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12INTERNATIONALCOLOUR TRENDS 20


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Welcome

AkzoNobel is the worlds largest paint andcoatings manuacturer. Our mission is toAdd colour to peoples lives.

We understand the power o colour and the positive eect it hason our mood. Colour is all around us and inuences all aspectso our lives. Upliting, soothing, inspiring, challenging or intrigu-

ing, colour can change the way we view our surroundings. Beingthe largest colour manuacturer worldwide, it is AkzoNobels re-sponsibility to know all there is to know about how colour works.

We pride ourselves on our knowledge o colour ormulas anddesign principles. Knowledge collected, researched and inter-preted on an ongoing basis by AkzoNobels Aesthetic Center,enablesColourFuturesTM to showcase colour orecasts and collec-tions that inspire our customers.

Once a year, the global Aesthetic Center invites an internationalgroup o creative experts rom the felds o design, architectureand ashion to determine the key colour trends or the next year.

Our experts come rom dierent parts o the world and drawon a variety o cultural sources and inuences, rom fne art totechnology and rom nature to pop culture. Their views, insightsand fndings on trends are translated into colour palettes and

images, and captured in this annual edition o ColourFutures.TM

Consider it your instant update to all things inspirational.


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Looking at the world rom dierentperspectives opens up a world o possibilities


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Possibilities

The inuence for 2012Every year, ColourFuturesTM presents one dominant trend, or underlying value, whichall fve o the trends and colour palettes stem rom.

This years driving inuence ollows on rom the mood set over the last ew years.2010 was about Reclaiming what we knew to be true and solid, relying on ourindividual strength and our capability to regroup, in the hope o moving orward.Then in 2011 Appreciation was our main inspiration. This reected a new oundappreciation or simplicity and purity, fnding joy in the everyday things we hadtaken or granted or so long.

For 2012 the dominant concept is one o Possibilities. This builds on Appreciationbut also oers the exhilarating and inspirational idea that new options are waitingto be uncovered inside all those things we have recently reclaimed and have cometo appreciate. The concept o Possibilities moves us into a pro-active position.It spurs us on to mine our newly-appreciated amiliar world or opportunitiesand encourages us to combine materials and colours in new, unsuspecting andsatisying ways. It challenges us to explore the whole world both the physical oneoutside and the imaginary world inside us and discover that these worlds stillhave so much to oer.

Colour transitionsIn 2011, the colour mood was clean, resh, joyul and charming, with playul, zingypastels riding the crest o the wave.

2012 is ull o take-charge optimism. As you will discover, this translates into ullbodied hues with lots o character and meaning, but also into tender, hushedpastels, chic neutrals and edgy brights, which complement each other in stimu-lating, new ways. The complete palette or 2012 can be ound on the ollowingtwo pages, and visually represents the worlds new understanding o our need or

diversity o concepts, o viewpoints, o approaches.


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2012 Palette


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02 Possibilities04 2012 Palette08 Colour o the year 2012

Introduction


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14 Delicate Mix22 One Small Seed30 Living Scrapbook38 Dierent Worlds46 Rediscovered Heroes

56 Reds58 Oranges60 Yellows62 Greens64 Blues66 Violets68 Warm Neutrals70 Cool Neutrals

72 Resources

Contents

Trends Colours Resources


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Colour othe year 2012

B8.38.44

10YR 21/43608


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Floral Glowing Daring New horizon Key statemen


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The Colour o the year is a blushing, lively, juicy red. This radiant shade is the mostimportant colour or 2012 as it is at once whimsical and serious, dynamic and sot,perect or a tiny accent or or a eature wall. A colour that can be many things tomany people reminds us not to look or simple solutions, but to open our mindsto new ideas that are waiting to be discovered.

