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TRANSCRIPT
The Mississauga Camera Club is a member of the Greater Toronto Council of Camera Clubs (GTCCC),
Canadian Association of Photographic Art (CAPA), the Photographic Society of America (PSA) and is affiliated with the Mississauga Recreation and Parks Department and the Mississauga Arts Council.
OFFICIAL NEWSLETTER OF THE MISSISSAUGA CAMERA CLUB
KLIK Season 58, Issue 4 May 2012
Hummingbird in-flight by Raymond Hsu
Message from the President 2 Best of the Best, Bob Hawkins 13
Cover Image, PSA Competition 3 Competition Results 16
A Bit of CONTACT 4 Final Standings 17
Mississauga Tribe Explores Yellowstone 6 Trophy Winners; Advancements 18
Best of the Best, Raymond Hsu 9 Executive and Volunteers 19
IN THIS ISSUE
May 2012 KLIK Page 2
Message from the President
2011-2012 - A YEAR IN REVIEW
The old adage is again proven right: ‘Time flies when you are having fun’. It’s been another great
season at the Mississauga Camera Club. I re-read our Program brochure and reflected on the rich array
of presentations we enjoyed this season.
For me some of the highlights have been the members’ presentation on China, and the African safari
by Ethan Meleg. Mid-year we met 3 up-and-coming photographers from Cawthra Secondary School,
and earlier Don Dixon shared his work as a Commercial Photographer. Every presentation was
worthwhile since each offered learning, photographic insight and a new appreciation for photography
from a different viewpoint.
This year we adjusted a few competition rules and replaced the Salon Competition with the Club
Champion trophy. Also as a pilot project, the Club entered the PSA interclub Creative competition and
achieved impressive results. Congratulations to all the competitors, MCC still is a hot bed of avid and
accomplished photographers.
On the administration side, the Executive proposed a new structure to simplify club governance and to
empower the operating committees to run their aspects of the club. Next year will be a transition year
as we sort out the new structure and the new lines of communications.
Workshops have continued to surpass all expectations. Our special thanks to the workshop leaders for
presenting and sharing their expertise. The popularity of the workshops reflects our club’s core values.
Outings are as popular as ever. Depending on personal schedules and interest in the destination, our
members have consistently attended the variety of outings. Not only is it a time to get inspired about
new images and new venues, it is also a time to make social connections with fellow members.
The wait list is an untapped asset of the club. It continues to grow at 4 new names a month and we
cannot continue ignore the list. A new project is underway to recommend options to address the wait
list.
As we close our season, it’s time for celebration. Kudos to the volunteers. Their dedication and
innovation have made this a great Club. At our Annual Banquet we celebrated the accomplishments of
our competitor and recognized Tony Paine as the first winner of the new Club Champion trophy. With a
universal voice of approval, the members recognized Uliana Yaworski as our Volunteer of the Year.
I wish everyone a great photographic summer. Time will continue to fly and I hope you will capture
the special moments with your photography. See you in September.
Marcus Miller
President
May 2012 KLIK Page 3
Cover Image Raymond Hsu
Hummingbird in-flight
Nikon D700, 1/2000 sec, F11, 500mm, ISO 1000
This is the first time I shot a hummingbird. Quickly realized that it's
not an easy shoot because of its size as well as the speed they are
flying around. Took me a while learning to shoot them. Also have to
delete lots of images of "nothing" because by the time I press the
shuttle they are gone.
Raymond's image was awarded 2nd Place in the Fourth Competition 2011-2012
Category: Digital Advanced - Nature
PSA Competition April 2012 PSA Creative Interclub Competition results:
Congratulations to those members contributing their high scoring Artistic Creative images to the PSA
April competition. MCC tied with the Delaware Photographic Society for first place with an overall score
of 67 points. Of those individuals entering special congratulations go to Robbie Robinson for scoring 14
out of a possible 15 and winning an Award of Merit with his image “Going to Work”.
