nadia shafiq portfolio

p o r t f o l i o o f N A D I A S H A F I QA R C H I T E C T U R E & I N T E R I O R D E S I G N

architecture

Duplex Housing | Single Family Villa | Lahore

Sustainable Residential Design | Single Family Villa | Ardeche | France

Residential Design & Architectural Interior For Royal Family | Ras Al Khaimah | UAE

Residential Design | Single Family Villa | Karachi

Architectural Design & Interiors | 800 + Residential Community | Dubai | UAE

Architectural & Interior Detailing | Miscellaneous Design-Build

interior design

Interior Architecture | Family Compound | Riyad | Saudi Arabia

Interior Architecture | Summer Villa | Ras Al Khaimah | UAE

Interior Design | Public Building | DTCM | Dubai | UAE

Interior Design | Apartments | Anwa Towers | Dubai | UAE

Corporate Interior Design - Build | Private Client | Karachi

exhibition ( work at PRATT )

Exhbition Design | George Nakashima Furniture | Team Project at PRATT Institute

Community Project | Client : Citizens School , NY | Chair Workshop + Display Exhibit | Team Project

CONTENT:

{ A R C H I T E C T U R A L } D E S I G Np o r t f o l i o o f n a d i a s h a f i q

PROJECT:

T O W N H O U S E D U P L E X

LOCATION:

M A R I N A 7 , L A H O R E

SITE AREA:

1 0 0 0 S Q . YA R D S

COMPLETED :

2 0 0 7

ROLE :

DESIGN ARCHITECT & PROJECT MANAGER

Four 10-12 Marla town houses were planned with folding elevations to opti-mize spatial area.Two reverse aspect plans were combined with two front aspect plans to achieve this goal. Aa a consequence , an interesting muti-faceted elevation is created , adding intentional visual chaos. The cladding material is kept l ight and minimal to articulate the multi-faceted fa-cade , and also to optimize its visual im-pact.Fare faced concrete is used on the facade of the houses , and all adorning details are kept clean and minimal , such as windows , balconies and trell is’s. The hard finishes within the architec-tural interior, such as floors , f ireplaces , doors and windows are also designed with straight strong lines keeping in l ine with the exterior architecture. Juxtapostion of l ight and use of warm materials adds soft-ness to the otherwise hard architecture.

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PROJECT:

E C O V I L L A

LOCATION:

A R D E C H E , F R A N C E

SITE AREA:

1 0 3 5 0 S Q . F E E T

TOTAL COVERED AREA:

2 6 5 0 S Q . F E E T

ROLE

D E S I G N A R C H I T E C T

1

A French structural engineer , working for MSF ( Medicine sans Frontiers ) in Pakistan approached me to design a green vil la for him in France. He had purchased land in the Eco Vil lage of Cinetat , France ,where very precise instructions and bylaws are in place to regulate how land owners build their homes. As a result the client had very concise instructuions vis a vis his design requirements.

The design brief was simple and to the point - each design decision had to be con-scious of green aspects and minimize the carbon footprint of the user.

To add to this simple yet challenging design brief , was the natural topography of the site , which sloped 20 feet from the road level to the end of the site.

The buidling envelope has been designed space effectively , and makes use of muli functional area’s. The total foorprint of the space does not exceed 120 squaremeter.A water reservoir has been designed which is fed by a rainwater catchment. Only high performance natural materials have been proposed and solar panels cover a slanted south facing rooftop . Walls, f loor sections and glazing have been designed to ensure maximum insulation and provide increased thermal comfort in both summer and winter months.

The most challenging aspect for me in this project was designing along the slope of the natural terrain - trying to maximise multi level vista’s and minimize excavation.

PROJECT:

E C O V I L L A

LOCATION:

A R D E C H E , F R A N C E

SITE AREA:

1 0 3 5 0 S Q . F E E T

TOTAL COVERED AREA:

2 6 5 0 S Q . F E E T

ROLE


PROJECT:

P R I VAT E M O D E R N M A N S I O N

LOCATION:

R A S A L K H A I M A H , U A E

TOTAL COVERED AREA::

2 0 0 0 0 S Q . F E E T

STAGE

I N T E N D E R S TA G E

ROLE

D E S I G N A R C H I T E C T & I N T E R I O R A R -

C H I T E C T ( u n d e r N A G A A R C H I T E C T S )

This is the proposed and approved design for the Private Mansion for the Crown Prince of Ras Al Khaimah. For this project I played multifarious roles. I was the Desgin Manager , Architect and Interior Designer. My Client was Sheikah Mona , the mother of the Crown Prince.The program layout is considerate of private and semi private zones , whilst retaining visual layering throughout the Vil la.The Architecture follows the language of the firm and concentrates on articulating floating masses , keeping the ground lev-el translucent and open to visual vista’s of the mountains that l ine the horizon.Honed Limestone is specified for all the white masses , and wooden louvres ar-ticulate important planes.

