murales rebelbes - exhibition list 10/13/19 · murales rebelbes - exhibition list 10/13/19 page 1...

MURALES REBELBES - Exhibition List 10/13/19

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Carrasco

A.1 L.A. History: A Mexican PerspectiveDigital photograph

73” x 18”1/2” sintrawith cleats

Group A.1, A.7. Highlight A.1: main photo of complete mural

A.2A young Japanese evacuee waits to leave by bus for an assembly center

Digital photograph

12.75” x 10”1/4” sintra Group A.2, A.3

A.3Mural detail of a World War II incarceration camp in L.A. History: A Mexican Perspective

Digital photograph

15” x 10”1/4” sintra Group A.2, A.3

A.4 Frida y YoPen on clay-coated paper

FRAMED: H: 14 1/2" W: 16 3/4"

A.6 Blueprint for L.A. History: A Mexican Perspective BlueprintUNFRAMED: H: 23" W: 88 3/4" Group A.5, A.6 Pack in portfolio

A.7Frances Carrasco poses for L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 3 11/16" W: 4"

Group A.1, A.7. Frame A.7 and place to left of A.1 to compare photograph and figure.

pack with accompanying mat board

A.8 (1)Collaborator poses for L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12



UNFRAMED: H: 4" W: 3 11/16"

Group A.8, A.9, A.10, A.11, A.12


A.8 (8)Collaborator (Leandra Carrasco) poses for L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12


A.8 (9)Collaborator (Glenna Boltuch Avila) poses for L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12


A.8 (10)Collaborator (Andy Padilla) poses for L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 3 11/16" W: 4"

Group A.8, A.9, A.10, A.11, A.12


A.9

Panels of L.A. History: A Mexican Perspective with photographs of collaborators taped to corresponding portraits

Digital photograph

15” x 10”1/8” sintra

Group A.8, A.9, A.10, A.11, A.12

A.10Barbara Carrasco paints L.A. History: A Mexican Perspective

Digital photograph

7” x 10”1/8” sintra,

Group A.8, A.9, A.10, A.11, A.12


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A.11Yreina D. Cervántez paints L.A. History: A Mexican Perspective Photograph

UNFRAMED: H: 4" W: 3 11/16"

Group A.8, A.9, A.10, A.11, A.12

A.12Leandra Carrasco and a student worker paint L.A. History: A Mexican Perspective

Digital photograph

12.75” x 10”1/8” sintra

Group A.8, A.9, A.10, A.11, A.12

A.13

Barbara Carrasco with L.A. History: A Mexican Perspective at the Community Service Organization (CSO) headquarters

Digital photograph

17.5” x 11.5”1/4” sintra

A.16Los Angeles Times clipping featuring Barbara Carrasco

Digital photograph

12.75” x 10”1/4” sintra

Group A.16, A.17, A.18.

A.17 File 1 MimeographFRAMED:13.25" (w) x 17.5" (h)

Group A.16, A.17, A.18. Create large graphic of A.16?

A.18 Self-Portrait SerigraphFRAMED: H: 39 1/8" W: 27 1/8" D: 1 1/2"

Group A.16, A.17, A.18. Create large graphic of A.16?

A.19Flyer from display of L.A. History: A Mexican Perspective at Union Station Document scan

FRAMED15" (w) x 12.5" (h) Group A.19, A.20.

A.20Barbara Carrasco and L.A. History: A Mexican Perspective at Union Station Photograph

FRAMED 20" (w) x 15.5" (h) Group A.19, A.20.

