Moshe Elazar Castel (Israeli, 1909-1992)HallelujahOil on canvas19-3/4 x 25-3/4 inches (50.2 x 65.4 cm)Signed lower left: Castel

Estimate: $6,000-$8,000


70029

Lea Nikel (Israeli, 1918-2005)Color Interlude, 1961Oil on canvas21-1/2 x 15 inches (54.6 x 38.1 cm)Signed and dated lower right: Lea Nikel 61

Estimate: $8,000-$12,000


70030

Michael Ayrton (British, 1921-1975)The MinotaurBronze with brown patina11 x 8-1/4 x 11 inches (27.9 x 21.0 x 27.9 cm)Ed. 10/12Signed and numbered along the base


Estimate: $10,000-$15,000


70031

Jacques Lipchitz (French, 1891-1973)Study for Return of the Child, 1941Bronze11-3/4 x 5 x 4-1/2 inches (29.8 x 12.7 x 11.4 cm)Ed. 5/7Signed and numbered with thumbprint impression on the baseFoundry mark ‘Modern Art Fdry N.Y.’ stamped along the base


LITERATURE:H.H. Aranson, Jacques Lipchitz, Sketches in Bronze, New York, 1969, p. 159, no. 125 (another cast illustrated);A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonné, The American Years 1941-1973, New York, 2000, vol. 2, p. 26, no. 346 (another cast illustrated).

Estimate: $10,000-$15,000


70032

André Marfaing (French, 1925-1987)Composition, June 10, 1960Oil on canvas51-1/2 x 51-1/2 inches (130.8 x 130.8 cm)Signed and dated lower right: Marfaing 60Dated verso: Juin 60 / 10

PROVENANCE:Galerie Claude Bernard, Paris (label verso);Collection of Mr. and Mrs. John Leavell, Dallas, acquired through Larry Aldrich from the above, 1961.

Estimate: $8,000-$12,000


70033

Toshimatsu Imai (Japanese, 1928-2002)Untitled (Eclissi), 1962Oil on canvas laid on board14-1/2 x 22-1/2 inches (36.8 x 57.2 cm)Signed, titled, and dated on the reverse: Toshimatsu Imai / “Eclissi” / Sept. 1962 / Imai Paris / 1962

PROVENANCE:Jane SoRelle, Rome, Italy;Private collection, USA

NOTE:This lot is accompanied by photographs of Jane SoRelle with the artist.

Estimate: $20,000-$30,000


70034

Willem de Kooning (American, 1904-1997)Untitled #10, 1969Bronze with brown patina8-1/2 x 2-1/4 x 1-1/2 inches (21.6 x 5.7 x 3.8 cm)Ed. 3/6Incised with initals and numbered on the reverse: W de K. 3/6

PROVENANCE:Estate of the artist, New York;Matthew Marks Gallery, New York.

EXHIBITED:Sidney Janis Gallery, New York, “An Exhibition by de Kooning Introducing His Sculpture and New Paintings,” October-November 1972;Minneapolis, Walker Art Center; Ottawa, National Gallery of Canada; Washington, D.C., The Phillips Collection; Buffalo, Albright-Knox Gallery; Houston, The Museum of Fine Arts; St. Louis, Washington University Gallery of Art, “de Kooning: Drawings/Sculpture,” March 1974-June 1975;Edinburgh, Fruit Market Gallery; London, Serpentine Gallery, “The Sculptures of de Kooning with Related Paintings, Drawings & Lithographs,” October 1977-January 1978;Museum of Art, Carnegie Institute, Pittsburgh, “Willem de Kooning/Pittsburgh International Series,” October-January 1980;Xavier Fourcade, Inc., New York, “Willem de Kooning: The Complete Sculpture, 1969-1981,” May-June 1983;Josef-Haubrich-Kunsthalle, Cologne, “Willem de Kooning: Skulpturen,” Sepcember-October 1983;New York, Whitney Museum of American Art; Berlin, Akademie der Künste; Paris, Musee National d’Art Moderne, Centres de Georges Pompidou, “Willem de Kooning: Drawings, Paintings, Sculpture,” December 1983-September 1984;Das Mönchehaus Museum, Goslar, “Exhibition on the occasion of the presentation of Kaiserring to Willem de Kooning,” September-October 1984;Matthew Marks Gallery, New York, “Willem de Kooning Sculpture,” May-June 1996.

LITERATURE:Sidney Janis Gallery, An Exhibition by de Kooning Introducing His Sculpture and New Paintings, New York, 1972, n.p., no. 39 (another cast illustrated);Minneapolis, Walker Art Center; Ottawa, National Gallery of Canada; Washington, D.C., The Phillips Collection; Buffalo, Albright-Knox Gallery; Houston, The Museum of Fine Arts; St. Louis, Washington University Gallery of Art, de Kooning: Drawings/Sculpture, 1975, n.p., no. 136 (another cast illustrated);Edinburgh, Fruit Market Gallery; London, Serpentine Gallery, The Sculptures of de Kooning with Related Paintings, Drawings & Lithographs, 1978, n.p., no. 10 (another cast illustrated);Museum of Art, Carnegie Institute, Willem de Kooning/Pittsburgh International Series, Pittsburgh, 1980;Xavier Fourcade, Inc., Willem de Kooning: The Complete Sculpture, 1969-1981, New York, 1983;Josef-Haubrich-Kunsthalle, Willem de Kooning: Skulpturen, Cologne, 1983, pp. 52-53 and 122, no. 10 (another cast illustrated);New York, Whitney Museum of American Art; Berlin, Akademie der Künste; Paris, Musee National d’Art Moderne, Centres de Georges Pompidou, Willem de Kooning: Drawings, Paintings, Sculpture, December 1983-September 1984, p. 252, no. 266 (another cast illustrated);Das Mönchehaus Museum, Exhibition on the occasion of the presentation of Kaiserring to Willem de Kooning, Goslar, 1984;Matthew Marks Gallery, Willem de Kooning Sculpture, New York, 1996, p. 54, no. 10 (another cast illustrated).

Estimate: $40,000-$60,000


70035

Conrad Marca-Relli (American, 1913-2000)Sleeping Figure (J-L-16-66), 1966Oil, charcoal, and canvas collage on canvas53 x 60 inches (134.6 x 152.4 cm)Signed, titled, and dated verso: “Sleeping Figure” / Marca-Relli / J-L-16-66

PROVENANCE:Marisa del Re Gallery, New York (label verso);Private collection, New York.

NOTE:This work is registered with the Archivo Marca-Relli, Parma, as archive number MARE-6142 / © Archivio Marca-Relli, Parma.

Estimate: $60,000-$80,000


70036

Pietro Consagra (Italian, 1920-2005)Biglietto and Studies for Sculpture (two works), 1961Bronze with gold patina; ink on paper15-1/4 inches (38.7 cm) high on a 1-3/4 inches (4.4 cm) wooden base13-5/8 x 19-3/4 inches (34.6 x 50.1 cm) (sheet)Inscribed lower right: Consagra 61Signed and dated lower right: Consagra 56

PROVENANCE:James Goodman Gallery, Buffalo, New York (on label verso of drawing).

Estimate: $10,000-$15,000


70037

Sam Gilliam (American, b. 1933)Untitled (double-sided work), 1968Mixed media on handmade wove paper17-1/2 x 23 inches (44.5 x 58.4 cm)Signed and dated recto and verso lower right: Sam Gilliam 68

Estimate: $3,000-$5,000


70038

Sam Gilliam (American, b. 1933)Butterfly Days (from the Butterfly series)Mixed media collage52 x 48 inches (132.1 x 121.9 cm)Signed, titled, and inscribed on the reverse: Butterfly Days # / 119 x 52 Sam Gilliam

PROVENANCE:William Weege, assistant to the artist;Private collection, acquired from the above, circa 1980s.

Estimate: $8,000-$12,000


70039

Paul Jenkins (American, 1923-2012)Phenomena House of Prince, 1979Acrylic on canvas29-3/4 x 24-3/4 inches (75.6 x 62.9 cm)Signed lower left: Paul Jenkins Signed, titled, and dated on the reverse: Paul Jenkins ‘Phenomena House of Prince’ 1979

PROVENANCE:Gimpel & Weitzenhoffer Ltd, New York (label verso);Private collection, acquired from the above.

Estimate: $8,000-$12,000


70040

Paul Jenkins (American, 1923-2012)UntitledWatercolor on paper43 x 31 inches (109.2 x 78.7 cm)Signed lower right: Paul Jenkins

PROVENANCE:Private collection, New York.

Estimate: $5,000-$7,000

70039

Paul Jenkins (American, 1923-2012)Phenomena House of Prince, 1979Acrylic on canvas29-3/4 x 24-3/4 inches (75.6 x 62.9 cm)Signed lower left: Paul Jenkins Signed, titled, and dated on the reverse: Paul Jenkins ‘Phenomena House of Prince’ 1979

PROVENANCE:Gimpel & Weitzenhoffer Ltd, New York (label verso);Private collection, acquired from the above.

Estimate: $8,000-$12,000


70041

Paul Jenkins (American, 1923-2012)Phenomena Spiral Cauldron, 1979Oil on canvas35 x 88 inches (88.9 x 223.5 cm)Signed lower center: Paul JenkinsSigned, titled, and dated in ink on stretcher: Paul Jenkins “Phenomena Spiral Cauldron” 1979

PROVENANCE:Carone Gallery, Fort Lauderdale, Florida;Private collection, Florida, acquired from the above, 1980.

Estimate: $40,000-$60,000


70042

Thomas Albert Sills (American, 1914-2000)Color StudyOil on canvas44 x 48-1/2 inches (111.8 x 123.2 cm)Signed lower right: T. Sills

PROVENANCE:Dord Fitz Gallery and School, Amarillo, Texas;Private collection, Dallas, Texas, acquired from the above, 1965.

Estimate: $3,000-$5,000


70043

Larry Poons (American, b. 1937)Abstract, 1990Acrylic and mixed media on canvas26-1/4 x 57 inches (66.7 x 144.8 cm)Signed, dated, and inscribed verso: Larry Poons / 1990 / 90A-4

Estimate: $10,000-$15,000


70044

Ilya Bolotowsky (American, 1907-1981)Small Pale Blue Tondo, 1981Oil on canvas23-1/2 inches (59.7 cm) (diameter)Signed and dated lower right: Ilya Bolotowsky / 81 Titled, dated, and inscribed verso

PROVENANCE:Private collection, New York, acquired directly from the artist.

Estimate: $10,000-$15,000


70045

Leon Polk Smith (American, 1906-1996)Correspondence - Black-White (Twin Peaks), 1964Oil on canvas58-3/4 inches (149.2 cm) (diameter)Signed, titled, dated, and inscribed verso: Leon Polk Smith / Correspondence - Black-White / S 58-3/4” diameter 1964 / S 7C

PROVENANCE:Dord Fitz Gallery and School, Amarillo, Texas;Private collection, Dallas, Texas, acquired from the above, 1965.

Estimate: $15,000-$20,000


70046

Giò Pomodoro (Italian, 1930-2002)Moon, 1964Bronze with gold patina9-1/4 x 9-1/2 x 2-1/2 inches (23.5 x 24.1 x 6.4 cm) on a 1 inch (2.54 cm) high baseEd. 5/6Incised with initials, date, and number on the base


Estimate: $15,000-$20,000


70047

Arnaldo Pomodoro (Italian, b. 1926)Foglio IV, 1986Bronze with gold patina12-3/4 x 8-1/4 inches (32.4 x 21 cm)Ed. 9Signed and numbered indistinctly on the base

PROVENANCE:Marisa del Re Gallery New York;Private collection, New York, acquired from the above.

LITERATURE:Flaminio Gualdoni, Arnaldo Pomodoro. Catalogo ragionato della scultura, tomo II, Skira Editore, Ginevra, Milano, 2007, p. 684, no. 798.

Estimate: $12,000-$18,000


70048

Charles B. Hinman (American, b. 1932)Red Lean-In, 1968Acrylic on shaped canvas, in two parts37-1/2 x 58 x 11 inches (95.3 x 147.3 x 27.9 cm)Signed, titled, and dated verso: “Red Lean-In” / Hinman 68

PROVENANCE:Richard Feigen Gallery, New York (label verso).

Estimate: $8,000-$12,000


70049

Harry Bertoia (Italian/American, 1915-1978)Untitled (Sonambient), circa 1970sBeryllium copper and brass21-3/8 inches (54.3 cm) high

PROVENANCE:Private collection, Dallas, Texas.

NOTE:We want to thank Mr. Val Bertoia to confirm the authenticity of this lot.

Estimate: $20,000-$30,000


70050

Jesús Rafael Soto (Venezuelan, 1923-2005)Vibrations metalliques, 1969Painted metal with metal rod with nylon string10-5/8 x 11-5/8 x 5 inches (26.9 x 29.5 x 12.7 cm)Ed. 37/250Signed on label versoPublished by Editions Denise René, Paris

LITERATURE:Palacio de Velázquez del Parque del Retiro, Soto, Madrid, 1982, no. M 10 (another example illustrated).

Estimate: $10,000-$15,000


70051

Jesús Rafael Soto (Venezuelan, 1923-2005)Multiple V (from the Jai-Alai series), 1969Wood with four square metal sections19 x 8-1/2 x 6 inches (48.3 x 21.6 x 15.2 cm)Ed. 64/300Signed and numbered on the base

Estimate: $10,000-$15,000


70052

Victor Vasarely (French, 1906-1997)Xanor, 1979Acrylic on canvas29 x 29 inches (73.7 x 73.7 cm)Signed in pencil lower center: VasarelySigned, titled, dated, and inscribed verso: 3.045 Vasarely /

“Xanor” / 73 x 73 / 1979 / Vasarely

NOTE:The authenticity of the present work has been confirmed by Pierre Vasarely. It will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence.

Estimate: $50,000-$70,000


70053

Attributed to Victor Vasarely (French, 1906-1997)Sans Titre, circa 1985Acrylic on board31-1/2 x 22-1/4 inches (80.0 x 56.5 cm) (sheet)

PROVENANCE:Dyansen Gallery, New York (label verso).

NOTE:According to Pierre Vasarely, this work was painted for an edition of serigraphs that his grandfather created circa 1985. We would like to thank Mr. Vasarely for assisting with the catalog.

Estimate: $8,000-$12,000


70054

Victor Vasarely (French, 1906-1997)Sans Titre, 1984Acrylic on board24-1/2 x 19-1/2 inches (62.2 x 49.5 cm) (image)27-3/4 x 22 inches (67.9 x 55.8 cm) (sheet)Signed lower right: Vasarely

PROVENANCE:Dyansen Gallery, New York (label verso).

NOTE:The authenticity of the present work has been confirmed by Pierre Vasarely, who explained that his grandfather painted it for the 1984 serigraph Sarajevo. The work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence. We would like to thank Mr. Vasarely for assisting with the catalog.

Estimate: $8,000-$12,000


70055

Salvador Dalí (Spanish, 1904-1989)Untitled (Sea Horse)Pencil on board17 x 14 inches (43.2 x 35.6 cm) (sheet)Signed center right: Dali

NOTE:We are grateful to Mr. Bruce Hochman of the Salvador Dali Gallery, San Juan Capistrano to confirm the authenticity of this lot. This lot is accompanied by a letter signed by Alfred Field from The Salvador Dali Archives, dated June 25, 1996.

Estimate: $8,000-$12,000


70056

François-Xavier Lalanne (French, 1927-2008)Carpe d’Or, 1987Resin with gold leaf11-3/4 x 21-5/8 x 4-5/8 inches (30.0 x 54.9 x 11.7 cm)Ed. 35/250Underside embossed with: ARTCURIAL/LALANNE/FXL and incised 35/250Published by Artcurial, Paris

Estimate: $25,000-$30,000


70057

Wayne Thiebaud (American, b. 1920)Figures in a Valley LandscapeGouache on board12 x 16 inches (30.5 x 40.6 cm) (sheet)Signed in pencil lower right: Thiebaud

PROVENANCE:Taylor’s Art Center, Sacramento, California (label verso);Private collection, Los Angeles, California.

Estimate: $8,000-$12,000


70058

Larry Rivers (American, 1925-2002)Untitled, circa 1950Watercolor and pencil on paper22-1/2 x 30-1/2 inches (57.2 x 77.5 cm)Signed in pencil lower right: Rivers

PROVENANCE:Camillos Kouros Gallery, New York (label verso);Private collection, Dallas, Texas.

Estimate: $8,000-$12,000


70059

William Theophilus Brown (American, 1919-2012)Untitled (Seated Woman), 1982Pencil on paper29 x 23 inches (73.7 x 58.4 cm)Signed and dated lower left: Jan 8.82 Theophilus Brown

PROVENANCE:Collection of Barbara Poe Levee, Los Angeles, California;Private collection, Denver, Colorado, by descent.

Estimate: $2,000-$3,000

70060

William Theophilus Brown (American, 1919-2012)Untitled, 1963Charcoal and ink wash on paper14 x 17 inches (35.6 x 43.2 cm)Signed, dated, and inscribed lower right: For Barbara / Wm Theo Brown 63


Estimate: $2,000-$3,000


70061

William Theophilus Brown (American, 1919-2012)Untitled (Dog in the Moonlight), 1974Gouache and pencil on paper11 x 14-7/8 inches (27.9 x 37.8 cm)Signed and dated lower right: Wm Theo Brown 74


Estimate: $2,000-$3,000


70062

Paul Wonner (American, 1920-2008)Flower in Cup, 1967Watercolor and gouache on paper13-7/8 x 16-3/4 inches (35.2 x 42.5 cm) (sheet)Signed lower right: Paul WonnerTitled verso: N.Y. Flower in Cup

PROVENANCE:Felix Landau Gallery, Los Angeles, California;Collection of Barbara Poe Levee, Los Angeles, California;Private collection, Denver, Colorado, by descent.