Red is a powerful mood-modierRed is held in high regard around the world or its many symbolic purposes.In China, it is associated with good ortune; in India it signals marital bliss andinsightulness. In many western societies it is the colour o passion, power andestivity. Children preer it to other colours, grown-ups eel attracted to those whodare to wear red in public. Red is the perect tool to convey value and meaning, andsince we cannot ignore it, it is also used to alert us to danger.

Within a palette o hues, this colour oers many possibilities: contrasting one colour,bringing out a certain depth or cool quality in the next, allowing a third to recede. Likethe jester in a deck o cards, it can change the game in an instant and brighten your

outlook in unpredictable ways.

Colour of the year transitions.The paler tints o colour seen over the last two yearshave grown into something more confdent and robust to warm our hearts or 2012.

20092005 20102006 20112007 20082004

2012B8.38.4410YR 21/436


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The fve key trends or 2012

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Refined Subtle Elegant Smooth Luxurious Understated


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A new type o luxury that aspiresto striking the perect balance


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In times o turbulence, we are attracted to design that oers silenceand visual stillness. Design that celebrates the mind while soothingthe soul, delivered with a light hand and a level o refnement we nowappreciate as the new luxury.

The art o designing todays objects is the outcome o slow but steadydevelopment. Playing with our sensibilities and challenging tradi-tional concepts, designers have developed highly evolved ways tocommunicate with society.

Delicate Mix whispers o elegance and intellect, and is all about thejuxtaposition o materials and artistic composition. Knowing that anobject was a long time in the making and that a lot o fne tuning andresearch went into it will makes us appreciate a porcelain lampshadewith the sensibility o an eggshell, or an impeccably woven cashmerethrow, as much as an antiques afcionado would admire a gilded mirror.Its about a new type o luxury that doesnt aspire to express wealththrough glitz and excess.

The colours in this palette exude subtlety. Here, any simplicity is notaustere, but a deliberate choice in materials and objects in order toachieve the perect balance; and smoothness is a key element. Thematerials contemporary designers preer: concrete, metal, wood,stoneware, wool and new plastics, may be pure, but they are not raw.Suraces are honed careully and proessionally, making good use o

industrial processes, to reveal the intrinsic beauty o the material.The colour palette reects all o this: cool, elegant neutrals, luxuriouswarm camels, blushing coral and nude pinks, paired with nuances oorged iron, steel, polished concrete and anodised aluminium, wood,copper and oiled leathers.

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FN.01.8130YY 72/018

F3.03.4430YY 20/029

D0.41.5050YR 26/461

C6.06.6737YR 49/086

D8.13.7380YR 57/179

LN.00.8830GG 83/006

F1.11.7720YY 63/149

D8.12.6280YR 40/148

H0.07.8690YY 83/107

EN.02.8190YR 73/029

CN.00.7050YR 53/011

N0.03.7750GG 63/042

F4.04.7330YY 56/060


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LloydHo

telAmsterdamwww.lloydhotel.com


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Precious healthy fragile local new life

ONE

SMALLSEED


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The world needs dreamers and do-ers,but most o all, dreamers who do


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One lesson learned: we cant save the world on our own, but we cancreate small wonders as individuals, like sowing a seed in a pot andwatering it every day to create new lie. Right there, in our own homes.

This theme is about our personal bond with nature. Its about theseemingly mundane, but on second inspection the delightul act that awhole plant can grow rom one tiny seed.

In India, Ayurvedic practitioners prescribe plants to their patients withmedicinal properties, which they take home and care or. By growingtheir own medicine the patient heals their body and by making theplant thrive, nourishes their soul too.

In a similar vein, growing your own vegetables has become popularwith a whole new crowd. In Detroit, neighbourhood groups havecleaned up empty lots and turned them into collective gardens whereorganic produce is grown. As a side-eect, the dreariest parts o townhave become a better living environment.

One Small Seed represents so much that is valuable to humans.Inviting nature into your home and surrounding yoursel withits oerings allows you to enjoy the beauty o tender leaves andthe surprise o a sudden bloom. Plants are no longer simplydecorative, but represent the delicate balance and importanceo nature.

