mplszine - the beginning
DESCRIPTION
MPLSzine, a submissions-based collaborative digital publication, is the latest project powered by the forces of MPLS Collective, a cornerstone for creative individuals in Minneapolis. Cover by: Andrew Casey, Kyle Coughlin, and Brian Matthew Hart. Layout by: Clarissa HamiiltonTRANSCRIPT
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MPLSzine
T H E B E G I N N I N G
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MPLSzine // THE BEGINNING2
The Beginning - April 9, 2013
THE MPLSzine STORY
WHO WE ARE GET INVOLVED THE HALLOWEEN ISSUE GROWING UP Dressing up as her hero for Halloween made Courtney Algeo feel like a villain. THE HORRORNine scary movies set in Minneapolis
THE BROKE ISSUE
A FRESH STARTBankruptcy isn’t as bad as it sounds--but what it does it actually mean?
THE MYSTERY ISSUE
THESE AREN’T PHOTOSHOPPEDMinnesota’s UFO watchers want to believe.
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THE UNITED STATES DEPARTMENT OF THE BUREAU OF MINESUrban explorer Thelma encounters mysteries in an abandoned government center.
THE FAMILY ISSUE
MY MOTHER THE REAL COUPON QUEEN Matthew Jacobs recalls his mother’s legendary triumph at Winn-Dixie.
HOMODOMESTICSelections from Chad Houle’s photos of and reflections on gay men in their homes.
TV DAD BY NOAH HARMON
AWAL’S JOURNEYStudent Awal Al-Arsii shares photos from a trip home to his native Oromia.
THE RESOLUTIONS ISSUE
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COVER BY ANDREW CASEY, KYLE COUGHLIN AND BRIAN HARTLAYOUT BY CLARISSA HAMILTONBACKGROUND PHOTOS BY ANDREW CASEY
RETHINKING RESOLUTIONSEric Hansen says New Year’s resolutions should be creative.
THE WORK ISSUE
ART BY NOAH HARMON
SHARED HISTORY Two Americorps VISTA alumni remember their year together in Minneapolis.
WORK IS...Photographer Joe Dammel captures a guitar-maker at work.
ART BY MILTON UN
THE ADVENTURE ISSUE
OFF THE EATEN PATH Kari Schuster takes her taste buds on an adventure, from guinea pig to pork bung.
A FINE KETTLE OF FISH Sarah Brumble recounts a yarn told to her long ago, a tale of oceanic beauty and survival.
ZINE BY TOM JOHNSON
TRAVEL DESTINATION: UKRAINEElberto Mueller shares the delights and tribulations of living in post-Communist Ukraine.
COMIC BY DREW BROCKINGTON
THE INTERNET ISSUE
YOU’VE GOT NOSTALGIAThe Internet was waaay better in the ‘90s.
COMIC BY DREW BROCKINGTON
DUNationA decade ago, this message board defined Minneapolis hip-hop.
THE BEAUTY ISSUE
BEAUTY QUEENS
MALOBE NATURAL HAIR SALON
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CONTRIBUTORS
Awal Al-ArsiiCourtney Algeo
Robert James AlgeoJoe Aschebrock
Drew BrockingtonIra Brooker
Sarah BrumbleVictoria Carpenter
Lee CarterAndrew Casey
Chris CloudKyle Coughlin
Rebecca CollinsDarrin Commerford
Joe DammelJesse DraxlerCaitlin DvorakLauren Fechner
Shaun FeltzAllison Fingerett
Justin FlowerSally FransonLindsey J. FreyBlaine GarrettSabina Geylani
Paige GuggemosClarissa Hamilton
Eric HansenNoah HarmonAmina Harper
Brian Matthew Hart
Mike HazardKatie Heaney
Raighne HoganChad HouleRich Horton
Sarah HowardJulian Sean Howley
Matthew JacobsStephanie JarrettCatherine Jensen
Jared JensenEric Anton Johnson
Tom JohnsonKelsey KingKat Kluegal
Lars KommienezuspadtGreg Laden
Charlotte LangSteven LangAnn Leitel
Lindsay LeliveltAllegra Lockstadt
Jason LoefflerClint McMahon
Paul MerrillElberto MuellerBethany NelsonKristin NoeheKara NesvigLisa Olson
Ben Peterson
Annie PetersonZoë Pizarro
Colleen PowersBill RebholzTom ReedAlex Roob
Caroline RoyceLuke Rusch
Rebecca SchultzErin Sayer
Eric SchusterKari SchusterKatie SisnerosMason Sklar
Nathaniel SmithGrant SpanierJack Spencer
Christaan TarboxThelma
Diane TeskeAdan Estrada Torres
Matty TuckerScottie B. Tuska
Milton UnLauren Van Schepen
Amber VerhulstMatt VisionquestColin WeaverKatrina WolletKate Worum
Eleventh Wundr
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Chris CloudMPLSzine is the sh*t. I’ve always been interested in showcasing the creations of the Minneapolis community. Something seemed archaic
about doing that in a blog format as we had been doing, thus MPLSzine was started. I help oversee the publication’s growth and success. Previously, I had been doing with MPLS.TV. Wisconsin born
and MN raised, I am. A product of the cities we live in.