EXHIBITED:San Francisco Museum of Modern Art, San Francisco, California, n.d. (label verso).

Estimate: $4,000-$6,000


70063

Paul Wonner (American, 1920-2008)Lantana, 1967Watercolor on paper17 x 14-7/8 inches (43.2 x 37.8 cm)Signed lower right: Paul Wonner

PROVENANCE:Felix Landau Gallery, Los Angeles, California (label verso);Collection of Barbara Poe Levee, Los Angeles, California;Private collection, Denver, Colorado, by descent.

Estimate: $4,000-$6,000


70064

Roland Petersen (American, b. 1926)Summer Picnic, 2010Oil on canvas43-1/2 x 69 inches (110.5 x 175.3 cm)Signed and dated center left: Roland Petersen 2010

Estimate: $30,000-$50,000


70065

Roland Petersen (American, b. 1926)The Rockaway Picnic, 2011Oil on canvas40 x 30 inches (101.6 x 76.2 cm)Signed and dated lower right: Roland Petersen 2011Signed, titled, and dated in pencil on the overlap: The Rockaway Picnic Roland Petersen 2011

Estimate: $15,000-$25,000


70066

Andy Warhol (American, 1928-1987)Campbell’s Soup Box (Chicken Rice), 1986Acrylic and silkscreen ink on canvas14 x 14 inches (35.6 x 35.6 cm)Signed and dated on the overlap: Andy Warhol 86

PROVENANCE:Martin Lawrence Galleries;Acquired by the present owner from the above.

LITERATURE:Michael Kohn Gallery, Los Angeles, California, Warhol: Campbell’s Soup Boxes, December 1986-January 1987, cat. no. 148, p. 31, illustrated in color.

Estimate: $150,000-$200,000


70067

Andy Warhol (American, 1928-1987)Standing Male Figure, circa 1955Ink on paper11-7/8 x 7-7/8 inches (30.2 x 20.0 cm) (sheet)Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘266.003’ in pencil on the reverse

PROVENANCE:Susan Sheehan Gallery, New York (label verso);Acquired from the above by the present owner.

Estimate: $8,000-$12,000


70068

Andy Warhol (American, 1928-1987)Female Figure, circa 1955Ink on paper16-1/2 x 12-1/4 inches (41.9 x 31.1 cm) (sheet)Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘246.016’ in pencil on the reverse


Estimate: $12,000-$18,000


70069

Andy Warhol (American, 1928-1987)Man with Toy, circa 1955Ink on paper17 x 14 inches (43.2 x 35.6 cm) (sheet)Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘246.008’ in pencil on the reverse


Estimate: $10,000-$15,000


70070

Andy Warhol (American, 1928-1987)Two Girls, Full Figure, circa 1957Ink and aniline dye on paper12-3/4 x 11-1/2 inches (32.4 x 29.2 cm) (sheet)Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘301.008’ in pencil on the reverse

PROVENANCE:Robert Miller Gallery, New York (label verso);Paul Kasmin Gallery, New York (label verso);Susan Sheehan Gallery, New York (label verso);Acquired from the above by the present owner.

Estimate: $10,000-$15,000


70071

Andy Warhol (American, 1928-1987)Woman, 1950sBlotting ink on paper10-7/8 x 8-1/4 inches (27.6 x 21.1 cm)Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘PM08.009’ in pencil on the reverse

PROVENANCE:Susan Sheehan Gallery, New York.

Estimate: $8,000-$12,000


70072

Andy Warhol (American, 1928-1987)Seasons Greetings, 1957Ink, gouache, and tempera on paper18 x 12-1/2 inches (45.7 x 31.8 cm) (sheet)Signed in ink lower right: Andy WarholStamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered ‘324.031’ in pencil on the reverse


Estimate: $12,000-$18,000


70073

Andy Warhol (American, 1928-1987)Mr. & Mrs. Dean, circa 1974Pencil on paper41 x 28-1/8 inches (104.1 x 71.4 cm)Numbered ‘113.001’ in pencil on the reverse

Estimate: $18,000-$24,000


70074

Claes Oldenburg (American, b. 1929)Study for a Sculpture in the Form of a Porte-Monnaie, 1996Crayon, watercolor, and pencil on paper9-1/2 x 12-1/2 inches (24.1 x 31.8 cm) (sheet)Titled in black crayon lower right: Porte Monnaie

PROVENANCE:The artist;Private collection, acquired from the above.

Estimate: $15,000-$20,000


70075

Jenny Holzer (American, b. 1950)Under a RockThree-color LED sign4 x 5 x 1-1/2 inches (10.2 x 12.7 x 3.8 cm)

Estimate: $1,500-$2,000

70076

Edward Kienholz (American, 1927-1994)For $105.00, 1969Watercolor and ink stamp on paper11-1/2 x 15-1/2 inches (29.2 x 39.4 cm)Signed and dated with artist’s thumbprint lower right: Kienholz 69

PROVENANCE:Eugenia Butler, Los Angeles, California (label verso)Private collection, Los Angeles, California.

EXHIBITED:Whitney Museum of American Art, New York, “Kienholz: A Retrospective,” February 29-June 2, 1996.

LITERATURE:W. Hopps, Whitney Museum of American Art, Kienholz: A Retrospective, New York, 1996, p. 141 (other examples illustrated).

Estimate: $4,000-$6,000


70077

Michelangelo Pistoletto (Italian, b. 1933)Frattali, 1999/2000Acrylic on shaped mirror22-1/4 x 29-5/8 inches (56.5 x 75.2 cm)Signed, titled, and dated in white paint pen verso: Pistoletto 1999/2000 / < Frattali >

NOTE:This lot is unique and accompanied by a photographic certificate of authenticity signed by the artist and stamped by the Associazione Culturale Arte Nova, Pescara.

Estimate: $4,000-$6,000


70078

Robert Indiana (American, b. 1928)Italian Love, circa 1995Chrome-dyed, hand-carved tufted archival New Zealand wool on stretched canvas with natural latex backing120 x 120 inches (304.8 x 304.8 cm)Ed. 4/75Signed and numbered in ink on label versoPublished by Master Contemporary Original Artists Rugs, New York

Estimate: $7,000-$9,000


70079

Ed Ruscha (American, b. 1937)“S” (on Fodor’s Spain - 1971 Edition), 2001Bleach on book cover7-1/4 x 4-7/8 x 1-1/2 inches (18.4 x 12.4 x 3.8 cm)Titled, dated, and inscribed on the artist’s studio label verso

PROVENANCE:Hamilton-Selway Fine Art, Los Angeles, California;Private collection, Beverly Hills, California.

Estimate: $12,000-$18,000


70080

Hannah Wilke (American, 1940-1993)Untitled, 1979Gum mounted on museum board in acrylic case2-5/8 x 2-5/8 x 1-1/8 inches (6.7 x 6.7 x 2.9 cm)Signed and dated in pencil right lower corner: Wilke 79

PROVENANCE:Kim Light, Los Angeles, California;Thomas Solomon, Los Angeles, California.

Estimate: $5,000-$7,000


70081

Hannah Wilke (American, 1940-1993)Marxism & Art, 1977Poster on heavy stock10 x 8 inches (25.4 x 20.3 cm)Ed. 15/25Signed, dated, and numbered in ink in lower margin

PROVENANCE:Hannah Wilke Collection & Archive, Los Angeles, California (label verso);Alison Jacques Gallery, London (label verso);Private collection, New York.

Estimate: $4,000-$6,000


70082

John Chamberlain (American, 1927-2011)Untitled (from the Foil series), circa 1972Aluminum foil with acrylic lacquer and polyester resin5 x 4-1/4 x 5-1/4 inches (12.7 x 10.8 x 13.3 cm)

PROVENANCE:Stanley Marsh 3, Amarillo, Texas;Private collection, Austin, Texas.

Estimate: $30,000-$50,000


70083

After Keith Haring (American, 1958-1990)Keith Haring Sesame Street Breakdancers Animation Cels (three works), 1987Marker on overhead sheet10-1/2 x 12 inches (26.7 x 30.5 cm) (each)

Estimate: $1,500-$2,000


70084

Keith Haring (American, 1958-1990)Study for Dusseldorf Sculptures, 1987Pencil and felt-tip pen on paper22 x 29-7/8 inches (55.9 x 75.9 cm)Signed, titled, dated, and inscribed along lower edge: MARCH 20 1987 KO STUDIO K. Haring DUSSELDORF SCULPTURES

PROVENANCE:Galerie Jerome de Noirmont, Paris;Private collection, acquired from the above, 1999;Bonhams, New York; Contemporary Art, Nov. 12, 2013, lot 125;Private collection, New York, acquired from the above.

EXHIBITED:Galerie Jerome de Noirmont, Paris, “Keith Haring, 12 Sculptures,” June 4 - July 23, 1999 (illustrated p. 25).

Estimate: $50,000-$70,000


70085

Arman (French/American, 1928-2005)Hot Wheels (Car Accumulation), 1985Toy car and and poly-resin multiple8-3/4 x 12-1/4 x 3 inches (22.2 x 31.0 x 7.6 cm)Published by The Friends of the Detroit Institute of Arts

PROVENANCE:Marisa del Re Gallery, new York;Private collection, New York, acquired from the above.

Estimate: $8,000-$12,000


70086

John Baldessari (American, b. 1931)Jacob’s Ladder: Love (Yellow, Red, Blue and Black and White); War (Orange, Violet, Green and Black and White), 2004Multiple with movable parts printed on both sides of six aluminum panels, contained in anodized aluminum frame and base with electric motor and gear system29 x 11-7/8 x 7-1/8 inches (73.7 x 30.2 x 18.1 cm)Ed. 36/50Incised with signature, date, and stamp numbered on the back of the base, with the ‘Edition No. 29’ on the undersidePublished by Deutsche Guggenheim, Berlin

LITERATURE:Sharon Coplan Hurowitz, 136.

Estimate: $10,000-$15,000


70087

Damien Hirst (British, b. 1965)Skull Spin PaintingAcrylic on paper13 x 13 inches (33.0 x 33.0 cm)Signed in ink and studio stamped verso

PROVENANCE:Private collection, Texas.

Estimate: $3,000-$5,000


70088

Damien Hirst (British, b. 1965)Gun Spin PaintingAcrylic on paper13 x 18 inches (33.0 x 45.7 cm)Signed in ink and studio stamped verso

PROVENANCE:Private collection, Texas.

Estimate: $3,000-$5,000


70089

Richard Prince (American, b. 1949)Set of Ten Celebrity Portraits, 1999Ink on photographs10-5/8 x 9-7/8 inches (27.0 x 25.1 cm)Ed. 5/26Each signed: Richard PrincePublished by Sadie Coles HQ, London

NOTE:The complete set of ten photographs (seven in colors), on Fujichrome Professional paper, with full margins, signed and lettered in black ink on the colophon (the edition was 26 lettered A-Z and 4 artist’s proofs), published by Sadie Coles HQ, London. Accompanied by the original red fabric covered book with artist’s name and title embossed on the front in gold and snap closure.

Estimate: $10,000-$15,000


70090

Russell Young (British, b. 1960)Marilyn Suicide (nude + black), 2013Acrylic, silkscreen, and diamond dust on canvas36 x 28 inches (91.4 x 71.1 cm)Signed, titled, and dated verso: Russell Young / 2013 / Marilyn Suicide / nude + black

PROVENANCE:Private collection, Dallas, Texas.

Estimate: $12,000-$18,000


70091

Ronnie Cutrone (American, 1948-2013)Woody Woodpecker, 1989Mixed media on black paper39 x 29 inches (99.1 x 73.7 cm)Signed and dated along lower edge: Ronnie Cutrone 89

PROVENANCE:Private collection, California.

Estimate: $3,000-$5,000

70092

Ronnie Cutrone (American, 1948-2013)Lifesavers, 1990Watercolor and graphite on paper41 x 29-1/4 inches (104.1 x 74.3 cm) (sheet)Signed and dated in graphite in lower margin: Ronnie Cutrone 1990

PROVENANCE:Martin Lawrence Galleries (label verso);Private collection, California.

Estimate: $2,000-$30,001


70093

David Salle (American, b. 1952)Sugar Bowl with Carved Bird, 1988Oil and acrylic on canvas, on two panels41 x 56 inches (104.1 x 142.2 cm)

PROVENANCE:Mary Boone Gallery, New York (label verso).

Estimate: $30,000-$50,000


70094

Martin Kippenberger (German, 1953-1997)Untitled (Don’t Wake Daddy), 1995Crayon on hotel stationery10-1/2 x 7-1/4 inches (26.7 x 18.4 cm)Initialed and dated lower right: M.K. 95

PROVENANCE:Metro Pictures, New York (label verso).

Estimate: $15,000-$25,000


70095

Martin Kippenberger (German, 1953-1997)Untitled (Four Portraits), 1990Oil crayon and pastel on hotel stationery11-5/8 x 8-1/4 inches (29.5 x 21 cm)Initialed and dated lower right: M.K. 90

PROVENANCE:Works on Paper, Inc., Los Angeles, California (label verso);London Projects, London (label verso).

Estimate: $15,000-$25,000


70096

Sam Francis (American, 1923-1994)Untitled, 1984Acrylic on canvas12-1/2 x 10-3/4 inches (31.8 x 27.3 cm)Signed and inscribed verso: For Ed / love from Sam / Sam Francis

PROVENANCE:Edwin Janss, Jr., California;Dagny Janss Corcoran, California;Butterfield & Butterfield, San Francisco, California, October 23, 1997, lot 5374 [Sold to benefit the Alliance for the Arts Plaza, Thousand Oaks, California];Private collection, Los Angeles, California, acquired from the above.

NOTE:This work is included in the Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings, published by the University of California Berkeley Press (UC Press: 2011) under the No. SFF.1104 and is also registered in the archives of the Sam Francis Foundation with the No. SFP84-309. This information is subject to change as scholarship continues by the Sam Francis Foundation.

Estimate: $5,000-$7,000


70097

Sam Francis (American, 1923-1994)Untitled, 1969Acrylic on paper29-3/4 x 22 inches (75.6 x 55.9 cm)Signed, dated, and inscribed in litho pencil on verso: Sam Francis 1969 P.M.Stamped with the Sam Francis Estate logo stamp on versoAlso inscribed (by studio assistant) with Litho Shop identification and inventory numbers in pencil on verso: S2-32AA SF69-1008

PROVENANCE:Estate of the artist, California, 1994;Greenberg Van Doren Gallery, St. Louis, Missouri, November 2002;Ikon, Ltd., Santa Monica, California;Phillips de Pury & Company, New York, May 12, 2006, lot 133;Private collection, New York;Casa d’Aste Meeting Art S.p.A., Italy, June 26, 2010, lot 841;Gio Arte s.r.l., Mestre, Italy;Aste Boetto, Genoa, Italy, April 12, 2011, lot 1298;Private collection, Italy;Dorotheum, Vienna, Austria, May 16, 2013, lot 1642;Private collection, Miami Beach, Florida, acquired from the above.

EXHIBITED:Lawrence Rubin Greenberg Van Doren Fine Art, New York, “Sam Francis: Works from the Early 1960s,” October 4-November 3, 2000.

NOTE:This work is identified with the interim identification number of SF69-1008 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.

Estimate: $40,000-$60,000


70098

Tony Cragg (British, b. 1949)Outlook, 2008Bronze with brown patina22 x 21-1/2 inches (55.9 x 54.6 cm)EA (aside from an edition of 6)Signed and inscribed with the ‘Schmake Dusseldorf’ foundry stamp on the base

PROVENANCE:Studio of the artist;Private collection, Germany.

Estimate: $80,000-$120,000


70099

Sam Francis (American, 1923-1994)Untitled, 1976Acrylic on paper22-1/2 x 30 inches (57.2 x 76.2 cm)Stamped with the Sam Francis Estate logo and facsimile signature stamps on versoAlso inscribed (by studio assistant) in pencil with dimensions and inventory numbers on verso: SF76-523 S1-39-0 25 5/16 x 30 1/8” LA SF76-523

PROVENANCE:Estate of the artist, California, 1994;Manny Silverman Gallery, Los Angeles, California, October 1997;Martin Lawrence Galleries;Private collection, Boston, Massachusetts, June 2003;Bonhams, Los Angeles, California, October 21, 2013, lot 00063;ArtNet Auctions, November 25, 2013, lot 94331;Private collection, Miami Beach, Florida, acquired from the above.

EXHIBITED:Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, “Sam Francis: The Archetypal Image,” January 11-March 30, 1997;Sala de las Alhajas, Fundación Caja de Madrid, Madrid, “Sam Francis: Elementos y arquetipos,” April 26-June 23, 1997;Las Vegas Art Museum, Las Vegas, Nevada, “Sam Francis: Remaking the World,” March 7-April 21, 2002.

LITERATURE:Sala de las Alhajas, Fundación Caja de Madrid, Sam Francis: Elementos y arquetipos, Madrid, exhibition catalogue, 1997, p. 71, illustrated in color;Las Vegas Art Museum, Sam Francis: Remaking the World, Las Vegas, exhibition catalogue, 2002, p. 20, illustrated in color.

NOTE:This work is identified with the interim identification number of SF76-523 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.