The colour palette or this theme is inspired by the principle o photo-synthesis. Water, sun, earth and clay are important, as is the eelingo early morning, or early spring, and the tenderness o saplingsand sprouts. Watery greens, rain clouds and pale, resh pastels andneutrals set the mood, with dark soil and bright blossom colours ascounterweights. Together they orm an indoor garden o delight.

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L1.53.3490GY 13/375

UN.00.8650BB 83/006

UN.02.8370BB 73/030

K6.08.8270GY 73/124

C8.04.4550YR 22/052

A9.38.4683RR 23/486

H2.20.7690YY 62/264

D1.15.1650YR 06/081

S3.08.8006BB 71/091

G5.17.1970YY 06/088

G5.46.5070YY 27/418

XN.02.7876RB 67/048

E0.03.8398YR 78/041

E7.18.5810YY 35/196

C0.52.3009YR 11/475

K5.29.6170GY 38/330

A3.20.1378RR 06/137


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Scrapbook..........

Living

The story of me Snap shot Sharing Collecting Narrating life


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Telling the story o me, myhome becomes my scrapbook


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Our perception o privacy is challenged by Facebook, Myspace andTwitter, but so is the status quo, the way we think and our boundaries ocreativity; which opens up some exciting possibilities.

Documenting the sel has become a multiaceted thing o beauty.Not so long ago you would keep a diary, or create a sel portrait. Otherthings, like collecting objects or writing songs, were designated toother categories, like hobbyor sel-expression. Everything was clear,and in its clarity, limited.

These days, recording our lives is about sharing experiences andsel-expression and inviting people into your personal zone; but itsimplications go much urther. Facebook, Myspace,Twitter and a myriado blogs allow people to create a personal environment or impressiono themselves and share it with the world. This culture o showcasingwho I am has crossed over into the physical world and inuenced howwe present ourselves through our homes.

Being in charge o our sel-created environment kick-starts ourcreativity. I you are terrible at drawing, but decide to illustrate yourblog nevertheless, no art director can stop you rom publishing yourtechnically imperect but highly amusing sketches. The same goesor showcasing your collection o Dinky Toys rom the sixties and givingin to the need to build miniature garages or them. Love them or hatethem its an expression o you.

This colour palette reects the aesthetics o blogs and social media,and the quirkiness that is the product o highly personal tastesand predilections. Its also the perect palette: balanced, warm andcharming, but not particularly nostalgic. There are hints o crat paperand cardboard and a lot o happy, yet mature pastels. The coloursbeloved by Ray and Charles Eames: modern, but ever so slightlydegraded and non-mainstream.

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B7.11.7110YR 53/175

E0.26.4582YR 23/239

G2.30.8160YY 71/409

F3.08.5830YY 36/094

F0.04.7320YY 57/060

G5.06.8270YY 73/083

SN.00.8650BG 83/009

S7.14.6810BB 49/137

E8.52.5810YY 35/543

U5.16.1870BB 07/103

C2.36.5625YR 34/473

UN.00.5300NN 31/000

G8.46.5760YY 34/461

Q1.12.7424BG 61/142

B8.38.4410YR 21/436

R5.21.5270BG 28/169


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DifferentWorlds

Illusion Digital Altered perceptions Surreal Escapism


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The concept o moving rom one worldto another liberates the mind


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State-o-the-art technology allows us tobe in dierent worlds orrealities at the same time, with very little eort. One minute we areskyping with an aunt in Brazil, the next we are playingWorld of Warcraftwith riends in Finland and then we put on our 3D-shades to meet upwith Alice. Oh, you know where!

Could it be that our modern-day concept o virtual reality came aboutwhen Lewis Carrolls Alice frst dropped down a rabbit hole, in 1865?