Congratulations also go to Ron Manning for scoring 13 out of a possible 15 points and winning an
Award of Merit with his image “Mammoth Hot Springs”.
An Honourable Mention was awarded to Annette Seip for her image “Squares”, and scoring 12 out of a
possible 15 points.
To view all of the winning entries you may visit the PSA Creative Interclub site at http://www.psa-
photo.org/divisions/cpid/creative-interclub/april-2012-gallery/
Warren Davis,
Interclub Liaison
Fine Art Digital Printing Phil Nielsen
Details of books mentioned in the presentation:
· Nash Editions, Photography and the Art of Digital Printing, edited by Garrett White:
http://www.amazon.ca/Nash-Editions-Photography-Digital-Printing/dp/0321316304/ref=sr_1_2?s=books&ie=UTF8&qid=1336481434&sr=1-2
· The Art of Digital Photo Painting, by Marilyn Sholin: http://www.amazon.ca/Art-Digital-Photo-Painting-Masterpieces/dp/1600591019/ref=sr_1_1?s=books&ie=UTF8&qid=1336481397&sr=1-1
· 301 Inkjet Tips and Techniques, by Andrew Darlow: http://www.amazon.ca/301-Inkjet-Tips-
Techniques-Photographers/dp/1598632043/ref=sr_1_1?ie=UTF8&qid=1336481338&sr=8-1
May 2012 KLIK Page 4
A Bit of CONTACT Robbie Robinson
CONTACT is the Photography Festival held in downtown Toronto each year in May. The works of many
photographers from around the world are displayed in a number of locations. As one tiny part of this
festival Scotiabank brings together a group of curators, gallery directors, publishers and photo editors
for two days to do portfolio reviews for established and emerging artists. The focus is on documentary,
photojournalism and photo-based art. This year I decided to apply to have my “portfolio” reviewed,
although I wasn’t quite sure what this meant.
The process turned out to have a screening stage, then the actual one-on-one reviews held over two
days, and finally a portfolio night where all participants (and some invited guests) get a look at all the
photography that was reviewed. There was one award of an exhibition later in the year.
Apparently 67 people sent in a sample of their work for pre-screening to ensure that the work lay
within the interests of the reviewers. Sixty were selected. Judging from what I saw on the portfolio
night, perhaps one-third were established commercial photographers or people working within the
advertising world, who wanted to move into art photography. About half of the others were primarily
documentary shooters, and the rest were more or less interested in art photography.
My first problem was to create a portfolio of some sort. My instinct told me that a series of photos
linked by a strong concept or unifying idea would do better than a series of very loosely related shots,
and this turned out to be largely true. After 20 seconds of thought I came up with the idea of
comparing the fate of a number of ancient structures around the world with that of the timber-
structure barns in southern Ontario which were once so common but are now rapidly disappearing. I
put together ten 11x14 prints of the ancient “ruins” and ten prints of our barns in various states of
ruin. Then, because I was so unsure of what I was doing, I made up another smaller portfolio of urban
“visions” in which the images were much more loosely linked.
I was asked to select 4 reviewers from a list of 15. I got my choice of reviewers plus one more added
by the organizing committee. I ended up with 3 museum curators (from the AGO, Hamilton and
Mississauga art museums) and two representatives of photo art magazines (Aperture and Magazine
Ciel Variable of Montreal). I had three 20 minutes reviews one day and two the following day. Twenty
minutes goes very quickly when you have to describe what you are trying to do, show them enough
examples to let them see your ability, and give them time to offer advice and suggestions for
improvements, a path ahead or a change in direction. It was a draining process, but everybody I talked
to seemed to think they got their money’s worth, and so did I. (Yes, you do pay for this kind of
guidance. That’s how curators and editors earn part of their living.) The advice varied with the interests
of the reviewers: the museum curators liked the historical linkage in the one portfolio and suggested
how to improve the concept; one of the magazine people suggested where to look for markets for my
urban photos, while the other suggested some possible markets for my barn pictures. [Note: Selling
photos is not my prime interest. I just want to take better photos at this stage.] All found some fault
with my prints which I had expected – Costco just does not cut it at this level, but I only had a limited
amount of money to invest in my non-career.
