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ANDERSON Graduate Portfolio B. Arch 2010 + M. Arch 2012 University of Michigan NATHAN

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2012 Graduate Portfolio

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  • ANDERSON

    Graduate PortfolioB. Arch 2010 + M. Arch 2012University of Michigan

    NATHAN

  • NATHAN ANDERSONM. Arch I Portfolio 03.12B.S. Architecture 05.10University of Michigan

    23867 North Park Dr.New Boston, MI [email protected]

  • OBJECT DESIGN

    THE POINTS [A2]

    REFRESH HOUSTON

    ALASKA PORT TERMINAL

    CAP and TRAY [ed]

    MEGACHURCH

    /

    /

    /

    /

    /

    /

    NATHAN ANDERSONM. Arch I Portfolio 03.12B.S. Architecture 05.10University of Michigan

    23867 North Park Dr.New Boston, MI [email protected]

    Architecture of Objects | University of Michigan

    Graduate 2G3 Project | University of Michigan

    2012 Hines Competition Entry | University of Michigan

    Undergraduate Final Project | University of Michigan

    Graduate 2G2 Project | University of Michigan

    Graduate 2G1 Project | University of Michigan

  • DESIGNER/ Nathan Anderson + Jesse WetzelADVISOR/ Vivian LeePURPOSE/ Arch 562LOCATION/ Ann Arbor, MIDATE/ 01.2011 - 05.2011

    What can a tectonically driven project accomplish? Does it provide experiential difference across multiple programs? Cap and Tray[ed] is a formally driven project that is situated in transitions.

    In order to achieve this goal, indexing became a way to design. Then as a for-mal move, the various peices of indexed design is connected together through lofting to create dynamically interchang-ing spaces. This is found according to program, light, views, and atospheric conditions.

    The result is a sectional set of buildings which house living quaters, communal spaces, spa, and other activities in a way that incorporate the daily functions of the spa; from the daily visitors, the week-end visitors, and the facility members.

    CA

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  • The spatial indexing of what it means to be cap and tray. From indexing, how do moments from each part start to speak to one another? What are the best qualities that hu-man inhabitation according to its position within the project?

  • Located at Willow Metropark, this peninsula extends outward into Kent Lake. In order to determine the exact lo-cation of the site, the experiential and situational conditions are indexed and exaggerated to accept the program of the intended type of spa.

  • DESIGNER/ Nathan AndersonADVISOR/ McClain ClutterPURPOSE/ Arch 521LOCATION/ Ann Arbor, MIDATE/ 09.2010 - 12.2010

    Today, the so called mega churches that inhabit the United States act as a big business. Members are looked at money and an investment. Much like the big box businesses, they spawn in strategic communities, gathered from indepen-dant companies that use GIS software.

    In this project, the intentional misuse of GIS software spawns both site and issues that pertain to spatial conditions within the megachurch.

    Within the extents of Detroit lays a mas-sive urban sprawl, which is surrounded by ex-urban self suffiecient nodes of shopping and development. What would happen if a megachurch acted like the anchor department store in a mall and left the rest to adapt to the surrounding context throughout time?

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    Megachurch (Age by Size)Young to Old, Large to Small

    Gas Station Location

    Grocery Store Location

    High Slope Adjacencies

    Projected Population Change Increase Decrease (2014)

    Roadway

    Present Developed Land

    Projected Developed Land(2030)

    Developable Land

    Undevelopable Land

    Retail Center Location

    F A I T HA T L A STEMPORAL PROJECTIONS OF EXURBAN DEVELOPMENTS

    Megachurch (Age by Size)Young to Old, Large to Small

    Gas Station Location

    Grocery Store Location

    High Slope Adjacencies

    Projected Population Change Increase Decrease (2014)

    Roadway

    Present Developed Land

    Projected Developed Land(2030)

    Developable Land

    Undevelopable Land

    Retail Center Location

    F A I T HA T L A STEMPORAL PROJECTIONS OF EXURBAN DEVELOPMENTS

    Megachurch (Age by Size)Young to Old, Large to Small

    Gas Station Location

    Grocery Store Location

    High Slope Adjacencies

    Projected Population Change Increase Decrease (2014)

