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Metz, 26 March 2014

Press release

Douglas Coupland's 1991 novel Generation X: Tales for an Accelerated Culture paints the portrait of a generation of nomads, born between 1965 and 1977. These are the Baby Busts, the kidults, as opposed to the Baby Boomers. "X" refers to the anonymity of a new cultural category, conscious of its own burst and of the end of heroic tales. Nirvana's Smells Like Teen Spirit is the obsession and soul of this generation of individuals whose life was marked by the advent of the Internet, the end of history and militancy, and the transition from the reproductive age to that of "unlimited" access.

This generation is also the first to revive, in art, remembered stories of pioneers and explorers, all kinds of spectres and holograms, disincarnated toons, images of man's first steps on the Moon and Armstrong's distorted voice. Together they define new ways of relating to the world; new forms of experimentation, transgression and re-appropriation which go against earlier (counter-) revolutions.

Over recent years, the generation question has been repeatedly raised on a global scale. Various publications, exhibitions and debates try to pinpoint the critical moment when informal networks of artists, independent curators, galleries, art centres, schools and magazines were formed. These situations laid the foundation for a new exhibition vocabulary, a new way of making art and being contemporary, where were growing play areas, real-time movies, times liberated from productivity.

1984-1999 tackles a decade that defies definition and disaffirms past attempts to do so. Beyond decennial retrospectives and compilations, it is a biographical space composed of objects, sounds, voices, images, reflections and sensations. Imagined by Dominique Gonzalez-Foerster, a major international artist, the exhibition scape presents itself as an intermediate space, between city and nature, inside and outside, day and night.

The exhibition does not attempt to recreate an era nor to sanctify

New exhibition at Centre Pompidou-Metz

1984-1999. The Decade

From 24 May 2014 to 2 March 2015

Press relations

Centre Pompidou-Metz

Annabelle Türkis

Head of Communications and

Development

Telephone

00 33 (3) 87 15 39 66

annabelle.turkis@centrepompidou-

metz.fr

Noémie Gotti

Communications and Press Officer

Telephone

00 33 (3) 87 15 39 63

noemie.gotti@centrepompidou-

metz.fr

 

 

 

 

 

 

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an ideal and lost age, but seeks instead to bring up to date the forms and procedures which anticipated today's artistic creation. Working from a survey of some of the 1990s' central figures, its purpose is to collect objects and sources which survived and inspired the decade, and to create new, non-hierarchical arrangements between art, literature, film, music, architecture and design.

The exhibition is the mirror-image of the spirit of the 1990s, defined by François Cusset as "a world where 'young people' - those at least who reached adolescence in the mid-1980s – faced with an abysmal critical void had to reinvent a means of desertion and inner exile, and make this void in some way inhabitable by shaping counter-worlds and more or less temporary autonomies – a dissolved world where being sad becomes a stand-in connection with the world and is even, as one of them says, 'the only way not to be completely unhappy'."

A work edited by François Cusset (intellectual historian and lecturer in American Civilisation at Nanterre University) accompanies the exhibition.

Curator Stéphanie Moisdon, art critic and independent curator Scenography based on an artistic project by Dominique Gonzalez-Foerster INDICATIVE LIST Richard Artschwager, Alex Bag, John Baldessari, Vanessa Beecroft, Sadie Benning, Bernadette Corporation, Kathryn Bigelow, Bless, Henry Bond, Angela Bulloch, David Byrne, Leos Carax, Maurizio Cattelan, Roman Cieslewicz, Larry Clark, Francis Ford Coppola, Stan Douglas, Marguerite Duras, Peter Farrelly, Peter Fend, Abel Ferrara, Marco Ferreri, Peter Fischli & David Weiss, General Idea, Liam Gillick, Jean-Luc Godard, Felix Gonzalez Torres, Dominique Gonzalez-Foerster, Douglas Gordon, Dan Graham, Group Material, Herzog & De Meuron, Thomas Hirschhorn, Carsten Höller, Winnie Holzman, Jonathan Horowitz, Pierre Huyghe, IFP, Cameron Jamie, Bernard Joisten, Neil Jordan, Pierre Joseph, On Kawara, Mike Kelley, Abas Kiarostami, Karen Kilimnik, Takeshi Kitano, Rem Koolhaas, Harmony Korine, Stanley Kubrick, Peter Land, Louise Lawler, Ange Leccia, Marc Leckey, David Lynch, Robert Mapplethorpe, Chris Marker, Paul McCarthy, Allan McCollum, Anne-Marie Mieville, Nani Moretti, Matt Mullican, Jean Nouvel, Cady Noland, Philippe Parreno, Raymond Pettibon, Richard Prince, Rob Pruitt & Walter Early, Harold Ramis, Pipilotti Rist, David Robbins, Éric Rohmer, Ugo Rondinone, Allen Ruppersberg, Julia Scher, Collier Schorr, David Shrigley, Michael Smith, Sonic Youth, Ettore Sottsass, Steven Spielberg, Georgina Starr, Sturtevant, Philippe Thomas, Leslie Thornton, Wolfgang Tillmans, Rirkrit Tiravanija, Lars von Trier, Rosemarie Trockel, Tsai Ming-Liang, Jean-Luc Verna, Peter Weir, Christopher Williams, Wong Kar-wai, Rémy Zaugg, Robert Zemeckis, Heimo Zobernig

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Visuals of works in the exhibition can be uploaded at the following address : www.centrepompidou-metz.fr / photothèque. Login: presse Password: Pomp1d57

BLESS, N°12 Bedsheets Couple, 2000 1 duvet cover and 2 pillow cases 100% satin cotton and digital printing, duvet cover: 200 x 200 cm, pillow case: 80 x 80 cm (each) Courtesy of BLESS

Roman Cieslewicz, L’époque la mode la morale la passion, 1987 Poster, 160 x 120 cm Centre Pompidou, Musée national d’art moderne © ADAGP, Paris 2014 © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Piotr Trawinski Available soon.

Peter Fischli et David Weiss, Besteckbehälter (Range-couverts), 1987 Black elastomer, 5 x 34 x 26 cm Centre Pompidou, Musée national d’art moderne © T&C Film © David Weiss © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Philippe Migeat Available soon.

General Idea, PLA©EBO, 1991 Acrylic on birch, 6 pieces, 12.5 x 31.5 x 6.25 cm each Collection Eric and Suzanne Syz, Switzerland © Photo : Carsten Eisfeld / Courtesy of Esther Schipper, Berlin

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Carsten Höller, Photo de Groupe, 1996 Black and white photograph, 188 x 129 x 2.2 cm Courtesy Carsten Höller Air de Paris, Paris © ADAGP, Paris 2014

On Kawara, 5 Nov. 1990 Acrylic on canvas and newspaper clippings 25,5 x 33 x 4 cm Collection Le Consortium, Dijon Location : Musée d'Art Moderne et Contemporain de Strasbourg © Photo musées de Strasbourg, Mathieu Bertola

Ettore Sottsass, Téléphone Énorme, 1986-1988 Telephone, plastics and rubber, 6 x 20 x 11 cm Centre Pompidou, Musée national d’art moderne © Ettore Sottsass © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jean-Claude Planchet Available soon.

Sturtevant, Gober Partially Buried Sinks, 1997 5 x 820 x 530 cm Courtesy Galerie Thaddaeus Ropac, Paris/Salzburg © Photo : Charles Duprat

Christopher Williams, Angola to Vietman n°10 – Ethiopia..., 1989 Silver gelatine print, 47.2 x 55.5 x 4.5 (framed) Centre Pompidou, Musée national d’art moderne © Christopher Williams © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Bertrand Prévost Available soon.