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National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington State Saturday, March 19, 2010

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Page 1: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

National Art Education AssociationREADING ART, READING TEXT:

Teaching Art and Literacy Together

Susy Watts and Beverly Harding BuehlerArts Impact, Washington State

Saturday, March 19, 2010

Page 2: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Arts Integration

How do you define it?

What are the benefits of arts integration?

Page 3: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Arts-Infused Definition

Enables students to identify and apply authentic connections between two or more disciplines and/or to understand essential concepts that transcend individual disciplines.

Authentic Connections: Interdisciplinary Work in the Arts, 2002

Faith Ringgold, Tar Beach, 1988, Solomon R. Guggenheim Museum

Creamy, Fluffy Birthday, Valeria, Grade 1

Page 4: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Arts ImpactTeacher Training: Arts as Literacy

Page 5: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Key Features of Arts Impact Professional DevelopmentArts-Infused Learning for Classroom Teachers

CONTENT Standards-based Instruction Arts Foundations Arts-Infused Shared Concepts Performance-based Assessments Object-based Learning

APPROACHES In-depth Training and Practice Artist-Mentors Coach: Model, Co-

Teach, Safety-Netting, Assessing Research-based Project Evaluation Shared Lesson Planning Format Professional Learning

Communities Whole-school Training through

Faculty leaders Principal Training

Page 6: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

U.S. Department of Education Professional Development in Arts EducationTraining Teachers: Arts as Literacy

Grant OverviewExpand professional development in

Seattle Public SchoolsStrengthen capacity of classroom

teachers to deliver standards-based visual arts

Integrate art into core academic literacy

Create a sustainable model

OutcomesSustain intensive PD for 30 teachers

and literacy coachesIncrease teacher knowledge in the

arts and assessmentsIncrease teacher arts teaching

autonomyIncrease student arts knowledgeCreate family communication toolDisseminate PD planCreate a lesson plan baseCreate videos to sustain arts-infused

education in the classroomReach 1500 students

Page 7: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Focal Points: Setting in a Text

Contrasts Questions Responses

What strongly contrasting words, images or emotions do you notice in the setting of this chapter?

Page 8: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Focal Points: Setting in a Work of Art

Albert Bierstadt, Puget Sound on the Pacific Coast, 1870, Seattle Art Museum

What strongly contrasting images or emotions do you notice in the setting of this work of art?

Page 9: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

“Now that I know about contrast, I can figure out the important things in books and pictures.” – Hajira, Fourth Grader

Focal Points: Setting in Student Art

Page 10: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

THREE KINDS OF INFUSIONConcepts in Art and Reading

Character Contrast Dynamism Expressive color Focal point Gesture Metaphor Mood

Pattern Repetition Rhythm Setting Story sequence Symbolism Texture Unity

Page 11: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Artistic Processes in Art and Reading Generate Ideas

Gather information—from WHAT you know—from WHO you know

Construct Meaning Brainstorm; Create drafts; Organize ideas; Make a

choice Self-Reflect

Check in with self; Check in with others; Refine work

Page 12: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Thinking Strategies in Art and Reading

Describing sense memoriesBuilding on prior knowledgeInferring meaningVisualizingInterpreting and expressing emotionsIdentifying contrasting images/words/emotionsSorting facts from interpretationsSynthesizing

What other thinking strategies are infused between reading and art?

Page 13: National Art Education Association READING ART, READING TEXT: Teaching Art and Literacy Together Susy Watts and Beverly Harding Buehler Arts Impact, Washington

Please contact us…resources for arts-infused teaching Arts Impact, www.arts-impact.org . . . .searchable data base

for TTAL lessons will be available September 2011. Susy Watts, [email protected] Beverly Harding Buehler, [email protected]