The Interior Design for this Vil la is abit more elaborate that the intentional mini-mal architectural design.Interior Hallways and Lobbies retain the symbiotic use of rich l imestones and wood .Formal spaces and Family Spaces also make use of perforated Wooden Cladding and Stone Cladding but are implemented in a slightly more contemporary and elab-orate manner.Intrior Bedrooms and Bathrooms use rich stones and Teak Wood , with focal feature walls and distinctive Lighting features.

PROJECT:

P R I VAT E M O D E R N M A N S I O N

LOCATION:

R A S A L K H A I M A H , U A E

TOTAL COVERED AREA::

2 0 0 0 0 S Q . F E E T

STAGE

I N T E N D E R S TA G E

ROLE

D E S I G N A R C H I T E C T & I N T E R I O R A R -

C H I T E C T ( u n d e r N A G A A R C H I T E C T S )

PROJECT:

I S M A I L V I L L A

LOCATION:

D E F E N S E , K A R A C H I

SITE AREA:

1 0 0 0 S Q . YA R D S

TOTAL COVERED AREA:

1 0 0 0 S Q . YA R D S

ROLE


u n d e r n m d e s i g n

The main architectectural feature is the celebrated stone wall that cuts the home in half and articulates and seperates the house in two : private and formal.This separaton extends to the exterior creating private gardens for the private lving spacees and seperating the formal interior areas with exterior entertaining areas.The internal spaces are kept as open as posisble and integrate smoothly into one another,Special emphasizes is given to open, l ight-fi l led spaces with strong connections to the natural environment.

PROJECT:

R E S I D E N T I A L C O M M U N I T Y

LOCATION:

D U B A I

ROLE

D E S I G N A R C H I T E C T & I N T E R I O R

U N D E R N A G A A R C H I T E C T S

STAGE

I N C O N C E P T S TA G E

In this project I played dual roles : Ar-chitect and Interior Architect.It is a de-sign competion project for an 800+ Residential Community in Dubai.The architectural spatial planning was developed by a different team within the office under Senior Architect Mr.Gamal.My role was to take the Elevation , Fron-tal Facade and Exterior Facade and play with the massing and volumes to give the house a modern look and experi-ment with different exterior treatments.During the process , I also played a role in modifying the internal layout to bring about internal courtyards to give more depth and air into the 4 bedroom vil la.We developed 2 proposals ; A single storey and a double story .The Masterplanning and Landscaping was developed by the Urban Team in house.

PROJECT:

M I S C E L L A N E O U S

DETAIL:

F I R E P L A C E & S TA I R S

MATERIAL:

Q U E T TA S T O N E & W O O D

STYLE:

F U S I O N

In the wake of modernity , to lose sight of ones culture and indigenous arts and crafts would be a tragedy , especially within our private homes - A space that can afford to be warmer and is gen-rally a reflection of our individuality , So when I can , or rather when I am allowed to , I l ike to play with the past - and bring into the spaces I design , l i tt le whimsical reminders of our glorious history.

a- A warm walnut wood is used together with a harder material - a textured white Quetta Stone from the north of Pakistan. The fireplace design is simple and modern , adorned by a intricate tra-ditional wooden carving.

b- A modern wooden staircase with an artisan crafted panel as the rail ing detail.

c- A traditional “ Jaali “ detail is used as the hori-zontal surface of a skylight design.

d-Malagori White Marble is used with Whengee wood as a compliment to the contemporary fire-place design.

{ I N T E R I O R } D E S I G Np o r t f o l i o o f n a d i a s h a f i q

The il lustrated project is a team venture at NAGA ARCHITECTS.I was the Lead Interior Architect for this Project , and had 2 junior Architects and Interior Architects on my team. Moreover , I collaborated with the Lead Architect to modify and revise many architectural changes with coordination with the SMEP team to ensure the spatial Interior was not compromised.The Family Compound consists of the Main Vil la , 2 Junior Vil las , 2 Girls Vil las , a Mens Majlis and a Ladies Majlis.My role was to take the aleady planned masterplan and architectural design and design the hard interior for all the Vil la’s.I would say that this project was a very good example and oppurtunuity between all departments to closely collaborate and the synthesis and final outcome is the consequence of succesful collaboration between internal teams.