    Roadway

    Present Developed Land

    Projected Developed Land(2030)

    Developable Land

    Undevelopable Land

    Retail Center Location

    F A I T HA T L A STEMPORAL PROJECTIONS OF EXURBAN DEVELOPMENTS

    Megachurch (Age by Size)Young to Old, Large to Small

    Gas Station Location

    Grocery Store Location

    High Slope Adjacencies

    Projected Population Change Increase Decrease (2014)

    Roadway

    Present Developed Land

    Projected Developed Land(2030)

    Developable Land

    Undevelopable Land

    Retail Center Location

    F A I T HA T L A STEMPORAL PROJECTIONS OF EXURBAN DEVELOPMENTS

    Intentionally misusing GIS software as both a set of layered information doubled as diagram, the original orange and grey represent growing and declining populations, the 3D red generated parcels which were changing at a high pace, all along a ten diameter diameter from any highway in the ex urban Detroit.

    This information is compared to the projected developments (top) and the currently developed land (top right) along the road system (right bottom), gas stations/shop-ping areas (bottom), creating a typology to current churches.

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    Megachurch (Age by Size)Young to Old, Large to Small

    Gas Station Location

    Grocery Store Location

    High Slope Adjacencies

    Projected Population Change Increase Decrease (2014)

    Roadway

    Present Developed Land

    Projected Developed Land(2030)

    Developable Land

    Undevelopable Land

    Retail Center Location

    F A I T HA T L A STEMPORAL PROJECTIONS OF EXURBAN DEVELOPMENTS

    Paralleling this set of information with the generalized business nature of malls, I decided to place a new mega church in a high-rate growing community with the infra-structure in place to feed off of high traffic. This was Canton, MI with nearby Ikea.

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    60,000

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    80,000

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    0 sq ft

    120,00

    0 sq ft

    250,00

    0 sq ft

    75,000

    sq ft

    50,000

    sq ft

    8,000

    sq ft

    5,000

    sq ft

    8,0000

    sq ft

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    3,000

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    15,000

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    3,000

    sq ft

    1,200

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    1,500

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    1,500

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    1,200

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    Medium Large

    Medium General

    Small Medium

    Small General

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    Medium General

    Small Medium

    Small General

    Medium General

    Small Medium

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    From road traffic density and consumer connections within the context of the site, one can use this data as a programming tool. This, in relation to square footages, all concieved from the surrounding buildings along the trip to current Megachurches. These two tools are used to generate a spatial volume, which imediately responds to the hierarchy of light that enter the courtyards.

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    60,000

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    0 sq ft

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    0 sq ft

    75,000

    sq ft

    50,000

    sq ft

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    sq ft

    5,000

    sq ft

    8,0000

    sq ft

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    sq ft

    3,000

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    15,000

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    1,500

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    1,200

    sq ft

    1,200

    sq ft

    From road traffic density and consumer connections within the context of the site, one can use this data as a programming tool. This, in relation to square footages, all concieved from the surrounding buildings along the trip to current Megachurches. These two tools are used to generate a spatial volume, which imediately responds to the hierarchy of light that enter the courtyards.

    Small Medium

    Small General

    Large General

    Medium Large

    Medium General

    Small Medium

    Small General

  • In order to create a spiritual effect as a justaposition against the mall concept, light is corrdinated with different types of concrete, which create differing atmo-spgeres within the project. This way, the blending of church and mall are utilized so that either program could inhabit the spaces as the context calls for it over time, giving the building great flexibility.

  • Shown above are spatial light renderings of how light penetrates the solid in accor-dance to the interior-designed court-yards. Using light as both a wayfinding device and store signifier, the flexibility lends itseld to most programs.

  • DESIGNER/ Nathan Anderson + Josh HendershotADVISOR/ Doug KelbaughPURPOSE/ Arch 672LOCATION/ Ann Arbor, MIDATE/ 09.2011 - 12.2011

    Increasingly today, more people are working where they dwell. Designed as a comprehensive housing studio, this project acts to ease Ann Arbors demand for downtown housing, with an eye towards what the newer trend of residential living brings to a project.