Science fction and antasy have been exploring the concept o reality oryears, as have artists. Humans seem to have an inner need to stimulatethe mind with illusionary images. A good example is the colourulMonsters Inc. O course, the idea behind it isnt new. It is in act veryamiliar to C.S. Lewiss Narnia books. In the irst Narnia story, alittle girl playing hide-and-seek hides in an old wardrobe in the attic.As she moves through a jungle o coats the clothes turn into trees andthe wooden boards underoot into snow. Suddenly, she steps out intoanother land: Narnia.

The virtual and the surreal have become an intregral part o our livesand recent flms reect this. In Inception, Leonardo DiCaprio leads agroup o trained dream specialists through layers o other peoplesdreams. In the 3D animation miracleAvatar, scientists immersethemselves in a magical, jaw-drop-beautiul world o blue people andlight-emitting trees. Recent Hollywood history even saw the 3D-returno our beloved Alice, who fnds hersel in Wonderland once more justa brighter, even more surreal version.

From a visual and graphical point o view, some ingredients turn uptime and again. Trompe loeil, an age-old technique to ool the eye, issomething that never ails to delight us.

The colour palette chosen or this theme reects extremes: it swingsrom the dreamy and surreal to the solid and super real. Lush, velvetybright blues, greens and reds are played o against ethereal andtranslucent pastels.

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G4.50.7566YY 61/648

R4.58.2872BG 12/296

V2.35.2888BB 11/331

A4.44.3064RR 12/436

Y7.12.7510RR 60/197

R8.25.7079BG 53/259

W8.08.7642RB 63/137

A7.32.1980RR 07/260

P9.28.5917BG 37/265

H7.15.8410GY 79/231

Z0.04.8419RR 78/088

D6.66.5368YR 28/701

A9.38.4683RR 23/486

T3.33.4630BB 23/291

W4.12.1930RB 08/094

B7.53.3505YR 15/555

V8.26.2910RB 11/250


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REVITALISED LEGACY ROBUST INDUSTRIAL APPRECIATED

REDISCOVERED

HEROES


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Lets utilise all the smaller seeminglyworthless resources at our disposal


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Coming to an economic standstill can have its advantages: it allowsus to take a look around at what is already there and discover newpossibilities in the most unlikely places like abandoned old buildingsthat are less than beautiul.

We are surrounded by things we dont notice. Things so ordinary, webecome oblivious to their existence. As a rule, things like these servevery simple and unromantic purposes. And yet, on closer inspection,they reveal their own beauty and value.

Take a look around in a hardware store, garage, ofce or actory. Spacesflled with useul, reliable materials, tools and equipment, stacked inthe most logical way, rom wood and plaster to paperclips and olders.Most o those spaces are literally built rom ordinary things as well,like concrete, glass, metal beams, wood and nails, all doing theirunassuming, trusted jobs. And yet The Vitra Design Museum in Germanydevoted a whole exhibition to them in 2010.

The problem with simple, useul objects and even buildings is thatthey are easily discarded once their use runs out. All cities around theworld have areas with old actories, ofces and other edifces that onceprovided workplaces or thousands o breadwinners. These days, manystand abandoned, our appreciation or them evaporated since the daythe company relocated and the caretaker switched the light o or thevery last time.

This colour palette is inspired by the down-to-earth qualities o ourindustrial heritage, and the masculine aesthetics that have alwaysaccompanied them: denim blue, industrial neutrals, rusty metal tones,sewing machine green, the signal-bright hues o wire, metal doors andpipe work and last but not least, engine and concrete greys.