Estimate: $30,000-$50,000


70100

Jules Olitski (American, 1922-2007)Diosa - 1, 1982Acrylic on canvas51 x 84-1/4 inches (129.5 x 214.0 cm)Signed, titled, dated, and inscribed verso: Jules Olitski / ‘82 / Diosa - 1 / 51 x 84-1/4 / water base acrylic / 82-00-8

THE BONELL SILVERMAN ESTATE

Estimate: $15,000-$25,000


70101

Jules Olitski (American, 1922-2007)The Greek Princess - 7, 1976Acrylic on canvas91-3/4 x 64-3/4 inches (233.0 x 164.5 cm)Signed, titled, dated, and inscribed verso: Jules / Olitski / ‘76 / The Greek Princess - 7 / 91-3/4” x 64-3/4” / water base acrylic / 76/028


Estimate: $20,000-$30,000


70102

Robert Arthur Goodnough (American, 1917-2010)Development with WhiteAcrylic on canvas with tape collage60 x 150 inches (152.4 x 381 cm)Signed and titled in ink verso: Goodnough / “Development with White”

PROVENANCE:Rago Fine Arts, October 1, 2004, lot 544;Acquired by the present owner from the above.

Estimate: $7,000-$9,000


70103

Robert Arthur Goodnough (American, 1917-2010)Vertical - Gray Blue Brown, 1984Acrylic and oil on canvas70 x 52 inches (177.8 x 132.1 cm)Signed, titled, dated, and inscribed verso: “Vertical - Gray Blue Brown” / Goodnough / 1984 / 70 x 52 / acrylic and oil


PROVENANCE:André Emmerich Gallery, New York (label verso).

Estimate: $6,000-$8,000


70104

Michael Goldberg (American, 1924-2007)Untitled, 1974Mixed media on canvas72 x 72 inches (182.9 x 182.9 cm)Signed and dated verso: Goldberg / ‘74

PROVENANCE:Rago Arts and Auction Center, Lambertville, New Jersey, April 24, 2004, lot 412;Private collection.

Estimate: $6,000-$8,000


70105

Mark Flood (American, b. 1957)Euphrates, 2005Acrylic on canvas laid on panel60 x 48 inches (152.4 x 121.9 cm)Signed, titled, and dated on the overlap: Euphrates Mark Flood 2005

PROVENANCE:Marty Walker Gallery, Dallas, Texas;Private collection, Dallas, Texas.

EXHIBITED:Marty Walker Gallery, Dallas, Texas, “Mark Flood,” March 2006.

Estimate: $20,000-$30,000


70106

Mark Grotjahn (American, b. 1968)Untitled, 1996Acrylic on canvas11 x 13 inches (27.9 x 33.0 cm)

NOTE:This lot is accompanied by a certificate of authenticity from Mark Grotjahn Studio Inc., signed by the artist and dated July 17, 2012.

Estimate: $10,000-$15,000


70107

Roberto Burle Marx (Brazilian, 1909-1994)Untitled, 1986Acrylic on canvas cloth53 x 77 inches (134.6 x 195.6 cm)Signed and dated lower right: R. Burle Marx, 1986

PROVENANCE:The artist;Sergio Almeida Prado, gift from the above, 1987;Acquired by the present owner from the above, 2001.

Estimate: $20,000-$30,000


70108

James Hayward (American, b. 1943)Abstract #29, 2001-2005Oil on canvas on wood panel27 x 21 inches (68.6 x 53.3 cm)Signed and dated verso: Abstract #29 / 2001 JH / repainted 2005

PROVENANCE:Private collection, acquired in 2007.

Estimate: $7,000-$9,000


70109

Alex Hoda (British, b. 1980)Vanity Fair, 2009Aluminum, polyester resin, fiberglass, polyurethane rubber, pigment59-3/8 x 41-1/4 x 12-1/4 inches (150.9 x 104.9 x 31.0 cm)Artist proof, edition Red

PROVENANCE:Studio of the artist;Private collection, New York.

EXHIBITED:Dickinson Roundell, Inc., New York, “Alex Hoda: Pipedreams,” November 6-December 18, 2009.

Estimate: $4,000-$6,000


70110

Caio Fonseca (American, b. 1959)Pietrasanta Painting CO3.32, 2003Mixed media on canvas37 x 52 inches (94.0 x 132.1 cm)Signed, titled, dated, and inscribed verso: Caio Fonseca / Pietrasanta Painting CO3.32 / 2003 / mixed media on canvas / Caio Fonseca

Estimate: $10,000-$15,000


70111

Gu Wenda (Chinese, b. 1955)Untitled (Pseudo Character)Ink on paper44-1/2 x 30 inches (113.0 x 76.2 cm)

Estimate: $12,000-$18,000


70112

Eleanore Mikus (American, b. 1927)Dark Red Fold, 1996India ink and colored inks on folded rag paper12-3/4 x 11-5/8 inches (32.5 x 29.5 cm)


PROVENANCE:Robert Steele Gallery, New York (label verso).

Estimate: $3,000-$5,000


70113

Sam Falls (American, b. 1985)Untitled Roll Fade (Pink), 2011Sun fade on paper25-1/2 x 19-1/4 inches (64.8 x 48.9 cm)

PROVENANCE:China Art Objects Galleries, Los Angeles, California (label verso).

Estimate: $6,000-$8,000


70114

Tim Bavington (British, b. 1966)Brand New Start (PIN), 2011Synthetic polymer on canvas32 x 32 inches (81.3 x 81.3 cm)Signed, titled, and dated verso: Brand New Start (PIN) Tim Bavington ‘11

Estimate: $4,000-$6,000


70115

Tim Bavington (British, b. 1966)12 Bar Blues (YG), 2009Synthetic polymer on canvas36 x 36 inches (91.4 x 91.4 cm)Signed, titled, and dated verso: “12 Bar Blues (YG)” Tim Bavington 2009

PROVENANCE:Jack Shainman Gallery, New York (label verso).

Estimate: $4,000-$6,000


70116

Mathew Cerletty (American, b. 1980)Untitled N, 2005Oil on linen11-3/4 x 10 inches (29.8 x 25.4 cm)Signed and dated in pencil verso: Mathew Cerletty / 2005

PROVENANCE:Private collection.

EXHIBITED:Royal Academy of Arts, London, “USA TODAY: New American Art from the Saatchi Gallery,” October 6-November 4, 2006.

LITERATURE:P. Ellis and N. Rosenthal, USA TODAY: New American Art from the Saatchi Gallery, Royal Academy of Arts, London 2006, p. 84, illus.

Estimate: $500-$700


70117

Marc Handelman (American, b. 1975)Plan for Victory, 2005Oil on canvas89-1/2 x 75-7/8 inches (227.3 x 192.7 cm)

PROVENANCE:The artist;Private collection, acquired from the above.

EXHIBITED:Saatchi Gallery, London, “The Triumph of Painting,” January 26-October 30, 2005;Royal Academy of Arts, London, “USA TODAY: New American Art from the Saatchi Gallery,” October 6-November 4, 2006.

LITERATURE:P. Ellis and N. Rosenthal, USA TODAY: New American Art from the Saatchi Gallery, Royal Academy of Arts, London 2006, p. 168, illus.;J. Cape, Abstract America: New Painting and Sculpture, Saatchi Gallery, London 2008, p. 129, illus.

Estimate: $2,000-$3,000


70118

Ry Fyan (American, b. 1978)The Things in Front of the Eye, 2006Acrylic, enamel, and ink on metal plate17 x 19-1/2 inches (43.2 x 49.5 cm)

The viewing device is 23 inches long.


Estimate: $1,000-$2,000


70119

Michael Phelan (American, b. 1968)The Best Way Out is Through (#4), 2005Dye on linen84 x 70 inches (213.4 x 177.8 cm)Signed, titled, and dated on stretcher: The best way out is through (#4) Michael Phelan 2005

PROVENANCE:Daniel Reich Gallery, New York (label verso);Private collection.

Estimate: $1,500-$2,000


70120

Angelina Gualdoni (American, b. 1977)Praca dos Tres Poderes (Morning), 2005Acrylic and oil on canvas48 x 72 inches (121.9 x 182.9 cm)Signed, titled and dated on the overlap

PROVENANCE:Kavi Gupta Gallery, New York;Private collection, acquired from the above.

Estimate: $1,500-$2,000


70121

Casey Cook (American, b. 1971)Gentle Butcher, 1997Oil and acrylic on two wooden boards72 x 72 inches (182.9 x 182.9 cm)


Estimate: $1,000-$1,500


70122

Damian Gonzalez (Cuban, b. 1967)Calidoscopio, 2011Oil on canvas39 x 52 inches (99.1 x 132.1 cm)Signed and dated lower right: Damian Gonzalez -2011-Signed, titled, dated, and inscribed verso: “Calidoscopio” / 215 Damian Gonzalez / oil -2011-

Estimate: $10,000-$15,000


70123

David Michael Bates (American, b. 1952)Apple Blossoms II, 1997Painted bronze relief13 x 7-3/4 x 3 inches (33 x 19.7 x 7.6 cm)Signed lower right: BatesIncised with signature, date, and foundry mark on the reverse: © 1997 Walla/Walla Bates

Estimate: $20,000-$30,000


70124

Elling Reitan (Norwegian, b. 1949)Red Processions, 2012Oil on canvas39-1/2 x 31-3/4 inches (100.3 x 80.6 cm)Signed lower right: Elling ReitanSigned and titled verso: “Red / Processions” / “Rod / Prosesjoner” / Elling Reitan / 2012

Estimate: $3,000-$5,000


70125

Eva Struble (American, b. 1981)Mountain Architecture, 2005Oil and acrylic on canvas84-1/2 x 95-1/2 inches (214.6 x 242.6 cm)Signed, titled and dated verso: Eva Struble / 2005 / “Mountain Architecture”


Estimate: $1,500-$2,000


70126

Rirkrit Tiravanija (Thai, b. 1961)Untitled (Demonstration no. 24), 2002Pencil on paper20-1/2 x 28-3/4 inches (52.1 x 73 cm)

PROVENANCE:Gavin Brown’s Enterprise, New York.

Estimate: $6,000-$8,000


70127

Rirkrit Tiravanija (Thai, b. 1961)Untitled (Demonstration no.11) , 2002Pencil on paper19-1/2 x 30-1/2 inches (49.5 x 77.5 cm)

PROVENANCE:Gavin Brown’s Enterprise, New York.

Estimate: $6,000-$8,000


70128

Richard Louderback (American)Majick, 2005Oil on board20 x 20 inches (50.8 x 50.8 cm)Signed and dated verso: 2005 / Richard Louderback


Estimate: $500-$700

70129

Christoph Schmidberger (Austrian, b. 1974)I Am Open For Everything, Don’t Get Me Wrong, 2005Oil on canvas71 x 50 inches (180.3 x 127 cm)Signed lower right: Christoph SchmidbergerSigned and dated three times on the overlap: Christoph Schmidberger July 2005

PROVENANCE:Goff + Rosenthal, New York (label verso);Private collection.

EXHIBITED:Royal Academy of Arts, London, “USA TODAY: New American Art from the Saatchi Gallery,” October 6-November 4, 2006.

LITERATURE:P. Ellis and N. Rosenthal, USA TODAY: New American Art from the Saatchi Gallery, Royal Academy of Arts, London 2006, p. 316, illus.

Estimate: $2,000-$3,000


70130

Robin Lowe (American, b. 1959)Young Mr. Hahn, 1994Oil on panel24 x 48 inches (61 x 121.9 cm)Initialed, titled, and dated verso: Young Hahn, 1994 / RL

PROVENANCE:Tanya Bonakdar Gallery, New York (label verso);Private collection.

Estimate: $500-$700

70131

Lothar Hempel (German, b. 1966)Morning Rain, 2005Installation comprised of four color stones, found umbrella, butterfly, metal wire, nails and screws, neoprene, string, fabric, fabric flowers and adhesive on metal rod, painted wooden doll with fabric, leather strips, cotton, synthetic hair and buttons on a painted wooden base67-1/4 x 40 x 33 inches (170.8 x 101.6 x 83.8 cm)

PROVENANCE:Anton Kern Gallery, New York;Phillips, New York, May 4, 2010, lot 422;Private collection.

LITERATURE:F. Derieux, ed., Lothar Hempel: Alphabet City, Zurich, 2007, p.125, illus.

Estimate: $2,000-$3,000


70132

Anne Chu (American, b. 1959)Tombstone for a King and Queen, 2001Painted wood43-3/4 x 65-3/4 inches (111.1 x 167.1 cm)

PROVENANCE:Victoria Miro Gallery, London;Private collection, acquired from the above, 2001.

EXHIBITED:Victoria Miro Gallery, London, “Anne Chu,” May 22-June 23, 2001;Museum of Contemporary Art (MOCA), Los Angeles, California, “Anne Chu: Untitled,” April 14-July 3, 2005.

Estimate: $3,000-$5,000

70133

Christian Holstad (American, b. 1972)Cacoon, 2007Vintage aluminum lawn chair, paint, 2xist underwear elastic, vintage mohair sweater, Xerox transfers, wool, felt, vintage exercise boots, sand36 x 22 x 25 inches (91.4 x 55.9 x 63.5 cm) (chair)Dimensions variable

PROVENANCE:Daniel Reich Gallery, New York;Private collection, acquired from the above, 2007.

EXHIBITED:Dusseldorf, Kunsthalle Dusseldorf, “Compilation IV,” May 30-August 9, 2009

LITERATURE:Kunsthalle Dusseldorf, ed., Compilation IV, exhibition catalogue, Dusseldorf, 2009, illus.;J. Cape, Shape of Things to Come, Saatchi Gallery, London, 2009, pp. 454-455, illus.

Estimate: $2,000-$3,000


70134

Robin Lowe (American, b. 1959)Garden State/Gary, 1994Oil on wood48 x 38 inches (121.9 x 96.5 cm)Initialed, titled, and dated verso : Garden State/Gary, 1994 / RL

PROVENANCE:Tanya Bonakdar Gallery, New York (label verso);Private collection.

Estimate: $600-$800


70135

Roe Ethridge (American, b. 1969)Shells and Shuttlecock, 2005-07Dye coupler21-7/8 x 28-1/8 inches (55.6 x 71.4 cm)Ed. 3/5Signed, titled, dated and numbered verso

Estimate: $3,000-$5,000


70136

Zhang Dali (Chinese, b. 1963)200141A, 2002Dye coupler35-1/2 x 24 inches (90.2 x 61 cm)Ed. 7/10Signed, titled, and numbered in lower margin and verso

Estimate: $3,000-$5,000


70137

Can Xin (Chinese, b. 1953)To Raise an Anonymous Mountain by One Meter, 1995Black and white photograph23-1/4 x 37-1/4 inches (59.1 x 94.6 cm)Ed. 10/10Signed, titled, dated, and inscribed in Chinese verso

Estimate: $7,000-$9,000


70138

Qui Zhijie (Chinese, b. 1969)Tattoo Series No. 5, 1994Dye coupler39-1/4 x 31-1/4 inches (99.7 x 79.4 cm)Ed. 6/10Signed, titled, dated, and numbered verso

Estimate: $3,000-$5,000

70139

Tierney Gearon (American, b. 1963)Untitled (from I am a Camera), 2000Dye coupler57-1/2 x 71-1/2 inches (146.1 x 181.6 cm)

PROVENANCE:Private collection, acquired directly from the artist.

Estimate: $800-$1,200


70140

Lee Jaffe (American, b. 1950)Untitled (Portrait Jean-Michel Basquiat), 1983Gelatin silver30 x 40 inches (76.2 x 101.6 cm)Ed. 1/15Signed, dated, and numbered in ink in lower margin

NOTE:A version of this photograph has been or will be exhibited at:Basquiat: The Unknown Notebooks-Brooklyn Museum, Brooklyn, NY (April 3, 2015 - August 23, 2015)-Portland Art Museum, Portland, OR (October 10, 2015 - January 10, 2016)-High Museum of Art, Atlanta, GA, (February 21, 2016 - May 29, 2016)-Perez Art Museum Miami, Miami, FL (August 8, 2016 - October 23, 2016)

Estimate: $5,000-$7,000

70141

Lee Jaffe (American, b. 1950)Untitled (Jean-Michel Basquiat contact sheet), 1984Gelatin silver20 x 16 inches (50.8 x 40.6 cm)Ed. 1/35Signed, dated, and numbered in ink in lower margin

NOTE:A version of this photograph has been or will be exhibited at:Basquiat: The Unknown Notebooks-Brooklyn Museum, Brooklyn, NY (April 3, 2015 - August 23, 2015)-Portland Art Museum, Portland, OR (October 10, 2015 - January 10, 2016)-High Museum of Art, Atlanta, GA, (February 21, 2016 - May 29, 2016)-Perez Art Museum Miami, Miami, FL (August 8, 2016 - October 23, 2016)

Estimate: $2,500-$3,500


70142

Martin Kersels (American, b. 1960)Falling Photos (three works), 1994-1996Gelatin silver30 x 40 inches (76.2 x 101.6 cm) (each)

PROVENANCE:Jay Gorney Fine Arts, New York;Private collection.

Estimate: $800-$1,200


70143

Roe Ethridge (American, b. 1969)Debora Muller, 2008Dye coupler43 x 33 inches (109.2 x 83.8 cm)Ed. 3/5Signed on label verso

Estimate: $4,000-$6,000


70144

Chuck Close (American, b. 1940)Mark (Morrisroe) Diptych II, 1984Polaroid polacolor prints flush-mounted to aluminum84-1/2 x 40-1/2 inches (214.6 x 102.9 cm)UniqueSigned, titled, and dated in ink in lower margins

EXHIBITED:Thread Waxing Space, New York, and elsewhere, “Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry M. Buhl,” September-October 1996;Guggenheim Museum, New York, “Speak with Hands: Photographs from The Buhl Collection, June-September 2004.