PROJECT:

P R I VAT E F A M I LY C O M P O U N D

T E A M P R O J E C T

LOCATION:

R I YA D , S A U D I A R A B I A

TOTAL COVERED AREA:

8 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |

I N C O N S T R U C T I O N

ROLE

I N T E R I O R A R C H I T E C T

( u n d e r N A G A A R C H I T E C T S )

PROJECT:



LOCATION:


TOTAL COVERED AREA:

8 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |


ROLE



The main intention for the Interior Archi-tecture and Design was to keep the in-dividual Vil la’s open and luxurious , but at the same time retain a very modern language.Rich Travertine Stones have been used to accent feature walls and bring richness into the Vil la’s. The individual Vil las retain certain dis-tinctve characterisit ics but are binded by the use of stone and an arabesque pat-tern ontop of the glazing. The Womens Majlis and Men’s Majl is fol-low a slightly more classic modern style to cater to the Cients expected guests.However the Private Vil la’s For the main Family and seperate Vil la’s for their chil-dren have a more contemporary modern style. All vi l la’s connect on the Basement Level, where Kitchen and staff services are lo-cated.

PROJECT:



LOCATION:


TOTAL COVERED AREA:

8 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |


ROLE



The il lustred 3D Renders show the vari-ous spaces withn the Mens Majlis.

a- Formal Majl is

b- Formal Dining

c- Formal Entrance Lobby

d- Formal Womens Majlis

PROJECT:

P R I VAT E S U M M E R V I L L A

LOCATION:

R A S A L K H A I M A H , D U B A I

TOTAL COVERED AREA:

2 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |

I N T E N D E R

ROLE



Collaboration Project between Architec-ture and Interior Deparment.The Site l ies parallel to the beach in Ras Al Khaimah and tapers about 40 feet down towards the beach.As a result the Architectural Design was intentionally kept low and horizantal from the highest entry point , and makes use of the topography to allow natural Views into the Interior from both Ground Floor and Lower Ground Floor.A celebrated stacked stone wall is a main volumetric feature in the exterior and within the interior , bringing the natural landape and the retaning walls language within.The ground floor level is majorly kept open plan to allow for maximum views to-wards the sea and pool deck.

PROJECT:


LOCATION:


TOTAL COVERED AREA:

2 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |

I N T E N D E R

ROLE



The intent of the Interior Design was to create a modern Industrial Look - but at the same time , Vil la needed to i l lustrate luxury. As a consequence , we used a variety of grey stones on floors and feature walls.Opposite : The Formal Family room looks out to the sea and pool deck on the right , and into an enclosed visual landscape pocket on the left.There are two distinct types of seating.

PROJECT:


LOCATION:


TOTAL COVERED AREA:

2 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |

I N T E N D E R

ROLE



The intent of the Interior Design was to create a modern Industrial Look - but at the same time , Vil la needed to i l lustrate luxury. As a consequence , we used a variety of grey stones on floors and feature walls.

Within the Masterbedroom (opposite ) , grey stone is being used on horizontal and vertical surfaces , and a concealed wooden cabinet brings some warmth into the space.

PROJECT:


LOCATION:


TOTAL COVERED AREA:

2 0 , 0 0 0 S Q . F E E T

STAGE OF PROJECT |

I N T E N D E R

ROLE



The intent of the Interior Design was to create a modern Industrial Look - but at the same time , Vil la needed to i l lustrate luxury. As a consequence , we used a variety of grey stones on floors and feature walls.

PROJECT:

D T C M

ROLE:

PA R T O F I N T E R I O R D E S I G N T E A M

CLIENT:

D E PA R M E N T O F T O U R I S M

LOCATION:

D U B A I , U A E

TOTAL COVERED AREA:

4 0 0 0 S Q M

PROJECT STAGE::

I N C O N S T R U C T I O N D O C U M E N TAT I O N

The DTCM Design Team consists of 10-12 team members. I was not a core member but just assisted the Lead Interior Designer.

My role in this project was minor , where I developed two Interiors : a small open space cafe overlooking the central Atrium and a small internal auditorium.

PROJECT:

A N W A T O W E R S | D U B A I M A R I T I M E

CLIENT:

P R I VAT E ( U N D E R N A G A A R C H I T E C T S )

LOCATION:

B U S I N E S S B AY

ROLE:

I D T E A M M E M B E R

STAGE

IN TENDER DOCUMENTATION

The design brief from the NAGA Architec-ture Department that designed the Anwa Tower was to keep the Interior White and Minimal.

Following the above , we focused on keeping one feature wall element in each space , using stone and lighting to articu-late planes or masses.The Interior language consists of clean and simple l ines . This vocabulalry runs throughout the building , from the main re-ception Lobby to the Lift Lobbies , to the Interior Apartment Spaces.

We aimed to keep consistency within our language and application.

