national film award catalogue - preview copy

58The National Film Awards were constituted in 1953 to recognise and acknowledge the best of Indian cinema in each given year, in all Indian languages. These are awards not given not only for the artistic worth of the films but also for their social value and relevance. Apart from the films themselves, the best contribution in each of the disciplines of filmmaking are awarded to the con-tributing artists and technicians.

THE OFFICIAL CATALOGUE

CREDITS

editor Bhupendra Kaintholaeditorial assistance Shambu Sahu, Mukeshart direction Anuj Malhotraofficial photography Gautam Valluri, Ankush Jambh

All the views expressed in this catalogue are of their respective writers, and the editor or the publisher does not necessarily endorse them.

All the images used are held under strict copyright by their respective production houses and cannot be distributed without prior permission.

The Directorate of Film Festivals was founded in 1973 to promote an atmosphere of healthy social, cultural and ideological exchange through the me-dium of cinema.

Visit the website at www.dff.nic.in

ACKNOWLEDMENTS

National Film Awards Catalogue Team, National Film Archives of India, Photo Division, Film and Television Institute of India, Directorate of Adver-tising and Visual Publicity, Press Information Bu-reau, Prasar Bharti

DADASAHEB PHALKE

JURY MEMBERS

FEATURE FILMS

NON-FEATURES

58

WRITING ON CINEMA

FEATURE FILMS

NON-FEATURES

WRITING ON CINEMA

CONTENTS

About Dadasaheb Phalke Award 11 About Dadasaheb Phalke Award

About Dadasaheb Phalke Award 11 Dadasaheb Phalke Award Past Recepients

About Dadasaheb Phalke Award 11 Dadasaheb Phalke Award Committee

About Dadasaheb Phalke Award 11 Dadasaheb Phalke Award Winner

About Dadasaheb Phalke Award 11 Feature Film Jury Chairman Overview

About Dadasaheb Phalke Award 11 Feature Film Jury Members

About Dadasaheb Phalke Award 11 Non-Feature Film Jury Chairman Overview

About Dadasaheb Phalke Award 11 Non-Feature Film Jury Members

About Dadasaheb Phalke Award 11 Chairman: Best Writing on Cinema Overview

About Dadasaheb Phalke Award 11 Best Writing on Cinema Jury Members

About Dadasaheb Phalke Award 11 Awards at a Glance

About Dadasaheb Phalke Award 11 Best Feature Film

About Dadasaheb Phalke Award 11 Best Debut Film of a Director

About Dadasaheb Phalke Award 11 Best Film Providing Wholesome Entertainment

CONTENTS



















58Dadasaheb Phalke Award is given to a film personality for his or her extra-ordinary contribution to cinema. The award comprises of a Swarna Kamal and Rs 1,00,000/-

DADASAHEB

PHALKE AWARD

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Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June 20, 2011.

DADASAHEB PHALKE

Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June 20, 2011. When Gary Kirsten was carried on the shoulders of his players after India’s win, the look of surprise on his face was genuine. Unlike coaches who are magnanimous in defeat, will-ingly sharing the blame with the players while lapping up the kudos solo in victory, he belonged to the old school. One which believed that coaches should neither be seen nor heard. Kirsten, who quickly learnt the ways of Indian cricket, was happy to be the man in the background.It helped that he had played with some of the seniors and earned their respect as a tough, hard-working batsman for whom nothing came easily, but who made everything count. He made his international debut four years after Tendulkar. As a batsman he was at the other end of the spectrum from the Indian, studied where Tendulkar was natural, reined in by limita-tions where Tendulkar was a free spirit, a percentage player where Tendulkar was a risk-taker.

Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June 20, 2011. When Gary Kirsten was carried on the shoulders of his players after India’s win, the look of surprise on his face was genuine. Unlike coaches who are magnanimous in defeat, will-ingly sharing the blame with the players while lapping up the kudos solo in victory, he belonged to the old school. One which believed that coaches should neither be seen nor heard. Kirsten, who quickly learnt the ways of Indian cricket, was happy to be the man in the background.It helped that he had played with some of the seniors and earned their respect as a tough, hard-working batsman for whom nothing came easily, but who made everything count. He made his international debut four years after Tendulkar. As a batsman he was at the other end of the spectrum from the Indian, studied where Tendulkar was natural, reined in by limita-tions where Tendulkar was a free spirit, a percentage player where Tendulkar was a risk-taker.

C handraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which

have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June

Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June



K BALACHANDER

DSPA WINNER PROFILE

BEST FEATURE FILMSWARNA KAMAL/ Rs 1,00,000/-

KAALCHILAMBU 160min/Hindi/Colour

For the vision and cinematic craft to express the different perspectives of three women about thetruth of the man in their lives.

For the vision and cinematic craft to express the different perspectives of three women about thetruth of the man in their lives.


KAALCHILAMBU/ director RAJKUMAR HIRANI producer VIDHU VINOD CHOPRA screenwriter ABHIJAT JOSHI & RAJKUMAR HIRANIcinematographer C.K.MURALEEDHARAN editor RAJKUMAR HIRANI cast AAMIR KHAN SHARMAN JOSHI R MADHAVAN

KAALCHILAMBU


VIDHU VINOD CHOPRA

Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has directed several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cin-ema, he was awarded the Bharat Ratna on June

3 Idiots, Eklavya: The Royal Guard, Lage Raho Mun-nabhai, Munnabhai MBBS, KareebParinda, 1942: A Love Story, Mission Kashmir

RAJKUMAR HIRANI

Chandraprakash Dwivedi has been the stalwart of Indian cinema for a very long time. He has di-rected several plays, as well as several films, most of which have gone on to win National or State Awards. For his contribution to Indian cinema, he was awarded the Bharat Ratna on June

3 Idiots, Eklavya: The Royal Guard, Lage Raho Mun-nabhai, Munnabhai MBBS, Kareeb Parinda, 1942: A Love Story, Mission Kashmir=

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KAALCHILAMBU/ director RAJKUMAR HIRANI producer VIDHU VINOD CHOPRA screenwriter ABHIJAT JOSHI & RAJKUMAR HIRANIcinematographer C.K.MURALEEDHARAN editor RAJKUMAR HIRANI cast AAMIR KHAN SHARMAN JOSHI R MADHAVAN

KAALCHILAMBU

VIDHU VINOD CHOPRA


VIDHU VINOD CHOPRA


VIDHU VINOD CHOPRA


58

VIDHU VINOD CHOPRA


VIDHU VINOD CHOPRA


VIDHU VINOD CHOPRA


58NORTH

national film award catalogue - preview copy

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