LITERATURE:M. Courville, Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry M. Buhl, New York, 1996, pl. 10;J. Blessing, Speaking with Hands: Photographs from the Buhl Collection, Guggenheim Foundation, 2004, pp. 69 and 208.

Estimate: $40,000-$60,000

End of Session One

modern & contemporary printsnovember 14, 2015 ❘ dallas

part ii: dallas

Front Cover Lot: 70238

Inside Front Cover Lot: 70299

Inside Back Cover Lot: 70295

Back Cover Lot: 70283

ISBN: 978-1-63351-159-0

9 7 8 1 6 3 3 5 1 1 5 9 0

9 0 0 0 0


PRICE • $50

Session TwoModern & Contemporary Prints

Lot 70223


70200

Francis Bacon (British, 1909-1992)Study for Self-Portrait 1982, 1984Offset lithograph in colors32 x 24 inches (81.3 x 61 cm)A proof aside from a numbered edition of 182Signed and inscribed in pencil in lower marginPublished by Marlborough Graphics, New York

Estimate: $3,000-$5,000

Session Two, Auction #5224 | Saturday, November 14, 2015 | 2:00 PM CT 5

70201

Marc Chagall (French/Russian, 1887-1985)Double Portrait au Chevalet, 1976Lithograph in colors13-1/2 x 10-1/4 inches (34.3 x 26 cm)Ed. 28/50Signed and numbered in pencil in lower margin

LITERATURE:Mourlot, 835.

Estimate: $6,000-$8,000


70202

Marc Chagall (French/Russian, 1887-1985)Le cirque ambulant, 1969Lithograph in colors14-1/2 x 21-1/4 inches (36.8 x 54.1 cm)Epreuve d’artiste XVII/XXV (aside from an edition of 50)Signed and inscribed in pencil

LITERATURE:Mourlot, 583.

Estimate: $8,000-$12,000


70203

After Marc Chagall (French/Russian, 1887-1985)The Tribe of Levi (from Twelve Maquettes of Stained Glass Windows for Jerusalem), 1964Lithograph in colors on Arches paper24-1/8 x 18-1/8 inches (61.3 x 46 cm)Ed. 55/200Signed and numbered in pencil in lower marginPublished by Mourlot, Paris Printed by Charles Sorlier, Paris

LITERATURE:Mourlot/Sorlier, 14.

Estimate: $4,000-$6,000

70204

After Marc Chagall (French/Russian, 1887-1985)The Tribe of Benjamin (from Twelve Maquettes of Stained Glass Windows for Jerusalem), 1964Lithograph in colors on Arches paper24-1/8 x 18-1/8 inches (61.3 x 46 cm)Ed. 89/150Signed and numbered in pencil in lower marginPublished by Mourlot, ParisPrinted by Charles Sorlier, Paris.

LITERATURE:Mourlot/Sorlier, 23.

Estimate: $6,000-$8,000


70205

Salvador Dalí (Spanish, 1904-1989)L’enfant sauterelle (The Grasshopper Child), circa 1933-1934Etching on Arches paper14-1/2 x 11-3/4 inches (36.8 x 29.8 cm)Ed. 39/100Signed and numbered in pencil in lower marginPublished and printed by M. Cazou/Lacourière, Paris

LITERATURE:Michler/Lopsinger, 7;Field, 32-2.

NOTE:We are grateful to Mr. Bruce Hochman of the Salvador Dali Gallery, San Juan Capistrano to confirm the authenticity of this lot.

Estimate: $8,000-$12,000

70206

Salvador Dalí (Spanish, 1904-1989)Venus aux fourrures, 1969Portfolio of 16 colored drypoints on Japon nacré12-1/2 x 9-3/8 inches (31.8 x 23.9 cm)Ed. 114/145Each signed and numbered in pencil in lower marginPublished by Edition Pierre Agrilet, Paris

LITERATURE:Michler/Lopsinger, 557-572;Field, 68-6 B-P and d.


Estimate: $18,000-$24,000


70207

Salvador Dalí (Spanish, 1904-1989)Roi, je t’attends à Babylone, 1973Folio of 12 full-page etchings, reworked by Dali in drypoint and printed on sheepskin24 x 17 inches (61 x 43.2 cm)H.C./X (aside from the edition of 160)Each of the 12 drypoints is signed and numbered in pencil by DaliPreliminary leaf is signed by Dali, Malraux, and Albert SkiraPublished by Albert Skira, Geneva

This is the complete portfolio with text by André Malraux in French. All text and two additional unsigned etching were printed on Rives wove paper with a a watermark after a drawing by Dali on each leaf. The portfolio is contained in the original wrapper folder, leather-backed parchment over boards chemise, and a full leather slipcase. There was a total of 160 ever produced.

LITERATURE:Michler/Löpsinger, 592-605;Field, 73-8.


Estimate: $10,000-$15,000


70208

Salvador Dalí (Spanish, 1904-1989)La Conquete du Cosmos II (Conquest of Cosmos II) (six works), 1977Six engravings and lithographs in colors on BFK Rives paper29-1/2 x 21-1/2 inches (74.9 x 54.6 cm) (each)Ed. CLXVII/CLXXXXVEach signed and inscribed in pencilPublished by Jean Lavigne, Paris

LITERATURE:Field, 74-12.G; H; I; J; K; L.


Estimate: $6,000-$8,000


70209

Richard Diebenkorn (American, 1922-1993)Untitled #5, 1993Lithograph11-1/4 x 15-1/4 inches (28.6 x 38.7 cm) (sheet)Ed. 46/68Numbered in pencil and stamped with initials in lower margin with the blindstamps of the artist’s estate and the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini, 15.16.

Estimate: $2,000-$3,000

70210

Richard Diebenkorn (American, 1922-1993)Untitled #6, 1993Lithograph11-1/4 x 15-1/4 inches (28.6 x 38.7 cm) (sheet)Ed. 36/65Numbered in pencil and stamped with initials in lower margin with the blindstamps of the artist’s estate and the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini, 15.17.

Estimate: $2,000-$3,000


70211

Jim Dine (American, b. 1935)Heart at the Opera, 1983Lithograph in colors on Dieu Donné paper47 x 35 inches (119.4 x 88.9 cm)Ed. 32/50Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip

PRIVATE COLLECTION, SANTA FE, NEW MEXICO

LITERATURE:D’Oench/Feinberg, 149.

Estimate: $3,000-$5,000

70212

Jim Dine (American, b. 1935)Self-Portrait as a Negative, 1975Intaglio with etching, drypoint, and power tool on Fabriano black paper9-3/4 x 6-7/8 inches (24.8 x 17.5 cm)Ed. 30/39Signed, dated, and numbered in white pencil with the blindstamp of the publisherPublished by ULAE, West IslipPrinted by Zigmunds Priede


LITERATURE:Williams College, 196.

Estimate: $1,000-$1,500


70213

Jean Dubuffet (French, 1901-1985)Objectador (from Presences Fugaces), 1973Screenprint in colors19-5/8 x 13-1/4 inches (49.8 x 33.7 cm)Ed. 43/100Initialed, dated and numbered in pencilPublished by Pace Editions, New York

LITERATURE:Webel, 1162.

Estimate: $2,500-$3,000

70214

Jean Dubuffet (French, 1901-1985)Denegator (from Presences Fugaces), 1973Screenprint in colors19-5/8 x 13-1/4 inches (49.8 x 33.7 cm)Ed. 43/100Initialed, dated, and numbered in pencil in lower marginPublished by Pace Editions, Inc., New York

LITERATURE:Webel, 1164

Estimate: $2,500-$3,000


70215

Helen Frankenthaler (American, 1928-2011)I Need Yellow (in Orange) with Crayon and Paint, 1973-76Lithograph with handcoloring on Nepalese handmade paper16-3/4 x 11 inches (42.5 x 27.9 cm)Unique proofSigned, titled, and dated in pencil in lower marginPublished by ULAE, West Islip


Estimate: $3,000-$5,000

70216

Helen Frankenthaler (American, 1928-2011)Bronze Smoke, 1978Lithograph in colors on J. Green Katuash handmade paper24-3/4 x 18-3/4 inches (62.9 x 47.6 cm)Ed. 23/38Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip


LITERATURE:Pegram Harrison, 71.

Estimate: $2,000-$4,000


70217

Mark Grotjahn (American, b. 1968) and Takashi Murakami (Japanese, b. 1962)Untitled (Scarlet Lake and Indigo Blue Butterfly 826) and Untitled (Canary Yellow and Black Butterfly 830) (two works), 2010Offset lithographs in colors on wove paper27-1/8 x 21-5/8 inches (69 x 55 cm) (each)Ed. 167/300Each signed in black and silver inks lower rightPublished by KaiKai Kiki Co., Japan

Estimate: $2,000-$3,000


70218

Wang Guangyi (Chinese, b. 1957)Coca Cola (Red)Lithograph in colors on wove paper29-1/2 x 26-1/4 inches (74.9 x 66.7 cm)Ed. 113/199Signed and numbered in pencil in lower margin

Estimate: $2,500-$3,000


70219

Cai Guo-Qiang (Chinese, b. 1957)Transparent Monuments, 2006Woodcut on rice paper75 x 51-1/2 inches (190.5 x 130.8 cm)Ed. 15/20

Estimate: $2,000-$3,000

70220

Richard Hamilton (British, b. 1922)Berlin Interior, 1979Photogravure, engraving and hard-ground etching with roulette, aquatint and burnishing on Rives BFK paper19-1/4 x 27-1/8 inches (48.9 x 68.9 cm)Ed. 23/100Signed and numbered in pencil in lower marginPublished by Waddington Graphics, LondonPrinted by the artist and Aldo Crommelynck at Atelier Crommelynck, Paris, and etched at Harrison & Sons, Ltd., High Wycombe

LITERATURE:Lullin, 109.

Estimate: $2,500-$3,500


70221

Keith Haring (American, 1958-1990)Best Buddies, 1990Screenprint in colors21-3/4 x 28 inches (55.1 x 71.1 cm)Ed. 59/200Titled and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Durham Press, Durham

Estimate: $6,000-$8,000

70222

Keith Haring (American, 1958-1990)Flowers III, 1990Screenprint in colors39-1/4 x 51 inches (99.8 x 129.5 cm)Ed. 70/100Signed, dated, and numbered in pencil in marginPublished by Tony Shafrazi Editions, New York

Estimate: $6,000-$8,000


70223

Damien Hirst (British, b. 1965)Pharmaceuticals, 2005Inkjet print in colors41-1/2 x 33 inches (105.4 x 83.8 cm)Ed. 21/75Signed, titled, dated, and numbered in pencil lower marginPublished by Other Criteria Ltd., London

Estimate: $25,000-$35,000


70224

David Hockney (British, b. 1937)Bora Bora, 1980Lithograph in colors on Arches paper34-3/8 x 48 inches (87.4 x 121.9 cm)Ed. 42/100Signed, dated ‘79,’ and numbered in pencil along lower edge with the blindstamp of the publisherPublished by Tyler Graphics Ltd., Mount Kisco

LITERATURE:MCA Tokyo, 213.

Estimate: $8,000-$12,000


70225

David Hockney (British, b. 1937)On It May Stay His Eye (from The Blue Guitar), 1979Hardground and softground etching, and aquatint in colors on wove paper13-1/2 x 16-3/4 inches (34.3 x 42.4 cm)Ed. 117/200Signed and numbered in pencil in lower marginPublished by Petersburg Press, New York and London

LITERATURE:Scottish Arts Council, 215;MCA Tokyo, 194.

Estimate: $1,000-$2,000


70226

David Hockney (British, b. 1937)Mist (from the Weather series), 1973Lithograph in colors on Arjomari paper28-3/4 x 25 inches (73 x 63.5 cm)Ed. 2/98Signed, titled, dated, and numbered in blue crayon with the blindstamp of the publisherPublished by Gemini G.E.L., Los AngelesPrinted by Serge Lozingot

LITERATURE:Gemini G.E.L., 23.9;Scottish Arts Council, 138;MCA Tokyo, 129.

Estimate: $4,000-$6,000


70227

David Hockney (British, b. 1937)Six Fairy Tales from the Brothers Grimm, 1969/1970The complete portfolio, with title, text, table of contents, and justification, comprising 39 bound etchings and 6 loose etchings, all on Hodgkinson handmade wove paper, with the original blue leather-bound book, porfolio, and slipcase17-1/2 x 12 inches (44.5 x 30.5 cm) (sheet, each)Ed. A 61/100Signed and numbered in pencil on the justification pageEach loose print signed in pencil recto, inscribed ‘Grimm Ed. A’ and numbered in brown ink on the versoPublished by Petersburg Press, London

LITERATURE:Scottish Arts Council, 70-108;MCA Tokyo, 67-105.

Estimate: $20,000-$30,000


70228

David Hockney (British, b. 1937)One Night (from Illustrations for Fourteen Poems from C.P. Cavafy), 1966Etching and aquatint on Crisbrook handmade wove paper13-5/8 x 8-3/4 inches (34.6 x 22.2 cm)Ed. 29/75Signed, dated, and numbered in pencil in lower marginPublished by Editions Alecto Limited, London


Estimate: $1,000-$2,000

70229

David Hockney (British, b. 1937)A Moving Still Life (from The Blue Guitar), circa 1976-1977Etching with aquatint in colors18 x 20-3/4 inches (45.7 x 52.6 cm)Ed. 97/200Signed and numbered in pencil with title stamped on versoPublished by Petersburg Press, New York and London

LITERATURE:Scottish Arts Council, 216.

Estimate: $1,500-$2,000


70230

David Hockney (British, b. 1937)John Hockney, 1980Lithograph on Arches paper16 x 14-3/4 inches (40.6 x 37.6 cm) (sheet)Ed. 66/100Signed, dated, and numbered in red crayon along the upper edgePublished by Gemini G.E.L., Los Angeles


Estimate: $1,000-$1,500

70231

David Hockney (British, b. 1937)Homage to Michelangelo (from Omaggio a Michelangelo), 1975Etching and aquatint in colors on Rives BFK paper18-1/8 x 26-1/4 inches (46 x 66.7 cm)Ed. 190/200Signed, dated, and numbered in pencil in lower margin with the blindstamp of the printerPublished by Studio Bruckmann, MunichPrinted by Crommelynck, Paris

LITERATURE:Scottish Arts Council, 173;MCA Tokyo, 162.

Estimate: $2,000-$4,000


70232

Robert Indiana (American, b. 1928)The American Dream, 1997The complete book bound with 24 screenprints in color and a suite of 6 separate loose screenprints in colors on wove paper22-1/2 x 17 inches (57.2 x 43.2 cm) (book)Ed. 162/395Each of the six prints are signed and numbered in pencilPublished by Marco Fine Arts Contemporary Atelier, El Segundo

The book includes poetry by Robert Creeley, a foreword by Susan Ryan, and captioning by Michael McKenzie. Contained in its original black calf binding with the artist’s name in red on the front and spine, the book also comes in its original cardboard holding box.

This work is accompanied by a certificate of authenticity from Marco Fine Arts signed by both the president of the publisher and by the artist.

The six suite of separate loose screenprints include: The American Dream, 1960-61; Love, 1966; The Metamorphosis of Norma Jean Mortenson, 1967; Highball on the Redball Manifest, 1963; One Indiana Square, 1970; Picasso, 1974.

Estimate: $7,000-$10,000


70233

Jasper Johns (American, b. 1930)0-9 (A Set of 10 Numerals), 1975Etchings with lift-ground aquatint, soft-ground, and open bite on Barcham Green paper2-1/2 x 2-1/8 inches (6.4 x 5.3 cm)Ed. 90/100Each signed, dated, and numbered in pencil in lower marginPublished by Petersburg Press, New York and London


EXHIBITED:Orlando Museum of Art, Orlando, Florida, “Jasper Johns: Prints, Drawings and Multiples from Area Collections,” March 14-May 17, 1992 (label verso).

LITERATURE:ULAE, 156-165.

Estimate: $30,000-$50,000


70234

Jasper Johns (American, b. 1930)Savarin 4 (Oval), 1978Lithograph on Richard de Bas paper16-1/4 x 11-1/4 inches (41.3 x 28.6 cm)Ed. 17/42Signed, dated, and numbered in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip


EXHIBITED:Orlando Museum of Art, Orlando, Florida, “Jasper Johns: Prints, Drawings and Multiples from Area Collections,” March 14-17, 1992.

LITERATURE:ULAE, 194.

Estimate: $8,000-$12,000


70235

Jasper Johns (American, b. 1930)Voice 2, 1983Lithograph in colors on Dieu Donné paper8-1/2 x 18-1/2 inches (21.6 x 47 cm)Ed. 30/41Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip



Estimate: $4,000-$6,000

70236

Alex Katz (American, b. 1927)Camp, from Carnegie Hall 100th Anniversary Portfolio, 1990Woodcut in colors on Japanese paper60 x 40 inches (152.4 x 101.6 cm)Ed. 55/60Signed and numbered in pencil lower leftPublished by Carnegie Hall Development Fund for the Carnegie Hall Centennial Portfolio, New YorkPrinted by John C. Erickson, Vinalhaven Press, Vinalhaven

Estimate: $2,000-$2,500


70237

Roy Lichtenstein (American, 1923-1997)Bull VI (from the Bull Profile series), 1973Lithograph, screenprint, and line-cut in colors on Arjomari paper24-3/4 x 32-1/2 inches (62.9 x 82.6 cm)Ed. 100/100Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


LITERATURE:Gemini G.E.L., 31.49;Corlett, 121.

