mrs. agatone chapter 33 index of … · web viewmarcel duchamp, fountain, (second version), 1950...

Mrs. Agatone Chapter 33 Index of Images/Assignments

Chapter 33 Index of Images

The Development of Modernist Art:The Early 20th Century

Figure # Caption File

Map Colonial Empires about 1900.

33-02HENRI MATISSE, Red Room (Harmony in Red), 1908-1909. Oil on canvas, approx. 5' 11" x 8' 1". State Hermitage Museum, Saint Petersburg.

33-03 ANDRÉ DERAIN, The Dance, 1906. Oil on canvas, 6' 7/8" x 6' 10 1/4". Fridart Foundation, London.

33-04ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4' 11 1/4" x 6' 6 7/8". Museum of Modern Art, New York (purchase).

33-05EMIL NOLDE, Saint Mary of Egypt among Sinners, 1912. Left panel of a triptych, oil on canvas, approx. 2' 10" x 3' 3". Hamburger Kunsthalle, Hamburg.

33-06VASSILY KANDINSKY, Improvisation 28 (second version), 1912. Oil on canvas, 3' 7 7/8" x 5' 3 7/8". Solomon R. Guggenheim Museum, New York (gift of Solomon R. Guggenheim, 1937).

33-07 FRANZ MARC, Fate of the Animals, 1913. Oil on canvas, 6' 4 3/4" x 8' 9 1/2". Kunstmuseum, Basel.

033-08PABLO PICASSO, Gertrude Stein, 1906-1607. Oil on canvas, 3' 3 3/8" x 2' 8". Metropolitan Museum of Art, New York (bequest of Gertrude Stein, 1947).

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33-09PABLO PICASSO, Les Demoiselles d'Avignon, June-July 1907. Oil on canvas, 8' x 7' 8". Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).

33-10GEORGES BRAQUE, The Portuguese, 1911. Oil on canvas, 3' 10 1/8" x 2' 8". Öffentliche Kunstsammlung Basel, Kunstmuseum, Basel (gift of Raoul La Roche, 1952).

33-11ROBERT DELAUNAY, Champs de Mars or The Red Tower, 1911. Oil on canvas, 5' 3" x 4' 3". Art Institute of Chicago, Chicago.

33-12 PABLO PICASSO, Still Life with Chair-Caning, 1912. Oil and oilcloth on canvas, 10 5/8" x 1' 1 3/4". Musée Picasso, Paris.

33-13GEORGES BRAQUE, Bottle, Newspaper, Pipe and Glass, 1913. Charcoal and various papers pasted on paper, 1' 6 7/8" x 2' 1 1/4". Private collection, New York.

33-14PABLO PICASSO, Maquette for Guitar, 1912. Cardboard, string, and wire (restored), 25 1/4" x 13" x 7 1/2". Museum of Modern Art, New York.








33-15

JACQUES LIPCHITZ, Bather, 1917. Bronze, 2' 10 3/4" x 1' 1 1/4" x 1' 1". Nelson-Atkins Museum of Art, Kansas City (gift of the Friends of Art). Copyright © Estate of Jacques Lipchitz/Licensed by VAGA, New York/Marlborough Gallery, NY.

33-16ALEKSANDR ARCHIPENKO, Woman Combing Her Hair, 1915. Bronze, approx. 1' 1 3/4" high. Museum of Modern Art, New York (bequest of Lillie P. Bliss).

33-17 JULIO GONZÁLEZ, Woman Combing Her Hair, ca. 1930-1933. Iron, 4' 9" high. Moderna Museet, Stockholm.

33-18FERNAND LÉGER, The City, 1919. Oil on canvas, approx. 7' 7" x 9' 9 1/2". Philadelphia Museum of Art, Philadelphia (A. E. Gallatin Collection).






33-19

GIACOMO BALLA, Dynamism of a Dog on a Leash, 1912. Oil on canvas, 2' 11 3/8" x 3' 7 1/4". Albright-Knox Art Gallery, Buffalo, New York (bequest of A. Conger Goodyear, gift of George F. Goodyear, 1964).

