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NORTHWEST ACCORDIONNEWS

Waltz for Jennifer Hired Gun with IL DIVO Miroslav and Vlada in Concert Coupe Mondiale - coming to Canada!Mental Activity - Ways to Keep Older Brains Healthy VOL. 23 NO. 1Northwest Accordion Society Spring Quarter 2013

Northwest Accordion News

spring Quarter 2013 1

Is your membership renewal due? Check your mailing label. A membership application/renewal form is included on the last page. Send your renewals or change of address to:

Northwest Accordion Society 5102 NE 121st Ave. #12Vancouver, WA 98682

NORTHWEST ACCORDION SOCIETY

The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Society for and by its members. The purpose of the NWAS News is to unite the membership by providing news of its members, and articles that instruct, encourage, and promote the playing of the accordion.

NWAS PUBLICATION PRIORITIES♦ Advertising♦ Original Compositions♦ News from Our Members♦ Instructive/Technical Articles♦ Summaries from Regional Socials and Events♦ Coming Events

Articles will be printed if received prior to the publishing deadline. Should space be an issue, articles will be printed in the order in which they are submitted. All decisions regarding publication will be made by the editors of the NWAS News.

To submit articles for publication, mail them to the Vancouver, WA address listed. It is preferred that articles be submitted via e-mail as attached WORD documents or on a disc. Typed, paper copy needs to be dark and clear to allow scanning and to minimize errors.

Photographs sent for publication will be returned if they are accompanied with a SASE of correct size and adequate postage. Photographs may be sent electronically or on disc.

To reprint articles or photographs from magazines and newspapers, written permission from the publisher is required. Please submit the necessary “permission to print” with material sent.

Views in the articles and information printed are those of the contributors and not necessarily those of the Northwest Accordion Society or its advertisers.

Inquiries, questions, suggestions, etc.Contact Doris Osgood, 3224 B St.,

Forest Grove, OR 97116. (503) 357-0417. E-mail: [email protected]

NWAS News DeadlinesFebruary 1, May 1, August 1, November 1

Northwest Accordion News StaffDoris Osgood................................... (503) 357-0417 [email protected] Ames .................................... (360) 254-5245 [email protected] Halverson (Advertising) ..... (503) 484-5064 [email protected]

NW Accordion Society Offi cers Bonnie Birch, President/Treasurer ................................. (206) 622-4786Doris Osgood, Vice President/Communications ............. (503) 357-0417Judith Ames, Secretary/Technology ............................... (360) 254-5245

Advisory BoardRick Hatley, ..................................................................... (253) 288-0442Dick Myking .................................................................... (253) 537-0136Birgit Ages ...................................................................... (206) 368-9720Cooksie (Kaserzon) Kramer ........................................... (425) 828-9104

Membership:Doris Osgood.................................................................. (503) 357-0417 [email protected] Ames ................................................................... (360) 254-5245 [email protected]

Mail letters & articles to:Northwest Accordion Society

5102 NE 121st Ave. #12, Vancouver, WA 98682

Or e-mail to: [email protected]

ADVERTISINGFull page $110.00Half page $55.00Quarter $30.00Business card $10.00

Prices are PER ISSUE. US Funds

Photo-ready Advertising (with accompanying check) for this publication may be sent to:Northwest Accordion Society

6453 SE Nathan Ct., Hillsboro, OR 97123or e-mail [email protected]


Spring Quarter 20132

Letter from the Editors

Greetings!Spring is certainly on its way! We see evidence

of snowdrops blooming and other fl owers poking their heads out of the ground. Weather is warming up too here in the Northwest!

The Day of the Accordion takes place as we are putting this issue of NWAS News together. We may have room to squeeze in a brief report, I hope. There are numerous socials and events on the calendar/schedule. Please support our accordionists!!

Every issue, I learn something new. Would you like to receive a membership card as a PDF or jpg? I can now email this to you. Let me know when you renew your membership.Judith Ames([email protected])

Quarterly UpdateTable of Contents2 Letter from the Editors2 Quarterly Update3 Letters to the Editor3 Composer – Cooksie Kramer4 Waltz for Jennifer9 It’s Time to Prepare!10 Improvising Chords (Part 3 of 4)11 Bursaries Offered11 ASK A TEACHER12 Coupe Mondiale Coming to Canada!12 KIOTAC Ends After 39 Years14 Tacoma Accordion Social 15 Spokane Accordion Ensemble News16 Cory Pesaturo18 Leavenworth Accordion Celebration Competition - Categories and Rules21 Seattle Accordion Socials21 Leavenworth International Accordion Celebration Presents21 The Trio Voronezh22 By the Way – 23 Mental Activity -May Keep Older Brains Healthy25 Dan “Daddy Squeeze” Newton to Release 2 New CD’s In January26 Something Special in Sequim30 Seattle Accordion Social 33 Hired Gun with IL DIVO: onstage for the Extravagant Entertainment Experience34 Miroslav and Vlada in Concert35 Welcome New Members36 Accordion Events Calendar38 Entertainers in the Northwest