    Situated right off of Main Street (Ann Arbors historic restaurant district), The Points [A2] blends retail, housing, and working as lifestyle synergy. Living ontop of the citys biggest destination brings housing and retail to a better balance and more space for start-up companies to reside within.

    Designing structure to house various apartment units/live-work units became the bones, while sytems technologies and tectonics play supporting roles.

    THE

    PO

    INTS

    [A

    2]

  • Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 11 Level 12

    Level 13 Level 14

    Level 11 Level 12

    Le

    Le

    Le

    Lev

    Lev

    Lev

    Le

    Le

    Le

    North Tower Low-Income / Affordable

    8 Housing LevelsLevel 3 - Level 10

    66 Units

    89 Beds

    Studios | XXX SF

    Affordable 1 Bedroom| XXX SF

    Affordable 2 Bedroom| XXX SF

    Affordable 3 Bedroom| XXX SF

    Affordable 1 Bedroom| XXX SF

    Affordable 2 Bedroom| XXX SF

    Affordable 3 Bedroom| XXX SFMarket Rate 1 Bedroom| XXX

    Market Rate 2 Bedroom| XXX

    Market Rate 3 Bedroom| XXX

    Penthouse| XXX SF Market Rate 1 Bedroom| XXX

    Market Rate 2 Bedroom| XXX

    Market Rate 3 Bedroom| XXX

    Penthouse| XXX SF

    Central Tower Mixed Units

    South Tower Market Rate / Family Units

    10 Housing Levels Level 3 - Level 12

    67 Units

    104 Beds

    12 Housing Levels Level 3 - Level 14

    65 Units

    125 Beds

    19% Studios

    55% 1 Bedroom

    15% 2 Bedroom

    11% 3 Bedroom

    100% Affordable Units

    53% 1 Bedroom

    36% 2 Bedroom

    7% 3 Bedroom

    4% Penthouse

    25% Market Rate

    75% Affordable Units

    35% 1 Bedroom

    34% 2 Bedroom

    26% 3 Bedroom

    5% Penthouse

    100% Market Rate Units

    E LIBERTY ST

    E LIBERTY ST

    CITY OWNED PARCEL

    UNIVERSITY PARCEL

    PARK / GREENWAY

    WALLY STATION PROPOSAL

    DDA BOUNDARY

    HISTORICAL PARCEL

    S STATE ST

    MAYN

    ARD

    ST

    THO

    MPSO

    N ST

    S DIVISIO

    N ST

    S 5TH AVE

    S 4TH AVE

    S MA

    IN ST

    S ASH

    LEY ST

    S 1ST ST

    2ND

    ST

    E HURON ST

    W LIBERTY ST

    W HURON ST

    E WILLIAM ST

    NICKELS ARCADE

    HISTORIC HOUSE PROJECT

    LIBRARY PLAZA

    RETROFIT RETAIL

    ASHLEY PLAZA

    PROPOSED 1ST ST PARK

    W WILLIAM ST

    PACKARD STPROPOSED GREENBELT MASTER PLAN

  • Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 3 Level 4

    Level 5 Level 6

    Level 7 Level 8

    Level 9 Level 10

    Level 11 Level 12

    Level 13 Level 14

    Level 11 Level 12

    Le

    Le

    Le

    Lev

    Lev

    Lev

    Le

    Le

    Le

    North Tower Low-Income / Affordable

    8 Housing LevelsLevel 3 - Level 10

    66 Units

    89 Beds

    Studios | XXX SF

    Affordable 1 Bedroom| XXX SF

    Affordable 2 Bedroom| XXX SF

    Affordable 3 Bedroom| XXX SF

    Affordable 1 Bedroom| XXX SF

    Affordable 2 Bedroom| XXX SF

    Affordable 3 Bedroom| XXX SFMarket Rate 1 Bedroom| XXX

    Market Rate 2 Bedroom| XXX

    Market Rate 3 Bedroom| XXX

    Penthouse| XXX SF Market Rate 1 Bedroom| XXX

    Market Rate 2 Bedroom| XXX

    Market Rate 3 Bedroom| XXX

    Penthouse| XXX SF

    Central Tower Mixed Units

    South Tower Market Rate / Family Units

    10 Housing Levels Level 3 - Level 12

    67 Units

    104 Beds

    12 Housing Levels Level 3 - Level 14

    65 Units

    125 Beds

    19% Studios

    55% 1 Bedroom

    15% 2 Bedroom

    11% 3 Bedroom

    100% Affordable Units

    53% 1 Bedroom

    36% 2 Bedroom

    7% 3 Bedroom

    4% Penthouse