At the Portfolio Night I got to look at the work of perhaps 30 other people who had been reviewed. A
few were so “artistic” that our club judges would have given them no marks. Several of the other art
photographers either have had gallery shows of their work or were working hard to get one. They had
some very strong and creative work. The documentary people had tackled a wide range of topics, from
a portfolio of shots of illegal gold miners working in a very remote part of Mongolia (which was done
while the photographer did a video that showed recently at the Hot Docs festival in Toronto), to a
portfolio of rooms in ocean-side American motels that had amazing colour and lighting, to a Hamilton
photographer’s intimate shots of the life of a young female drug addict. Most of the work was shown as
May 2012 KLIK Page 5
prints on expensive paper in about 20x20 inch square format, simply carried un-matted in large print
archival boxes.
I got a lot out of the process, in seeing the kind of projects that others tackle, in seeing how others
present their work, and in seeing how I might improve mine. I found the reviewers’ comments
encouraging and found them all very professional. I learned enough that I would probably not repeat
this process again but I will look to see what other opportunities CONTACT offers for more learning.
And, incidentally, I didn’t think I had any hope of winning the exhibition award, and I was certainly
right in that.
Dundas Square
Old Treasure vs Our Loss
May 2012 KLIK Page 6
Mississauga Tribe Explores Yellowstone and More
by Audrey Cherevaty and Bruce Peters
Come experience stunning and privileged photo insights and endless spectacular diversity as seen by
10 members of the Mississauga Camera Club…
Yellowstone: We discovered the greatest concentration of geysers, hot
springs and thermal pools in the world. Many of the geysers
gave stunning live eruptions. The hot springs and thermal pools
were wondrously colourful and mesmerizing, whether flat or
mounded or loaded with walled, stepped pools. Some of the hot
springs and thermal pools were steaming hot and some poured
forth ‘the sulphurous smell of hell’. All gave off wondrous
heavy mist in the early
morning.
We photographed
surreal landscapes, unusual rock formations, petrified trees,
crystal-blue hot springs, burnt forests, wild ecosystems,
explosive LIVE geological eruptions, majestic waterfalls and
much more. We photographed the waterfalls in, and colorful
sides of, ‘The Grand Canyon of Yellowstone’ (the sides dropped
straight down 400 feet).
A select few made the perilous journey climbing down and over
huge rocks to get ‘that precious bottom up waterfall shot’!
Each day brought numerous wild animals to photograph. Some
days we were even met by pronghorn antelope waiting for us at the gate. Some days bison blocked our
way or crossed our road in front of us. There were sightings of elk, river otters, moose, wolves and
even a rattlesnake. The flow of diverse shooting opportunities never stopped.
May 2012 KLIK Page 7
Grand Tetons:
Here we photographed mountains, sunrises and sunsets on mountains, their reflections dancing upon
rivers and lakes, sagebrush covered
plains, the Ansel Adams Barn in a
Mormon farming community, an historic
river boat crossing and Its buildings,
scenic visuals at countless pull -offs,
herds of animals grazing alongside
roads, wildflowers and birds.
Our ‘must do’ list here included a change of pace with gallery visits, chuck wagon rides, more relaxed
shooting, great food, dancing in the streets, some window shopping and even a ‘wild west adventure
and feast’ party where Kay got married off to a mountain man!
May 2012 KLIK Page 8
Outside Yellowstone and Grand Teton:
A few days were spent photographing outside Yellowstone and Grand Teton. The 10,000 foot Bear
tooth Pass, fall colors everywhere, Cody, Old Trail Town in Cody, abandoned houses, Bighorn Canyon,
Pictograph Cave, Billings, and much more.
It was a spectacular photographic experience. We were left mesmerized, inspired and wanting to
return. Come share the wonder of this experience at the club presentation!