Dear Members,I don’t know why I always feel compelled to talk

about the weather as I begin each quarter. BUT it is spring in Forest Grove as I write on Valentine’s Day!! The daffodils are about to burst open and the camellia on 19th Avenue that I always seek out in February is blooming. It’s the fi rst in the area. The weeds are making a strong presence at my house, I’m sorry to report. Yet, it’s absolutely lovely here. My friend, Ron Ostromecki is still up to his ears in winter…

When we turn the calendar and look forward to the Day of the Accordion, the summer accordion events are not far behind. The Accordion Camp at the Conference Center at Silver Falls State Park will be the fi rst June event. The Leavenworth International Accordion Celebration follows. In August the Victoria Accordion Festival and Coupe Mondiale in Victoria, BC. September brings the Oktoberfest season and the Alpenfest in Joseph, Oregon. The days start fl ying by once we reach February.

The Northwest Accordion Society has two major events each year: The Day of the Accordion and the Leavenworth International Accordion Celebration. Leavenworth International Accordion Celebration in Leavenworth, Washington June 20 – 23, 2013. Bonnie Birch has fi nalized our concert schedule; we have some outstanding accordionists scheduled to perform. The offi cial web site will have the schedule of events, competition information, concerts and workshops: www.accordioncelebration.org In May the scheduling for the gazebo and grange will begin. The gazebo schedule may be seen at the NWAS web site: www.nwasnews.com

As you know, the Northwest Accordion News has a unique feature. We’ve been able to provide original compositions in each issue for many years. In this issue you will fi nd a waltz written by Cooksie Kramer. She studied in South Africa and now resides in Kirkland, WA. On behalf of the Northwest Accordion Society I thank her for sharing her Waltz for Jennifer with all of us.

All of us in the Northwest Accordion Society wish to thank the executive committee and entire community of Kimberley, BC for 39 years of exemplary accordion festivals. The Kimberley Old Time Accordion Competition was the gold standard for all events in the Pacifi c Northwest. Though we understand the decision to end KIOTAC, we are all so sad. It was a great time.

As always, we thank our regular contributors and our faithful advertisers. Judith, Colleen, and I log many hours on the project each quarter; The



Letters to the Editor

Dear NWAS,Thank you! This is a “state-of-the-art” quarterly

publication! I so look forward to receiving each news-letter and read it cover to cover!Diane Young, Kennewick, WA

Dear NWAS, I would like to renew my membership. Keep up the good work on your magazine. Accordion was always my favorite instrument.Sundi O’Mara, Rocky River, OH

I enjoy the NW Accordion News a lot.David Miles, Seattle, WA

Hi!You ladies continue to do an amazing job with the “magazine”!! I enjoy every issue!Thanks much,Tom McGough, Columbus, IN

Always enjoy your interesting and informative news letter.Alice Dunkin, Lilliwaup, WA

The magazine just gets better & better. Thanks to all your fi ne work.Pat Dalen, Salem, OR

Thank you for the super job you are doing!Donald & Laurel Hill, Boise, ID

I didn’t want to cut up my NW accordion news. I have a stack of them & I like to go back and enjoy the articles.Best regards, Louis Traverso.

Northwest Accordion News is published by a small volunteer staff. We are also grateful for the expertise that Ron Ostromecki provides as he beautifully engraves the music for each publication. We are gratifi ed that this magazine style newsletter is highly regarded for its quality. We thank you all for your encouragement and support.

Doris [email protected]

Composer – Cooksie KramerCOOKSIE (KASERZON) KRAMER A.B.C.A - L.B.C.A. Registered Teacher with Trinity College London and Royal Schools London (Piano). Member of the NW Accordion Society, Member of ATG and IAC

Cooksie began classical piano lessons at age 6 and started piano accordion lessons with a piano teacher in East London, South Africa. There were no formal accordion teachers in town at that time. She completed all of the piano exams through Trin-ity College London England. In 1957 she moved to Johannesburg and began taking lessons with Stan Denny (ex UK). Cooksie won the South African Cham-pionships that year but did not travel to the Coupe Mondiale because the cost was prohibitive. In 1959 she was able to travel to and compete in the fi nals of the Coupe Mondiale in New York. During that visit she performed at Carnegie Hall. On her return trip home she stopped in London to adjudicate the British Na-tional Accordion Day which had over 80 soloists and 28 accordion bands! Before leaving London she was a guest on British Broadcasting Company (BBC) and performed at the fi nal concert in Westminster Hall.