    25% Market Rate

    75% Affordable Units

    35% 1 Bedroom

    34% 2 Bedroom

    26% 3 Bedroom

    5% Penthouse

    100% Market Rate Units

    Located along a proposed greenway, The Points [A2] becomes a key node to the success of the project (left). Located within each tower, various units are arranged so that the balconies shift, allowing for facade variation and the further design of the louver systems (right).

    E LIBERTY ST

    E LIBERTY ST

    CITY OWNED PARCEL

    UNIVERSITY PARCEL

    PARK / GREENWAY

    WALLY STATION PROPOSAL

    DDA BOUNDARY

    HISTORICAL PARCEL

    S STATE ST

    MAYN

    ARD

    ST

    THO

    MPSO

    N ST

    S DIVISIO

    N ST

    S 5TH AVE

    S 4TH AVE

    S MA

    IN ST

    S ASH

    LEY ST

    S 1ST ST

    2ND

    ST

    E HURON ST

    W LIBERTY ST

    W HURON ST

    E WILLIAM ST

    NICKELS ARCADE

    HISTORIC HOUSE PROJECT

    LIBRARY PLAZA

    RETROFIT RETAIL

    ASHLEY PLAZA

    PROPOSED 1ST ST PARK

    W WILLIAM ST

    PACKARD STPROPOSED GREENBELT MASTER PLAN

  • 1EDCBA

    2

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    Mechanical Room

    Mechanical Room

    1/16" = 1'-0"1Lower Level Parking

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    1/16" = 1'-0"1Upper Level Parking

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    RetailRetail

    Open To Below

    ArkOffice

    Open To Below

    Open To Below

    LobbyOpen To Below

    Storeroom

    Open To Below

    1/16" = 1'-0"1Level 2

    1/16" = 1'-0"1Level 3

    Community Room

    Community Room

    1/16" = 1'-0"3Upper Level - North Tower

    1/16" = 1'-0"4Penthouse Level - Central Tower

    1/16" = 1'-0"5Penthouse Level - South Tower

    Elevator Penthouse

    Elevator Penthouse

    Elevator Penthouse

    1/16" = 1'-0"1Roof Plan - North Tower

    1/16" = 1'-0"2Roof Plan - Central Tower

    1/16" = 1'-0"3Roof Plan - South Tower

  • 1EDCBA

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    Mechanical Room

    Mechanical Room

    1/16" = 1'-0"1Lower Level Parking

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    1/16" = 1'-0"1Upper Level Parking

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    RetailRetail

    Open To Below

    ArkOffice

    Open To Below

    Open To Below

    LobbyOpen To Below

    Storeroom

    Open To Below

    1/16" = 1'-0"1Level 2

    1/16" = 1'-0"1Level 3

    Community Room

    Community Room

    1/16" = 1'-0"3Upper Level - North Tower

    1/16" = 1'-0"4Penthouse Level - Central Tower

    1/16" = 1'-0"5Penthouse Level - South Tower

    Elevator Penthouse

    Elevator Penthouse

    Elevator Penthouse

    1/16" = 1'-0"1Roof Plan - North Tower

    1/16" = 1'-0"2Roof Plan - Central Tower

    1/16" = 1'-0"3Roof Plan - South Tower

  • wall mount system(hanging one-story module ties the louvers to the facade)

    louvre conguration(combats solar elevation)

    rigid alminum tube support(prevents movement against wind loads and transfers load)

  • 120 0

    130 0

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    90 0

    80 0

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    73 8

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    69 0

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    92 6

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    109 0

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    119 0

    129 0

    133 2Flat Plate Solar CollectorsThermal Hot Water System

    Seasonal Panel AdjustmentManual Adjustment allows for panel angle optimization without the added cost of a mechanical tracking system

