my book
DESCRIPTION
Portfolio & ResumeTRANSCRIPT
aaron thornburgh
SAPIENT NITRO 2011–art director
With over 9,000 employees and 30 offices worldwide, SapientNitro is
one of the industry's most formidable players. From creative vision to
technical implementation, this rising star has produced award-winning
work for global brands. As Art Director in the Arlington Office, I get to
work on cool digital projects for clients like Sprint, Adobe and CIGNA.
OGILVY WASHINGTON 2010freelance digital art director • 360 digital influence
Unique among its other offices in the United States, Ogilvy
Washington is a fully-integrated advertising and communications
firm. As a practice within the company, 360 Digital Influence is
an all-digital, social media-driven powerhouse. There I developed
socially-driven experiences online for clients across all markets. From
IA, UX and content strategy, to polished design composites, my role
encompassed every phase of the creative process.
GREENFIELD/BELSER 2006–2010art director
Since 1978, Greenfield/Belser has dominated the legal and
professional services marketing arena. In 2007, the agency expanded
both its client roster and digital capabilities. Throughout this transition,
my assignments varied from user interface and website design, to
information architecture, print design, creative strategy and corporate
identity systems for large B2B clients.aaron thornburghART DIRECTOR / VISUAL DESIGNER
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“Aaron is a master of his craft. His design is thoughtful and meticulous. Aaron is excellent in client facing situations; articulate, well-prepared and persuasive. A pleasure to work with.”February 3, 2011 • Lauren TurnerInteractive Producer, Ogilvy Washington
Mobile. Digital. Print. Whatever. Supporting business
objectives through information design is, ultimately,
what I do. And I’ve been doing it for nearly a decade.
This is a collection of my more recent work.
Hopefully, you’ll dig it. Holla.
Adobe Apple iPad application (POC)
In addition to desktop applications for creative professionals,
Adobe also provides a full suite of enterprise technology
solutions—like their new CMS platform, CQ5. More importantly,
Adobe aspires to become a leader in Customer Experience
Management (CEM) space. Actually, they want to own it. And to
do so, Adobe is creating a new online community for customers,
solution providers and integrators to collaborate on projects.
Called “Solution Exchange” (SX), the social network will debut as
an iPad application.
The conceptual screens shown here were developed to establish
the long-term vision of SX.
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3PORTFOLIO
CIGNA Creative concept for the cigma.com homepage
The overall interface for CIGNA’s new website was well underway when the Associate
Creative Director asked me to take a stab at the homepage. The existing design had already
been approved and provided the foundation for the interior pages. So, I couldn’t mess with
the page header, navigation elements, button styles or footer. My solution was simple: Ditch
the meaningless images of smiling people used in the original design and focus on the facts.
At its core, the concept was to make healthcare more transparent and engaging—without
overwhelming the user. After all, health insurance and individual wellness are daunting subjects.
4PORTFOLIO
GESMER UPDEGROVE, LLPWebsite design for gesmer.com
What could be more appealing to entrepreneurs than conspiring to make a fortune? Getting
away with it, again and again. Gesmer Updegrove is a boutique law firm that knows how to
1) bring inventions to life, 2) distribute those products across the globe, 3) sell out and cash in.
When Gesmer came to Greenfield/Belser, they desperately needed a compelling message that
would appeal to this very unusual audience. My approach, therefore, was to abandon tradition
and embrace risk. And, man, did it pay off. The website alone made a killing at the 2010 Legal
Marketing Association Awards.
5PORTFOLIO
Sprint Motorola Xoom application
The face of retail is changing. Fast. Standard signage,
brochures and traditional displays are failing to meet the
demands of customers. They want to be engaged. They
want immersive experiences. And they want access to
more information to guide their purchasing decisions—in
real time. To meet these growing demands, Sprint will
soon be arming their sales associates with Motorola
Xoom tablets loaded with a “productivity app”. The
application features product specifications, reviews,
coverage maps, ratings and performance metrics. Along
with digital displays, kiosks and vending machines, Sprint
could soon become a hot destination that rivals Apple’s
in-store experience.
6PORTFOLIO
MY GIRLFRIEND’S BROTHER’S FIANCÉEPrint design for a wedding invitation
If you’re a creative professional, you’ll inevitably be
asked to design somebody’s wedding invitation. For free.
And the bride will be the most challenging, demanding
Creative Director you’ll every work with.
In this case, my “client” wanted something non-traditional.
No flowers or script typefaces. Wait, I mean she wanted
flowers. And an old-timey look. Maybe a scripty font.
Purple. Make it purple. Just rip off some design from Etsy.