Estimate: $7,000-$9,000


70238

Roy Lichtenstein (American, 1923-1997)The Oval Office, 1992Screenprint in colors on Rives BFK paper29-3/4 x 39-1/4 inches (75.6 x 99.7 cm)Ed. 166/175Signed, dated, and numbered in pencil in lower marginCo-published by the artist and Ronald Feldman Fine Arts, Inc., New York

LITERATURE:Corlett, 277.

Estimate: $15,000-$25,000


70239

Roy Lichtenstein (American, 1923-1997)Sandwich and Soda (from Ten Works by Ten Painters), 1964Screenprint in colors on clear plastic19 x 23 inches (48.3 x 58.4 cm)From the edition of 500 (total edition includes 10 artist’s proofs)Published by Wadsworth Atheneum, Hartford


Estimate: $2,000-$3,000


70240

Roy Lichtenstein (American, 1923-1997)Forms in Space, 1985Screenprint in colors on Rives BFK paper31 x 47-1/2 inches (78.7 x 120.7 cm)Ed. 35/125Signed, dated, and numbered in pencil in lower marginPublished by the artist for the Institute of Contemporary Art, PhiladelphiaPrinted by Styria Henrici, New York


Estimate: $30,000-$50,000


70241

Fang Lijun (Chinese, b. 1963)2006.6.3Woodcut on Japan paper47-1/2 x 31-1/2 inches (120.7 x 80 cm)Ed. 23/65Signed, titled, and numbered in ink

LITERATURE:Stone Face - China Art Now First Group Printing Exhibition, Beijing, 2004 (other examples illustrated);Li Xianting, Pi Li and Shu Hewen ed., Fang Lijun, Changsha, 2001, pp. 196-199, illustrated in color.

Estimate: $3,000-$5,000


70242

Robert Mangold (American, b. 1937)Distorted Square within a Circle 2, 1973Screenprint in colors20 x 20 inches (50.8 x 50.8 cm)Ed. 19/75Signed, dated, titled, and numbered in pencil along lower edgePublished by Max Protech, Inc., New York

LITERATURE:Parasol RM 6.02

Estimate: $1,500-$2,000

70243

Robert Mangold (American, b. 1937)A Red, 1979Aquatint on paper40-1/2 x 45-1/2 inches (102.9 x 115.6 cm)Ed. 42/50Signed, titled and numbered in pencil lower marginPublished by Crown Point Press, San Francisco

Estimate: $1,500-$2,000


70244

Ryan McGinness (American, b. 1972)Black Holes (portfolio of 4 works), 2006Lithograph in colors30 x 21 inches (76.2 x 53.3 cm) (each)Ed. 8/33Each signed, dated, and numbered in pencil along lower edge

Estimate: $8,000-$12,000


70245

Yue Minjun (Chinese, b. 1962)Untitled (Smile-ism No. 10), 2006Lithograph in colors on wove paper43 x 35 inches (109.2 x 88.9 cm)Ed. 26/45Signed and numbered in pencil along lower edge

EXHIBITED:Arario Gallery New York, “Smile-isms,” October 29, 2009-January 16, 2010.

Estimate: $3,000-$4,000

70246

Yue Minjun (Chinese, b. 1962)Untitled (Smile-ism No. 13), 2006Lithograph in colors on wove paper43 x 35 inches (109.2 x 88.9 cm)Ed. 26/45Signed and numbered along lower edge

EXHIBITED:Arario Gallery New York, “Smile-isms,” October 29, 2009-January 16, 2010.

Estimate: $3,000-$4,000


70247

Henry Spencer Moore (British, 1898-1986)Terra Cotta, 1980Etching and aquatint on Magnani paper27-1/4 x 42-1/4 inches (69.2 x 107.3 cm)Ed. 8/10Signed, dated, and numbered in pencil in lower marginPublished by Raymond Spencer Co., Ltd, London

Estimate: $5,000-$7,000


70248

Robert Motherwell (American, 1915-1991)Delos, 1991Lithograph in colors on wove paper36-1/4 x 23-1/4 inches (92.1 x 59.1 cm)Ed. 20/40Initialed and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Tyler Graphics, New York

LITERATURE:Engberg/Banach, 525.

Estimate: $8,000-$12,000


70249

Robert Motherwell (American, 1915-1991)Harvest, with Two White Stripes (from the Summer Light series), 1973Lithograph in colors with collage on Georges Duchêne Hawthorne of Larroque paper29-3/4 x 11-3/4 inches (75.6 x 29.8 cm)Ed. 8/55Signed and numbered in pencil lower right with the blindstamp of the artist and publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 34.3;Engberg/Banach, 143; Belknap, 124.

Estimate: $2,000-$3,000

70250

Robert Motherwell (American, 1915-1991)Harvest, with Leaf (from the Summer Light series), 1973Lithograph in colors with collage on Georges Duchêne Hawthorne of Larroque paper29-3/4 x 11-3/4 inches (75.6 x 29.8 cm)Ed. 8/54Signed and numbered in pencil lower right with the blindstamp of the artist and the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L. 34.8; Engberg/Banach, 147;Belknap, 123.

Estimate: $2,000-$3,000


70251

Robert Motherwell (American, 1915-1991)Gauloises Bleues (Yellow with Black Square), 1971Aquatint and line-cut in colors on Auvergene à la Main Richard de Bas paper11-1/2 x 6-1/2 inches (29.2 x 16.5 cm)Ed. 31/35Signed and numbered in pencil lower right with the blindstamp of the publisherPublished by ULAE, West IslipPrinted by Donn Steward


LITERATURE:Belknap, 71;Engberg/Banach, 100;ULAE, 10.

Estimate: $2,000-$4,000


70252

Robert Motherwell (American, 1915-1991)Mexican Night, 1984Etching and aquatint in colors on Whatman paper17-1/2 x 17-1/2 inches (44.5 x 44.5 cm)Ed. 66/70Signed and numbered in pencil in lower marginPublished by the artist and Tyler Graphics, New York

LITERATURE:Belknap, 318;Engberg/Banach, 348.

Estimate: $15,000-$20,000


70253

Robert Motherwell (American, 1915-1991)Poet II, 1962Lithograph on wove paper20-3/4 x 14 inches (52.7 x 35.6 cm)Ed. 28/35Signed and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip

LITERATURE:Belknap, 3.

Estimate: $3,000-$4,000

70254

Robert Motherwell (American, 1915-1991)Capriccio, 1961Collotype in colors with hand colored pochoir on Arches paper20-3/8 x 15-3/4 inches (51.8 x 40 cm)Ed. 54/200Signed and numbered in pencil in lower marginPublished by Berggruen & Cie, ParisPrinted by Daniel Jacomet, Paris

LITERATURE:Belknap, Appendix 1;Engberg/Banach, 5.

Estimate: $1,000-$1,500


70255

Takashi Murakami (Japanese, b. 1962)Jellyfish Eyes, 2002Offset lithograph and ink21-3/4 inches (55.2 cm) (diameter)Ed. 79/250Marked with the artist’s swirl symbol and numbered on label versoPublished by Kaikai Kiki, Tokyo

Estimate: $2,000-$3,000


70256

Claes Oldenburg (American, b. 1929)Tea Pot, 1975Lithograph on Balinese brown paper mounted on Moriki Japanese paper18-1/4 x 26 inches (46.4 x 66 cm)HC 11/12 (aside from an edition of 34)Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip


EXHIBITED:Cornell Fine Arts Museum, Rollins College, Winter Park, Florida,

“Alumni & Friends Collection,” March 22-May 6, 1990.

LITERATURE:Axsom/Platzker, 129.

Estimate: $4,000-$6,000


70257

Pablo Picasso (Spanish, 1881-1973)Scène de théâtre: Amazone, Vénus de foire, homme au bouquet, pl. II, from Le Cocu Magnifique, 1968Etching on wove paper8-3/4 x 12-3/4 inches (22.2 x 32.4 cm)Ed. 24/30Signed and numbered in pencil in lower marginPublished and printed by Atelier Crommelynck, Paris

LITERATURE:Bloch, 1245;Baer, 1433.

NOTE:This lot is accompanied by a certificate of authenticity from the Centaur Sculpture Galleries.

Estimate: $5,000-$7,000


70258

After Pablo Picasso (Spanish, 1881-1973)Bacchanale, circa 1955Aquatint in colors on Rives BFK paper18-1/2 x 22 inches (47 x 55.9 cm)Ed. 21/300Signed and numbered in pencil in lower marginPublished by Atelier Crommelynck, Paris

Estimate: $8,000-$12,000


70260

Pablo Picasso (Spanish, 1881-1973)Le Viol II (from La Suite Vollard), 1933Drypoint on Montval laid paper11-3/4 x 14-3/8 inches (29.7 x 36.6 cm)Ed. 250Signed in pencil in lower marginPublished by A. Vollard, ParisPrinted by Lacourière, Paris

LITERATURE:Bloch, 180;Baer, 338 B.d.

Estimate: $4,000-$6,000

70259

Pablo Picasso (Spanish, 1881-1973)Le repos du sculpteur devant des chevaux et un taureau (from La Suite Vollard), 1933Etching on Montval paper7-1/2 x 10-1/2 inches (19.1 x 26.7 cm)Ed. 260Signed in pencil in lower marginPublished by A. Vollard, Paris


Estimate: $3,000-$5,000 27008 HP


70261

Pablo Picasso (Spanish, 1881-1973)Modèle et sculpture Surréaliste, from La Suite Vollard, 1933Etching on wove paper10-1/2 x 7-1/2 inches (26.7 x 19 cm)Ed. 310Signed in pencil in lower margin

LITERATURE:Bloch, 187.

Estimate: $12,000-$18,000


70262

Pablo Picasso (Spanish, 1881-1973)Deux femmes au bain (from La Suite Vollard), 1934Etching on handmade paper10-7/8 x 7-3/4 inches (27.6 x 19.7 cm)Ed. 260Signed in red crayon in lower marginPublished by A. Vollard, Paris


Estimate: $4,500-$5,500


70263

Pablo Picasso (Spanish, 1881-1973)Picador debout avec son cheval et une femme, 1959Linocut in colors on Arches paper25-1/8 x 21 inches (63.8 x 53.3 cm)Ed. 21/50Signed and numbered in pencil in lower marginPrinted by Arnéra, VallaurisPublished by Galerie Louise Leiris, Paris

PROPERTY FROM THE ESTATE OF STEPHEN BLAUNER

LITERATURE:Bloch, 913;Baer, 1238 Ba.

Estimate: $12,000-$18,000


70264

After Pablo Picasso (Spanish, 1881-1973)Toros en Vallauris, 1955Linocut in colors25-1/2 x 20-1/4 inches (64.8 x 51.4 cm)Ed. 119/200Signed in red crayon and numbered in pencil in lower margin


Estimate: $4,000-$6,000


70265

Pablo Picasso (Spanish, 1881-1973)Femme aux cheveux flous, 1962Linocut in colors on Arches paper13-5/8 x 10-1/2 inches (34.5 x 26.7 cm)Ed. 12/50Signed and numbered in pencil in lower marginPrinted by Hidalgo ArneraPublished by Galerie Louise Leiris, Paris


Estimate: $20,000-$30,000


70266

Robert Rauschenberg (American, 1925-2008)Lithograph I (from the Glacial Decoy series), 1979Lithograph in colors on Arches paper31-1/2 x 47-1/4 inches (80.0 x 120 cm)Ed. 10/28Signed, dated, and numbered in pencil upper left with the blindstamp of the publisherPublished by ULAE, West Islip


LITERATURE:Sparks, 101.

Estimate: $4,000-$6,000


70267

Robert Rauschenberg (American, 1925-2008)Bellini #5, 1989Intaglio in colors on Arches paper59 x 38-1/4 inches (149.9 x 97.2 cm)Ed. 37/50Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by ULAE, West Islip

Estimate: $12,000-$18,000


70268

PortfolioEight by Eight to Celebrate the Temporary Contemporary (set of eight), 1984Prints in various media on wove papers44 x 31-1/4 inches (111.8 x 79.4 cm)Ed. 168/250 (the Tinguely numbered 168/300)Each signed and numbered (there were also 30 or 43 artist’s proofs for all except the Tinguely)Published by the Museum of Contemporary Art, Los AngelesThese prints are housed in the original grey linen-covered portfolio with yellow printed title designed by Joseph Kosuth.

Includes:Richard Diebenkorn, Untitled, from Club/Spade Group ‘81-’82 (G. 1148);Sam Francis, Untitled;David Hockney, My Pool and Terrace;Ellsworth Kelly, Untitled (A. 201);Niki de Saint Phalle, Untitled;Jean Tinguely, Fontaine Joe Syffert;Robert Rauschenberg, Untitled;Andy Warhol, Sidewalk (F. & S. II.304).

Estimate: $20,000-$30,000


70269

Robert Rauschenberg (American, 1925-2008)Noname (Elephant), from the portfolio For Meyer Shapiro, 1973Solvent transfer, embossing, pochoir, and tape28 x 20 inches (71.1 x 50.8 cm)Ed. 1/1 (aside from an edition of 100)Signed, dated, numbered, and annotated ‘Change Inc.’ in pencil lower right, with blindstamp of the printer lower leftDated in pencil with the printer’s copyright stamp versoPublished by The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia UniversityPrinted by Untitled Press, Inc., Captiva, FL

EXHIBITED:Wadsworth Atheneum Museum of Art, Hartford, Connecticut, “Prints from the Untitled Press,” October 27-November 18, 1973 (label verso).

NOTE:In September 1970, Rauschenberg established the nonprofit organization Change, Inc., which provided small sums of money to artists for non-art emergency expenses, such as rent and medical costs. The organization was supported by contributions of art for benefit auctions. From then on, Rauschenberg donated the proceeds from the sale of one print in each new edition, such as this particular one, to Change Inc.

Estimate: $8,000-$12,000


70270

Robert Rauschenberg (American, 1925-2008)Ringer (from Hoarfrost Editions), 1974Offset lithograph and screenprint in colors transferred to a collage of paper bag, cheesecloth, China silk, silk, and satin70 x 36 inches (177.8 x 91.4 cm)Ed. 22/31Signed, dated, and numbered in pencil upper leftPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 41.88.

Estimate: $25,000-$30,000


70271

Larry Rivers (American, 1925-2002)For Adults Only, 1971Offset lithograph in colors on two sheets of Rives BFK paper70-1/2 x 29-3/4 inches (179.1 x 75.6 cm)Ed. 24/35Signed, dated, and numbered in pencil lower right with blindstamp of publisherPublished by ULAE, West Islip



Estimate: $1,500-$2,500


70272

Ed Ruscha (American, b. 1937)Hot Air Being Blown, 1982Etching in colors on wove paper34-5/8 x 33-3/4 inches (87.9 x 85.6 cm)Printer’s proof (aside from an edition of 20)Signed, dated, and inscribed in pencil along lower edge with the blindstamp of the printerPrinted and published by Styria Studio, Inc., New York

LITERATURE:Engberg, 126.

Estimate: $2,000-$3,000

7

70273

Ed Ruscha (American, b. 1937)Pepto-Caviar Hollywood, 1970Screenprint in colors with screens of Pepto-Bismol and caviar on Copperplate Deluxe paper10 x 37-1/2 inches (25.4 x 95.3 cm)Ed. 12/50Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Cirrus Editions, Los Angeles

LITERATURE:Engberg, 42

Estimate: $5,000-$7,000


70274

Pierre Soulages (French, b. 1919)Sérigraphie no. 15, 1981Screenprint in colors41-1/2 x 28-1/2 inches (105.4 x 72.4 cm)Ed. 16/250Signed and numbered in pencil lower leftPublished by Circle Fine Art, ChicagoPrinted by Michel Caza, Cergy

LITERATURE:Encrevé, 107.

Estimate: $2,000-$3,000

70275

Frank Stella (American, b. 1936)Chocorua, pl. 11 (from the Eccentric Polygons series), 1974Lithograph and screenprint in colors on Arches paper17-1/4 x 22-1/4 inches (43.8 x 56.5 cm)Ed. 15/100Signed, dated, and numbered in pencil lower right with the blindstamp of the publisherPublished by Gemini G.E.L., New York


LITERATURE:Gemini G.E.L., 51.12;Axsom, 104.

Estimate: $1,000-$1,500


70276

Frank Stella (American, b. 1936)The Candles (Stapling Down and Cutting Up VII), 1992Collage, lithograph and screenprint in colors57-1/2 x 38-1/2 inches (146.1 x 97.8 cm)Ed. 38/65Signed, dated, and numbered in pencil with the blindstamp of the publisherPublished by Tyler Graphics, Ltd., New York

Estimate: $15,000-$20,000


70277

Donald Sultan (American, b. 1951)Five Reds, May 28, 2002Screenprint in colors with flocking on Somerset paper22-1/2 x 30-1/2 inches (57.2 x 77.5 cm)AP 9/20 (aside from the edition of 60)Initialed, titled, dated, and numbered in pencil

Estimate: $3,000-$5,000


70278

Donald Sultan (American, b. 1951)Six Yellows, July 24, 2002Screenprint in colors with flocking on Somerset paper22-1/2 x 30-1/2 inches (57.2 x 77.5 cm)AP 9/20 (aside from the edition of 60)Initialed, titled, dated, and numbered in pencil

Estimate: $3,000-$5,000


70279

James Turrell (American, b. 1941)Deep Sky (complete set of 7 works), 1984Aquatints on BFK Rives paper12-5/8 x 19-1/4 inches (32.1 x 48.9 cm)Ed. 37/45 (total edition includes 10 artist’s proofs)All signed and numbered in pencilPublished by Peter Blum Edition, New York

NOTE:This work is accompanied by the original issued hardwood portfolio case, as well as a copy of the book, Iconographia Coelestis by Mario Diacono. The book was originally issued with the portfolio (with corresponding edition number).