    HandrailAluminum extrusion top rail with steel

    wire mesh panelling, spacing

    Bunched LouversAt balconies, horizontal shading louvers are bunched upward to

    allow for ideal southern views

    Glass Balcony DoorSwing glazed doors allow for preferred

    views while providing more superior infiltration control compared to sliding

    glass doors

    Interior Ceiling InsulationProtects against cold thermal

    bridging in cases where an exposed baclony is above a non-balcony zone

    WindowFixed, double glazed fenestration in standard sizes to fit with the aluminum panel facade system

    Interior Ceiling InsulationProtects against cold thermal

    bridging in cases where an exposed baclony is above a non-balcony zone

    Aluminum Panel FacadeModular, 4 x 3 Panels that clip into vertical support mullions with rigid insulation beyond supported by light guage steel studs spanning between precast floor panels

    Exterior Ceiling InsulationProtects against cold thermal bridging in cases where an exposed floor plate is above an open balcony

    Horizontal Shading LouversFolded sheet aluminum louvers, 4

    deep, that span the southern facade of the building, and bulge out at balcony locations, to provide more

    ideal shading

    Prefab Balcony InsulatorRigid insulation and resteel system designed to prevent thermal bridging through concrete floor plates

    Balcony ResteelProvides additonal support for the cast-in-place balconies due to their custom insulation system

    A combination of poured in place and pre-cast floors connect to a prefabri-cated, insulated balcony which resits horizontal thermal conduction.

  • The louver design translates into cano-py design through the entrance from the underground parking structure. It incorporates both the horizontal lou-ver curve with the straight elements of the rear arcade.

  • EDCBA A.1

    Elevator Penthouse

    EDCBA A.1

    Elevator Penthouse

    EDCBA A.1

    Elevator Penthouse

    1/16" = 1'-0"1Roof Plan - North Tower

    1/16" = 1'-0"2Roof Plan - Central Tower

    1/16" = 1'-0"3Roof Plan - South Tower

    Equinox - 46 Solar Altitude Angle -100% Flat Plate Exposure - 90 Solar Incident Angle (Ideal)

    Summer - 72 Solar Altitude AngleSolstice -100% Flat Plate Exposure - 68 Solar Incident Angle

    Winter - 24 Solar Altitude AngleSolstice -100% Flat Plate Exposure - 116 Solar Incident Angle

    Rooftop Mechanical Room Scenario

    South Tower111 4x8 Flat Plate Collectors3,552 ft Collection Area

    Central Tower111 4x8 Flat Plate Collectors3,552 ft Collection Area

    North Tower114 4x8 Flat Plate Collectors3,648 ft Collection Area

    Flat Plate Collecter Summary336 4x8 Flat Plate Collectors10,752 ft Collection Area

  • EDCBA A.1

    Elevator Penthouse

    EDCBA A.1

    Elevator Penthouse

    EDCBA A.1

    Elevator Penthouse

    1/16" = 1'-0"1Roof Plan - North Tower

    1/16" = 1'-0"2Roof Plan - Central Tower

    1/16" = 1'-0"3Roof Plan - South Tower

    Equinox - 46 Solar Altitude Angle -100% Flat Plate Exposure - 90 Solar Incident Angle (Ideal)

    Summer - 72 Solar Altitude AngleSolstice -100% Flat Plate Exposure - 68 Solar Incident Angle

    Winter - 24 Solar Altitude AngleSolstice -100% Flat Plate Exposure - 116 Solar Incident Angle

    Rooftop Mechanical Room Scenario

    South Tower111 4x8 Flat Plate Collectors3,552 ft Collection Area

    Central Tower111 4x8 Flat Plate Collectors3,552 ft Collection Area

    North Tower114 4x8 Flat Plate Collectors3,648 ft Collection Area

    Flat Plate Collecter Summary336 4x8 Flat Plate Collectors10,752 ft Collection Area

    12

    12

    4

  • DESIGNER/ Nathan AndersonADVISOR/ Anca TrandafirescuPURPOSE/ Arch 473LOCATION/ Ann Arbor, MIDATE/ 01.2010 - 04.2010

    How can architecture be defined as a threshold, both physical and mental? From the bowels of a cruise ship, one may try to define what the intermedi-ates are between one destination and another.

