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Lecture 6

New Movements in Twentieth-Century Architecture and Design: Cubism,

Futurism, and Expressionism

Kasimir Malevich, The Knife Grinder,

1912

Marcel Duchamp'sNude Descending a

Staircase

The Overlapping of Cubism and Futurism and their Relevance to Architecture

the fragmentation of forms (derived from Cubism)the focus on movement (from Futurism)

the bold colors and lines (from Neo-primitivism)a general departure from objectivity, with an emphasis on individual creativity.

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Josef Chochol, Prague apartment house, 1913-14

“We declare that the splendor of the world has been enriched by a new beauty-the beauty of, speed. A racing car with its hood draped with exhaust pipes like fire-

breathing serpents – a roaring racing car, rattling along like a machine gun, is more beautiful than the winged victory of Samothrace.”

Filippo Tommaso Marinetti 1876-1944 (seen below in a “Futurist Portrait” 1930)

Umberto Boccioni, Unique Form of Continuity in Space, 1913We go all the way back to the first universal sensation that our spirit can already

perceive thanks to the extremely intense synthesis of all the senses in a universal whole which will make us return through and beyond our millennial complexity, to primordial

simplicity."

"It is achieved through the intuitive search for the one single form which produces continuity in space."

Umberto Boccioni’s visual transcriptions of energy help artists think about the representation of movement in a variety of forms and materials

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Antonio Sant’Elia, Project for a station for airplanes and

tranes with funicular lifts connecting to

three levels of streets,” Italy, 1914

(Stazione d'aeroplani e treni

ferroviari con funicolari e

ascensori su tre piani stradali)

Antonio Sant’Elia La Citta Nuova (The New City),

1914

Sant’Elia, Project for an Electrical Power

Station, 1914

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Nicola Djulgheroff

Lighthouse to mark the victory of the machine, 1927

Piero Portaluppi, Studies for dwellings and offices in "Hellytown" (1926)

Giacomo Matté-Trucco, FIAT Lingotto car factory (1916-1926)

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Bruno Taut, “Sun, Glacier, and Glass,” from his book, Alpine Architecture, 1919

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Bruno Taut, “Crystal Mountain,” Alpine Architecture, 1919

Bruno Taut, Various projects for a “City Crown” (Stadtkrone), 1919-20, a new expressionist

iteration of a cultural acropolis

Hermann Finsterlin, project for a house of glass, 1920

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Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1986-1997

Frank Gehry, Mixed-use Office and Residential Building, Prague, 1996 (the “Fred and Ginger” Building)

Bruno Taut, Pavilion for the Glass Industry “Luxfer”

Syndicate, 1914, Cologne Werkbund Exposition

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Bruno Taut, Pavilion for the Glass Industry “Luxfer” Syndicate, 1914, Cologne Werkbund Exposition, longitudinal section

Ludwig Mies van der Rohe, Project for a Glass High

Rise, 1922, Berlin Friedrichstrasse.

Ludwig Mies van der Rohe, Project for a Glass High Rise, 1922, Berlin Friedrichstrasse, view of model as reconstructed by MoMA.

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Ludwig Mies van der Rohe, Project for a Glass High Rise, 1922, Berlin Friedrichstrasse, view of alternative design

Erich Mendelsohn(1887-1953), the adaptable curves,

glass, and dynamism of form in projects such as

the Einstein Tower Observatory, Potsdam,

Germany, 1921

Mendelsohn, Schocken

Department Store, Stuttgart, 1926

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Rudolf Petersdorff Department Store, Breslau, 1927/28

Night view of another Schocken Department Store by Mendelson –note the effects of his ‘Lichtarchitektur’ (light architecture) and the purposely achieved transparency of the floor-to-ceiling shop

windows on the ground floor

Piet Mondrian, Dutch Modernist painter, 1872-1944An important contributor to 20th-century abstract painting and the Dutch De Stijl

movement. His journey from realism to Impressionism to abstraction represents a major moment in the evolution of 20th-century artistic expression in painting. Contemporary

Photograph, “Live Oak” – very similar to Mondrian’s early hyper-realist graphite sketches of trees and views of the forest executed in the 1890s

Piet Mondrian, Red Trees, 1908

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Piet Mondrian (Dutch), Study of Trees, 1913

Piet Mondrian, The Red Tree, 1910

Piet Mondrian, The Red Tree, 1910, detail

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Piet Mondrian, The Grey Tree, 1911

Piet Mondrian, Trees, 1912

Piet Mondrian, Flowering Tree, 1912

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Piet Mondrian, Line and Color, 1915

Piet Mondrian, Composition, 1915

Piet Mondrian, Composition, 1915

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Piet Mondrian, Composition, 1921

Piet Mondrian, Broadway Boogie Woogie, 1943

Theo van Doesburg, Project for the “Cinema Dance Hall,” perspective view, Strasbourg, France, 1928

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Theo van Doesburg, Cinema Dance Hall, Strasbourg, France, 1928

Gerritt Rietveld, Schroeder House, Utrecht, 1924

Gerritt Rietveld, Schroeder House, Utrecht (Holland), 1924, exterior view

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Gerritt Rietveld, Schroeder House, Utrecht, 1924, ground floor plan

Gerritt Rietveld, Schroeder House, Utrecht, 1924, second floor plan (note retractable partitions)

Gerritt Rietveld, Schroeder House, Utrecht, 1924, interior view

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Gerritt Rietveld, table and chair, 1924

Gerritt Rietveld, Schroeder House, Utrecht, 1924, interior perspective view