PROJECT:

C O R P O R AT E I N T E R I O R F I T - O U T

CLIENT:

L O G I S E N S E

LOCATION:

K A R A C H I , H O R I Z O N T O W E R

TOTAL COVERED AREA:

1 1 0 0 S Q . F E E T

As is common in most projects, the most challenging element in this project too, was to deliver a high-end office interior in a very economical budget and in a quick time frame. The program consisted of a CEO’s cham-ber, an executive secretary desk, a board room, a workspace for 4 executive staff, 2 administrative staff, a greeting desk, stor-age and kitchen facil i t ies.The conceptual design was straightfor-ward and focused on functional & effective spatial planning. Every square foot of the small office space strove to be used for maximum util i ty .The design style emphasizes clean lines and sophisticated material fabrication. Splashes of color are used to break the monotony of the more conservative grey and white. Surprise elements include the 360-degree rotational LCD panel screen,

which acts as a television/multi-media set and a discussion board on the opposite side. This panel is located between the boardroom and CEO’s room for maximum efficiency, simultaneously promoting the need for sustainable solutions.Concealed cabinets in the CEO’s room open to reveal a hidden bar, suit cabinet and a safety vault.I am proud of this project for many rea-sons. First of all , i t was designed and built within 8 weeks. Moreover the total cost of the project came to $22 per sqaure feet , which is a great accomplishment when considering the elegant and modern materials selected and used.All hard and soft furnishings have been custom designed and built to specifica-tion.

PROJECT:

C O R P O R AT E I N T E R I O R F I T - O U T

CLIENT:

L O G I S E N S E

LOCATION:

K A R A C H I , H O R I Z O N T O W E R

TOTAL COVERED AREA:

1 1 0 0 S Q . F E E T

PROJECT DURATION::

8 W E E K S

COST OF PROJECT:

$ 2 2 P E R S Q . F E E T

{ E X H I B I T I O N } D E S I G Np o r t f o l i o o f n a d i a s h a f i q

PROJECT:

G E O R G E N A K A S H I M A W O O D W O R K E R

The George Nakashima Furniture Exhibit at the Architecture Digest Show 2009 was a real l i fe assignment , as part of my Ex-hibit ion Design Intensive course at Pratt Institute. This project was a 4 member team pro-ject from concept all the way to execution.We all took equal part and ownership of proposing 3 conceptional exhibit ion de-signs to the client , and then made mock up models of the selected proposal before going on to build the fine-tuned proposal at site - the Architecture Digest Show in Manhattan.During the course of this pro-ject , we met regularly with the client , George Nakashima’s granddaughter , and made various field trips out to the estate where the furniture workshop is. Our EDI Professor Mr.Jon Otis was our advisor throughout the project.

PROJECT:

“ S I T O N I T “ D E S I G N W O R K S H O P

CONDUCTED AS A PART OF THE:

G R A D U AT E E D I ( E X H I B I T I O N D E S I G N

I N T E N S I V E ) P R O G R A M AT P R AT T

CLIENT:

C L I N T O N H I L L M I D D L E S C H O O L

LOCATION:

B R O O K LY N , N E W Y O R K

COLLABORATION WITH:

C I T I Z E N S S C H O O L

PROJECT DURATION::

4 W E E K S

ECT:

M O C K U P M O D E L S

B U I L D I N G T H E E X H I B I T

FIN

AL

EX

HIB

IT

PROJECT:

“ S I T O N I T “ D E S I G N W O R K S H O P

CONDUCTED AS A PART OF THE:

G R A D U AT E E D I ( E X H I B I T I O N D E S I G N

I N T E N S I V E ) P R O G R A M AT P R AT T

CLIENT:

C L I N T O N H I L L M I D D L E S C H O O L

LOCATION:

B R O O K LY N , N E W Y O R K

COLLABORATION WITH:

C I T I Z E N S S C H O O L

PROJECT DURATION::

4 W E E K S

During the last term of the EDI Program at Pratt Institute , I had the great oppur-tunity to work with a local middle school in Brooklyn. Myself and my 5 team mates volunteered to work with Citizen’s School NY - an establishment that gets diverse lo-cal professionals to conduct after-school workshops for 5th to 8th graders on topics of their expertise .Students sign up for a workshop after hearing all the volunteer groups pitch their workshop topics. I was part of the 6 member team from Pratt’s graduate ID department and we pitched a workshop idea that involved designing a theme chair and undergoing the creative design process. We ti lt led the workshop “ Sit on It ! “. Within this work-shop , we worked closely with 12 middle schoolers and went through the process

of putting together a “ theme chair “. As a part of the workshop , students were taken to the Vitra Showroom in Manhattan and the Industrial Department at Pratt In-stitute to strengthen their understanding of chair design. After 4 weeks , each student created a theme chair ready for exhibit , which our team designed , and held at Pratt Insti-tute.During the workshop , we held a photo shoot for the kids , we took them aroun Pratt and basically through showing and doing , we tried to teach them , what a designer ’s job entails.This was one of the most rewarding pro-jects that I had the great oppurtunutiy to be a part of - to work with and get to know these kids was a great gift.

portfolio of NADIA SHAFIQ [email protected] | C.0569822371 | 1103 Green Lake Towers , JLT . Dubai.