    In this project, the ideas of intermediacy and disorientation are the subjects through which architecture tries to de-fine. As an occupant inhabits the cruise ship, they become displaced between point a and point b, but offers a sense of placeness by providing a multitude of amenities of entertainment. This ultimately dissolves the threshold.

    In an effort to bring back the threshold, this port terminal can provide a series of spaces that promote a placelessness, which clearly separates ship and city. A

    LAS

    KA

    PO

    RT

    TER

    MIN

    AL

  • From a given image of static, there is a threshold of density of black and white pix-els. Imagining the threshold as a 3D field, I pulled three layers from the image, split them in quarters, then reassembled them in a light box which allows the user to focus on unique areas within the threshold.

  • 16 32 48 64

    30 Above Sea LevelScale: 1=32

    N

    1

    3

    2

    4

    To Convention Center and Community Plaza

    16 32 48 64

    48 Above Sea LevelScale: 1=32

    N

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    1

    3

    2

    4

    Threshold//This term defines the simple difference between one and another, but what happpens in this grey area? A generated State of Suspension can be experienced in a way where the user becomes suspended, fixiated on a certain field, which eventually leads the user through.

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

  • 16 32 48 64

    30 Above Sea LevelScale: 1=32

    N

    1

    3

    2

    4

    To Convention Center and Community Plaza

    16 32 48 64

    48 Above Sea LevelScale: 1=32

    N

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    1

    3

    2

    4

    Threshold//This term defines the simple difference between one and another, but what happpens in this grey area? A generated State of Suspension can be experienced in a way where the user becomes suspended, fixiated on a certain field, which eventually leads the user through.

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    16 32 48 64

    30 Above Sea LevelScale: 1=32

    N

    1

    3

    2

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    To Convention Center and Community Plaza

    16 32 48 64

    48 Above Sea LevelScale: 1=32

    N

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    1

    3

    2

    4

    Threshold//This term defines the simple difference between one and another, but what happpens in this grey area? A generated State of Suspension can be experienced in a way where the user becomes suspended, fixiated on a certain field, which eventually leads the user through.

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    Ballast used as oatation stabilizer by draining water

    Ballast full upon arrival used as buoyancy stabilizer at sea

    Ship raises above the height of a normal building creating a tansient

    monument

    Ballast used as oatation stabilizer by draining water

    Ballast full upon arrival used as buoyancy stabilizer at sea

    Ship raises above the height of a normal building creating a tansient

    monument

    Ballast used as oatation stabilizer by draining water

    Ballast full upon arrival used as buoyancy stabilizer at sea

    Ship raises above the height of a normal building creating a tansient

    monument

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

    8 16 24 32

    Scale: 1=16

  • 16 32 48 64

    30 Above Sea LevelScale: 1=32

    N

    1

    3

    2

    4

    To Convention Center and Community Plaza

    16 32 48 64

    48 Above Sea LevelScale: 1=32

    N

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    1

    3

    2

    4

    Threshold//This term defines the simple difference between one and another, but what happpens in this grey area? A generated State of Suspension can be experienced in a way where the user becomes suspended, fixiated on a certain field, which eventually leads the user through.

    Space Key1 // Festival Plaza2 // Grand Festival Space3 // Festival Office4 // Indoor Gallery

    Much like the Yokohama Terminal, the project presents itself as a con-tinuous space, yet in this project, the space is determined by both program and the experience achieved between programs as threshold. The gesture to have the ship dock within the fabric of the city presents a duality of integration, as the height of the ship starts to blend into the cityscape yet is a completely foriegn object which is removable.

  • This project is best represented by a series of vignettes, which start to explain the programmatic and spatial process from dock to city. Slippages of arrival and departure spawn a curiosity and possible disorientation through two linear paths.

  • DESIGNER/ Nathan Anderson + Heidi Swift ADVISOR/ Douglas KelbaughPURPOSE/ Hines CompetitionLOCATION/ Ann Arbor, MIDATE/ 01.2012

    The Urban Land Institute/Gerald D. Hines Student Urban Design Competi-tion is a nationwide interdisciplinary graduate competition engaging in a chal-lenging two week excercise in respon-sible land use.