WE did not need to go looking for things to photograph, they came to us!
May 2012 KLIK Page 9
The Best Of Our Best Each year the Club awards trophies to members who have distinguished themselves by being the best
in either their class or in one of the 5 competition categories. In this feature we profile two trophy
winner in the 2010-2011 season.
Raymond Hsu Digital Intermediate Trophy: 2010-2011 (Joint)
KLIK: We are always amazed by your pictures of birds. Where do you get your ideas and
inspiration from?
There's lots of sites on-line that features great birds photographers ( e.g. NatureScape/500PX ).
Always checking out their images as well as learning the how-to of those captured images. With the
Internet, there's no shortage of information out there regarding different aspect of bird photography.
When shooting out there, you meet other photographers as well as birders and that's where you learn
about other new species/locations to shoot. With birds or other wildlife photography, not only you need
the proper equipment, knowledge, technique but a lot of time it is that extra bit of luck on your side to
capture that special image.
KLIK: Do you have a favourite location for your work? Why and how often do you go there?
Tell us about a memorable trip you made.
Started shooting birds in Florida with another photographer in 2005 and have been shooting down
there for the last 6 years. One reason for shooting in Florida is not only to get away from the cold but
also there's no shortage of places to shoot birds. While shooting in New Mexico one September a few
years ago, woke up in the morning to find everything covered in snow. Since it's not common to get
snow down that area and the town have no proper snow removing equipment the whole area came to
a stand still. End up spending most of the day in the hotel room down loading and working on images.
KLIK: What camera and equipment do you use?
Right now I'm shooting with a Nikon D700 and D300 as backup. The main lens that stay on the camera
is the Nikon 28 - 70 mm F/2.8 and this is the lens that I used mostly in my studio for portrait. When
I'm out shooting birds it's mostly with the Sigma 120 - 300 mm F/2.8 with either the 1.4 or the 2.0x
tele-converter or using the old 'bigma' - Sigma 150-500 mm F/4-6.3.
KLIK: How important is the ‘digital darkroom’ in controlling your final image? What software
do you use for post-processing?
My digital work flow are pretty straight forward. I convert the RAW images using Adobe Camera Raw to
JPEG with some adjustment to the contrast and colour. Then export the image to Photoshop CS5 for a
bit more of the level adjustment, cropping, resizing and finally a bit of sharpening.
May 2012 KLIK Page 10
This is a shot I took in Bosque del Apache NWR, New Mexico. Took lots of flight shots during that trip
and the reason why I liked this shot best is because of the formation as well as the position of the
wings.
Sandhill Cranes -
Nikon D700, 1/2000 sec, F14, 390mm, ISO 1600
May 2012 KLIK Page 11
Out in the field somewhere in Hamilton shooting some macro. Noticed this small spider and managed
to squeeze off a couple of shots before it disappeared under some flower. The whole thing happened so
fast and I was not able to get any more shot. Out of the two shots this is the only one that the spider
as well as the prey is in focus.
Orb-Weaving Spider With Prey
Nikon D700, 1/160 sec, F16,
300mm, ISO 1000
May 2012 KLIK Page 12
Took this in Southern Texas and it's one of those images that you don't get to shoot all the time. I
guessed I was at the right place at the right time. What makes this image special for me is the tension
and interaction between the two birds.
Bird Fight
Nikon D700, 1/1600 sec, F8,
500mm, ISO 1600
May 2012 KLIK Page 13
Bob Hawkins Digital Intermediate Trophy: 2010-2011 (Joint)
My photography interest started as a teenager. I used a folding camera until able to afford a well used
fixed lens SLR. Over the years I stayed with SLRs and gradually upgraded. In the 1970s my interest
was people and did some studio photography with Hasselblads and Leica rangefinders, B&W with
darkroom developing and printing. In the 1980s and 1990s photography was mostly vacation
photography with a small set of Canon lenses and SLRs.
