nocturne
DESCRIPTION
Founded in 2008, Marc Brew Company is committed to developing innovative collaborative work that fuses a fierce physicality derivative from choreographer Marc Brew with tender expression to explore an emotional narrative in dance. - PowerPoint PPT PresentationTRANSCRIPT
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Founded in 2008, Marc Brew Company is committed to developing innovative collaborative work that fuses a fierce physicality derivative from choreographer Marc Brew with tender expression to explore an emotional narrative in dance.
Grounded in contemporary dance technique and classical ballet and drawing on the unique physicality of each performer, the work with disabled and non-disabled artists is honest, unsentimental and recognizably human.
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“Marc Brew's juxtaposition of classical and contemporary movement styles is vital and compelling” - Herald Scotland
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Nocturne was commissioned from Greenwich and Docklands International Festival 2009 and the Without Walls Street Arts Consortium.
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Four dancers perform this dynamic work with two specially built double beds. The day to day of couples and domesticity, unfolds into an evening of restless dreams
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Nocturne
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Touring across the UK, Nocturne brings inclusive high quality performance to new audiences. The work has been created to be versatile for viewing in unusual spaces and as such is suitable for outdoor courtyard spaces, indoor atrium spaces and theatre spaces with raked seating.
Duration: 20min4 Dancers2 Technicians1 Support Worker
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Remember When draws upon exposure, peeling away layers, using line and extension, intricate folding, placement and re-placement, opens a conversation of remembrance.
Commissioned & Presented by East London Dance as part of Big Dance '08
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Remember When is an intimate solo performance by choreographer/performer Marc Brew with a prelude screening of a short dance film projected behind the performer exploring the idea of perception - looking from past to present.
This work has been designed to be performed in theatre spaces with blackout, raked seating and a full lighting rig with projector.
Duration: 10min
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With an original score by
Philip Sheppard and
acclaimed composer and
percussionist Dame Evelyn
Glennie, a cast of five dancers
will investigate the difference
and influences of the two styles,
questioning whether elements
can be fused together or if they
should remain as fragments in
isolation. Fusional Fragments
was being produced in
partnership with DanceEast.
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‘Fusional Fragments
is an opportunity to
showcase this most
unique collaboration
to the world. I am
delighted to work
with Marc Brew and
to collaborate with
the best of the best.
Being part of this
project will enable
us to create
something truly
world class.’ - Dame
Evelyn Glennie
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• Fusional Fragments has been designed to be performed inmedium scale theatre spaces with blackout, dance floor, raked seating and a full lighting rig with projector.
• Performers: 5
• Number on the road: 8
• Stage size: 10m x 12m
• Get in: 1 day
• Duration: 25min
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Following the widespread success of Nocturne, his first outdoor work, Marc Brew has created a new work for outdoor locations in 2014, (i)land.
Faced with life on a deserted island, three characters uncover a means of escape back to civilisation. As the narrative unfolds, the characters find pieces of a vehicle buried in the sand that will take them off the island. They work together to build the craft, only to find that it will carry just one of them.
Part of the Glasgow 2014 Cultural Programme, supported by Without Walls
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(i)land centres on a 6 ton pile of sandrepresenting the land the characters findthemselves in, and this provides a safedance space in which Marc can exploremovement in solo, duet and trio formsaway from his wheelchair.
Drawing inspiration from stories such asThe Lord of the Flies, Lost and Castaway,and the legends of the Highlandclearances and Australian outback,(i)land aims to engage audiences inquestions about perceptions of the bodyin dance, the politics of disability,isolation and exclusion, ingenuity andinvention.
“Marc Brew knows exactly how to touch his audience in all the right places” - The Scotsman
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• Touring: May-September 2014
• Performers: 3
• Number on the road: 5
• Get in: 2 day get in
• Performing Area: ideally 10 x 10
metres
• (UK only) for up to two performances
on one day.
• Running time: 25 minutes
• Completely flat surface
• Site needs to be fully accessible by
lorry to drop off 6 tons of sand
• Good quality, loud sound system for
CD and laptop playback.