MUSICAL SCOREOF "THE

EDITED BY

ALFONSO JOSEPHS SHEAFEMASTER OF DANCING

MEMBER A. N. A. M. OF D.

INTERNATIONAL PUBLISHERSEIGHT BEACON STREET

BOSTON, MASS.1920

Exercices preparatoirs.

138.

1.

M.M. 80 a 40= JPlies. 135.

139. M.M. 80 a 120 = J

2.

140. M.M. 80 .J

Zorn.

J

*V it 2 ^

142.

5.

:.M. 60 = J Zorn.

142. M.M. 60 = J

4Zorn.

P=^ f 5 fJ 1 lL

J r*J*56. **>*

I.1 1.1 1 * .- A JL

W_p _ ^ IEPS

142. M.M.60 = j

te SI

_^>-.

fe ^A

taZorn.

^ft P3

7.

*^ P142. M.M. 60 =J

8.

142. M.M. 60= J

Zorn.

vy 4-

142.

Elevations. 152.

153.

11.

153. M.M. 120 a 60 =*

AM.M.

153.

15.

M.M.60al20=*

4 * ijZbrn.

3E

1=1f

153. M.M.100=J

3Zorn.

i4

16.

155.

M M %* F:;

18.

155.

19.

IJ&*H 1 1

313. M.M. 72 =JPetits battements. 309.

1V1.1VL

222. M.M. 72 = J

i^i MiE i25. W M i

222. M.M.

222. M.M. 100= J.

225etc. M.M. 72-40 =

Mfe=

Grands battements. 223.^ Zorn.

28. ^ iP ^

227. M.M. 72-40 =

* i=l

7

Zorn.

29. M i*- 15-

228. M.M. 60-80=^

30.

228. M.M. 75-100 = J.

Corsi.

*nrrtji

242 etc.M.M. 100-200J Battements moyens 238.

f -

34.

i i243. M.M. 100-200

245. M.M. 100 =J Pozzesi.

245. M.M. 100= J

36B.

247. M.M. 108 = JTourner les jambes.

37. M i

252. M.M. 200-6O=J Degager.Bellini.

262.

262. M.M. 50 = j e piu presto. Weber.

262. M.M. 120 = J

5fa=i4* n ^ i K fe ^fti

Zorn.

^fcz

f f i41.

^262. M.M.60= J. e piu presto.

41 B.

10

262.

42.

M.M. 120=*

263.

263. M.M. 100= J G. M.v.Weber.

I I i i44.

t i

63. M.M. 100= J

45.

263.

46.

4 j r

tt il

290. M.M. 60-120 =

-^r-m-

=fe fer

3=^E

423. M.M.80-120rJMarche militaire.

48.

426. M.M. 72 -100= J Changement de pied.

0001049.

ii i433. M.M. 54 = J.

Pas eleves

12

434. M.M. 60 = JPas eleves marches.

435. M.M. 72= J Pas sur les pointes

13

451. M.M. 58-80= J Changements de jambes.

54.

456 etc. M.M. 60= J.Assembles.

459 etc.

464a. M.M. 80= J-

-IT

Pas jetes simples. G. Meyerbeer.

for-B

57. /

tt

14

464*> M.M. 80= j-

58.

Jete et relevation.

4649

59.

465. M.M.60=J

60.

467 etc.. u M.M. 72-108:

Jete et assemble.

Pas de Sissonne.

470. M.M. 144 =J

62.

Pas de Sissonne releve.Th. Hertz.

471 etc. M.M. 72-108 = J

Pas de Sissonne double.

63.

475-479. M.M. 88- 108 = J-Pas chasses alternatifs.

m m5fc

Hit I^r^i-=a

475 -479. M.M. 108- 132= J-Pas chasses simples.

i

pjg * n #483.

65.

[.M. 72= J-Demi-glisses.

rr^ff in,r r,ff iffE^^^^i ^E:3

485.

66.