Clarissa HamiltonI was born in Queens and moved to Brooklyn Center when I was a kid. I pretty much hated it here because it didn't feel as vibrant as
New York, but when I moved to Minneapolis to study Illustration and Graphic Design at MCAD my attitude changed a little. My main
reason for being a part of this magazine was to be exposed to the things that make Minneapolis unique and worthy of love. As the
layout director of MPLSzine, I take all the submitted content and turn it into the zine you see twice a month. I enjoy it because I get to see all the interesting stories and work that make Minneapolis what it is.
Zoë PizarroI am MPLSzine's current intern. I get to organize submissions and thank everyone for submitting their lovely work. I run the Tumblr
account and assist with choosing themes for the issues. I'm learning a ton about how to run a publication (and I love it)! I am currently
attending the University of Minnesota, working on a BA in journalism and hoping to double major with art. I've lived in Minneapolis my
whole life and I still find it amazing. I can't get over our abundance of artistic talent or the way seasons transform the city from tundra
to paradise.
Colleen PowersI grew up in Rockford, Illinois and came to Minneapolis to attend the
U of M, where I majored in journalism and cultural studies. After college, I interned for Mpls-St.Paul Magazine, The A.V. Club and Twin
Cities Runoff. I helped launch MPLSzine last year. As Editorial Director, I reach out to potential writers and artists to grow our
THE CORE TEAM
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contributor base, manage and edit our written submissions, and help plan the layout for each issue. I love the challenge to find and share stories that might not otherwise be told and the chance to connect
with creative people all over the city.
Brian HartI am one of the Visual Directors for MPLSzine. I work on sourcing
visual creative from artists, illustrators, photographers and anyone working in two-dimensional expression of ideas for the pages of our publication. I love the opportunity to connect with so many amazing visual creators in our fair city. I am myself an artist who strives to communicate my own ideas through the mediums of photography
and drawing and various other two-dimensional (and recently three-dimensional) constructions.
Andrew CaseyI am a Minneapolis photographer who migrates towards street
photography. I have a long held passion for graffiti and street art and have documented the under exposed artform in MPLS for nearly a decade under the alias “Urban Camper”. MPLSzine’s appreciation for community and creativity are the reasons I love working as Visual
Director. The issue to issue connection with the creatives that make this city the amazing place we all know it to be is wonderful. I’m
genuinely excited to see what the community of artist connected with this beautiful city have in store for issues to come.
Kyle CoughlinI am a Minneapolis-based designer and illustrator. I have lived in South Minneapolis for almost my entire life with the exception of a four-year stint in Phoenix, Arizona. As the Illustration Director of
MPLSzine, I help locate local artists to provide illustration and artwork for each issue as well as the cover. I am proud to be a part
of this group and to help spread pride in our great city.
Matthew Couri JacobsI am a PhD Candidate in the Department of Political Science at the University of Minnesota. I came to Minneapolis for grad school and fell in love with the culture of this city. The local support for creative
endeavours is unlike any place I have lived. I joined MPLSzine because I believe in this ethos of inclusivity. Everyone has a fascinating story or an artistic talent to share. As the Social Outreach Director, I not only connect readers with content, but I also work to convert them
into contributors.
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Send us your stuff. We accept submissions at submit@mplszine. For upcoming issue themes and other guidelines, check out our submissions page:
Pitch ideas to us. If you have something in mind but aren’t quite sure whether we’d like it or don’t know if it fits the current theme, tell us about it. We’ll do our best to work with you to develop your idea and help you bring it to life. You can send pitches to [email protected], too.