I joined Etobicoke Camera Club in 2007 and MCC in 2010.My interest is mostly nature photography. My
first digital camera was a Kodak in 1997 (I still have the working camera). I got a Minolta with EVF in
2003 and traded film camera and lenses for a digital SLR in 2006. I am a member of CAPA and
compete in all three.
Photography is an adjunct to wilderness travel. Images result from the travel and not the other way
round. Canada has so many places where beauty abounds. It is hard to find a preferred location,
although the mountains of the northern Yukon are hard to excel. The peaks along the Yukon-NWT
divide are wonderful. The Richardson Mountains have a special beauty with the surrounding Arctic
tundra. The northern limits of the Rockies are another favourite. These are all accessible by road and
short hikes.
Images are a capture of the feeling you get of a place and its environs. It is impossible to describe the
sense of freedom otherwise. Encountering a herd of caribou, or watching a Grizzly overturn rocks
searching for ground squirrels make for special memories. I remember trying to move rocks along the
South Macmillan River that a bear had turned with ease. They wouldn't move for me.
Images:
Moose Lake - shot in
Waterton National Park:
Akamina Lake
400mm at 40 meters
handheld
May 2012 KLIK Page 14
Cedar Waxwing - Shot in
Waterton National Park
400mm at 3.5 meters(minimum
distance) handheld.
May 2012 KLIK Page 15
Fall Leaf - shot in
Haliburton ON
70-200 zoom:126mm at
5 meters handheld
Northern Rockies - at
1700 meters altitude,
view of Nonda Creek
valley BC
17-40 zoom: 33mm
handheld
May 2012 KLIK Page 16
FOURTH COMPETITION RESULTS May 2012
KLIK SUBMISSIONS KLIK welcomes feedback, comments and suggestions; articles; tips, tricks and techniques; interesting
web sites; images with comments. All submissions are usually published in the first available issue.
Please send your submissions to:
1ST Magenta_Flower_In_Ice Paul Ewington 24 1ST Sunday Morning Bruce Kennedy 25
2ND Anhinga Fish Spotter Stephen Balke 22 2ND Maple Syrup Time Fred Dixon 24
3RD White Pelican Fishing Team Stephen Balke 21 3RD Flatiron Building Robbie Robinson 24
HM Contemplating Myra P. Jones 20 HM Hockley Valley Clementdo Rosario 23
HM Iceberg Adrift Omar Sheikh 24
HM Wash Day Reflections Al Tilson 23
1ST Gathering_Pollen Paul Ewington 24 HM PENGUIN FAMILY Karen Simmonds 24
2ND Great Blue Heron Hunting Stephen Balke 22
3RD Great Blue Heron Rick DaSilva 21 1ST Raymond Hsu 27
HM Beetles Mating Annette Seip 21
2ND Hummingbird In Flight Raymond Hsu 27
1ST Lifes Journey Annette Seip 24 3RD Great Blue Heron With Nesting Material Ron Manning 26
2ND Iris_Fantasy Paul Ewington 23 HM American Avocet Sandra Hawkins 25
3RD Sunset Sisters Rick DaSilva 21 HM Brown Pelicans In Flight David Simmonds 25
HM Killarney Ridge Paul Lindo 20 HM Reddish Egret Hunting Karen Simmonds 25
1ST Dance For All Its Worth Hilarie McNeil-Smith 25
2ND Old Barn Doors Al Tilson 25
3RD Corridors Of Power Warren Davis 24
