neoclassicism. sharp contrasts, symmetry and simplicity proved...

1
Type Quantity Fixture Manufacture & Model Number Lamp Type/CCT Description A 16 Winona Lighting PA-L4-WHT-F0- SHO-C1-B3 39W PAR20/MH/SP10 3000K Adjustable aim, Façade accent lighting with remote ballast B 120 Winona Lighting WSL-405W-48-100-RGB- ND24V-A-SGW-RB-X-STD LED RGB Adjustable aim, Purple or blue color, Façade wall wash C 28 Winona Lighting TH-86-NF-UB-NSL-L0-BKS- F0-GS-B3-STD CMD70/T6/MH 3000K Ingrade façade accent lighting, Glare shielding, Remote ballast D 6 Winona Lighting HI-86-NF-UB-L2-BKS-F0- SHO-C1-B3-STD CMD70/T6/MH 3000K Adjustable aim, Banner light, mounted on extension pole off of ban- ner frame, Remote ballast E 2 Winona Lighting LED-POPS03-22-CYL-L- 007-DM24V-BAL-X-STD Normal Output LED Red-Orange Pendant hung chandelier for bar/info desk, Dimmable LED, Red- orange color F 147 Steng Licht Einbaufassung E14 AEO 40W 120V Incandescent 2700K Marquee lighting for perimeter of mezzanine, Spaced every 6", dimmed to 50% to maintain lamplife and energy G 14 Winona Lighting HEBRLED-9004-12V-L4 -LO-FA-SH6-TF-GS-STD 15W/40° FL/WW LED 3000K w/ Amber Color Filter Ingrade lighting for donor wall, Amber color filter, 180 Degree glare shield H 6 - 3ft. 5 - 4ft. 14 - 1ft. Winona Lighting WSL-103W-TBD- 110-30K-F-NAA-X-STD 3000K LED with Orange-Red Color Filter Under cabinet lighting for bar/info desks and box office counter, 1 ft sections, Red-orange color I 8 Cooper Lighting PD6 H142 26W DTT 26W Double Tube Fluorescent 3000K Recessed can lights in mezzanine over hang to illuminate the box office area J 12 Winona Lighting 5622-24-F14Tf/Mini Bi Pin- 277V-WLG-BAL-STD F14T5 Mini Bi Pin 3000K Wall sconce in archways throughout lobby, Surface Mount 6' off floor K 36 Litecontrol 85N14T8-S-FP-CWM- CZECO/ELC277 2 F32T8 Fluorescent Lamps 3000K Wall washers for perimeter of lobby and above donor wall L 14 AmerLux SD4 70 T6 E SD C 120/277U WF T6/MH/FL 3000K Recessed down-lights in lobby The Public Theater The Neoclassical movement of purity, rhythm and order made its way into literature, paintings, music, politics, theater and architecture in the 18th century. Not only was it a rejection of the ornamental and chaotic movements that came before it, but also a mirror to the Classical thought of ancient Roman and Greek society. A century and a half later, we find that Modern thought is a reflection of Neoclassicism. Sharp contrasts, symmetry and simplicity proved to be important design criteria not only in Neoclassical art, but also for the simplistic Modern movement of our time. With this in mind it seems fitting that this historic Neoclassical building will be restored with Modern style to become a mecca to the arts. Our lighting design is a fusion of Modern art and Neoclassical principles. Symmetry and order are melted together with color and futurama to produce a timeless and inspiring aura for both theater patrons and public passerby. On the exterior, eccentric gradients play with elegant columns of warm light and echo the matrimony of old style and new ideas. The building feels alive, and lures people in through the lobby directly to the box office. Above the box office, the donor wall is gracefully washed with an eye-catching gra- dient that is imitated by the pleasant embrace of the bar and information desk. The passion and history behind this proposal encourages young and ag- ing patrons alike to harbor a loyalty to this theater in particular as well the fine arts in general. Where passion for classic and modern art unite. A D B C Luminaire Layout Plans Please note that these drawings are not to scale, and the façade layout is symmetrical. Kittrick Mikel Davidson & Sara Nicole Sullivan Bar & Info. Desk Box Office Donor Wall Mezzanine Howard Brandston Lighting Design Education Grant

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Page 1: Neoclassicism. Sharp contrasts, symmetry and simplicity proved …saranicolesullivan.com/images/hbposter.pdf · Neoclassicism. Sharp contrasts, symmetry and simplicity proved to be

