new art forms
DESCRIPTION
New Art Forms. By Emily Jankauski, Kim Harden, Jennifer Lovett, Easton Adkisson, and Charity Stratford. Thesis. - PowerPoint PPT PresentationTRANSCRIPT
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New Art FormsNew Art Forms
By Emily Jankauski, Kim Harden, Jennifer Lovett, Easton Adkisson,
and Charity Stratford
By Emily Jankauski, Kim Harden, Jennifer Lovett, Easton Adkisson,
and Charity Stratford
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ThesisThesisIn the postmodern period, the tendency
towards plurality and diversity has resulted in some new forms of art that artists use to express their unique ideas and beliefs; each of these art forms can be examined through a Christian worldview.
In the postmodern period, the tendency towards plurality and diversity has resulted in some new forms of art that artists use to express their unique ideas and beliefs; each of these art forms can be examined through a Christian worldview.
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PurposePurpose
Through detailed descriptions of some of these new art forms, we intend to show how they display the diversity in our postmodern age as well as how we can respond to them.
Through detailed descriptions of some of these new art forms, we intend to show how they display the diversity in our postmodern age as well as how we can respond to them.
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History of GraffitiHistory of Graffiti
-Comes from Italian word Grafficar: to write, scratch, mark, or draw messages on a surface.
-Various Forms of graffiti-The Tag
-Comes from Italian word Grafficar: to write, scratch, mark, or draw messages on a surface.
-Various Forms of graffiti-The Tag
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Graffiti as ArtGraffiti as Art
-Originated in late 1960’s-Changing the scene with spray
paint (Spray paint becomes the standard medium)
-1970’s and Subway Train art-Freight Art
-Originated in late 1960’s-Changing the scene with spray
paint (Spray paint becomes the standard medium)
-1970’s and Subway Train art-Freight Art
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Who’s making Graffiti art?Who’s making Graffiti art?
-Usually people 12-30 years old. Male or Female. Only 20% is gang related.
-Banksy-Political messages
-Usually people 12-30 years old. Male or Female. Only 20% is gang related.
-Banksy-Political messages
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Why GraffitiWhy Graffiti
-Self-expression-Recognition-Community-Individuality-A revolutionary art form
-Self-expression-Recognition-Community-Individuality-A revolutionary art form
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How Graffiti art is madeHow Graffiti art is made-Graffiti art is not a completely
spontaneous activity-Make a sketch-Choose characters and colors-Choose the “canvas”-Outline-Fill in colors and ornamentation
-Graffiti art is not a completely spontaneous activity
-Make a sketch-Choose characters and colors-Choose the “canvas”-Outline-Fill in colors and ornamentation
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Graffiti Art TodayGraffiti Art Today
-Legalized areas for public graffiti-Famous works are published and
sold by the artists-Continues to be recognized
more as art and less as vandalism
-Legalized areas for public graffiti-Famous works are published and
sold by the artists-Continues to be recognized
more as art and less as vandalism
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Christian Perspective on Graffiti
Christian Perspective on Graffiti
-Understanding the culture-Implementing our own messages-Reaching graffiti artists by
making their “canvas” legal
-Understanding the culture-Implementing our own messages-Reaching graffiti artists by
making their “canvas” legal
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AssemblageAssemblage
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The Mechanical Head by Raoul Hausmann, 1920The Mechanical Head by Raoul Hausmann, 1920
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Sky Cathedral by Louise Berliawsky Nevelson,
1958Sky Cathedral by Louise Berliawsky Nevelson,
1958
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Retrospective I by Robert Rauschenberg, 1964Retrospective I by Robert Rauschenberg, 1964
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3D Sidewalk Art3D Sidewalk Art
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Kurt WennerKurt Wenner
- NASA- NASA
-1984, created 3D sidewalk art
- Anamorphism
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The History of Street PaintingThe History of Street Painting
- 16th Century Italy- 16th Century Italy
- International StreetPainting Festival, Northern Italy
- Mediums of chalk, brick, charcoal, and colored stones
- Madonnari
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How 3D Sidewalk Art is Produced
How 3D Sidewalk Art is Produced
- 4-6 square yards per day- 4-6 square yards per day
- Special training and experience
- Imagine the whole painting
- Handmade pastels
- 2 days to more than a year
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Examples of 3D Sidewalk Art Today
Examples of 3D Sidewalk Art Today
Julian Beever
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“From the beginning of my career, my main artistic motivation was to rediscover, transform and share neglected ideas from the past. I have been fortunate to be able to share my work with millions of people. I hope that my work will eventually inspire other artists to learn more about the vast and rich patrimony of European Art, so that others can enjoy the wealth of ideas that is often hidden with the passage of time.”