33-20

UMBERTO BOCCIONI, Unique Forms of Continuity in Space, 1913 (cast 1931). Bronze, 3' 7 7/8" high x 2' 10 7/8" x 1' 3 3/4". Museum of Modern Art, New York (acquired through the Lillie P. Bliss Bequest).

33-21 GINO SEVERINI, Armored Train, 1915. Oil on canvas, 3' 10" x 2' 10 1/8". Collection of Richard S. Zeisler, New York.

33-22JEAN ARP, Collage Arranged According to the Laws of Chance, 1916-1917. Torn and pasted paper, 1' 7 1/8" x 1' 1 5/8". Museum of Modern Art, New York (purchase).

33-23

MARCEL DUCHAMP, Fountain, (second version), 1950 (originalversion produced 1917). Ready-made glazed sanitary china with black paint, 12" high. Philadelphia Museum of Art, Philadelphia (purchased with proceeds from the sale of deaccessioned works of art).

33-24

MARCEL DUCHAMP, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-23. Oil, lead, wire, foil, dust, and varnish on glass, 9' 1 1/2" x 5' 9 1/8". Philadelphia Museum of Art, Philadelphia (Katherine S. Dreier Bequest).








33-25

HANNAH HÖCH, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-1920. Photomontage, 3' 9" x 2' 11 1/2". Neue Nationalgalerie, Staatliche Museen, Berlin.

33-26KURT SCHWITTERS, Merz 19, 1920. Paper collage, approx. 7 1/4" x 5 7/8". Yale University Art Gallery, New Haven, (gift of Collection Société Anonyme).

33-27JOHN SLOAN, Sixth Avenue and 30th Street, 1907, 1909. Oil on canvas, 26 1/4" x 32". Private Collection (Mr. And Mrs. Meyer P. Potamkin).

33-28Installation photo of the Armory Show, New York National Guard's 69th Regiment, New York, 1913. Courtesy of the Museum of Modern Art, New York.

33-29MARCEL DUCHAMP, Nude Descending a Staircase, No. 2, 1912. Oil on canvas, approx. 4' 10 “x 2' 11". Philadelphia Museum of Art, Philadelphia (Louise and Walter Arensberg Collection).

33-30ALFRED STIEGLITZ, The Steerage, 1907 (print 1915). Photogravure (on tissue), 1' 3/8" x 10 1/8". Courtesy of Amon Carter Museum, Fort Worth.

33-31 EDWARD WESTON, Nude, 1925. Platinum print. Collection, Center for Creative Photography, University of Arizona, Tucson.









33-32

MAN RAY, Cadeau (Gift), ca. 1958 (replica of 1921 original). Painted flatiron with row of 13 tacks with heads glued to the bottom, 6 1/8" high, 3 5/8" wide, 4 1/2" deep. Museum of Modern Art, New York (James Thrall Soby Fund).

33-33MARSDEN HARTLEY, Portrait of a German Officer, 1914. Oil on canvas, 5' 8 1/4" x 3' 5 3/8". The Metropolitan Museum of Art, New York (Alfred Stieglitz Collection).

33-34

STUART DAVIS, Lucky Strike, 1921. Oil on canvas, 2' 9 1/4" x 1' 6". Museum of Modern Art, New York (gift of The American Tobacco Company, Inc.). Copyright © Estate of Stuart Davis/Licensed by VAGA, New York, NY.

33-35 AARON DOUGLAS, Noah's Ark, ca. 1927. Oil on masonite, 4' x 3'. Fisk University Galleries, Nashville, Tennessee.

33-36

CHARLES DEMUTH, My Egypt, 1927. Oil on composition board, 2' 11 3/4" x 2' 6". Collection of Whitney Museum of American Art, New York (purchase, with funds from Gertrude Vanderbilt Whitney).







33-37

GEORGIA O'KEEFFE, New York, Night, 1929. Oil on canvas, 3' 4 1/8" x 1' 7 1/8". Sheldon Memorial Art Gallery, Lincoln, Nebraska (Nebraska Art Association, Thomas C. Woods Memorial Collection).