Moctezuma Object ID Object Medium Dimensions Display Notes Crating & Shipping Notes

G.1 Concept art for Fountain Valley MuralColor pencil on paper H: 12" W: 14 1/2" Group G.1, G.2 Pack flat in envelope

G.2 Concept art for Fountain Valley MuralColor pencil on paper H: 18 1/2" W: 53" Group G.1, G.2

Pack flat in envelope. Ride flat in truck

G.3Community members work on Fountain Valley Mural

Digital photograph

15” x 10”1/4” sintra

G.4 View of Fountain Valley Mural on Calle ZaragozaDigital photograph

Option A: 15” x 10”1/4” sintraOption B: 19" x 12"1/2" sintra both sizes will travel

G.5 (1) Detail of Fountain Valley MuralDigital photograph

15” x 10”1/4” sintra

Display all 12 images in a grid. All together, these are the main mural images, please highlight.


15” x 10”1/4” sintra



15” x 10”1/4” sintra



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15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra



15” x 10”1/4” sintra


G.6 Graffiti on Fountain Valley MuralDigital photograph

18.5” x 12”1/4” sintra with cleats Group G.6, G.7, G.8

G.7 The (Santa Ana) Register clipping Digital scan17.5” x 12”1/4” sintra

Create large graphic? Group G.6, G.7, G.8

G.9New wall replaces Sergio O’Cadiz’s Fountain Valley Mural

Digital photograph


Second to last in section.

G.10 UntitledSepia diazo print H: 12" W: 24"

Frame to image. Last in section.

Hangs on hinges. Travel upright or flat on their backs. Don't put anything on its side or upside down

G.11The History and Evolution of the Chicano in the United States

Digital photograph

41" x 6.5"1/2" sintra, with cleats Original not traveling

Cervates & Lopex Object ID Object Medium Dimensions Display Notes Crating & Shipping Notes

B.1 La Historia de Adentro/La Historia de AfueraDigital photograph



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B.2 (1) Frances (Fran) Andrade Photograph H: 4 7/8" W: 3 1/2"

Group Andrade and Lopez photos together with mural detail; group B.2-B.9 in case; display with B.11 and B.12

B.2 (2) Lupe López Photograph H: 4 7/8" W: 3 1/2"

Group Andrade and Lopez photos together with mural detail; group B.2-B.9 in case; display with B.11 and B.12

B.3Mural detail of Frances (Fran) Andrade and Lupe López

Digital photograph

11” x 7”1/8” sintra

p Lopez photos together with mural detail; group B.2-B.9 in case; display with B.11 and B.12

B.4 (1) Ann Phong Photograph H: 4 7/8" W: 3 1/2"

Group Phong, Nguyen, and Caine photos together with mural detail; ; group B.2-B.9 in case; display with B.11 and B.12

B.4 (2) Quynh-Trang Nguyen Photograph H: 6" W:4"


B.4 (3) Jo Caines Photograph H: 4 7/8" W: 3 1/2"


B.5Mural detail of Ann Phong, Quynh-Trang Nguyen, and Jo Caines

Digital photograph

11” x 7”1/8” sintra

Group each model with detail from mural

B.6A Santa Ana College student models for La Historia de Adentro/La Historia de Afuera Photograph H: 5" W: 3 1/2"


B.7 Mural detail of Santa Ana College studentDigital photograph

6” x 9”1/8” sintra


B.8 Martha Furuta and son, Norman Furuta Photograph H: 4" W: 6"Group each model with detail from mural

B.9 Mural detail of Martha and Raymond FurutaDigital photograph

9” x 6”1/8” sintra


B.10 (1)Ceramic tile in La Historia de Adentro/La Historia de Afuera

Digital photograph

8” x 8”1/8” sintra

Group 2 photos of tiles; these look best cropped to squares

B.10 (2)Ceramic tile in La Historia de Adentro/La Historia de Afuera

Digital photograph

8” x 8”1/8” sintra

Group 2 photos of tiles; these look best cropped to squares


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B.11Sketch for La Historia de Adentro/La Historia de Afuera

Color pencil on paper H: 36" W: 118" D: 1 3/4"

Group blueprint and sketch

Tight roll on 12" dia. Sonitube (approved by artist 12/27). Pack mat board.