“From the beginning of my career, my main artistic motivation was to rediscover, transform and share neglected ideas from the past. I have been fortunate to be able to share my work with millions of people. I hope that my work will eventually inspire other artists to learn more about the vast and rich patrimony of European Art, so that others can enjoy the wealth of ideas that is often hidden with the passage of time.”
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- Evangelism- Evangelism
A Christian PerspectiveA Christian Perspective
- Sense of curiosity
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Light Art Performance Photography
Light Art Performance Photography
A descendant of light drawing that uses “additional elements…to create…a special view of the general view.”
A descendant of light drawing that uses “additional elements…to create…a special view of the general view.”
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Jorg Miedza and JanLeonardo WollertJorg Miedza and JanLeonardo Wollert
Picasso’s experiments
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Light drawing: around 1950Light Art Performance Photography: 2007Light drawing: around 1950Light Art Performance Photography: 2007
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Light drawing examples in different locationsLight drawing examples in different locations
beach
warehouse, tunnel, or subway
country road
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LAPP examples in different locations
LAPP examples in different locationscave or nature spot
dark and empty room
dark alley or underground place
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Things you will needThings you will need
flashlightor LED light
tripod
camera
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From the Christian Perspective
From the Christian Perspective
-No specific political or religious messages are associated with this form of art, so you can make it to be what you want it to be
-Use it as a tool in your ministry…an activity to do with your
youth group…make your space beautiful…get a point across in picture
form
-No specific political or religious messages are associated with this form of art, so you can make it to be what you want it to be
-Use it as a tool in your ministry…an activity to do with your
youth group…make your space beautiful…get a point across in picture
form
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ConclusionConclusion
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Who Did WhatWho Did WhatKim Harden: Stating the thesis and Graffiti
artEmily Jankauski: AssemblageEaston Adkisson: Installation artJennifer Lovett: 3D Sidewalk artCharity Stratford: Light Art Performance
Photography and PowerPoint
Kim Harden: Stating the thesis and Graffiti art
Emily Jankauski: AssemblageEaston Adkisson: Installation artJennifer Lovett: 3D Sidewalk artCharity Stratford: Light Art Performance
Photography and PowerPoint
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BibliographyBibliography1. Ashton, Dore. American Art Since 1945. New York: Oxford University Press,
USA,1982.
2. Benson, Julia E.. "Louise Nevelson." Louse Nevelson Sky Cathedral, 1958.http://artofthefirebird.com/writing/Louise%20Nevelson.pdf (accessed May 18, 2010).
3. Blocker, Jane. “Blink: The Viewer as Blind Man in Installation Art.” Art Journal 66, no. 4 (Winter 2007): 16.
4. Core.form-ula. “LAPP-Light Art Performance Photography.”
http://www.core.form-ula.com/2009/10/12/lapp-light-art-performance-photography/ (accessed May 11, 2010).
5. DIY Photography. “Painting with Light.”http://www.diyphotography.net/painting_with_light (accessed May 11, 2010).
6. Esaak, Shelley. "Raoul Hausmann - Mechanical Head - Spirit of Our Age -Mechanischer Kopf - Der Geist unserer Zeit - ca 1920." About.com. http://arthistory.about.com/od/dada/ig/Dada-at-MoMA--Berlin/Mechanical-Head.htm (accessed May 18, 2010).
s Gupta, Amit and Jensen, Kelly. “Paint Photos with Light.” Macworld 27, no. 2(Feb2010): 82.
s Jones, Jonathan. "The Spirit of Our Time - Mechanical Head, Raoul Hausmann (1919)." The Guardian. http://www.guardian.co.uk/culture/2003/sep/27/art (accessed May 19, 2010).
s Kemp. The Oxford History of Western Art. New Ed ed. New York: OxfordUniversity Press, USA, 2004.
1. Ashton, Dore. American Art Since 1945. New York: Oxford University Press, USA,
1982. 2. Benson, Julia E.. "Louise Nevelson." Louse Nevelson Sky Cathedral, 1958.
http://artofthefirebird.com/writing/Louise%20Nevelson.pdf (accessed May 18, 2010).
3. Blocker, Jane. “Blink: The Viewer as Blind Man in Installation Art.” Art Journal 66, no. 4 (Winter 2007): 16.
4. Core.form-ula. “LAPP-Light Art Performance Photography.”
http://www.core.form-ula.com/2009/10/12/lapp-light-art-performance-photography/ (accessed May 11, 2010).
5. DIY Photography. “Painting with Light.”http://www.diyphotography.net/painting_with_light (accessed May 11, 2010).
6. Esaak, Shelley. "Raoul Hausmann - Mechanical Head - Spirit of Our Age -Mechanischer Kopf - Der Geist unserer Zeit - ca 1920." About.com. http://arthistory.about.com/od/dada/ig/Dada-at-MoMA--Berlin/Mechanical-Head.htm (accessed May 18, 2010).
s Gupta, Amit and Jensen, Kelly. “Paint Photos with Light.” Macworld 27, no. 2(Feb2010): 82.
s Jones, Jonathan. "The Spirit of Our Time - Mechanical Head, Raoul Hausmann (1919)." The Guardian. http://www.guardian.co.uk/culture/2003/sep/27/art (accessed May 19, 2010).
s Kemp. The Oxford History of Western Art. New Ed ed. New York: OxfordUniversity Press, USA, 2004.