Type Quantity Fixture Manufacture & Model

Number Lamp Type/CCT Description

A 16

Winona Lighting

PA-L4-WHT-F0-

SHO-C1-B3

39W

PAR20/MH/SP10

3000K

Adjustable aim, Façade

accent lighting with

remote ballast

B 120

Winona Lighting

WSL-405W-48-100-RGB-

ND24V-A-SGW-RB-X-STD

LED

RGB

Adjustable aim, Purple or

blue color, Façade wall

wash

C 28

Winona Lighting

TH-86-NF-UB-NSL-L0-BKS-

F0-GS-B3-STD

CMD70/T6/MH

3000K

Ingrade façade accent

lighting, Glare shielding,

Remote ballast

D 6

Winona Lighting

HI-86-NF-UB-L2-BKS-F0-

SHO-C1-B3-STD

CMD70/T6/MH

3000K

Adjustable aim, Banner

light, mounted on

extension pole off of ban-

ner frame, Remote ballast

E 2

Winona Lighting

LED-POPS03-22-CYL-L-

007-DM24V-BAL-X-STD

Normal Output

LED

Red-Orange

Pendant hung chandelier

for bar/info desk,

Dimmable LED, Red-

orange color

F 147

Steng Licht

Einbaufassung

E14 AEO

40W 120V

Incandescent

2700K

Marquee lighting for

perimeter of mezzanine,

Spaced every 6", dimmed

to 50% to maintain

lamplife and energy

G 14

Winona Lighting

HEBRLED-9004-12V-L4

-LO-FA-SH6-TF-GS-STD

15W/40° FL/WW

LED

3000K w/ Amber

Color Filter

Ingrade lighting for

donor wall, Amber color

filter, 180 Degree glare

shield

H

6 - 3ft.

5 - 4ft.

14 - 1ft.

Winona Lighting

WSL-103W-TBD-

110-30K-F-NAA-X-STD

3000K LED with

Orange-Red

Color Filter

Under cabinet lighting for

bar/info desks and box

office counter, 1 ft

sections, Red-orange

color

I 8 Cooper Lighting

PD6 H142 26W DTT

26W Double Tube

Fluorescent

3000K

Recessed can lights in

mezzanine over hang to

illuminate the box office

area

J 12

Winona Lighting

5622-24-F14Tf/Mini Bi Pin-

277V-WLG-BAL-STD

F14T5 Mini Bi Pin

3000K

Wall sconce in archways

throughout lobby,

Surface Mount 6' off floor

K 36

Litecontrol

85N14T8-S-FP-CWM-

CZECO/ELC277

2 F32T8

Fluorescent

Lamps 3000K

Wall washers for perimeter

of lobby and above donor

wall

L 14

AmerLux

SD4 70 T6 E SD C

120/277U WF

T6/MH/FL 3000K Recessed down-lights in

lobby

The Public Theater

The Neoclassical movement of purity, rhythm and order made its way into

literature, paintings, music, politics, theater and architecture in the 18th

century. Not only was it a rejection of the ornamental and chaotic

movements that came before it, but also a mirror to the Classical thought of

ancient Roman and Greek society.

A century and a half later, we find that Modern thought is a reflection of

Neoclassicism. Sharp contrasts, symmetry and simplicity proved to be

important design criteria not only in Neoclassical art, but also for the simplistic

Modern movement of our time. With this in mind it seems fitting that this

historic Neoclassical building will be restored with Modern style to become a

mecca to the arts. Our lighting design is a fusion of Modern art and

Neoclassical principles. Symmetry and order are melted together with color

and futurama to produce a timeless and inspiring aura for both theater

patrons and public passerby.

On the exterior, eccentric gradients play with elegant columns of warm

light and echo the matrimony of old style and new ideas. The building feels

alive, and lures people in through the lobby directly to the box office. Above

the box office, the donor wall is gracefully washed with an eye-catching gra-

dient that is imitated by the pleasant embrace of the bar and information

desk. The passion and history behind this proposal encourages young and ag-

ing patrons alike to harbor a loyalty to this theater in particular as well the fine

arts in general.

Where passion for classic and modern art unite.

A

D

B

C

Luminaire Layout Plans

Please note

that these

drawings are

not to scale,

and the

façade

layout is

symmetrical.

Kittrick Mikel Davidson & Sara Nicole Sullivan

Bar & Info. Desk

Box Office

Donor Wall

Mezzanine

Howard Brandston Lighting Design Education Grant