1ST Mississauga Moonrise Tony Paine 25 HM Bridge At Leonie Holmes 23
2ND Ocean Reflections Bob Bowman 24 HM Town Houses Robbie Robinson 23
3RD Mountain Gorilla In Virunga Mountains Ina Miglin 24
HM Bob Juri Vosu 23
HM Bridge Traffic Robert Mongrain 23
HM Distillary Past Times Hdr Angela Murphy 23 1ST Morning Silence Paul McLeod 22
HM Webster Falls Stan Kozel 23 2ND Window With Reflection Myra P. Jones 22
HM Wheels Uliana Yaworsky 23 3RD Egret Action Stephen Balke 22
HM Amaryllis Wendy Baillie 22
1ST Pacific Lili Stan Kozel 24 HM Street In Venice Myra P. Jones 21
2ND Claret Cup Cactus Flower Tony Paine 23
3RD Heron Swallowing Large Snake Bruce Peters 23 1ST Night View Of Hayshed John Moore 22
HM Just Another Rock In The Desert Linda Wiesner 23 2ND Blue Howler Annette Seip 21
HM Yellow Jacket Breeding Pradipta Datta 23
1ST Autumn Fire Jon Clarke 24 1ST Tricolour Herron Hunting David Simmonds 25
1ST Distillery Dodge Suzanne Williams 24 2ND Red Fox Kit At Den, Yukon Sandra Hawkins 24
3RD Roseate Spoonbills In Sync Bruce Peters 23 3RD Maple Syrup Time David Simmonds 23
HM City Hall At Sunset Tony Paine 22 HM Great Horned Owl #2 Leonie Holmes 23
HM Grannys Transport Postcard Perfect David Penty 23 HM Santiago Lobby Bob Hawkins 22
HM The 511 Exhibition Suzanne Williams 22
HM The Aspens Of Wards Island Marty Pinker 22 1ST Remembering Our Roots Suzanne Williams 23
Face Off-Red Winged Black Bird & Great
Kiskadee
Prints Level Two
Trees
Pictorial
Pictorial
Prints Level One
Theme:Trees
Nature
Artistic Contemporary
Pictorial
Artistic Contemporary
Artistic Contemporary
Digital Intermediate
Digital Beginner Digital Advanced
Pictorial Pictorial
Nature
Nature
May 2012 KLIK Page 17
FINAL STANDINGS Season 2011 - 2012
Please visit our Affiliated organisations for news about events, competitions and special offers.
The Photographic Society of America The Canadian Association for Photographic Art
http://psa-photo.org/ http://capacanada.ca/
Stephen Balke 271 Tony Paine 274 Raymond Hsu 295 Paul McLeod 170
Paul Ewington 263 Ina Miglin 268 Carol Bohnert 288 Myra P. Jones 168
Alan Munro 238 Garry Weiler 263 Sandra Hawkins 288 Marty Pinker 167
Misbah Ali 238 Uliana Yaworsky 259 David Simmonds 279 Rick DaSilva 153
Rick DaSilva 238 Ursula Tweddle 259 Bob Hawkins 276 Roy Williams 152
Marilyn Johnston 233 David Penty 258 Karen Simmonds 271 Stephen Balke 121
Myra P. Jones 232 Marty Pinker 258 Hilarie McNeil-Smith 269 Alan Gray 118
Annette Seip 195 Janet Brazier 256 Ron Manning 266 Annette Seip 101
Hilary Callin 169 Jon Clarke 256 Robbie Robinson 264 John Moore 85
Holly Lumley 121 Stan Kozel 253 Clement doRosario 263 Wendy Baillie 84
Paul Lindo 117 Robert Mongrain 252 Bruce Kennedy 262 Rainer Rothfuss 81
Bashar Darghawth 114 Suzanne Williams 252 Kay Woollam 262 George Webster 80
Karen Torres 112 Linda Wiesner 250 Al Tilson 260 Joe Teixeira 62
Linda Lin 100 Bruce Peters 248 Omar Sheikh 260 Russell Moore 50
Garry Revesz 72 Pradipta Datta 248 Robert Bateman 258 Michael Bodimead 41
Maureen Rodrigues 64 Paul McLeod 245 Warren Davis 258 Holly Lumley 40