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F3.08.7530YY 60/104

P1.24.6190GG 38/242

F7.71.7740YY 64/903

E8.29.4610YY 23/261

NN.00.8730GG 83/013

LN.02.7110GG 53/030

RN.01.6150BG 38/011

R6.10.4170BG 19/071

NN.00.7630GG 61/010

H9.51.4119GY 19/377

P9.52.3221BG 14/302

E0.41.3480YR 13/325

L4.25.2397GY 07/135

B1.16.2190RR 08/129

F4.63.5630YY 33/613

T9.26.2150BB 08/171

F3.04.5630YY 33/047


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This section o ColourFuturespresents all colours chosen or 2012 ascolour amilies: Reds, Oranges, Yellows, Greens, Blues and Violets,

ollowed by Warm Neutrals and Cool Neutrals. At the bottom o eachpage the transition over the years within each colour amily is shown.

Colours


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The hues o macaroon and ripe ruit dominate this palette, with a rich plum to set the mood a cranberry red to add a hint o surprise. Pair a mellow burgundy with a warm neutral, omodern and try a happy blush o pink with shocking lemonade yellow.

Key colour.A deep warm blush o pinkish, tropical red with a subtle hint o peach and a maspect. This red is quite the chameleon: reassuring or edgy, sot or bright, depending on whis paired with.

Reds transition.The intense fery quality o 2011s red is toned down by a misty, dusky veil, makthe new red slightly more enigmatic and versatile.

Berry-ripe Romantic Edible

Reds

A7.32.1980RR 07/260

B1.16.2190RR 08/129

A4.44.3064RR 12/436

Y7.12.7510RR 60/197

B7.53.3505YR 15/555

C0.52.3009YR 11/475

Z0.04.84

19RR 78/088

A9.38.4683RR 23/486

B7.11.71

10YR 53/175

B8.38.4410YR 21/436

KEY COLOUR 2012

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Not unlike the Reds on the previous page, this mix o Oranges brings hot and cool together,way liquid copper in a oundry cools down. Hues range rom robust and almost neutral, throrusty tones that add weight and a masculine touch, to the super-real quality o true inteorange.

Key colour.The ideal burnt orange, this shade is a happy, reassuring, classic colour with a undertone and a light element that reminds us o copper.

Oranges transition. Orange has steadily been cooling o over the years. Moving away rom ochre-based, reassuring pumpkin tones via citrus and coral, it now matures into a rustier hu

Earthy Industrial Hypnotic

Oranges

C6.06.67

37YR 49/086

D6.66.5368YR 28/701

E0.26.4582YR 23/239

E7.18.5810YY 35/196

E0.41.3480YR 13/325

D8.12.6280YR 40/148

C2.36.5625YR 34/473

D8.13.73

80YR 57/179

D0.41.5050YR 26/461

KEY COLOUR 2012

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A diverse palette o ochre, mustard and creamy, elegant tones which stand alongside brand playul un-ripened lemon and synthetic yellow. These tones will spark some interestcombinations when partnered with equally surprising hues.

Key colour.With a hint o curry, mustard and gold ore, this snappy hue is an exotic trip uncharted territory. Like the other key colours, it has depth and strength, which makes it peror unexpected combinations with neutrals and oranges.

Yellows transition. Stepping away rom its traditional role to represent easy simplicity, yelmoves out rom the sunny, buttery and lemonade-like center and nudges towards tans and waneutrals.

Spicy Tan Edgy

Yellows

E8.52.5810YY 35/543

F7.71.7740YY 64/903

G5.06.8270YY 73/083

E8.29.4610YY 23/261

H2.20.7690YY 62/264

G2.30.8160YY 71/409

F1.11.7720YY 63/149

H0.07.8690YY 83/107

F4.63.5630YY 33/613

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A distinct reshness speaks rom these Greens; a mixture o calming orest tones, tender spgreens, powdery Asian pastels and warming olives. On the whole, these are natural greens,or a couple, this is nature rom a pixilated 3D world, where ora has a manmade eel.

Key colour.Grassy, leay and saturated, this green has a distinctive yellow, almost chartreundertone, like a gemstone in an antique ring.