B.12Blueprint for La Historia de Adentro/La Historia de Afuera Blueprint H: 19" W: 80 1/2"

Group blueprint and sketch Portfolio pack

B.13

Yreina D. Cervántez (left) and Alma López pose while painting La Historia de Adentro/La Historia de Afuera

Digital photograph

22.5” x 17”1/2” sintra with cleats

Group photo of Yreina and Alma posing with photo of Yreina and Alma painting.

B.14Yreina D. Cervántez and Alma López paint La Historia de Adentro/La Historia de Afuera

Digital photograph

15” x 10”1/8” sintra

Group photo of Yreina and Alma posing with photo of Yreina and Alma painting.

B.15Graffiti damage to La Historia de Adentro/La Historia de Afuera

Digital photograph

15.5” x 11.5”1/4” sintra

Group 3 graffiti and whitewashing photos

B.16La Historia de Adentro/La Historia de Afuera whitewashed

Digital photograph

17.5” x 11.5”1/4” sintra


B.17Remaining original ceramic tiles of La Historia de Adentro/La Historia de Afuera

Digital photograph

15” x 10”1/8” sintra


B.18Broken tile created for La Historia de Adentro/La Historia de Afuera Ceramic H: 11" W: 13" D: 3/4" Group B.17 and B.18

Pack with custom mount and acrylic wedge

Chavez Object ID Date Object Medium Dimensions Display Notes

C.1 1975

The Path to Knowledge and the False University Digital photograph

54.5” x 22.5”1/2” sintrawith cleats

Main image of mural, please highlight.

C.3 ca. 1974

Concept art for The Path to Knowledge and the False University

Watercolor, graphite, and collage on paper H: 17" W: 60" Group C.3, C.6


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C.4 ca. 1974

The Path to Knowledge and the False University in progress Digital photograph

13” x 8.5”1/8” sintra Group C.4, C.5

C.5 ca. 1974

Roberto Chavez paints The Path to Knowledge and the False University Digital photograph

13” x 8.5”1/8” sintra Group C.4, C.5

C.6 ca. 1974

Roberto Chavez with concept art for The Path to Knowledge and the False University Digital photograph

6” x 9”1/8” sintra Group C.3, C.6

C.7 ca. 1974

Roberto Chavez paints details of The Path to Knowledge and the False University Digital photograph

13” x 8.5”1/8” sintra

C.8 1975 Untitled Digital photograph8.5” x 12”1/4” sintra Group C.8, C.9, C.10



C.11 September 30, 1979

Los Angeles Times clipping about the whitewashing of Roberto Chavez’s mural Digital scan

15” x 10”1/4” sintra

Possibly blow up to make larger graphic.


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C.13 2016

Façade of Rosco C. Ingalls Auditorium Digital photograph

20” x 13”1/4” sintra with cleats Near end of section.

C.14 ca. 1979

Concept painting for Helen Miller Bailey Library mural Oil on canvas H: 29" W: 84" D: 1 1/4" Near end of section.

C.15 ca. 1975-1977Fleeing from the Movimiento Watercolor on paper

FRAMED: H: 17" W: 13"

Group C.15, C.16, C.17, C.18, C.19. C.20

C.16 1977 Cambios Watercolor on paperFRAMED: H: 24" W: 36"

Group C.15, C.16, C.17, C.18, C.19. C.20

C.17 1979Pachuco with Tando Watercolor on paper

FRAMED: H: 13" W: 17"

Group C.15, C.16, C.17, C.18, C.19. C.20

C.18 ca. 1975 Private Eye Watercolor on paperFRAMED: H: 13" W: 17"

Group C.15, C.16, C.17, C.18, C.19. C.20

C.19 ca. 1971-1976 Untitled SketchbookH: 11" W: 17 1/2" (Open)

Group C.15, C.16, C.17, C.18, C.19. C.20

C.20 ca. 1976 Untitled SketchbookH: 10 3/4" W: 16 1/4" (Open)

Group C.15, C.16, C.17, C.18, C.19. C.20

Herron Object ID Object Medium Dimensions Display Notes Crating & Shipping Notes

F.1 Sketch for mural of Joaquin Murrieta

Pencil on page from bakery receipt book 4 3/4" x 6 3/4"

Group F.1 , F.12, F.13, F.14, F.15 Extremely fragile

F.2 Untitled PhotographFRAMED: 19.25" (w) x 25.25" (h)

Group F.2 and F.3. At beginning of section.