Estimate: $8,000-$12,000


AnDY WARHOL

TRIAL PROOFS AnD

UnIQUE EDITIOn PRInTS

Before making his final print runs, Warhol made Trial Proofs, experimenting with different color or compositional combinations so that each individual print is unique. Beginning in 1981, Trial Proofs became a major part of his print projects starting with Portraits of Jews of the Twentieth Century and continuing to the time of his death. These unique works, generally, but not always, signed and numbered vary from the final edition in interesting ways. These special works were selectively chosen by Warhol and were released as a formal component of the final edition.

In this section, Heritage Auctions is pleased to offer Trial Proofs for Shadow and Uncle Sam (from Myths), the Sidewalk, Pete Rose, and many others. While some works, like the Pete Rose had nearly as many trial proofs as the regular edition prints (30 TPs vs. 50 numbered works), others, such as Sidewalk, had far fewer proofs. Warhol documented these works in different ways. For instance, the John Wayne prints in this catalog were alternatively labeled as TP (Trial Proof) and Unique respectively. This contrasts to the other nine images from the Cowboys and Indians editions which were only labeled TP.

Warhol also created signed and numbered prints where each individual impression was unique. Most of these works were published by Warhol himself and could be viewed as a predecessor to what would eventually become Trial Proofs. Like Trial Proofs they may be unique due to color and/or compositional variations, or, as illustrated by both Flower works from 1974 (lots 70280 and 70281), unique due to hand-coloring.

Each of the works in the subsequent section exhibit unique color combinations or compositional elements that represent Warhol’s process of playful experimentation. Heritage is pleased to offer this fantastic selection of unique edition prints and Trial Proof prints.


70280

Andy Warhol (American, 1928-1987)Flowers, 1974Unique screenprint on J. Green paper40-7/8 x 27-1/4 inches (103.8 x 69.2 cm)Ed. 191/250Initialed in pencil lower right with the blindstamp of the publisherSigned, dated, and numbered with the copyright stamp on the reversePublished by Castelli Graphics, Inc., New York

LITERATURE:Feldman/Schellmann, II.115.

Estimate: $4,000-$6,000


70281

Andy Warhol (American, 1928-1987)Flowers, 1974Unique screenprint with handcoloring in watercolor on J. Green paper40-7/8 x 27-1/4 inches (103.8 x 69.2 cm)Ed. 191/250Initialed in pencil lower right with the blindstamp of the publisherSigned, dated, and numbered with the copyright stamp on the reversePublished by Castelli Graphics, Inc., New York


Estimate: $4,000-$6,000


70282

Andy Warhol (American, 1928-1987)The Shadow (from Myths), 1981Unique screenprint in colors with diamond dust38 x 38 inches (96.5 x 96.5 cm)TP 17/30 (aside from an edition of 200)Signed and numbered in pencil lower center with the blindstamp of the publisher

LITERATURE:Feldman/Schellmann, IIB.267.

Estimate: $50,000-$70,000


70283

Andy Warhol (American, 1928-1987)Uncle Sam (from Myths), 1981Unique screenprint in colors with diamond dust38 x 38 inches (96.5 x 96.5 cm)TP 17/30 (aside from the edition of 200)Signed and numbered in pencil lower left with the blindstamp of the publisher


Estimate: $30,000-$40,000


70284

Andy Warhol (American, 1928-1987)Sidewalk, 1983Unique screenprint with diamond dust on Dutch Etching paper29 x 42 inches (73.7 x 106.7 cm)TP 9/45 (aside from an edition of 250)Published by The Museum of Contemporary Art, Los AngelesPrinted by Rupert Jasen Smith, New York


Estimate: $10,000-$20,000


70285

Andy Warhol (American, 1928-1987)Poinsettias, 1983Unique screenprint on Saunders Waterfod (Hot Pressed) paper14-1/4 x 11-1/8 inches (36.2 x 28.3 cm) (image)Stamped with The Estate of Andy Warhol and The Warhol Foundation for the Visual Arts, Inc., stamps, and numbered ‘UP 39.11’ in pencil on the reverse

LITERATURE:Feldman/Schellman, IIIA.51.

Estimate: $8,000-$12,000


70286

Andy Warhol (American, 1928-1987)Pete Rose, 1985Unique screenprint on Lenox Museum Board39-3/8 x 31-1/2 inches (100.0 x 80.0 cm)TP 12/30 (aside from the edition of 50)Signed and numbered in pencil lower right

LITERATURE:Feldman/Schellmann, IIB.360B.

Estimate: $20,000-$30,000


70287

Andy Warhol (American, 1928-1987)John Wayne (from Cowboys and Indians), 1986Unique screenprint on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)TP 36/36 (aside from the edition of 250)Signed and numbered in pencil lower rightPublished by Gaultney, Klineman Art, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $40,000-$60,000


70288

Andy Warhol (American, 1928-1987)John Wayne (from Cowboys and Indians), 1986Unique screenprint on Lenox Museum Board (aside from the edition of 250)36 x 36 inches (91.4 x 91.4 cm)Signed and inscribed ‘unique’ in pencil lower right, with the publisher’s stamp verso Published by Gaultney, Klineman Art, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $30,000-$40,000


70289

Andy Warhol (American, 1928-1987)Love is a Pink Cake (complete set of 25 works), 1953Offset lithographs with accompanying poetry by Ralph Tomas Ward on pale blue paper11 x 8-1/2 inches (27.9 x 21.6 cm) (sheet, each)From an edition of approximately 100Each inscribed with the number ‘A196.032’ in pencil verso, with the Andy Warhol Art Authentication Board, Inc., stamp on the reverse of the last work in the setPublished by the artist, New York

LITERATURE:Feldman/Schellmann, IV. 27-50.

NOTE:This lot is accompanied by a signed certificate of authenticity from the Andy Warhol Art Authentication Board, Inc., dated March 17, 2003.

Estimate: $30,000-$40,000


70290

Andy Warhol (American, 1928-1987)Flowers, 1964Offset lithograph in colors on wove paper22 x 22 inches (55.9 x 55.9 cm)Signed and dated in ink in lower marginPublished by Leo Castelli Gallery, New YorkPrinted by Total Color, New York


Estimate: $8,000-$12,000


70291

Andy Warhol (American, 1928-1987)Vote McGovern, 1972Screenprint in colors42 x 42 inches (106.7 x 106.7 cm)Ed. 246/250Signed and numbered in ink on the reversePublished by Gemini G.E.L., Los Angeles


LITERATURE:Gemini G.E.L., 396;Feldman/Schellmann, II.84.

Estimate: $15,000-$25,000


70292

Andy Warhol (American, 1928-1987)Mao, 1972Screenprint in colors on wove paper36 x 36 inches (91.4 x 91.4 cm)Ed. 124/250Signed in ink, with the copyright and number stamped on the reversePublished by Castelli Graphics and Multiples Inc., New York Printed by Styria Studio Inc., New York


LITERATURE:Feldman/Schellmann, II. 97.

Estimate: $25,000-$35,000


70293

Andy Warhol (American, 1928-1987)Golda Meir (from Ten Portraits of Jews of the Twentieth Century), 1980Screenprint in color on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)Ed. 168/200Signed and numbered in pencil lower rightThe artist’s copyright ink stamp on the reversePublished by Ronald Feldman Fine Arts, Inc., New York and Jonathan A. Editions, Tel AvivPrinted by Rupert Jasen Smith, New York

LITERATURE:Feldman/Schellmann, II. 233.

Estimate: $6,000-$8,000


70294

Andy Warhol (American, 1928-1987)Edward Kennedy (Deluxe Edition), 1980Screenprint in colors with diamond dust on Lenox Museum Board40 x 32 inches (101.6 x 81.3 cm)AP 15/15 (aside from an edition of 50)Signed and numbered in pencil lower right with the blindstamp of the printerPublished by Kennedy for President Committe, Washington, D.C.Printed by Rupert Jasen Smith, New York


Estimate: $10,000-$15,000


70295

Andy Warhol (American, 1928-1987)Shoes, 1980Screenprint in colors with diamond dust, on Aquarelle Arches paper40-1/4 x 59-1/2 inches (102.2 x 151.1 cm)Ed. 60 (the total edition includes 10 artist’s proofs)Signed and numbered in pencil on the reversePrinted by Rupert Jasen Smith, New York


Estimate: $70,000-$90,000


70296

Andy Warhol (American, 1928-1987)Jane Fonda, 1982Screenprint in colors on Lenox Museum Board39-1/2 x 31-1/2 inches (100.3 x 80 cm)Ed. 19/100Signed and numbered in pencil lower leftSigned by Jane Fonda and inscribed ‘To Rod’ lower centerArtist’s copyright stamp on the reversePublished by Friends of Tom Hayden, Santa MonicaPrinted by Rupert Jasen Smith, New York



Estimate: $15,000-$25,000


70297

Andy Warhol (American, 1928-1987)Queen Margrethe II (from Reigning Queens), 1985Screenprint in colors on Lenox Museum Board39-1/4 x 31-3/8 inches (99.8 x 79.8 cm)A proof aside from the edition of 40, (see F&S II. 345)Stamped with the ‘Andy Warhol Art Authentication Board, Inc., Outside the Published Edition’ stamp and numbered ‘A182.0911’ in pencil on the reverseMarked on the verso ‘© Andy Warhol 1985’Published by George C. P. Mulder, Amsterdam

NOTE:This print is the only match known to us of the documented edition of 40 that isn’t signed or numbered, and thus unique in that regard. It is accompanied by a signed certificate of authenticity from the Andy Warhol Art Authentication Board, Inc., dated December 21, 2009.

Estimate: $20,000-$30,000


70298

Andy Warhol (American, 1928-1987)Queen Margrethe II (from Reigning Queens), 1985Screenprint in colors on Lenox Museum Board39-1/4 x 31-3/8 inches (99.8 x 79.8 cm)A proof aside from the edition of 40, (see F&S II. 344)Stamped with the ‘Andy Warhol Art Authentication Board, Inc., Outside the Published Edition’ stamp and numbered ‘A181.0911’ in pencil on the reverseMarked on the verso ‘© Andy Warhol 1985’Published by George C. P. Mulder, Amsterdam

NOTE:This print is the only match known to us of the documented edition of 40 that isn’t signed or numbered, and thus unique in that regard. It is accompanied by a signed certificate of authenticity from the Andy Warhol Art Authentication Board, Inc., dated December 21, 2009.

Estimate: $20,000-$30,000


70299

Andy Warhol (American, 1928-1987)Chanel (from Ads), 1985Screenprint in colors on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)AP 18/30 (aside from an edition of 190)Signed and numbered in pencil lower left with the blindstamp of the publisherPublished by Ronald Feldman Fine Arts, Inc., New York


Estimate: $60,000-$80,000


70300

Andy Warhol (American, 1928-1987)Rebel without a Cause (James Dean) (from Ads), 1985Screenprint in colors on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm)AP 18/30 (aside from an edition of 190)Signed and numbered in pencil lower right with the blindstamp of the publisherPublished by Ronald Feldman Fine Arts, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $60,000-$80,000


70301

Andy Warhol (American, 1928-1987)The New Spirit (Donald Duck) (from Ads), 1985Screenprint in colors on Lenox Museum Board37-3/4 x 37-3/4 inches (96 x 96 cm)Ed. 159/190Signed and numbered in pencil lower left with the blindstamp of the publisherPublished by Ronald Feldman Fine Arts, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $30,000-$40,000


70302

Andy Warhol (American, 1928-1987)General Custer (from Cowboys and Indians), 1986Screenprint in colors on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)AP 22/50 (aside from an edition of 250)Signed and numbered in pencil lower left with the blindstamp of the printerPublished by Gaultney, Klineman Art, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $40,000-$60,000


70303

Andy Warhol (American, 1928-1987)Northwest Coast Mask (from Cowboys and Indians), 1986Screenprint in colors on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm)Ed. 194/250Signed and numbered in pencil lower right with the blindstamp of the publisherPublisher’s ink stamp on the reversePublished by Gaultney-Klineman Art Inc., New York Printed by Rupert Jasen Smith, New York


Estimate: $12,000-$15,000


70304

Tom Wesselmann (American, 1931-2004)Helen Nude, 1981Screenprint in colors on wove paper31 x 32 inches (78.7 x 81.3 cm)Ed. 129/150Signed, dated, and numbered in pencil in lower margin with the blindstamp of the publisherPublished by Transworld Art Inc., New York

Estimate: $6,000-$8,000


70305

Tom Wesselmann (American, 1931-2004)Seascape (Tit), 1967Screenprint in colors18-1/8 x 17-7/8 inches (46 x 45.4 cm)Ed. 63/100Signed, dated, and numbered in pencil in lower marginPublished by Petersburg Press, New York and London


Estimate: $3,000-$5,000

End of Auction

3500 Maple Avenue ❘ Dallas, Texas 75219-3941 Direct Client Service Line – Toll Free: 866-835-3243 ❘ Fax: 214-409-1425

Modern & Contemporary Art Auction #5224

Bid Live & Online at HA.com/5224

REV. 12-4-14

Please print your bids.

IF NECESSARY, PLEASE INCREASE MY BIDS BY 1 2 3 INCREMENT(S) Lots will be purchased as much below top bids as possible.

I wANT To LIMIT MY BIDDINg To A ToTAL oF $ at the hammer amount for all lots listed on this bid sheet. I am aware that by utilizing

the Budget Bidding feature, all bids on this sheet will be affected. If I intend to have regular bidding on other lots I will need to use a separate bid sheet.

Do you want to receive an email, text message, or fax confirming receipt of your bids? Email Cell Phone Text Fax

Payment by check may result in your property not being released until purchase funds clear our bank. Checks must be drawn on a U.S. bank. All bids are subject to the applicable Buyer’s Premium. See HA.com for details.

I have read and agree to all of the Terms and Conditions of Auction: inclusive of paying interest at the lesser of 1.5% per month (18% per annum) or the maximum contract interest rate under applicable state law from the date of auction.REFERENCES: New bidders who are unknown to us must furnish satisfactory industry references or a valid credit card in advance of the auction date.

________________________________________________________(Signature required) Please make a copy of this bid sheet for your records.

I HAVE PREVIOUSLY BOUGHT FROM HERITAGE AUCTIONS

I HAVE A RESALE PERMIT – please contact 877-HERITAGE (437-4824)

Non-Internet bids (including but not limited to, podium, fax, phone and mail bids) may be submitted at any time and are treated similar to floor bids. These types of bids must be on-increment or at a half increment (called a cut bid). Any podium, fax, phone or mail bids that do not conform to a full or half increment will be rounded up or down to the nearest full or half increment and will be considered your high bid.Current Bid ..............................Bid Increment< $10 .............................................................. $1$10 - $49 ......................................................... $2$50 - $99 ......................................................... $5$100 - $199 ................................................... $10$200 - $499 ................................................... $20$500 - $999 ................................................... $50$1,000 - $1,999 ........................................... $100$2,000 - $4,999 ........................................... $200$5,000 - $9,999 ........................................... $500

Current Bid ..............................Bid Increment$10,000 - $19,999 .................................... $1,000$20,000 - $49,999 .................................... $2,000$50,000 - $99,999 .................................... $5,000$100,000 - $199,999 .............................. $10,000$200,000 - $499,999 .............................. $20,000$500,000 - $999,999 .............................. $50,000$1,000,000 - $4,999,999 ...................... $100,000$5,000,000 - $9,999,999 ...................... $250,000>= $10,000,000 .................................. $500,000

Client# (if known) Bidder#

LoT No. AMoUNT

All informAtion must be completed And form signed

BID SHEET

LoT No. AMoUNT LoT No. AMoUNTBid in whole dollar amounts only.

Mr. Mrs. Ms. Dr. name

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City state Zip Code CoUntry

email

(COUNTRY CODE) day pHone (COUNTRY CODE) niGHt pHone

(COUNTRY CODE) Cell (COUNTRY CODE) faX

Last Name:

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Please print your bids.Bid in whole dollar amounts only.

1 Internet Simply go to www.HA.com, find the auction you are looking for and click “View Lots” or type your desired Lot # into the “Search” field. Every lot is listed with full descriptions and images. Enter your bid and click “Place Bid.” Proxy bidding ends one hour prior to the session start time. Live Proxy bidding continues through the session.

2 eMail You can also email your bids to us at [email protected]. List lot numbers and bids, and include your name, address, phone, and customer # (if known) as well as a statement of your acceptance of the Terms and Conditions of Sale. Email bids will be accepted up to 24 hours before the live auction.

3 Postal Mail Simply complete the Bid Sheet on the reverse side of this page with your bids on the lots you want, sign it and mail it in. If yours is the high bid on any lot, we act as your representative at the auction and buy the lot as cheaply as competition permits.

4 In Person Come to the auction and view the lots in person and bid live on the floor.

5 FAX Follow the instructions for completing your mail bid, but this time FAX it to (214) 409-1425. FAX bids will be accepted until 12:00 PM CT the day prior to the auction date.

6 Live By Phone Call 877-HERITAGE (437-4824) Ext. 1150 and ask for phone bidding assistance at least 24 hours prior to the auction.

7 Live using HerItAgeLive!® Auctions designated as “Heritage Live Enabled” have continuous bidding from the time the auction is posted on our site through the live event. When normal Internet bidding ends, visit HA.com/Live and continue to place Live Proxy bids. When the item hits the auction block, you can continue to bid live against the floor and other live bidders.

Because of the many avenues by which bids may be submitted, there is the real possibility of a tie for the high bid. In the event of a tie, Internet bidders, within their credit limit, will win by default.