Cooksie established a music school in South Africa which became the largest in the country. How-ever, in 1993 she and her husband, Lionel, immigrat-ed to the USA to be with their family. They settled in Bellevue, WA.

She became active in the music comm unity quickly and soon formed the Northwest Accordio-naires. She arranges the music and directs that accordion orchestra. She also is the President of the Eastside Jazz Club and is on the Board of the Puget Sound Steinway Association.

Cooksie wrote a waltz for one of her students and has shared her composition with us. The Northwest Accordion Society is grateful to Cooksie for allowing us to print it in the Northwest Accordion News.

Deadline for submitting articles, pictures, advertisements, etc.

February 1 (Spring)May 1 (Summer)

August 1(Fall)November 1 (Winter)



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SPRING ACCORDION SOCIAL FOREST GROVE, OR

John Giuliani featured performerSunday, April 28, 2013

1:30 PM – 5:00 PM

Forest Grove Senior and Community Center2037 Douglas Street

Forest Grove, OR

Admission: adults $5.00Hosted by Doris Osgood

and the Tualatin Valley AccordionistsFor the Northwest Accordion Society

Listeners Always Welcome!You are invited to bring your accordion and your friends to an afternoon of accordion music. We sign in to play and perform in the order in which we register. Young players are always guaranteed a slot and could change the order. Prepare knowing that our guests have come for the program. Play 2 of your favorite selections or one lengthy piece. There will be a 50/50 drawing benefi ting our scholarship fund, light refreshments, and visiting. Remember to join us, just for the fun of it!

For information contact Doris Osgood at 503-357-0417. [email protected]

Accordion Socials in Forest Grove are always the 4th Sundays in April and October.



It’s Time to Prepare!By Doris Osgood

The Leavenworth International Accordion Celebration is fast approaching. The concerts have been set; we can expect a variety of music performed by an array of internationally known accordionists. The competition requirements have changed since last year. Be sure to check the details in the rules and requirements.

On stage at the festhalle, a chair will be available for each competitor. If a player requires a music stand, the player is responsible for pro-viding that. For performances at the gazebo or grange, chairs are provided but players must bring their own music stands.

Many of you are looking forward to perform-ing at the gazebo. The sign up process will begin in May. Check the NWAS web site (www.nwasnews.com) to view the schedules for the gazebo and for the grange. Players will not be able to sign up on line but they can see the openings. In May, contact Doris Osgood (503-357-0417 [email protected]) to perform. The free public music provided at the gazebo and grange must be audience friendly; we want to support the Bavarian theme of the community and encourage our performers to include Bavar-ian/ethnic style music in their programs. Bavarian attire is great too! Remember, we must work with the sound system provided at the gazebo. We cannot bring specialty equipment expecting the technician to adapt it to the system in place. We will use the sound system as is.

Volunteers are needed… Frank Bruckner is coordinating our volunteers for the accordion celebration. He is looking forward to hearing from you. He can be reached at: (208)266-0212 or at [email protected] Lots of volunteer help is needed for a variety of venues.

Deadlines are coming soon too. Note the deadlines to enter competitions and for bursaries. We hope that you are planning on participating in the competition or in the evaluation. The adjudi-cations encourage and edify players. Start pre-paring today.

Last, I must remind you all that cash dona-tions are needed. As you might expect, the

costs for nearly everything have increased. Insurance, sound technicians, building use, permits, compensation for professional perform-ers and adjudicators, publicity, clerical expenses, awards and trophies: it all adds up to a large sum very quickly. As mentioned in previous memos, the competition piece of the celebration is very costly. To sustain the competitions we must continually raise money for that purpose. Specifi -cally the bursary program requires new donation support each year. All of the money that was re-ceived last year was given to the young players; we’re starting over this year.

The offi cial accordion celebration web site is fi lling in. The competition rules and application forms on listed there. You will fi nd the workshop and concert schedules and forms there also. By the time this issue is in the hands of the member-ship, the information should be complete. Check: www.accordioncelebration.org it won’t be long now; see you in Leavenworth for the love of the accordion.

Oregon’s Alpenfest Call for Accordionists

Oregon’s Alpenfest in Wallowa County Sept. 26-29, 2013, has openings for:

Performers at “Accordions at Alpenfest,” a Thursday evening show in Enterprise.