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F.3 Untitled Digital photograph

FRAMED: 18.75" (w) x 14.25" (h)

Group F.2 and F.3. At beginning of section.

F.4 The Wall That Cracked OpenDigital photograph

FRAMED:21” (w) x 29”(h)

Highlighted object: main photo of complete mural. First object in section.

F.5 UntitledDigital photograph

13”w x 20”h1/4” sintrawith cleats Group F.5 and F.6

F.6Untitled (The Wall That Cracked Open and surrounding buildings)

Digital photograph

FRAMED29" (w) x 21" (h) Group F.5 and F.6

F.7 Quetzalcoatl (Plumed Serpent)Digital photograph

13” x 18”1/4” sintra with cleats Group F.7, F.8

F.8Quetzalcoatl (Plumed Serpent) whitewashed by graffiti abatement workers

Digital photograph

13” x 18”1/4” sintra with cleats Group F.7, F.8

F.9The Wall That Cracked Open after removal of whitewash

Digital photograph

13”w x 20”h1/4” sintra with cleats Group F.9 and F.10

F.10 The Wall That Cracked OpenDigital photograph

19.5”w x 29”h1/4” sintra with cleats Group F.9 and F.10

F.12 Herrón El Barrio (Painting)

Shoe polish and acrylic house paint on plywood H: 77 1/2" W: 48 1/2"

Group F.1 , F.12, F.13, F.14, F.15 Package with OZ clips

F.13 Ese Vato Va Marchar , from RegeneraciónIllustrated poem in publication H: 11" W: 17 3/4" (Open)

Display open to this page. Group F.1 , F.12, F.13, F.14, F.15

Pack flat open to current page. Pack mat board. Accompanying acrylic wedges


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F.14 Original drawing used in Regeneración

Pen and India ink on illustration board

DRAWING: 11" x 17" BOARD: 14 1/2" x 19 1/4"

Group F.1 , F.12, F.13, F.14, F.15

F.15 Asco performs Walking MuralDigital photograph

15” x 10”1/8” sintra

Group F.1 , F.13, F.14, F.15

Pack with accompanying acrylic wedge

F.16

Leah Moscozo and Herrón restore his 1984 Olympics mural Luchas del Mundo on the 101 Freeway

Digital photograph

18.5” x 12”1/4” sintrawith cleats At end of section.

East Los Streetscapers Object ID Object Medium Dimensions Display Notes Crating & Shipping Notes

E.1 (1)

Mural fragment of Filling Up on Ancient Energies (©1)

Acrylic on concrete H: 8" W: 8 5/8" D: 5 1/4"

Group E.1, E.12. Display in cases and on title wall.

Build custom crate for fragments [E.1(1), E.1(2), E.12 (1) thru E.12 (9) with compartments for each. Some fragments have fragile edges and paint chips. Custom metal mounts traveling with piece.

E.1 (2)

Mural fragment of Filling Up on Ancient Energies (980)

Acrylic on concrete

H: 6 5/16" W: 5 7/8" D: 4 3/8"



E.2

Sketch for Filling Up on Ancient Energies (students and Mayans) Pencil on paper H: 11 1/4" W:14"

Display 3 sketches as a group

Delicate. Fold as originally folded by artisty along creases. Store in envelope

E.3

Sketch for Filling Up on Ancient Energies (car, refinery, dinosaur) Pencil on paper

H: 9 1/2" W: 42" (approx.)