7 Easy Ways to Bid

Terms and Conditions of AuctionAuctioneer and Auction: 1. This Auction is presented by Heritage Auctions, a d/b/a/ of Heritage Auctioneers & Galleries, Inc.,

or Heritage Auctions, Inc., or Heritage Numismatic Auctions, Inc., or Heritage Vintage Sports Auctions, Inc., or Currency Auctions of America, Inc., as identified with the applicable licensing information on the title page of the catalog or on the HA.com Internet site (the “Auctioneer”). The Auction is conducted under these Terms and Conditions of Auction and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Auctions appearing on the Internet at HA.com supersede those in the printed catalog.

Buyer’s Premium: 2. All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid:• Fifteen percent (15%) on Domain Names & Intellectual Property Auction lots;• Seventeen and one-half percent (17.5%) on Currency, US Coin, and World & Ancient Coin Auction lots,

except for Gallery Auction lots as noted below;• Nineteen and one-half percent (19.5%) on Comic, Movie Poster, Sports Collectibles, and Gallery Auction

(sealed bid auctions of mostly bulk numismatic material) lots;• Twenty-two percent (22%) on Wine Auction lots;• For lots in all other categories not listed above, the Buyer’s Premium per lot is twenty-five percent (25%)

on the first $100,000 (minimum $14), plus twenty percent (20%) of any amount between $100,000 and $1,000,000, plus twelve percent (12%) of any amount over $1,000,000.

Auction Venues: 3. The following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions

(Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, and Vintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine). Signature® Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, or mail first, followed by a floor bidding session; HeritageLive! and real- time telephone bidding are available to registered clients during these auctions.

Bidders: 4. Any person participating or registering for the Auction agrees to be bound by and accepts these

Terms and Conditions of Auction (“Bidder(s)”). 5. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good

standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

Credit: 7. In order to place bids, Bidders who have not established credit with the Auctioneer must either

furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders. Bidders who are not members of HA.com or affiliates should preregister at least 48 hours before the start of the first session (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: HA.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

Bidding Options: 8. Bids in Signature® Auctions or Grand Format Auctions may be placed as set forth in the printed

catalog section entitled “Choose your bidding method.” For auctions held solely on the Internet, see the alternatives on HA.com. Review at http://www.ha.com/c/ref/web-tips.zx#biddingTutorial.

9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half increment will be rounded up or down to the nearest full or half increment and this revised amount will be considered your high bid.

10. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the internet may not be withdrawn until your written request is received and acknowledged by Auctioneer (FAX: 214-409-1425); such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Please see: “How can I lose by less than an increment?” on our website. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

The following chart governs current bidding increments (see HA.com/c/ref/web-tips.zx#guidelines-increments).

Current Bid ..............Bid Increment< $10.................................................$1$10 - $49 ......................................... $2$50 - $99 ......................................... $5$100 - $199 ................................... $10$200 - $499 ................................... $20$500 - $999 ................................... $50$1,000 - $1,999 ........................... $100$2,000 - $4,999 ........................... $200$5,000 - $9,999 ........................... $500

Current Bid ..............Bid Increment$10,000 - $19,999 ................... $1,000$20,000 - $49,999 ................... $2,000$50,000 - $99,999 ................... $5,000$100,000 - $199,999 ............ $10,000$200,000 - $499,999 ............ $20,000$500,000 - $999,999 ............ $50,000$1,000,000 - $4,999,999 .... $100,000$5,000,000 - $9,999,999 .... $250,000>= $10,000,000 .................. $500,000

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. Off-increment bids may be accepted by the Auctioneer at Signature® Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Conducting the Auction: 13. Notice of the consignor’s liberty to place bids on his lots in the Auction is hereby made in

accordance with Article 2 of the Texas Business and Commercial Code. A “Minimum Bid” is an amount below which the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN ”Minimum Bids” ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF

THE HAMMER PRICE DOES NOT MEET THE “Minimum Bid”, THE CONSIGNOR MAY PAY A REDUCED COMMISSION ON THOSE LOTS. ”Minimum Bids” are generally posted online several days prior to the Auction closing. For any successful bid placed by a consignor on his Property on the Auction floor, or by any means during the live session, or after the ”Minimum Bid” for an Auction have been posted, we will require the consignor to pay full Buyer’s Premium and Seller’s Commissions on such lot.

14. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer fall to accept bids and reopen bidding for bids placed through the Internet or otherwise.

15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.

16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

17. Lots bearing bidding estimates shall open at Auctioneer’s discretion (generally 40%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 877-HERITAGE (437-4824).

21. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment: 23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier

checks, travelers checks, eChecks, and bank money orders, and are subject to all reporting requirements). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via eCheck, personal, or corporate checks. All others will be subject to a hold of 5 days, or more, for the funds to clear prior to releasing merchandise. (Ref. T&C item 7 Credit for additional information.) Payments can be made 24-48 hours post auction from the My Orders page of the HA.com website.

24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within 7 days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and offset the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.

25. Lots delivered to you, or your representative are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within 4 days after the Auction can a refund of tax paid be made. Lots from different Auctions may not be aggregated for sales tax purposes.

26. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using your credit card on file.

27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its in-house legal staff, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 15% seller’s commissions, if sold at an Auctioneer’s auction.

29.Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise. 30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of

the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). In

Terms and Conditions of Auctionaddition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset

he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession..

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery; Shipping; and Handling Charges: 32. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Please refer to Auctioneer’s

website HA.com/c/shipping.zx for the latest charges or call Auctioneer. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid may be charged to the credit card on file with Auctioneer.

33. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by Heritage to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 10% Seller’s Commission.

36A. The laws of various countries regulate the import or export of certain plant and animal properties, including (but not limited to) items made of (or including) ivory, whalebone, turtle shell, coral, crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both export and import; 2) obtaining all such licenses and/or permits. Delay or failure to obtain any such license or permit does not relieve the buyer of timely compliance with standard payment terms. For further information, please contact Ron Brackemyre at 800- 872-6467 ext. 1312.

36B. California State law prohibits the importation of any product containing Python skin into the State of California, thus no lot containing Python skin will be shipped to or invoiced to a person or company in California.

36C. Auctioneer shall not be liable for any loss caused by or resulting from:a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any

Government or public authority, or risks of contraband or illegal transportation of trade, orb. Breakage of statuary, marble, glassware, bric-a-brac, porcelains, jewelry, and similar fragile articles

37. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers: 38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer, in specified auction venues, for example, Fine Art, may have express written warranties and you are referred to those specific terms and conditions. .

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

40. Translations of foreign language documents may be provided as a convenience to interested parties. Auctioneer makes no representation as to the accuracy of those translations and will not be held responsible for errors in bidding arising from inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release: 43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases

Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, and small items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision: 45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions

of Auction, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

48. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions of Sale or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer { which claim you consent to be made a party} (collectively, “Claim”) shall be exclusively heard by, and the claimant (or respondent as the case may be) and Heritage each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. This Agreement and any Claim shall be determined and construed under Texas law. The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

49. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous: 52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit

bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

53. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Heritage in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Heritage and its affiliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety.

State Notices: Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the California Civil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of State its bonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 of the Commercial Code and Sec. 535 of the Penal Code. Notice as to an Auction in New York City. These Terms and Conditions of Sale are designed to conform to the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This sale is a Public Auction Sale conducted by Heritage Auctioneers & Galleries, Inc. # 41513036. The New York City licensed auctioneers are: Sam Foose, #095260; Kathleen Guzman, #0762165; Nicholas Dawes, #1304724; Ed Beardsley, #1183220; Scott Peterson, #1306933; Andrea Voss, #1320558, who will conduct the Sale on behalf of itself and Heritage Numismatic Auctions, Inc. (for Coins) and Currency Auctions of America, Inc. (for currency). All lots are subject to: the consignor’s rights to bid thereon in accord with these Terms and Conditions of Sale, consignor’s option to receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited extended financing to registered bidders, in accord with Auctioneer’s internal credit standards. A registered bidder may inquire whether a lot is subject to an advance or a reserve. Auctioneer has made advances to various consignors in this sale. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders. Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.Notice as to an Auction in Ohio: Auction firm and Auctioneer are licensed by the Dept. of Agriculture, and either the licensee is bonded in favor of the state or an aggrieved person may initiate a claim against the auction recovery fund created in Section 4707.25 of the Revised Code as a result of the licensee’s actions, whichever is applicable.

Rev.6-15-2015

Terms and Conditions of AuctionAdditional Terms & Conditions:

FINE & DECORATIVE ARTS AUCTIONS

FINE AND DECORATIVE ARTS TERM A: LIMITED WARRANTY: Auctioneer warrants authorship, period or culture of each lot sold in this catalog as set out in the BOLD-face type heading in the catalog description of the lot, with the following exclusions. This warranty does not apply to:

i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or

ii. any catalog description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or

iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or

iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalog, or which were unreasonably expensive or impractical to use at the time of publication of the catalog.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of these Terms and Conditions of Auction.

FINE AND DECORATIVE ARTS TERM B: GLOSSARY OF TERMS: Terms used in this catalog have the following meanings. Please note that all statements in this catalog, excluding those in BOLD-face type, regarding authorship, attribution, origin, date, age, provenance and condition are statements of opinion and are not treated as a statement of fact.

1. THOMAS MORAN In our opinion, the work is by the artist.2. ATTRIBUTED TO THOMAS MORAN In our opinion, the work is of the period of the artist which may be whole or in part the

work of the artist.3. STUDIO, (CIRCLE OR WORKSHOP) OF THOMAS MORAN In our opinion, the work is of the period and closely relates to his style.4. SCHOOL OF THOMAS MORAN In our opinion, the work is by a pupil or a follower of the artist.5. MANNER OF THOMAS MORAN In our opinion, the work is in the style of the artist and is of a later period.6. AFTER THOMAS MORAN In our opinion, this work is a copy of the artist.7. ASCRIBED TO THOMAS MORAN In our opinion, this work is not by the artist, however, previous scholarship has noted this to be a

work by the artist. 8. SIGNED (OR DATED) The work has a signature (or date) which is in our opinion is genuine.9. BEARS SIGNATURE (OR DATE) The work has a signature (or date) which in our opinion is not authentic.

FINE AND DECORATIVE ARTS TERM C: PRESENTMENT: The warranty as to authorship is provided for a period of one (1) year from the date of the auction and is only for the benefit of the original purchaser of record and is not transferable.

FINE AND DECORATIVE ARTS TERM D: The Auction is not on approval. Under extremely limited circumstances (e.g. gross cataloging error), not including attributions in BOLD-face type, which are addressed in Term F below, a purchaser who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A bidder must notify the appropriate department head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of the purchaser’s request within three (3) days of the non-floor bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received in our offices within 40 days after Auction. AFTER THAT 40-DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. Late remittance for purchases may be considered just cause to revoke all return privileges.

FINE AND DECORATIVE ARTS TERM E: The catalog descriptions are provided for identification purposes only. Bidders who intend to challenge a BOLD-face provision in the description of a lot must notify Auctioneer in writing within forty (40) days of the Auction’s conclusion. In the event Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title or the BOLD-face section of description is incorrect, or other transfer or condition issue is claimed, Auctioneer’s liability shall be limited to rescission of sale and refund of purchase price. In no case shall Auctioneer’s maximum liability exceed the successful bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed from the close of the Auction, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

FINE AND DECORATIVE ARTS TERM F: Any claim as to authorship, provenance, authenticity, or other matter under the remedies provided in the Fine Arts Terms and Conditions or otherwise must be first transmitted to Auctioneer by credible and definitive evidence within the applicable claim period. Auctioneer, in processing the written claim, may require the Purchaser to obtain the written opinion of two recognized experts in the field who are mutually accepted by Auctioneer and Purchaser. Upon receipt of the two opinions, Auctioneer shall determine whether to rescind the sale. The Purchaser’s claim must be presented in accord with the remedies provided herein and is subject to the limitations and restrictions provided (including within the described time limitations). Regardless of Purchaser’s submissions there is no assurance after such presentment that Auctioneer will validate the claim. Authentication is not an exact science and contrary opinions may not be recognized by Auctioneer. Even if Auctioneer agrees with the contrary opinion of such authentication and provides a remedy within these Terms and Conditions or otherwise, our liability for reimbursement for bidder’s third party opines shall not exceed $500. The right of rescission, return, or any other remedy provided in these Terms and Conditions, or any other applicable law, does not extend to authorship of any lot which at the date of Auction was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist, his students, school, workshop or followers. Purchaser by placing a bid expressly waives any claim or damage based on such subsequent information as described herein. It is specifically understood that any refund agreed to by the Auctioneer would be limited to the purchase price.

FINE AND DECORATIVE ARTS TERM G: Provenance and authenticity, excluding attributions in BOLD-face type, are guaranteed by neither the consignor nor Auctioneer. While every effort is made to determine provenance and authenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding.

FINE AND DECORATIVE ARTS TERM H: On the fall of Auctioneer’s hammer, Buyers of Fine Arts and Decorative Arts lots assumes full risk and responsibility for lot, including shipment by common carrier or third-party shipper, and must provide their own insurance coverage for shipments.

FINE AND DECORATIVE ARTS TERM I: Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A purchaser is required to provide appropriate documents and the payment of associated fees, if any. Purchaser is responsible for providing a shipping address that is suitable for the receipt of a firearm.

FINE AND DECORATIVE ARTS TERM J: Right of Inspection and Return on Certain Lots. Framed Lots estimated at $1000 or less shall not be unframed for inspection and may not be returned based on condition and are sold “AS IS”.

Further to paragraph 36A in the Terms and Conditions of Auction, please note that items containing ivory may not be shipped internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to the delivery of the product. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

Heritage Auctions strongly encourages in-person inspection of lots by the Bidder. While Heritage is not obligated to provide a condition report of each lot, Bidders may feel free to contact the department for a Condition Report, and Heritage will attempt to furnish one, but shall not be liable for failing to do so. Condition is often detailed online, but is not included in our catalogues. The Bidder should review online descriptions, as the descriptions supersede catalog descriptions and any condition reports otherwise provided. Heritage condition statements whether appearing in the catalog, online, or at a person’s request are based on a visual inspection and are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Heritage. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. All lots offered regardless of a condition report are sold “AS IS”.

For wiring instructions call the Credit department at 877-HERITAGE (437-4824) or e-mail: [email protected]

New York State Auctions OnlyNotice as to an Auction in New York City. These Terms and Conditions of Sale are designed to conform to the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This sale is a Public Auction Sale conducted by Heritage Auctioneers & Galleries, Inc. #1364738. The New York City licensed auctioneers are: Samuel Foose 0952360; Robert Korver 1096338; Kathleen Guzman 0762165; Michael J. Sadler 1304630; Scott Peterson 1306933; Andrea Voss 1320558; Nicholas Dawes 1304724; Ed Beardsley 1183220; Bob Merrill 1473403; Paul Minshull 2001161; Fiona Elias 2001163; Brian Nalley 2001162; Jennifer Marsh 2009623; Alissa Ford 2009565, who will conduct the Sale on behalf of itself and Heritage Auctioneers & Galleries, Inc. All lots are subject to: the consignor’s rights to bid thereon in accord with these Terms and Conditions of Sale, consignor’s option to receive advances on their consignments, and Auctioneer, in its sole discretion, may offer limited extended financing to registered bidders, in accord with Auctioneer’s internal credit standards or receive a guaranty. See below Symbol Key relating to any symbols in front of a lot number. A registered bidder may also inquire whether a lot is subject to an advance or a reserve. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders.

■ Irrevocable BidsA party has provided Heritage with an irrevocable bid on this lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder. If the irrevocable bidder is the successful bidder, he or she will be required to pay the full Buyer’s Premium and will not be otherwise compensated.

▲ GuaranteeThe seller has been guaranteed a minimum price by a third party. Any third parties providing a guarantee benefit financially if a guaranteed lot is sold successfully.

SYMBOL KEY

Rev 9-28-2015

Rev.8-14-2014

How to Ship Your Purchases

Shippers that Heritage has used are listed below. However, you are not obligated to choose from the following and may provide Heritage with information of your preferred shipper.

Navis Pack & Ship The Packing & Moving Center Craters & Freighters 11009 Shady Trail 2040 E. Arkansas Lane, Ste #222 2220 Merritt Drive, Suite 200 Dallas, TX 75229 Arlington, TX 76014 Garland, TX 75041 Ph: 972-870-1212 Ph: 817-795-1999 Ph: 972-840-8147 Fax: 214-409-9001 Fax: 214-409-9000 Fax: 214-780-5674 [email protected] [email protected] [email protected]

• ItistheThirdPartyShipper’sresponsibilitytopack(orcrate)andship(orfreight)yourpurchasetoyou.Please make all payment arrangements for shipping with your Shipper of choice.

• AnyquestionsconcerningThirdPartyShippingcanbeaddressedthroughourClientServicesDepartment at 1-866-835-3243.

• Successfulbiddersareadvisedthatpick-uporshippingarrangementsshouldbemadewithinten(10)daysoftheauctionortheymaybesubjecttostoragefeesasstatedinHeritage’sTerms&ConditionsofAuction,item 35.

Agent Shipping Release Authorization form

Heritage Auction Galleries requires “Third Party Shipping” for certain items in this auction not picked up in person by the buyer. It shall be the responsibility of the successful bidder to arrange pick up and shipping through a third party; as to such items auctioneer shall have no liability.

Steps to follow:

1. Select a shipping company from the list below or a company of your choosing which will remain on file and in effect until you advise otherwise in writing.

2. Complete, sign, and return an Agent Shipping Release Authorization formtoHeritage(thisformwillautomaticallybeemailedtoyou alongwithyourwinningbid(s)noticeormaybeobtainedbycalling ClientServicesat866-835-3243).Thecompletedformmaybe faxed to 214-409-1425.