Hit us up. Do you love MPLSzine, want to get involved, but just aren’t sure where to start? Say hello at [email protected]. We’ll ask you more about yourself and add you to our email list.
You can also contact us if you think you might like a bigger role with the publication. We will occasionally be looking for layout, edit-ing and social outreach help, and we hire interns seasonally. Email [email protected] if you see a long-term commitment to MPLSzine in your future.
Come meet us in person. Our first Mix-Up is at Clubhouse Jäger on Saturday, April 13. These occasional gatherings let readers and contributors (past and future) get together in one space.
Whether you’re planning a collaboration with someone you’ve just met, doodling on bar napkins with the artist whose illustration you loved three issues ago, or just shaking some new hands, Mix-Ups are a good way to become more involved in the MPLSzine community.
Join us online. When we’re not hanging out in real life, our community largely exists on social media. Give us a poke on Facebook (well, not literally--who does that?) to become part of our private MPLSzine group and to join the “call for submissions” events we create for each issue.
How To Get Involved
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“I was basically working off my experiment of digitally revamping the old pulp magazine process of illustration printing. With all those old magazines and comics, prior to computers, they essentially did the drawing/inking first, then
handed off a converted to blue-line version of it to color in, which they would proceed to watercolor/ink in the colors for that drawing. After that, they would be converted into litho style color plate mixing at the printers, with the initial black ink
drawing printed as a final color on top of all of it. It's the reason why when you see these old magazines the colors often look so grimy and jacked up, because
between the colorist, the printer, and big runs on the machines, a lot of mistakes happened.
When I heard about the history of that process I felt like some sort of destiny. Between my love of those old pulps and my grimy style, it was like I was hearing
the ghosts of old Zap Comics and Men's Illustrated calling my name, and I basically took it upon myself to do all those steps on my own.”
- Julian Sean Howley
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HALLOWEEN ISSUE // MPLSzine 11
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“This was the second issue of MPLSzine, and the first issue that Andrew and I were brought in on as Visual Directors. As MPLSzine was still in its infancy, Andrew and I were charged with coming up with the cover for the BROKE issue. Time was tight,
our budget was whatever we had in our pockets and this was a relatively new process for us – collaborating on photography for a publication. We aimed to visually represent as many aspects of BROKE as we could come up with. We
brainstormed ideas, concepted and gathered materials, MacGyvered a shoddy but workable photo station in Andrew’s apartment, got our shots and put it all
together in less than 48 hours.”- Brian Hart
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“I had recently taken photos of a walking bridge that crossed 35W just south of DowntownMinneapolis. Brian Hart and I had a few conversations on cover ideas
for the Mysteryissue, and the images I had taken came to mind. Brian and shot the images on a weekday evening, cold and late. The darkness and the inability to see
what was beyond the sloping walkway brought a feeling of the unknown or mystery.”
- Andrew Casey
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“I have been practicing painting over old photographs and prints for a while and figured it would work with the theme of the family issue. I spent some time finding a vintage black and white photo with the stereotypical family cast. I then recreated
facial expressions which I felt might express the true feelings these characters were feeling. After a little color was added digitally, the image was ready for print.”
- 11th Wundr
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ISSUE // MPLSzine 29
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When I first came out, my father’s first reaction was fear for my health—as if unprotected sex and AIDS was inevitable. Thirty years after the outbreak of AIDS and its unfair characterization of it as a gay disease, you would think the facts would be cleared up.
I came to realize that my anxiety surrounding domestic life, family, and settling down were purely linked to a lack of examples of gay men defying the “supposed odds.”
I am determined to infuse the world and fill the void with what I never saw at a critical point in my life, because what I needed to see is what much of the world still needs to see. This is what led to my body of work and senior thesis, Homodomestic, photographs of gay male couples in their homes.
Photos and words by Chad houle
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ISSUE // MPLSzine 37
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MPLSzine // ISSUE 38 ILLUSTRATION BY NOAH HARMON
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FAMILY ISSUE // MPLSzine 39ILLUSTRATION BY NOAH HARMON
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“For the Resolutions cover, I knew I wanted to do something with typography. There are a lot of visuals that come to mind when you think of resolutions, but I didn’t want to get too literal with the design. I picked a font that I liked, split it up and decorated each letter to give some character. I made connections between each letter to keep a fluid legibilty and to create a pleasing shape to the final piece. This was one of my first projects with MPLSzine, and I was very pleased with how
the final product turned out.”- Kyle Coughlin
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“The drawing for the cover of the Work issue was inspired by the image of hydrothermal vents found on the deep ocean floor. These vents spew super-hot,
mineral-rich water that supports thriving ecosystems of biological life. The image of these hydrothermal vents comes to mind when I think about how communities thrive, grow and are dependent on forces that make it easy for us to make a livelihood.”
