"myspace girls: performing girlhood online" jen almjeld graduate lecture 4 dec. 2006
TRANSCRIPT
"MySpace Girls: Performing Girlhood Online"
Jen Almjeld
Graduate Lecture
4 Dec. 2006
MySpace beginnings (History, Lit Review)
Created October 2003 by Tom Anderson, a film major and musician, and Chris DeWolfe, marketer
Purchased this year by Murdoch for $580
Has become part of pop culture - T-shirts, “I’ll MySpace you”
Why MySpace? (Justification)
July 2006 the U.S. House of Representatives passed the Deleting Online Predators Act
Many schools are banning access; student athletes told not to use online networking sites; countless media warnings
Tied to “new media text” / multimodality movement in composition studies
Paying Attention (Lit Review)
Cynthia L. Selfe, James Paul Gee, Gunther Kress, etc. recognize the importance of “alternate texts”
October 2005, 20.6 million MySpace users (9.2 million age 12 to 24)
Reducing this practice to frivolity does not diminish its impact on young writers
Writing oneself (Lit review-Alternate sources) Women, particularly, have long used writing to
explore and script their roles in society (commonplace books, scrapbooks, autograph albums)
Most often these texts reinforced culturally defined gender roles
Same can be said for MySpace, although the site offers a place for “identity play”
I feel this ability to “play” identity online makes MySpace much less threatening than many think - is continuation of tradition of writing identity
Research questions (I ended up with 4) Is MySpace participation a new marker of
American girlhood? What purpose do girls have for using MySpace
- performance, selling oneself, trying on sexuality?
What codes, if any, does MySpace provide for “performing” girlhood/womanhood?
How does MySpace encourage girls to experiment with and construct identity?
How does the public nature of these journal-like activities that were once kept private affect the writer and society?
My project (Research Design) Consider 25-35 profiles of females ages 16-18 Will begin with search of local high school and
will piggyback names from users’ friends lists Profiles must include at least one image Will consider historic pedagogical roots of the
MySpace practice Will focus on ways that girlhood is performed
online (Judith Butler) Interested in ways MySpace may explode
binaries within the gender binary
Chp 1: Rationale and Outline, Literature Review (Significance of Study)
Cynthia L. Selfe’s Technology and Literacy in the Twenty-First Century: The Importance of Paying Attention
Jay Bolter and Richard Grusin’s Remediation: Understanding New Media
James Paul Gee’s What Video Games Have to Teach Us About Learning and Literacy
Jonathan Alexander’s Digital Youth: Emerging Literacies in the World Wide Web
Situate MySpace in Composition Studies -- as new media text
Chp 2: Growing (and Writing) Into Womanhood in the U.S. (Lit Review)
Commonplace books - Kenneth Lockridge, Susan Miller
Scrapbooking - Patricia Buckler, Andy Steiner Diaries ? - Cinthia Gannett Autograph albums Margaret Finders’ Just Girls: The Hidden
Literacies and Life in Junior High and Mary Pipher’s Reviving Ophelia and Sara Shandler’s Ophelia Speaks
Trace history of women’s writing practices intended to construct and question identity
Chp 4: Performing Girlhood Online (Significance of Study)
Performativity - Judith Butler Roni Cohen-Sandler’s Stressed Out Girls:
Helping Them Thrive in the Age of Pressure 2005 collection called Geographies of Girlhood:
Identities in-between Expect to consider representations of
friendship, sexuality, self-image, femininity Will discuss templates on MySpace
Explore how womanhood is performed / encouraged to be performed on MySpace
Chp 4: Performing Girlhood/ Womanhood Online (Image in lit review)
Templatesoffer optionsforcategorizingsexuality,relationshipstatus,religion,preferencefor parenting
Chp 5: Building Womanhood Online (Lit Review)
Judy Wajcman’s 2004 TechnoFeminism Sharon Mazzarella’s 2005 collection girl wide web: girls,
the Internet, and the negotiation of identity Alexander’s 2006 Digital Youth- “composers can
negotiate and construct self-represenations in purposeful ways” (105)
Identity construction through collection - Lucia Dacome Consider the “culture of fear” being cultivated in media
about females in online spaces
Explain how identity is crafted in online spaces like MySpace
Chp 6: Further Study (Significance of Study)
Review findings Because mine is a pilot study, may
discuss ways interviews, surveys could be used in subsequent study
Will consider theoretical framework for later study in this area
May discuss young men’s representations
Project Timeline/Outline
Draft Chp 1-late Feb
Final Chp 1-March
Draft Chp 2-mid-April
Final Chp 2-May
Draft Chp 3-mid-June
Final Chp 3-early July
Draft Chp 4-AugustFinal Chp 4-mid-Sept
Draft Chp 5-NovemberFinal Chp 5-January
Draft Chp 6-MarchFinal Chp 6-April