Greens transition.Green was very toned down and neutral a ew years ago, its camouage perIt then paled and suddenly transitioned into a bright absinthe green tinged with blue, which gus the bold, vital colour we needed to put a smile on our aces last year. In 2012 the buzzwornatural.

Botanical Watery Natural

Greens

G4.50.7566YY 61/648

H7.15.84

10GY 79/231

N0.03.77

50GG 63/042

G8.46.5760YY 34/461

L1.53.3490GY 13/375

L4.25.2397GY 07/135

G5.46.5070YY 27/418

P1.24.6190GG 38/242

K5.29.6170GY 38/330

K6.08.82

70GY 73/124

H9.51.4119GY 19/377

KEY COLOUR 2012

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Many types o blue make up this palette: mysterious ocean-deep tones, unathomable inight skies and chalky pale blues which evoke images o airmail envelopes, Cape Cod-cottagWedgwood porcelain and duck eggs. These are inspiring blues, ready to set a contemplamood.

Key colour.An awe-inspiring teal, strong, deep and remarkable, this blue goes brilliantly wrusty browns and pale designer greys, but also adores industrial yellow.

Blues transition. Apart rom a brie adventure into pale and airy, blue on the whole is oprolonged greenish streak. Last years brighter teal dives down into an even more mysteriunderwater depth.

Enigmatic Classic Personal

Blues

Q1.12.74

24BG 61/142

T9.26.2150BB 08/171

V2.35.2888BB 11/331

R5.21.5270BG 28/169

U5.16.1870BB 07/103

T3.33.4630BB 23/291

P9.52.3221BG 14/302

S7.14.6810BB 49/137

P9.28.5917BG 37/265

S3.08.80

06BB 71/091

R8.25.70

79BG 53/259

R4.58.2872BG 12/296

KEY COLOUR 2012

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Like colours that occur in the quiet, shady corners o nature, these violets and purples evoke too orest ruit, stormy skies and the strange dimension between worlds than connect night aday, reality and antasy.

Key colour.A wonderul colour to set a mood, this deep blackberry shows hints o charcoal awill take on dierent personalities, depending on the brightness o the space in which it is usA great tone to use i you want to add visual interest.

Violets transition.Violet is growing darker and bluer by the year and has not been in burguterritory or a while. This years deep, enigmatic violet is very much like last years, but with a ho slate.

Dusky Shadowlike Mysterious

Violets

A3.20.1378RR 06/137

W8.08.7642RB 63/137

XN.02.7876RB 67/048

V8.26.2910RB 11/250

UN.02.8370BB 73/030

W4.12.1930RB 08/094

KEY COLOUR 2012

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From trench coat beige to silky chamois to cappuccino and the darkest o chocolate, these WaNeutrals exude luxury and refnement with a classic, eminine touch.

Key colour.Mix grey and beige and the result is extremely delicate, a hue with connotations o

sand, pearls and satin. A subtle hint o salmon warms it and makes it a perect match or powpinks and antique teals.

Warm Neutrals transition. Key warm neutrals tend to darken and lighten along with the moothe moment. Last years oyster shell taupe now settles into a lighter, warmer hue.

Nude Couture Chic

Warm Neutrals

F3.08.7530YY 60/104

F4.04.7330YY 56/060

LN.00.88

30GG 83/006

C8.04.4550YR 22/052

F3.08.5830YY 36/094

E0.03.8398YR 78/041

D1.15.1650YR 06/081

EN.02.8190YR 73/029

UN.00.86

50BB 83/006

FN.01.81

30YY 72/018

F0.04.7320YY 57/060

KEY COLOUR 2012

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These Cool Neutrals arent so much cool as they are modest. Many hues are reminiscent o cpebbles and metals like pewter and old silver, while others are indicative o paper, bone seagulls eathers. A palette like a beachcombers cabinet o precious fnds.

Key colour.This humble, silvery grey combines warmth and a hint o green to orm the perect bor bright or deep companions, as well as other neutrals rom the cool palette.