George Beagley 54 Audrey Cherevaty 243 Philippe Lapointe 257 Linda Wiesner 18
Russell Moore 19 Bob Bowman 243 Fred Dixon 254
Doug Johnston 243 Leonie Holmes 254 Sandra Hawkins 181
Juri Vosu 243 Lisa Husar 64 Tony Paine 179
Stephen Hill 241 Bob Warren 63 Robbie Robinson 175
Angela Murphy 236 Jerry Soltys 63 Leonie Holmes 171
Don Meaker 234 Al Tilson 168
John Moore 232 Bob Hawkins 162
Wendy Baillie 188 David Simmonds 137
Jennifer Fowler 187 Suzanne Williams 132
Alan Gray 178 Hilarie McNeil-Smith 131
Joe Teixeira 122 Omar Sheikh 86
Rainer Rothfuss 122 Bruce Kennedy 44
Michael Bodimead 110 Ron Manning 44
Sorin Alb 60 Marcus Miller 39
Digital Beginner Digital Intermediate Digital Advanced Prints Level One
Prints Level Two
May 2012 KLIK Page 18
FINAL RESULTS
Season 2011 - 2012
Creative
Al Tilson
Hilarie McNeil Smith
Ron Manning
Tony Paine
Best Print Tony Paine
Pictorial
Omar Shiekh
Uliana Yaworsky
Ina Miglin
Level One Paul McLeod
NatureRaymond Hsu
Carol BohnertLevel Two Sandra Hawkins
Beginner Stephen Balke
Intermediate Tony Paine Winner Stephen Balke
Advanced Raymond Hsu HM Wendy Baillie
Maurice de Cunha award Hilarie McNeil-Smith HM Sandra Hawkins
TROPHY WINNERSDIGITAL PRINTS
James D Cranston award
CLUB CHAMPION Tony Paine
DIGITAL DIGITALBeginner to Intermediate Intermediate to Advanced
Stephen Balke Janet Brazier
Rick DaSilva Jon Clarke
Paul Ewington Tony Paine
Marilyn Johnston Bruce Peters
Myra P. Jones David Penty
Alan Munro Marty Pinker
PRINTS Ina Miglin
Level One to Level Two Marcus Miller
Alan Gray Robert Mongrain
Myra P. Jones Ursula Tweddle
Paul McLeod Garry Weiler
Bruce Peters Linda Wiesner
Rainer Rothfuss Suzanne Williams
ADVANCEMENTS
May 2012 KLIK Page 19
THE MISSISSAUGA CAMERA CLUB
Meetings:
Cawthra Seniors’ Community Centre,
1389 Cawthra Road, Mississauga
E-Mail: [email protected]
Web: http://www.mississaugacameraclub.ca
EXECUTIVE COMMITTEE
President
Marcus Miller
Workshops
Bob Warren Membership
Linda Wiesner
Past President Doug Johnston
Outings Shannon Gilmour
Communications Shannon Gilmour
Vice President Vacant
Competitions – Digital Omar Sheikh
Interclub Liaison Warren Davis
Secretary
Bob Bowman
Competitions – Print Wendy Baillie
George Webster
Program
Vacant
Treasurer
Myra Jones
Editorial
Pradipta Datta
Our Volunteers These Members make our club work
Al Tilson David Shaw Ina Miglin Lech Kwasinski Omar Sheikh Roy Williams
Alan Gray David Simmonds Jennifer Fowler Linda Shaw Paul McLeod Shannon Gilmour
Bob Bowman Doug Johnston Jerry Soltys Linda Wiesner Pradipta Datta Sorin Alb
Bob Warren Fred Dixon Jim Calvert Marcus Miller Rick DaSilva Stephen Balke
Bruce Kennedy Garry Revesz John Moore Marty Pinker Robbie Robinson Suzanne Williams
Cecil Lindsay George Webster John Somerset Marilyn Johnston Robert Bateman Uliana Yaworsky
Claude Barras Hilarie McNeil-Smith Jon Clarke Michael Bodimead Robert Mongrain Warren Davis
Craig Stuart Hilary Callin Juri Vosu Michael Cutmore Ron Manning Wendy Baillie
David Penty Kevin White Myra Jones Wojtek Porowski