While this comp didn’t exactly receive a warm reception,
it’s still my favorite. To each his (or her) own, right?
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PORTFOLIO
THE IRS Microsite design for freefile.irs.gov
FreeFile is a service from the IRS that allows certain individuals to file their taxes for free. Because
the FreeFile program was so complicated to explain, the IRS asked Ogilvy to create a microsite
that would help taxpayers understand what the heck FreeFile was. While the 2009 site helped
to simplify the information, the FreeFile process still wasn’t very clear. When redesigning the
microsite for 2010, I introduced several new features—including a fancy interactive flow chart—
that helped make FreeFile… well, understandable.
8PORTFOLIO
International Center for Research on Women (ICRW) Print design for event invitation
The ICWR has helped transform the lives of impoverished women and their families
for decades. Unfortunately, the global economic crisis began unfolding at the
same time they were planning their annual gala—a key fund-raising event for the
organization. Instead of cancelling the evening altogether, I helped the ICRW reach
out to their members with a sincere, provocative campaign.
The event was a complete sell-out.
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SAPIENT NITRO 2011–art director
With over 9,000 employees and 30 offices worldwide,
SapientNitro is one of the industry's most formidable players.
From creative vision to technical implementation, this rising
star has produced award-winning work for global brands. As
Art Director in the Arlington Office, I get to work on cool digital
projects for clients like Sprint, Adobe and CIGNA.
OGILVY WASHINGTON 2010freelance digital art director • 360 digital influence
Unique among its other offices in the United States, Ogilvy
Washington is a fully-integrated advertising and communications
firm. As a practice within the company, 360 Digital Influence is
an all-digital, social media-driven powerhouse. There I developed
socially-driven experiences online for clients across all markets.
From IA, UX and content strategy, to polished design composites,
my role encompassed every phase of the creative process.
GREENFIELD/BELSER 2006–2010art director
Since 1978, Greenfield/Belser has dominated the legal and
professional services marketing arena. In 2007, the agency
expanded both its client roster and digital capabilities. Throughout
this transition, my assignments varied from user interface design
for a custom CMS, to website design, print, creative strategy and
corporate identity systems for large B2B clients.
HINGE 2005 senior designer
At Hinge, I designed for all manner of media. Besides creating
websites, corporate identity and print systems, my duties
included managing vendors, meeting with clients, event planning,
answering the phones, print inspections and even some business
development. It was a small place...
FREELANCE 2004–2005 art director and designer
While working as a freelance Art Director and Designer, I
provided a full range of design services to small and medium-sized
companies, non-profit organizations and individual start-ups.
Operating as a one-man show, I worked directly with business
owners and executives to create their corporate identity, websites
and marketing materials.
CAPITAL ONE 2002–2004senior graphic designer
According to my file, I "consistently performed above expectations"
while at Capital One. In addition to creating evil direct mail
campaigns, I interfaced with several lines of business at any given
time, directed creative strategy, lead presentations and prepared
all final artwork for the production department.
ACS 2000–2002 graphic designer
ACS (Affordable Creative Services) built its business on delivering
solid creative work at a reasonable rate. There I designed identity
systems, printed collateral, trade show exhibits, direct mail and
websites. This is where it all began (legitimately).
skillsWebsite Design
PrintInformation Architecture
Wireframing
Client Collaboration
Web Application Design
Photoshop
InDesign Copywriting Illustration
Illustrator Fireworks
Project Management
Brand Strategy
Sitemap Documentation
User Experience Design
PROFESSIONAL HISTORY
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GENERAL INTERESTS
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PERSONAL PREFERENCES
lighting conditions
sundlightcandle light
beef temperature
charredbleeding
interior style
mid-century modernPottery Barn
average highway speed
155 mph55 mph
snack food
organic trail mixPeanut M&Ms
pace
New York, NYWheeling, WV
L-Mode R-Mode
PLAYLISTS
the Orb Mushroom Jazz Manu Chao
Jane’s AddictionCSS A Forest Mighy Black
Smashing Pumpkins LCD Soundsystem
Starlight Mints MobyThe Beastie Boys
Miles Davis Red Racer Regina Spektor
Phantogram Grateful Dead Björk
Jamiroquai Lilly AllenMassive Attack
Nine Inch Nails the Beatles Daft Punk
Red Hot Chilly PeppersThievery Corporation
Frank SinatraThievery Corporation Feist
Morcheeba PortisheadNouvelle Vague
Stereolab Janis Joplin A Tribe Called Quest
Pink Floyd Radiohead Jonny Cash
Folk ImplosionBeck Madeleine Peyroux
mental activity during typical workday
PERSONAL INFORMATION