Cool Neutrals transition. Last years modern, palest industrial grey had a lilac tinge. This hue loalmost green in comparison, and downy sot, like the undercoat o a rabbit.

Modest Natural Solid

Cool Neutrals

R6.10.4170BG 19/071

RN.01.6150BG 38/011

SN.00.86

50BG 83/009

F3.03.4430YY 20/029

F3.04.5630YY 33/047

LN.02.7110GG 53/030

G5.17.1970YY 06/088

UN.00.5300NN 31/000

CN.00.7050YR 53/011

NN.00.87

30GG 83/013

NN.00.7630GG 61/010

KEY COLOUR 2012

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Here you will fnd an index o the pictures that have been used in this publication.For the online version o the book, please go towww.colourfutures.com

Resources

Colour o the year Trends

Front cover

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CF12-V-1

CF12-V-2

CF12-V-3

CF12-WN-1

CF12-WN-2

CF12-WN-3

CF12-CN-1

CF12-CN-2

CF12-CN-3

Colours

GreensReds Oranges Yellows Warm NeutralsBlues Violets Cool Ne


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CF12-INTRO-1

CF12-INTRO-2

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-INTRO-4

CF12-INTRO-5

C

F12-TITLE-1

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CF12-BACKCOVER-1

Generic

Introduction Title pages Back page


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REVISARAARTEFINAL(TEXTOS,DI MENSES,DESENHOTCNICO,CORESECDIGODEBARRAS)ANTESDELIBERARPARASEUSFORNECEDORES.

Job:ARQUIVO:

SOFTWARE:

ESCALA:FONTES:

AF Onda 40x24Pantone

Illustrator CS21 :1

CORAL

20.05.2009

000-0-X

287 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

CoresEspeciais /Pantones:

Rua Di ogo M orei r a , 1 3 2 . c o n j. 1 4 0 6

Pi nhei ro s . 0 5 4 2 3 -010.So Paulo . S PTel .( 11) 3032- 5100 .w w w .100por cento.net

Clie nte :

Da ta :

Aprov a o Cria o:

Aprov a o Ate nd. :

Aprov a oArte F i na l:

Aprov a oProduo :

Aprov a o Clie nte :

1 .E ste a rquiv odestinado apenas a impre ss o e m e sca laindustria l. Qua lque rne ce ssida de de utiliza o domesmo,ou pa rte sde le pa raoutrosns,de v e se rcomunica do aa g ncia .2 .Asprov a sde a rte -nal de v e m se r confe rida s e a ssinadas peloclienteantes do envioa oforne ce dor.3 .Deveserenviado para a a n lise da a g ncia prov a sde pr -impre ss ope loforne ce dor,a nte sdoincioda impre ss oeme sca la industria l.

www.colourutures.com

This ColourFuturesreerence manual is and remains the property o Imperial Chemical Industries Limited and is loaned on condition that it is used solely to speciyproducts manuactured/or supplied by Imperial Chemical Industries Limited (and other companies in the AkzoNobel Group) and on condition that it shall be returned toImperial Chemical Industries Limited on demand.

The contents o this reerence manual are or inormation only. No representation or warranty is given, nor liability accepted, regarding the inormation given.

ColourFuturesthe distinctive three-leacolour spectrum symbol, Alba, Astral,Betonel, Bruguer, C.I.L, Coral, Dulux, DuluxTrade, Dulux Valentine, Flexa, Glidden, theICI Roundel, Inca, Levis, Marshall, Nordsj,

Procolor, Sadolin, Sikkens, Sico,Vivechrom, the AkzoNobel logo andTomorrows Answers Today, aretrademarks o the AkzoNobel Group oCompanies and Database Right 2008.

AkzoNobel Decorative PaintsInternational Marketing DepartmentWexham Road, Slough,Berkshire, SL2 5DS, United KingdomTel +44 (0)1753 550 000


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