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More BibliographyMore Bibliography10. Kennedy, Fern. Exploring Photography. Garden City: Amphoto, 1974. 11. LAPP-Light Art Performance Photography. “What is LAPP?” http://lapp-
pro.de/ (accessed May 11, 2010).12. MoMA. “MoMA | The Collection | Louise Nevelson. Sky Cathedral.
1958." MoMA. http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4278&page_number=1&template_id=1&sort_order=1 (accessed May 19, 2010).
13. Museum of Contemporary Art. "Museum of Contemporary Art -Education Programs." Museum of Contemporary Art. http://www.mcachicago.org/Book/Rauschenberg-txt.html (accessed May 19, 2010).
s Slepukhin-Zamachnaia, Tatiana. “Symphony of Light.” PSA Journal 74,no. 7 (Jul2008): 26-30.
11. LAPP-Light Art Performance Photography. “Who is Behind LAPP?”http://lapp-pro.de/ (accessed May 11, 2010).
14. Sewell, Brian. Brian Sewell Art Directory . 2007.http://www.briansewell.com/artist/b-artist/banksy/banksy-biography.html (accessed May 17, 2010).
15. Stokstad, Marilyn. All About Art An Essential History 3rd edition. NewYork: Prenticehallpress,2006 3rd Edition, 2006.
10. Kennedy, Fern. Exploring Photography. Garden City: Amphoto, 1974. 11. LAPP-Light Art Performance Photography. “What is LAPP?” http://lapp-
pro.de/ (accessed May 11, 2010).12. MoMA. “MoMA | The Collection | Louise Nevelson. Sky Cathedral.
1958." MoMA. http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4278&page_number=1&template_id=1&sort_order=1 (accessed May 19, 2010).
13. Museum of Contemporary Art. "Museum of Contemporary Art -Education Programs." Museum of Contemporary Art. http://www.mcachicago.org/Book/Rauschenberg-txt.html (accessed May 19, 2010).
s Slepukhin-Zamachnaia, Tatiana. “Symphony of Light.” PSA Journal 74,no. 7 (Jul2008): 26-30.
11. LAPP-Light Art Performance Photography. “Who is Behind LAPP?”http://lapp-pro.de/ (accessed May 11, 2010).
14. Sewell, Brian. Brian Sewell Art Directory . 2007.http://www.briansewell.com/artist/b-artist/banksy/banksy-biography.html (accessed May 17, 2010).
15. Stokstad, Marilyn. All About Art An Essential History 3rd edition. NewYork: Prenticehallpress,2006 3rd Edition, 2006.
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More BibliographyMore Bibliography16. Stowers, George C. Graffiti Art: An Essay Concerning The
Recognition of Some Forms of Graffiti As Art. 1997.http://www.graffiti.org/faq/stowers.html. (accessed May 17, 2010)
17. The Museum of Science, Art, and Human Perception. “Light Painting. www.exploratorium.edu/pie/downloads/Light_Painting.pdf
(accessed May 11, 2010). 18. Wenner, Kurt. "A Brief History of Street Painting." Kurt Wenner.
http://kurtwenner.com/images/PDFs/BriefHistory.pdf (accessed May 17, 2010).
19. Wenner, Kurt. "Artistic Statement and Biography." Kurt Wenner.http://kurtwenner.com/images/PDFs/Artist_Statement.pdf (accessed May 17, 2010).
20. Wenner, Kurt. "Street Painting: Q & A." Kurt Wenner.http://kurtwenner.com/qanda.htm (accessed May 17, 2010).
16. Stowers, George C. Graffiti Art: An Essay Concerning The Recognition of Some Forms of Graffiti As Art. 1997.
http://www.graffiti.org/faq/stowers.html. (accessed May 17, 2010)17. The Museum of Science, Art, and Human Perception. “Light
Painting. www.exploratorium.edu/pie/downloads/Light_Painting.pdf (accessed May 11, 2010).
18. Wenner, Kurt. "A Brief History of Street Painting." Kurt Wenner.http://kurtwenner.com/images/PDFs/BriefHistory.pdf (accessed May 17, 2010).
19. Wenner, Kurt. "Artistic Statement and Biography." Kurt Wenner.http://kurtwenner.com/images/PDFs/Artist_Statement.pdf (accessed May 17, 2010).
20. Wenner, Kurt. "Street Painting: Q & A." Kurt Wenner.http://kurtwenner.com/qanda.htm (accessed May 17, 2010).