33-38

GEORGE GROSZ, Fit for Active Service, 1916-1917. Pen and brush and ink on paper, 1' 8" x 1' 2 3/8". Museum of Modern Art, New York (A. Conger Goodyear Fund). Copyright © Estate of George Grosz/Licensed by VAGA, New York, NY.

33-39 MAX BECKMANN, Night, 1918-1919. Oil on canvas, 4' 4 3/8" x 5' 1/4". Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

33-40OTTO DIX, Der Krieg (The War), 1929-1932. Oil and tempera on wood, 6' 8 1/3" x 13' 4 3/4". Staatliche Kunstsammlungen, Gemäldegalerie Neue Meister, Dresden.

33-42WILHELM LEHMBRUCK, Seated Youth, 1917. Composite tinted and plaster, 3' 4 5/8" x 2' 6" x 3' 9". National Gallery of Art, Washington. (Andrew W. Mellon Fund).

33-43ERNST BARLACH, War Monument, from Güstrow Cathedral, Güstrow, Germany, 1927. Bronze. Schildergasse Antoniterkirche, Cologne.








33-44 GIORGIO DE CHIRICO, Melancholy and Mystery of a Street, 1914. Oil on canvas, 2' 10 1/4" x 2' 4 1/2". Private collection.

33-45

MAX ERNST, Two Children Are Threatened by a Nightingale, 1924. Oil on wood with wood construction, 2' 3 1/2" high, 1' 10 1/2" wide, 4 1/2" deep. Museum of Modern Art, New York (purchase).

33-46SALVADOR DALÍ, The Persistence of Memory, 1931. Oil on canvas, 9 1/2" x 1' 1". Museum of Modern Art, New York (given anonymously).

33-47

RENÉ MAGRITTE, The Treachery (or Perfidy) of Images, 1928-1929. Oil on canvas, 1' 11 5/8" x 3' 1". Los Angeles County Museum of Art, Los Angeles (purchased with funds provided by the Mr. and Mrs. William Preston Harrison Collection).

33-48MERET OPPENHEIM, Object (Le Déjeuner en fourrure), 1936. Fur-covered cup, 4 3/8" in diameter; saucer, 9 3/8" in diameter; spoon, 8". Museum of Modern Art, New York (purchase).

33-49 FRIDA KAHLO, The Two Fridas, 1939. Oil on canvas, 5' 7" x 5' 7". Collection of the Museo de Arte Moderno, Mexico City.

33-50 JOAN MIRÓ, Painting, 1933. 5' 8" x 6' 5". Museum of Modern Art, New York (Loula D. Lasker Bequest by exchange).

33-51PAUL KLEE, Twittering Machine, 1922. Watercolor and pen and ink, on oil transfer drawing on paper, mounted on cardboard, 2' 1" x 1' 7". Museum of Modern Art, New York (purchase).










33-52KAZIMIR MALEVICH, Suprematist Composition: Airplane Flying, 1915 (dated 1914). Oil on canvas, 1' 10 7/8" x 1' 7". Museum of Modern Art, New York (purchase).

33-53NAUM GABO, Column, ca. 1923 (reconstructed 1937). Perspex, wood, metal, glass, 3' 5" x 2' 5" x 2' 5". Solomon R. Guggenheim Museum, New York.

33-54Photograph of Vladimir Tatlin with Monument to the Third International, 1919-1920. Annenberg School for Communication, University of Southern California, Los Angeles.

33-55 PIET MONDRIAN, Composition in Red, Blue, and Yellow, 1930. Oil on canvas, 2' 4 5/8" x 1' 9 1/4". Private Collection.

33-56 GERRIT THOMAS RIETVELD, Schröder House, Utrecht, the Netherlands, 1924.

33-57 LÁSZLÓ MOHOLY-NAGY, From the Radio Tower Berlin, 1928. Gelatin silver print. The Art Institute of Chicago, Chicago.








33-58JOSEF ALBERS, Homage to the Square: “Ascending", 1953. Oil on composition board, 3' 7 1/2" x 3' 7 1/2". Collection of Whitney Museum of American Art, New York (purchase).