E.4

Sketch for Filling Up on Ancient Energies (people in cars, cacti) Pencil on paper

H: 9 1/2" W: 34" (approx.)



E.5 (1)

Color cartoon for Filling Up On Ancient Energies (first section)

Acrylic on paper and board H: 11" W: 33 1/2"

Display all color cartoon fragments together in original order L-R

Package e.5(1)-E.5(7) together

E.5 (2)

Color cartoon for Filling Up On Ancient Energies (second section)

Acrylic on paper and board

H: 11" W: 34" (Top) 31 3/4" (Bottom)



E.5 (3)

Color cartoon for Filling Up On Ancient Energies (third section)

Acrylic on paper and board H: 11" W: 30 3/4"



E.5 (4)

Color cartoon for Filling Up On Ancient Energies (fourth section)


H: 11" W: 23" (Top) 16 3/4" (Bottom)



E.5 (5)

Color cartoon for Filling Up On Ancient Energies (fifth section)


H: 11" W: 23" (Top) 16 3/4" (Bottom)



E.5 (6)

Color cartoon for Filling Up On Ancient Energies (sixth section)


H: 11" W: 9 1/2" (Top) 16 3/4" (Bottom)




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E.5 (7)

Color cartoon for Filling Up On Ancient Energies (seventh section)

Acrylic on paper and board H: 11" W: 22"



E.7 (1) Mural detail of Filling Up on Ancient EnergiesDigital photograph

29” x 19.5 ”1/4” sintra with cleats

Display all 8 images in grid. Highlight: main images of mural.


29” x 19.5 ”1/4” sintra with cleats



29” x 19.5 ”1/4” sintrawith cleats


E.7 (4)

Mural detail of Filling Up on Ancient Energies (includes East Los Streetscapers posing in front of mural)

Digital photograph















E.8

Mural detail of Filling Up on Ancient Energies and gas station infrastructure

Digital photograph

23” x 15”1/4” sintra with cleats Group E.8, E.9, E.10


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E.9

Car parked in front of Filling Up on Ancient Energies

Digital photograph

23” x 15”1/4” sintra with cleats Group E.8, E.9, E.10

E.10

Q-Vo magazine article about Filling Up on Ancient Energies Magazine

H: 10 3/4" W:16" D: 1.2" (open)

Group E.8, E.9, E.10. Display pages 36-37.

E.11

East Los Streetscapers’ contact and copyright information among the rubble of Filling Up on Ancient Energies

Digital photograph

Option A: 42” x 28”1/4” sintra, with cleatsOption B: 33" x 22"1/2" sintra with cleats Group E.11, E.13

both sizes will travel

E.12 (1)

Mural fragment of Filling Up on Ancient Energies (yellow, blue, orange)

Acrylic on concrete

H: 8 1/8" W: 9 1/4" D: 3 5/8"



E.12 (2)

Mural fragment of Filling Up on Ancient Energies (green and black)

Acrylic on concrete

H: 8" W; 12 1/4" D: 2 1/8"



E.12 (3)

Mural fragment of Filling Up on Ancient Energies (blue, orange)

Acrylic on concrete H: 8" W: 7" D: 2 1/2"



E.12 (4)

Mural fragment of Filling Up on Ancient Energies (eye)

Acrylic on concrete H: 8 3/4" W: 9" D: 7 3/4"



E.12 (5)

Mural fragment of Filling Up on Ancient Energies (FIR )

Acrylic on concrete H: 8" W; 3/4" D: 3/4"



E.12 (6)

Mural fragment of Filling Up on Ancient Energies (pink and black)

Acrylic on concrete

H: 7 1/2" W: 8 1/4" D: 4 3/8"




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E.12 (7)

Mural fragment of Filling Up on Ancient Energies (green, blue, peach)

Acrylic on concrete

H: 7 3/4" W: 12" D: 6 1/4"