3. HeritageAuctions’shippingdepartmentwillcoordinatewiththeshipping company you have selected to pick up your purchases.

rev 2_2015

NOTICE of CITES COMPLIANCE; When purchasing items made from protected species.Any property made of or incorporating endangered or protected species or wildlife may have import and export restrictions established by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES). These items are not available to ship Internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to delivery of the product. Lots containing potentially regulated wildlife material are noted in the description as a convenience to our clients. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

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‘personal shopper’

30104

Inquiries: 877-HERITAGE (437-4824)

vintage movie poSter auction

King Kong (RKO, 1933). ThreeSheet(40.25"X79")StyleB.Realized: $388,375 | November 2012

every year Heritage auctionS HoldS tHree Signature® vintage movie poSter auctionS

conSign your valuable poSter collection now.

additionally, be sure to check out our weekly Sunday internet movie poster auctions all year long.

to view lots and bid online visit Ha.com/movieposters.

35583

London After Midnight(MGM,1927).OneSheet(27"X41").Realized: $478,000 | November 2014

The All-Time Highest Auction Price Realized for any Movie Poster!

Inquiries: 877.437.4824

grey SmitH | director, movie poster auctions ext 1367 | [email protected]

34521

For a free evaluation of your luxury property, please call 855-261-0573, or visit

HA.com/SellHome

Heritage luxury real eState

luxury real estate auctions


Nate Schar | ext. 1457 | [email protected]

Amelia Barber | ext. 1603 | [email protected]

SpecialiStS in auctioning unique propertieS

Sold For: $3,400,000

Sold For: $3,217,500

Sold For: $1,980,000

38703

InquIrIes or to order a catalog ($75 postpaid):

[email protected] or call 866-835-3243

view lots and bid at Ha.com/Stallone

DECEMBER 18-20, 2015 LOS ANGELESTHE AUCTION

STALLONE

A Sylvester Stallone Handwritten Script from “Rocky I,” Circa 1975.

A Sylvester Stallone Personal Black Leather Jacket from “Rocky I.”

Boxing Gloves from “Rocky II.”

Championship Belt from “Rocky II” and “Rocky III.”

Props and costumes from sylvester stallone’s famous films such as “rocky,” “rambo” and “the expendables,” along with some of his personal items will be sold at auction in los angeles on december 18-20, 2015, with a portion of the proceeds going to charity.

animation art auctionSda l l as | l i ve & on l i ne

seeKIng consIgnMents, delIVerIng outstandIng results

37387


Jim Lentz | ext. 1991 | [email protected]

Visit HA.com/Animation

Looking for production artwork — cels, drawings, storyboards, backgrounds, concept art, maquettes and more.

CoralineEvil Other Mother

Original Animation Puppet (LAIKA, 2009)

SOLD for $50,190

What’s Opera, Doc? Bugs Bunny and Elmer Fudd

Production Cel (Warner Brothers, 1957)

SOLD for $28,680

Snow White and the Seven DwarfsThe Old Hag Production Cel and Key MasterBackground Setup (Walt Disney, 1937) SOLD for $47,800

Department Specialists For the extensions below, please dial 877-HERITAGE(437-4824)

Comics & Comic ArtHA.com/ComicsEd Jaster,Ext.1288•[email protected] Lon Allen,Ext.1261•[email protected],Ext.1377•[email protected]

Todd Hignite,Ext.1790•[email protected]

Animation ArtJim Lentz,Ext.1991•[email protected]

Entertainment & Music MemorabiliaHA.com/Entertainment

MargaretBarrett,Ext.1912•[email protected]**Garry Shrum,Ext.1585•[email protected],Ext.1956•[email protected] Hickey,Ext.1264•[email protected]

VintageGuitars&MusicalInstrumentsHA.com/GuitarMikeGutierrez,Ext.1183•[email protected],Ext.1201•[email protected]

Fine ArtAmericanIndianArtHA.com/AmericanIndianDelia E. Sullivan,Ext.1343•[email protected]

American & European ArtHA.com/FineArtEd Jaster,Ext.1288•[email protected] AvivaLehmann,Ext.1519•[email protected]*Ariana Hartsock, Ext.1283•[email protected] Ford,Ext.1926•[email protected]***MarianneBerardi,Ph.D., Ext.1506•[email protected]

Asian ArtHA.com/FineArt Moyun Niu, Ext.1864•[email protected]**

Decorative ArtsHA.com/DecorativeKaren Rigdon, Ext.1723•[email protected],Ext.1677•[email protected]**

20th & 21st Century DesignHA.com/DesignKatieNartonis,Ext.1704•[email protected]**Karen Rigdon, Ext.1723•[email protected]

IllustrationArtHA.com/IllustrationEd Jaster,Ext.1288•[email protected]

Todd Hignite,Ext.1790•[email protected]

Tiffany, Lalique&ArtGlassHA.com/DesignNicholasDawes,Ext.1605•[email protected]*

Modern & Contemporary ArtHA.com/ModernFrank Hettig,Ext.1157•[email protected],Ext.1505•[email protected]***LeonBenrimon,Ext.1799•[email protected]*

PhotographsHA.com/PhotographsEd Jaster,Ext.1288•[email protected] Russell,Ext.1231•[email protected] *

Fine Silver & Objects of VertuHA.com/SilverKaren Rigdon, Ext.1723•[email protected]

Texas Art HA.com/TexasArtAtlee Phillips,Ext.1786•[email protected]

Handbags & Luxury AccessoriesHA.com/LuxuryDianeD'Amato,Ext.1901•[email protected]*

MaxBrownawell,Ext.1693•[email protected]*

BarbaraConn,Ext.1336•[email protected]

HistoricalAmericana & PoliticalHA.com/HistoricalTom Slater,Ext.1441•[email protected],Ext.1736•[email protected] Michael Riley,Ext.1467•[email protected] John Hickey,Ext.1264•[email protected]

Arms & Armor HA.com/ArmsArmor

DavidCarde,Ext.1881•[email protected]

CliffChappell,Ext.1887•[email protected]***

JasonWatson,Ext.1630•[email protected]

Automobilia HA.com/Automobilia

NicholasDawes,Ext.1605•[email protected]*

Civil War & MilitariaHA.com/CivilWar

David Carde, Ext. 1881•[email protected]

Historical ManuscriptsHA.com/Manuscripts

Sandra Palomino,Ext.1107•[email protected]*

JudaicaHA.com/Judaica

ErinPatzewitsch,Ext.1575•[email protected]

RareBooksHA.com/Books

JamesGannon,Ext.1609•[email protected]

LloydCurrey,Ext.1885•[email protected]*

Space ExplorationHA.com/Space

Michael Riley,Ext.1467•[email protected]

John Hickey,Ext.1264•[email protected]

TexanaHA.com/Texana

Sandra Palomino,Ext.1107•[email protected]*

Domain Names & Intellectual PropertyHA.com/IP

AronMeystedt,Ext.1362•[email protected]

JewelryHA.com/Jewelry

JillBurgum,Ext.1697•[email protected]

PeggyGottlieb,Ext.1847•[email protected]**

EvaViolante,Ext.1872•[email protected]*

Luxury Real EstateHA.com/LuxuryRealEstate

NateSchar,Ext.1457•[email protected]

MarinaMedina,Ext.1976•[email protected]

9-22-2015

TimepiecesHA.com/Timepieces

Jim Wolf,Ext.1659•[email protected],Ext.1208•[email protected]*

WineHA.com/Wine

Frank Martell,Ext.1753•[email protected]**AmandaCrawford,Ext1821•[email protected]**

ServicesAppraisal ServicesHA.com/Appraisals

MeredithMeuwly,Ext.1631•[email protected]

CareersHA.com/Careers

Charity AuctionsKristenSchultz,Ext.1775•[email protected]

Corporate&InstitutionalCollections/VenturesMeredithMeuwly,Ext.1631•[email protected]

Credit DepartmentMarti Korver,Ext.1248•[email protected]

Media & Public RelationsNoah Fleisher,Ext.1143•[email protected]

Museum ServicesMeredithMeuwly,Ext.1631•[email protected]

Special CollectionsNicholasDawes,Ext.1605•[email protected]*

Trusts & EstatesHA.com/Estates

MarkPrendergast,Ext.1632•[email protected]

CarolynMani,Ext.1677•[email protected]**

MichelleCastro,Ext.1824•[email protected]

ElyseLuray,Ext.1369•[email protected]*

LocationsDallas(WorldHeadquarters)214.528.3500•877-HERITAGE(437-4824) 3500MapleAve.•Dallas,TX75219

Dallas(Fine&DecorativeArts–DesignDistrictAnnex) 214.528.3500•877-HERITAGE(437-4824) 1518SlocumSt.•Dallas,TX75207

New York 212.486.3500 445ParkAvenue•NewYork,NY10022

BeverlyHills 310.492.86009478W.OlympicBlvd. BeverlyHills,CA90212

San Francisco877-HERITAGE(437-4824) 478 Jackson Street San Francisco, CA 94111

DALLAS|NEWYORK|BEVERLYHILLS|SANFRANCISCO|CHICAGO|PARIS|GENEVA|AMSTERDAM|HONGKONG

Corporate OfficersR.StevenIvy,CEO&Co-ChairmanJames L. Halperin, Co-ChairmanGregoryJ.Rohan,President*Paul Minshull, Chief Operating OfficerToddImhof,ExecutiveVicePresidentKathleen Guzman, Managing Director-New York

*Primaryofficelocation:NewYork**Primaryofficelocation:BeverlyHills***Primaryofficelocation:SanFrancisco

Vintage Movie PostersHA.com/MoviePosters

Grey Smith,Ext.1367•[email protected],Ext.1551•[email protected]

Nature & ScienceHA.com/NatureAndScience

JimWalker,Ext.1869•[email protected]/Walker,Ext.1870•[email protected],Ext.1995•[email protected]

NumismaticsCoins–UnitedStatesHA.com/Coins

David Mayfield,Ext.1277•[email protected]

Win Callender,Ext.1415•[email protected]

Chris Dykstra,Ext.1380•[email protected]

MarkFeld,Ext.1321•[email protected]

Sam Foose,Ext.1227•[email protected]

Jim Jelinski,Ext.1257•[email protected]

BobMarino,Ext.1374•[email protected]

BrianMayfield,Ext.1668•[email protected]***

HarryMetrano,Ext.1809•[email protected]**

SarahMiller,Ext.1597•[email protected]*

AlPinkall,Ext.1835•[email protected]

MikeSadler,Ext.1332•[email protected]

LeeAnnSparkman,Ext.1326•[email protected]

Rare CurrencyHA.com/Currency

Allen Mincho,Ext.1327•[email protected]

Len Glazer,Ext.1390•[email protected]

Dustin Johnston,Ext.1302•[email protected]

Michael Moczalla,Ext.1481•[email protected]

Jason Friedman,Ext.1582•[email protected]

CarlBecker,Ext.1748•[email protected]

World & Ancient CoinsHA.com/WorldCoins

CristianoBierrenbach,Ext.1661•[email protected] Tucker,Ext.1287•[email protected],Ext.1606•[email protected]**MattOrsini,Ext.1523•[email protected],Ext.1959•[email protected],Ext.1524•[email protected]

Sports CollectiblesHA.com/Sports

ChrisIvy,Ext.1319•[email protected]

CalvinArnold,Ext.1341•[email protected]**

Peter Calderon,Ext.1789•[email protected]

TonyGiese,Ext.1997•[email protected]

DerekGrady,Ext.1975•[email protected]

Mike Gutierrez,Ext.1183•[email protected]

LeeIskowitz,Ext.1601•[email protected]*

Mark Jordan,Ext.1187•[email protected]

ChrisNerat,Ext.1615•[email protected]

RobRosen,Ext.1767•[email protected]

Jonathan Scheier,Ext.1314•[email protected]

HA.com/Consign • Consignment Hotline 877-HERITAGE (437-4824) • All dates and auctions subject to change after press time. Go to HA.com for updates.

Auctioneer licenses: TX: Paul R. Minshull #16591. CA Bond: Paul R. Minshull #LSM0605473; Heritage Auctioneers & galleries, Inc.: CA-Bond #RSB2005644. FL: Paul R. Minshull #AU4563; Heritage Numismatic Auctions, Inc.: FL AB665. NY: Paul R. Minshull #DCA-2001161; Heritage Auctioneers & galleries, Inc.: New York City #41513036 and NYC Second Hand Dealers License #1364739. BP 12-25%; see HA.com.

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HERITAGE InTERnET-only AuCTIons with live sessionsComics – 6PM CT SundaysMovie Posters - 6PM CT Sundayssports - 10PM CT Sundays (Extended Bidding)u.s. Coins - 7PM CT Sundays & TuesdaysCurrency – 7PM CT Tuesdaysluxury Accessories - 9PM CT Tuesdays

Timepieces & Jewelry – 8PM CT Tuesdaysnature & science - 10PM CT ThursdaysRare Books & Autographs – 8PM CT ThursdaysWorld Coins - 8PM CT ThursdaysWine - 10PM CT 2nd ThursdaysMonthly World Coins - 8PM CT final Sundays

Numismatic Auctions Location Auction Dates Consignment Deadline

U.S. & World Currency - The Eric P. Newman Collection, Part VII Dallas October 21-24, 2015 Closed

U.S. Coins, Gardner Collection, Part IV New York October 28, 2015 Closed

U.S. Coins New York October 29-30, 2015 ClosedU.S. Coins (Houston Money Show) Houston December 3-4, 2015 October 20, 2015World Coins Hong Kong December 10-12, 2015 October 19, 2015World Currency Hong Kong December 11-12, 2015 October 20, 2015World & Ancient Coins (NYINC) New York January 3-4, 2016 November 13, 2015U.S. Coins (FUN) Tampa January 6-8, 2016 November 23, 2015U.S. & World Currency (FUN) Tampa January 6-12, 2016 November 16, 2015Fine & Decorative Arts Auctions Location Auction Dates Consignment Deadline

Nature & Science Dallas October 4, 2015 Closed

20th & 21st Century Design Dallas October 10, 2015 Closed

Illustration Art New York October 14, 2015 Closed

Nature & Science New York October 15, 2015 Closed

Modern & Contemporary Art New York October 28, 2015 Closed

American Indian Art Dallas November 6, 2015 Closed

Texas Art Dallas November 7, 2015 Closed

Fine Silver & Objects Of Vertu Dallas November 12, 2015 Closed

Modern & Contemporary Art Dallas November 14, 2015 Closed

Photographs Dallas November 13, 2015 Closed

American Art New York November 16, 2015 Closed

Tiffany, Lalique & Art Glass Dallas November 23, 2015 Closed

European Art Dallas December 9, 2015 October 2, 2015

Nature & Science Dallas January 31, 2016 November 17, 2015

Fine & Decorative Arts including Estates Dallas February 20, 2016 December 14, 2015

20th & 21st Century Design Dallas March 29, 2016 January 19, 2016

Fine Silver & Objects Of Vertu Dallas April 14, 2016 February 11, 2016

Illustration Art Dallas April 22, 2016 February 15, 2016

Photographs Dallas April 30, 2016 February 22,2016

American Art Dallas May 7, 2016 February 29, 2016

American Indian Art Dallas May 20, 2016 March 15, 2016

Texas Art Dallas May 21, 2016 March 14, 2016

Memorabilia & Collectibles Auctions Location Auction Dates Consignment Deadline

Guitars & Musical Instruments Beverly Hills October 24, 2015 ClosedAnimation Art Dallas October 30, 2015 ClosedSports Dallas November 5-7, 2015 ClosedComics & Original Comic Art Beverly Hills November 19-20, 2015 October 6, 2015

Vintage Movie Posters Dallas November 21-22, 2015 September 29, 2015

Animation Art Dallas December 14, 2015 October 30, 2015Stallone - The Auction Los Angeles December 18-20, 2015 ClosedComics & Original Comic Art Dallas February 18-20, 2016 January 5, 2016

Entertainment & Music Dallas February 20, 2016 December 11, 2015

Sports - Platinum Night® New York February 20, 2016 December 30, 2015

Historical Collectibles Auctions Location Auction Dates Consignment Deadline

Arms & Armor - The Gary Robertson Collection Dallas October 25, 2015 Closed

Historical Manuscripts New York November 4, 2015 Closed

Rare Books New York November 4, 2015 ClosedSpace Exploration Dallas November 6, 2015 Closed

Americana & Political Dallas November 7, 2015 ClosedCivil War & Militaria Dallas December 11, 2015 October 20, 2015Arms & Armor Dallas December 13, 2015 October 22, 2015Americana & Political Dallas February 27, 2016 December 30, 2015Texana Dallas March 12, 2016 January 20, 2016

Rare Books New York April 6, 2016 February 15, 2016Historical Manuscripts Dallas Spring 2016 February 15, 2016

Luxury Lifestyle Auctions Location Auction Dates Consignment Deadline

Luxury Real Estate New Hampshire October 6, 2015 Closed

Timepieces New York October 29, 2015 Closed

Fine & Rare Wine Beverly Hills December 4-5, 2015 November 2, 2015

Fine Jewelry Dallas December 7-8, 2015 October 6, 2015

Luxury Accessories Dallas December 7-8, 2015 October 6, 2015

Luxury Real Estate Florida December 8, 2015 Closed

Timepieces New York May 29, 2016 February 15, 2016

Domain Names Location Auction Dates Consignment Deadline

Domain Names Dallas August 2016 July 15, 2016

modern and contemporary art part 2: dallas #5224 november 14, 2015

Art & Photos