33-59 WALTER GROPIUS, Shop Block, the Bauhaus, Dessau, Germany, 1925-1926.

33-60 MARCEL BREUER, tubular chair, 1925.

33-61 GUNTA STÖLZL, Gobelin tapestry, 1926-1927. Linen and cotton.

33-62 LUDWIG MIES VAN DER ROHE, model for a glass skyscraper, Berlin, Germany, 1922 (no longer extant).

33-63 LE CORBUSIER, perspective drawing for Domino House project, Marseilles, France, 1914.

33-64 LE CORBUSIER, Villa Savoye, Poissy-sur-Seine, France, 1929.









33-65 WILLIAM VAN ALEN, Chrysler Building, New York, New York, 1928-1930. Spire of stainless steel, overall height 1,048'.

33-66 FRANK LLOYD WRIGHT, Robie House, Chicago, Illinois, 1907-1909.

33-67 FRANK LLOYD WRIGHT, plan of the Robie House, Chicago, Illinois, 1907-1909.

33-68 FRANK LLOYD WRIGHT, Kaufmann House (Fallingwater), Bear Run, Pennsylvania, 1936-1939.

33-69CONSTANTIN BRANCUSI, Bird in Space, 1928. Bronze (unique cast), 4' 6" x 8" x 6" high. Museum of Modern Art, New York (given anonymously).

33-70 BARBARA HEPWORTH, Oval Sculpture (No. 2), 1943. Plaster cast, 11 1/4" x 16 1/4" x 10". Tate Gallery, London.

33-71

HENRY MOORE, Reclining Figure, 1939. Elm wood, 3' 1" x 6' 7" x 2' 6". Detroit Institute of Arts, Detroit (Founders Society purchase with funds from the Dexter M. Ferry, Jr. Trustee Corporation).









33-72ALEXANDER CALDER, Untitled, 1976. Aluminum honeycomb, tubing, and paint, 29' 10 1/2" x 76'. National Gallery of Art, Washington, D.C. (Gift of the Collectors Committee).

33-73 PABLO PICASSO, Guernica, 1937. Oil on canvas, 11' 5 1/2" x 25' 5 3/4". Museo Nacional Centro de Arte Reina Sofia, Madrid.

33-74VERA MUKHINA, Worker and Collective Farm Worker. Sculpture for the Soviet Pavilion, Paris Exposition, 1937. Stainless steel, approx. 78' high.

33-75

DOROTHEA LANGE, Migrant Mother, Nipomo Valley, 1935. Gelatin silver print. Copyright © the Dorothea Lange Collection, The Oakland Museum of California, City of Oakland (gift of Paul S. Taylor).

33-76EDWARD HOPPER, Nighthawks, 1942. Oil on canvas, 2' 6" x 4' 8 11/16". The Art Institute of Chicago, Chicago (Friends of American Art Collection).

33-77JACOB LAWRENCE, No. 49 from The Migration of the Negro, 1940-1941. Tempera on masonite, 1' 6" x 1'. The Phillips Collection, Washington.

33-78GRANT WOOD, American Gothic, 1930. Oil on beaverboard, 2' 5 7/8" x 2' 7/8". Art Institute of Chicago, Chicago (Friends of American Art Collection).

33-79

THOMAS HART BENTON, Pioneer Days and Early Settlers, State Capitol, Jefferson City, 1936. Mural. Copyright © T. H. Benton and R. P. Benton Testamentary Trusts/Licensed by VAGA, New York, NY.










33-80

JOSÉ CLEMENTE OROZCO, Epic of American Civilization: Hispano-America (panel 16), Baker Memorial Library, Dartmouth College, Hanover, ca. 1932-1934. Fresco. Copyright © Orozco Valladares Family/SOMAAP, Mexico/Licensed by VAGA, New York, NY.

33-81 DIEGO RIVERA, Ancient Mexico, from the History of Mexico fresco murals, National Palace, Mexico City, 1929-1935. Fresco.



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