[.M. 72 = J-Pas glisses: glissades changees

16

487. M.M. 70-100 = Temps fouettes.

i.a *

pi67.

J

488. M.M. 108 = J Phrases.

489.

500.

70.

505. M.M. 63 = J-

71.

Pas de Bourree ancien.

Pas de Bourree lateraux.

17

Ph.Fahrbach.

Pas de Bourree en trioles.

512. M.M. 88 = JJete et bourre.

Pozzesi.

520. M.M. 80-0 Pas de Zephire.

522. M.M. 120-144- #

76,

Pas de basque espagnol.

18

5239 M.M. 72-80= JPas de basque lateral.

77.

525.

Pas de basque en tournant.Auber.

527. M.M. 100- 126 =

79.

Pas ballonne.

577. M.M. 50-80: Temps de cuisse.

595. M.M. 60-80Contretemps.

Auber.

598. M.M. 72-80Brises.

Mostrass.

Ailes de pigeon.

600.

83.

20

605.

849-

M.M.88-108-JEn avant

en arnere a droitea gauche

traverse retraverse

84?

8 608balance degage tour de main.

84.

609.Pas du m Couplet

31

Balance: Jete-bourre.

Balance: Zephire.

traverse retraverse

M.M. 88= J. Glissades et Pas de Zephire.

90.

f^^

M.M.88 = Pozzesi.

23

M.M. 88- J. Chasses, changements de jambes etc.

t=s&2 atzrS

92. -* *-u:SK- dt

M.M.88= J

M.M.88 = J-4 Pas de Zephire etc.

95.

24

E.M. 88= j Pozzesi.

96.

97.

Jete-bourre et chasse-tourne.

M.M. 88= J Jete-bourre et pirouette basque

98.

112.

100.

Pas de basque etc.

723.

101.

Menuet de la Reine.

726. M.M.56=J

(102.

)l03.

Menuet de la Cour.D.C.

Mozart.

5J6

754. M.M. 56 =

104.

Gavotte de Vestris.

763. M.M.126=J

105.

Amazonen-Galopp.E.Titl.

785. M.M. 72 =J.

106.

Valse a deux temps.

,

m-

A I P

hr^TT pen

li ii*1H

P P P

*t

* m m m793.

107.

M.M. 54-72 = J-

Valse a trois temps.

5 ^

m i * i **P P

e*

iP

Valse a 1'envers.800.

108.

*fcX p~~-

J. Labitzky.

x^p-\^mp

*p

K* I=

P i p. rrzz

i I801. M.M. 108 = J

La Polka.

109.

813. M.M.66- J Redowa originale

110.

E.Titl.

29

Redowaczka originate.814. M.M. 120-132 = J

817. M.M. 144 =J

4

Redowa moderne.J. Prauss.

P^ mi^ ^

3 ^i ?

i MP

I i I? P f f D.C.

Trio.

^ m I^*a :fc

826. M.M. 140= JMazourka_Polka.

2 m 1.

33113.

*-II f

|

831. M.M. 50 = J-

1 T>t i' f l=p

Tyrolienne originale.

i Ift 3S . C^J- >

114. S i

834. M.M.144=J La valse sautillee.

115.

01

835. M.M. 69 =

*fe

La valse balancee.C.Faust.

^ S i ^^ ^s P116 .<

^ P Pii * *ip P

S3! *

writ i T ?

32

844. M.M. 100-108= j

La Cracovienne.

118.

846. M.M.144 =Valse _ Mazourka.

Kontski.

119.

33

852. M.M. 92-100= J

/3

120.

Esmeralda.

856. M.M. 54= J

121.

Schottisch.

C.Faust.

D.O.

34

864. M.M. 108 = J

Valse Hongroise.

122.

Trio.

^ >g* >

*p

SEE

Pas de Mazourka.880.

123.

Th. Hertz.

M r f f

D.C.al Fine.

36

931. M.M. 60 = J. Introduction a

La Cachucha.

Introd. b.

124.

Trio.