E.12 (8)

Mural fragment of Filling Up on Ancient Energies (magenta, blue)

Acrylic on concrete

H: 7 3/4" W: 12" D: 2 1/4"



E.12 (9)

Mural fragment of Filling Up on Ancient Energies (purple, blue, yellow)

Acrylic on concrete H: 3 1/4" W: 4" D: 1 3/4"



E.13

Only remaining section of Filling Up on Ancient Energies

Digital photograph

23” x 15”1/4” sintrawith cleats Group E.11, E.13

E.14

Document of destruction of Filling Up on Ancient Energies (5 pages) Document H: 8 1/2" W: 11" Display 5 pages

Keep mounted to backboard

E.15 El Sacra del MuralistaAcrylic on canvas H: 20" W: 16" No frame needed

de la Loza Object ID Object Medium Dimensions Display Notes Crating & Shipping Notes

D.1 Resurrection of the Green PlanetDigital photograph

38” x 22.5”1/2” sintra with cleats

Highlight: main image of completed mural

D.2 Concept art for Resurrection of the Green PlanetPastel, ink and graphite

FRAMED: H: 20 1/2" W: 36 1/2"

D.3Virgin of Guadalupe print used as a study for Resurrection of the Green Planet Print H: 9 3/4" W: 8" Group D.3, D.4, D.5

D.4Collage with Graciela Iturbide’s Curación, Juchitán, México as the Virgin of Guadalupe Mixed media H: 15 1/4" W: 11 3/4" Group D.3, D.4, D.5

D.5 Mural detail of healer and young womanDigital photograph

6” x 9”1/8” sintra Group D.3, D.4, D.5

D.6Young woman models for Resurrection of the Green Planet

Digital photograph

13” x 8.5"1/4” sintra Group D.6, D.7, D.8


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D.7 Mural detail of young woman pouring waterDigital photograph


D.8Bystanders watch assistants paint details of Resurrection of the Green Planet

Digital photograph


D.9Handmade flyer for the dedication of Resurrection of the Green Planet Flyer H: 11" W: 8 1/2" Group D.9, D.10

D.10Dancers perform during the dedication of Resurrection of the Green Planet Photograph H: 3 1/2" W:5" Group D.9, D.10

D.11Three youth workers in front of Resurrection of the Green Planet

Digital photograph

9” x 6"1/4” sintra Group D.11, D.12

D.12Two children in front of Resurrection of the Green Planet

Digital photograph

9” x 6"1/4” sintra Group D.11, D.12

D.13 Community protest against police brutalityDigital photograph

18.5” x 12"1/4” sintra

D.14 Graffiti covering Resurrection of the Green Planet Photograph13” x 8.5"1/4” sintra Group D.14, D.15

D.15Ernesto de la Loza maintains Resurrection of the Green Planet

Digital photograph

13” x 8.5"1/4” sintra Group D.14, D.15

D.16 El Nuevo Mundo: Homage to the WorkerDigital photograph


Highlight: main photo of completed mural

D.17 (1)Firefighter and store clerks model for El Nuevo Mundo: Homage to the Worker Photograph H: 4 1/2" W: 3 1/2" Group 5 photographs

Pack with accompanying mat board







D.17 (5)Day laborers gather at El Nuevo Mundo: Homage to the Worker Photograph H: 4 1/2" W: 3 1/2" Group 5 photographs


D.18Concept art for El Nuevo Mundo: Homage to the Worker Mixed media H: 11" W: 17" Single piece

D.19

De la Loza and mural restorers Nathan Zakheim Associates try to remove beige paint from El Nuevo Mundo Photograph



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D.20Destruction of El Nuevo Mundo for new library and parking lot Photograph


D.21Organic/Manmade inside the Los Angeles Public Library Edendale branch

Digital photograph

13” x 20"1/4” sintrawith cleats Group D.19, D.20, D.21

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