narratology of games (guest lecture, eng 798: narrative analysis)

18
The preceding analysis permits play to be defined as an activity which is essentially: 1. Free: in which playing is not obligatory; If it were, it would at once lose its attractive and Joyous quality as diversion; 2. Separate: circumscribed within limits of space and time, defined and freed in advance; 3. Uncertain: the course of which cannot be determined, nor the result attained beforehand, and some latitude for innovations being left to the player's initiative; 4. Unproductive: creating neither goods, nor wealth, nor new elements or any kind, and, except for the exchange of property among the players, ending In a situation identical to that prevailing at the beginning of the game; 5. Governed by rules: under conventions that suspend ordinary laws, and for the moment establish new legislation, which alone counts; 6. Make-believe: accompanied by a special awareness of a second reality or of a free unreality, as against real life. -- Johan Huizinga (1938), as modified by Roger Caillois (1959) Recounting past perspectives on Play

Upload: jameson-hogan

Post on 06-Jul-2015

257 views

Category:

Education


0 download

DESCRIPTION

Guest lecture on the subject of games and narrative for graduate-level course in Narrative Analysis.

TRANSCRIPT

Page 1: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

The preceding analysis permits play to be defined as an activity which is essentially:

1. Free: in which playing is not obligatory; If it were, it would at once lose its attractive and Joyous quality as diversion;

2. Separate: circumscribed within limits of space and time, defined and freed in advance;

3. Uncertain: the course of which cannot be determined, nor the result attained beforehand, and some latitude for innovations being left to the player's initiative;

4. Unproductive: creating neither goods, nor wealth, nor new elements or any kind, and, except for the exchange of property among the players, ending In a situation identical to that prevailing at the beginning of the game;

5. Governed by rules: under conventions that suspend ordinary laws, and for the moment establish new legislation, which alone counts;

6. Make-believe: accompanied by a special awareness of a second reality or of a free unreality, as against real life.

-- Johan Huizinga (1938), as modified by Roger Caillois (1959)

Recounting past perspectives on Play

Page 2: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Roger Callois’ Game Categories

• Agon (competition)

• Alea (chance)

• Mimicry (role playing)

• Ilinx (altering perceptions)

Paidia(uncontrolled fantasy)

Ludus(requiring skill/effort)

Page 3: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Narrative camps, Ludic camps and a short lived battle (only) within the academy

Gaming and storytelling have always overlapped… there is no reason to limit the resulting form to the dichotomies between story and game…

we can think instead in matters of degree. A story has greater emphasis on plot; a game has greater emphasis on the actions of the player.

Games are not ‘textual’ or

at least not primarily

textual: where is the text in

chess? …a central “text”

does not exist—merely a

context.

(1) rules,

(2) a material/semiotic system (a gameworld),

and

(3) gameplay (the events resulting from

application of the rules to the gameworld).

Any game consists of three

aspects:

--Janet Murray (2004)“From Game-Story to Cyber Drama”

--Espen Aarseth (2004)

“Genre Trouble: Narrativism and the Art

of Simulation”

Page 4: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Video Games come into being when the machine is powered up and the software is executed; they exist when enacted.

…An active medium is one whose very materiality moves and restructures itself—pixels turning on and off, bits shifting in hardware registers, disks spinning up and spinning down… I avoid the word “interactive” and prefer instead to call the video game, like the computer, an action-based medium (Galloway 2-3).

~

One may start by distinguishing two basic types of action in video games: machine actions [Those performed by the software and hardware of the game] and operator actions [those performed by the player].

…Of course, the division is completely artificial—both machine and operator work together in a cybernetic relationship to effect the various actions of the video game in its entirety (5).

On Galloway: what is the video game?

Page 5: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Overview of Operator Machine Interaction

Page 6: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Arsenault & Perron, “In the Frame of the Magic Circle”. 120-121.

Page 7: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

To play a video game is to participate in a continuous feedback loop:In order for (player driven) progress to occur within a game, the playerMust enact, and the machine, as it is programmed, must respond.

However, within the context of the game, there are actions that occurOutside the scope of the narrative world and/or beyond the control Of the player.

Page 8: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Gamic Action in Four Movements:

Diegetic

Nondiegetic

Operator Machine

Pause,Configure,Cheat

Move,Expressive

Ambience,Transition

Enabling,Disabling

Mechanical Embodiments

Page 9: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Fludernik

Page 10: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Discussion!

Page 11: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Who is the Author of a Video Game?

The Development Team for Assassin’s Creed 2

Page 12: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Who is the Narrator of a Video Game?

Page 13: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

The Implied Reader?

Page 14: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Diegetic Boundaries?

Page 15: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Heterodiegetic? Homodiegetic?

Page 16: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Diegesis & Mimesis?

Page 17: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Focalizer?

Page 18: Narratology of Games (Guest Lecture, ENG 798: Narrative Analysis)

Narrative Time?