news story vs. gossip
TRANSCRIPT
- Gud am - Every morning, we are
bombarded by text
messages, opinions
and gossips on radio
and TV before we
ever have a chance to
read the newspaper.
Many of us don’t even
read the newspapers
anymore.
Newspaper sales are down
worldwide.
TV, radio and the Internet had taken over.
So what’s the point?
Animator at Work Computers are an important part of many people’s daily lives. Kids use computers to play games and to learn in school. Adults use them at home and in all kinds of work. Liaison Agency/C. Lepetit Microsoft ® Encarta ® 2006. © 1993-2005 Microsoft Corporation. All rights reserved.
Kapitan (ng) Tsismis “Tsismis attracts people who are:
Famous
Rich
Powerful
If you are neither, hindi ka kakapitan ng kahit ano”
-Ambeth Ocampo
“Uy, meron pa”
CONFLICT: The emotional peg of the
story
UNUSUAL NATURE OF AN EVENT:
Out of the ordinary, out of norm. The
odd, the bizarre.
CURRENCY: The interest people
have in the situation or event.
NEWS vs TSISMIS Those incidentally are also the features of
a NEWS STORY. But what makes a news
story different from tsismis?
• ACCURATE: All information is verified before it
is used.
• PROPERLY ATTRIBUTED: Information used in
the story should be attributed to news sources.
* BALANCED and FAIR: All sides in a controversy
are given in one telling
BE CLEAR
CORRECT
CONCISE
COHESIVE
COMPLETE
CONVERSATIONAL
CREDIBLE
CONSISTENT
COMFORTABLE
CAPTIVATING
Information Gathering
Seeing is Believing
The Art of Interview
Research
Good writing begins with good reporting.
The writer must find the details that reveal meaning. You can’t write writing; you have to HAVE FACTS.
Structure
After gathering information,
hold off. Decide how all that info
should be put together, what sort
of order should best convey the
data and the ESSENCE to the
reader. You should make sense of
the mess, bring the reader into and
then through the subject and
provide a logical arrangement.
Structure
The traditional structure for news story is
the INVERTED PYRAMID
details
secondary /
support lead
primary lead
Chronological
A narrative is
chronological.
Even with
flashbacks, you
offer a series of
events or
happenings that
become
consecutive.
Hourglass
A story that begins as
an inverted pyramid or
spiral then turns into a
chronology is called the
hourglass. It gives you
the flexibility of moving
through information in
two complimentary
ways.
And now, the writing begins…
“Writing is easy. All you do is sit at the typewriter until drops of blood appear on your forehead.” - Red Smith, sportswriter
“Writing is a lonely job. Having someone who believes in you makes a lot of difference. They don’t have to make speeches. Just believing is usually enough.” - Stephen King
“A man may write at any time, if he will set himself doggedly to it.” - Samuel Johnson
“Doctors bury their mistakes. Lawyers hang them. But journalists put them on the front page.” - Anonymous
“In America, the president reigns for four years, but journalism governs forever.” - Oscar Wilde
Show, not Tell
• “ We saw the sea sucked away by heaving of the earth…a fearful black cloud forked with great tongues of fire lashed at the heavens and torrents of ash began to pour from the sky.”
• “Although it was daytime, we were enveloped by night – not a moonless night or one dimmed by cloud – but the darkness of a sealed room without light.”
Show, not Tell
Telling is easy, but it keeps the reader
distant from the subject.
Showing is hard, but it keeps the
reader close.
They immerse the reader.
Nouns, Verbs and Details
Write with Nouns and Verbs.
Use details but don’t overwhelm your
readers with too much material. Know
which facts are helpful and which get
in the way. A news story is not a
textbook.
Quotes
Use QUOTES to give the reader a
sense of closeness to the subject,
a feeling of being something
special. But don’t permit the strong
quotes to get lost in a sea of weak
ones.
Leads
A LEAD is like a
MINISKIRT
It should be SHORT enough to be INTERESTING, but LONG enough to COVER the ESSENTIALS.
A LEAD SHOULD:
- attract attention
- establish the subject
- set the tone
- guide or bridge into the article
Lead and Subject
The SUBJECT determines the LEAD. The lead should develop out of your growing command of the subject matter
There’s NO one way to BEGIN a STORY
Make the lead WORK for you
Leads • 5 W’s and an H
• Grammatical-beginning leads
- subject noun, causal clause, conditional clause, concessive clause, temporal clause, infinitive phrase, participial phrase, prepositional phrase, noun clause, gerund
• Unconventional / Unorthodox / Novelty
- punch, background, quotation, question, descriptive, contrast, literary, parody, atmosphere, suspended interest, direct address, staccato, etc.
Endings
Finish strong. Endings should leave the
readers satisfied, giving a sense of
completion.
A number of techniques to open your story
can be used to close them: mood setting,
description, quotation, etc.
ETHICS IN THE MEDIA
PROFESSION
RULES TO FOLLOW
FOR NEWSPAPERS, INCLUDING
CAMPUS AND COMMUNITY PAPERS,
THE FOLLOWING ARE THE RULES
TO FOLLOW IN ORDER TO MAINTAIN
ETHICAL STANDARDS IN THE
PROFESSION
1. OBSCENITY is AGAINST THE
LAW. It will not serve your
readers unless your publication is
patterned after “Playboy” or
“Oui” magazine.
2. Stick to OBJECTIVE and
UNBIASED REPORTS. The
newspaper should always remain
fair and accurate if it hopes to
gain readers’ confidence.
3. DO NOT PRINT PICTURES THAT WILL OFFEND ORDINARY READER’S TASTE OR SENSIBILITY. Examples are photos of decapitated bodies or of nude women who have been raped. If you have to report about rapes or assaults on women, use them but skip the lurid details. To protect the victim, she should not be identified nor her photo published.
4. DO NOT PLAY AROUND WITH YOUR STORIES. Stories should be serious and should not be vulgar or flippant.
5. A PERSON IS ALWAYS INNOCENT
UNTIL PROVEN GUILTY BY COURT.
Call him a SUSPECT but never a criminal
or a murderer when the case against him
is still being heard.
A JOURNALIST’S CODE OF ETHICS
I shall scrupulously report and interpret the news, taking care not to distort the truth by omission or improper emphasis. I recognize the duty to air the other side and the duty to correct substantive errors promptly.
I shall not violate confidential information on the material given me in the exercise of my calling.
I shall resort only to fair and honest
methods in my effort to obtain news,
photographs and / or documents and shall
properly identify myself as a
representative of the press when
obtaining any personal interview intended
for publication.
I shall refrain writing reports which will
adversely affect a private reputation
unless the public interest justifies it. At the
same time, I shall fight vigorously for
public access to information, as provided
for in the Constitution.
I shall not let personal motives or
interests influence me in the performance
of my duties, nor shall I accept or offer any
present, gift or other consideration of a
nature which may cast doubt on my
professional integrity.
I shall not commit any act of plagiarism.
I shall not in any manner ridicule, cast
aspersion on, or degrade any person by
reason of sex, creed, religious belief,
political conviction, cultural and ethnic
origin.
I shall presume persons accused of
crime of being innocent unless proven
otherwise. I shall exercise caution in
publishing names of minors and women
involved in criminal cases so that they may
not unjustly lose their standing in the
society.
I shall not take advantage of a fellow journalist.
I shall accept only such tasks as are compatible with the integrity and dignity of my profession, invoking the “conscience” clause when duties imposed on me conflict with the voice of my conscience.
I shall comport myself in public or while
performing my duties as a journalist in
such manner as to maintain the dignity of
my profession. When in doubt, decency
should be my watchword.