    The location chosen is a blighted corner just inside downtown Houston, Texas. After deliberations, our team decided to redevelop the program to be a market district, creating place by integrating the existing bayou park with housing and rerouted trafice/pedestrian routes.

    My responsibilities included conpet sketching, traffic analysis, phasing with our financials team member, and producing three perpestives for visual interpretation.

    REF

    RES

    H H

    OU

    STO

    N

  • REFRESH HOUSTONT H E M A R K E T D I S T R I C T

    ReFr

    ESh HO

    Usto

    n

    prod

    uctiv

    ity

    vitality

    sust

    aina

    bility

    comfort

    ecological restoration

    dense, diverse, walkable

    clim

    ate-

    resp

    onsiv

    e des

    ign

    fres

    h fo

    od m

    arke

    t

    Marketdistrict

    as

    UrBanoasis

    SITE PLAN

    The Market District is a LEED Gold neighborhood leading downtown Houston into an urban renais-sance. The development will provide a fresh take on food, comfort, entertainment, and urban living, become an oasis in the city. The marketplace, national grocer, and community gatdening programs will squash the food desert stretching north from downtown Houston; the expanded Sabine-Bagby Promenade will revitalize Buffalo Bayou; and new transit-based and pedestrian connections will allow a seamless integration with the greater Houston area and all of Downtowns amenities.

    Circulation

    Open Space

    Land Use

    Region Analysis Concept Brand

    Phasing

    0

    1

    2

    3

    Vision

    Perspective Bayou/Campus

    MarketSustainable Systems

    Walkable Urban Center

    Parking Intermodal StationLight Rail Station Street Car Line

    Improved Bayou Access Central Marketplace External Market Structures

    National Grocer

    Urban Beach/Bar Canoe Launch

    New Park Space Landmark Tower

    Buried Parking

    Pedestrian Bridge to UHD

    Infrastructural Barriers, Extreme Climate, Difficult Topography

    Use Franklin to foster new downtown connections, create a retail corridor between downtown and the station, provide student housing and expan-sion space for UHD, and expand transit options

    Synthesize these concepts into an identity that will attract people from all walks of life

    View from top floor apartment in the 220 ft. tall mixed-use tower, with the Market District in the foreground and Buffalo Bayou and Downtown Houston beyond

    View from the Louisiana St. Bridge toward the Sabine-Bagby Promenade and the Urban Beach/Bar, with UHD and the mixed-use tower in the background

    The Market District is anchored by a congregation of multiple market typologies- and regular entertainment

    Transit / Parking

    Residential

    Mixed Use Residential

    Commercial / Retail

    Mixed Used Institutional / RetailGround Floor Retail

    Ground Floor Office

    Light Rail

    Street Car

    Bicycle

    1:600

    1:700

    1:1800N

    Team 0319 | 2 top

    Team 0319 | 2 bottom

    Team 0319 | 3 top

    Team 0319 | 3 bottom

    Team 0319| 1 top

    Team 0319 | 1 bottom

  • DESIGNER/ Nate AndersonADVISOR/ Shawn JacksonPURPOSE/ Arch 557LOCATION/ Ann Arbor, MIDATE/ 01.2012

    As a designer, I feel it is necessary to involve myself with the tactile knowledge of building. At a small scale, understand-ing material qualities and connections between elements of design are integral to an overall understanding of architec-ture as a discipline. In my generation, and increasingly in academia today, not enough physical manifestations of ideas proliferate out of the drawings and into our hands. Throughout my final year in my graduate studies, I hope to build objects that harness my knowledge of the physical and digital together.

    OB

    JEC

    T D

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  • The Dynamic Movement LampDesigned on paper, placed into the digital, and outputed using the automated fabric cutter and digital measuring tools to soder and construct a fabric tensioned lamp shade over a wire frame.

  • Ikebana Flower VaseTaking the traditional formwork casting process in two directions; by digitally creating and pour-ing the cast, and by a hand formed acrylic base.