- Nick Howard
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MPLSzine // WORK ISSUE 56
The vast majority of our year together was spent in one fluorescently lit room on Lake Street. Friday morning trainings consisted of Hipshaker hangovers, bagels and coffee only made drinkable by excessive cream and sugar. But they were also our time to swap stories from the week, take countless personality tests and wax poetic about wanting to change the school system as we’d come to know it. While nondescript, this place is most important of all.
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“Work can be both a joy and a burden--generally a bit of both. In my case, it is mostly a joy because I love wood and music and because I feel that I am contributing to more
music in the world.”--Charlie Hoffman, Hoffman
Guitars
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ISSUE // MPLSzine 59
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MPLSzine // ISSUE 60
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ISSUE // MPLSzine 61
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MPLSzine // WORK ISSUE 62
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“I wanted to create an illustration that evoked mystery and exploration within Minneapolis. I hoped to do this by coupling the city’s amazing sense of nature
integrated within the urban limits alongside Immanuel Kant’s idea of the Sublime, where nature is portrayed as vast, mysterious, overwhelming and unknown. As
someone who isn’t native to Minnesota or its brutal winters, for me, Minnehaha Falls stirred up this feeling of the sublime: of awe and wonder that a place can offer so much. I can’t believe that this exists here, within the immediacy of the city, and that
we get to experience it year-round with each season offering its own variety of splendor.”- Allegra Lockstadt
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MPLSzine // ADVENTURE ISSUE 64
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ADVENTURE ISSUE // MPLSzine 65
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MPLSzine // ISSUE 66
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ISSUE // MPLSzine 67
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MPLSzine // ISSUE 68
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ISSUE // MPLSzine 69
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MPLSzine // ISSUE 70
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ADVENTURE ISSUE // MPLSzine 71
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MPLSzine // ADVENTURE ISSUE 72
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ADVENTURE ISSUE // MPLSzine 73
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ADVENTURE ISSUE // MPLSzine 75
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MPLSzine // ADVENTURE ISSUE 76
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ADVENTURE ISSUE // MPLSzine 77
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MPLSzine // ADVENTURE ISSUE 78
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ADVENTURE ISSUE // MPLSzine 79
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MPLSzine // ADVENTURE ISSUE 80
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ISSUE // MPLSzine 81
“Haha, fun fact the first web page I made in 1995 was a Dragon Ball Z fan page”-Matt Visionquest
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MPLSzine // ISSUE 82
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ISSUE // MPLSzine 83
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MPLSzine // INTERNET ISSUE 84
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MPLSzine // INTERNET ISSUE 86
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INTERNET ISSUE // MPLSzine 87
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MPLSzine // ISSUE 88
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ISSUE // MPLSzine 89
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MPLSzine // ISSUE 90
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“The cover of the Beauty issue was inspired by a deeply personal, intimate and oftentimes confusing love. There was an abrupt departure between us more than
a year ago. In the year that followed, I was haunted by reminders of her. As I ambled through downtown Minneapolis, my GPS mocked me by having me turn on
to ‘Laurel Avenue’ and with subtle day-to-day reminders of things we'd shared. Eventually, through a dramatic turn of events, we connected again, rekindling a fire
that had burned down to embers, but hadn't gone out.
When MPLSzine offered me the opportunity to shoot the cover of the Beauty issue, I couldn't imagine anyone that would express my interpretation of beauty more ac-curately than her. The shoot for this issue was the start to another complicated and passionate chapter in our history together, and I will forever be grateful to have
had the chance to document this relationship in such a meaningful and expressive way.”
- Lars Kommienezuspadt
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MPLSzine // BEAUTY ISSUE 92
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BEAUTY ISSUE // MPLSzine 93
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MPLSzine // BEAUTY ISSUE 94
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BEAUTY ISSUE // MPLSzine 95
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MPLSzine // BEAUTY ISSUE 96
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BEAUTY ISSUE // MPLSzine 97
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MPLSzine // BEAUTY ISSUE 98
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BEAUTY ISSUE // MPLSzine 99
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MPLSzine // BEAUTY ISSUE 100
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ISSUE // MPLSzine 101
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