Street performers in Joseph Friday thru Sunday.Preference given to NWAS members

Publicity and $100 stipends available

For information or to apply:Chuck Anderson, Alpenmeister, 541-432-0209 or [email protected]

Alpenfest details:oregonalpenfest.com



Improvising Chords (Part 3 of 4)By Gary Dahl



Bursaries Offered

For the 2nd year, The Leavenworth Inter-national Accordion Celebration committee is excited to announce that bursaries will be available for young competitors. The term, “bursary”, is more widely used in Canada; for those in the United States the “bursary” is likened to a scholarship. To receive a bursary amounting to $100 a young person must:

*be age 18 or under on June 20*participate in one individual competition

category*submit a handwritten letter via U.S. or

Canadian mail stating their goals, interest, and plans for studying and playing the ac-cordion plus their reason for qualifying for the cash gift

Bursaries will be given during the awards ceremony at LIAC; no awards will be given to an individual without the submission of a hand written letter posted as directed below.

Submissions will be addressed to the Leavenworth International Accordion Cel-ebration Committee in care of: (Canadian entries) Rod Miller 3675 Anderson Road Kelowna, BC V1X 7V8 ( 250-807-2083 [email protected]) and (U.S. entries) Doris Osgood 3224 B Street Forest Grove, OR 97116 (503-357-0417 [email protected]) Letters must be post marked no later than June 1, 2013.

Notify either Doris Osgood or Rod Miller by email or telephone when the let-ter is posted.

ASK A TEACHERBY COOKSIE KRAMER A.B.C.A – L.B.C.AMEMBER OF ATG, AAA, ABRSM (London).

You always recommend Theory/Aural Tests to your Students. Why?

I will give you one example that occurred just a few months ago. A 9 year old boy was introduced to me by one of my senior Adult students. They are neighbors.

He started Music Lessons when he was 4 years old and went from one teacher to another. His parents believed he was a superstar. He came for an audition and chat. Bright little boy. He played for me – was just OK. I stopped him a few times and asked some Musical Theory questions. I was amazed but not surprised because from his performance realized that he had huge gaps in his knowledge. And in fact had been playing a lot by ear with no understanding of what he was doing except that he was so enthusiastic. He wouldn’t leave my house until I promised I would organize lessons for him.

Fast Forward – we went all the way back to Grade 1 Theory and scales and Hanon. WOW what a thrill and pleasure for both of us - his progress and understand-ing since then has been so exciting.- we are both on Cloud Nine.

Hopefully this answers your question.

Donations for LIACYou may send a check to:

NWAS, 5102 NE 121st Ave. Unit 12Vancouver, WA 98682

ORGo to www.accordioncelebration.org and click on the donation button to donate by PayPal

Thank you for your support!



Coupe MondialeComing to Canada!

After almost 50 years, the Coupe Mondiale, World Accordion Championships, is coming again to Canada. From August 17 to 25, 2013, the 66th Coupe Mondiale will be held in beautiful Victoria, British Columbia. This will be only the second time ever that the Coupe Mondiale has been held on Canadian soil (Toronto in 1964). The Coupe has become the world’s biggest and most prestigious accordion event, attracting hundreds of accordionists and accordion lovers from all over the world. No wonder that nowadays people call it Accordion Olympics.

The BC Accordion Society is hosting the 66th Coupe Mondiale as a part of the 7th Victoria International Accordion Festival. The core of this amazing event will be the World Accordion Competition for musicians up to 32 years of age and, they will be competing in eight categories, classical and virtuoso entertainment genres. The main venue will be held at the Victoria Conservatory of Music, with its renowned Alix Goolden Performance Hall.

This year exclusively, under the auspices of the Confederation Internationale des Accordeonistes (CIA), there will be a World Competition of Accordion Orchestras. On August 17 and 18, orchestras from North America, South America, Europe, Asia and Australia will be competing, in two rounds, for some prestigious prizes. In addition, on August 16, there will be the Annual Victoria International Accordion Competition with this year only, six solo categories: 10 & under; 14 & under, 18 & under (classical); 18 & under (open); no age restriction (classical); no age restriction (open). The BC Accordion Society is thrilled to announce one of the highest prize budgets ever, with over $50,000 in money, instruments and trophies.

Apart from the competition, the audience will enjoy the most incredible events and concerts, featuring the world’s best accordion soloists and ensembles. On August 18, there will be an Accordion Parade through downtown Victoria, with hundreds of accordionists from all over the world. There will be seven world-class ticketed evening concerts, and numerous free lunchtime concerts around the city, presenting the most various music genres and styles. The evening concerts will be held in the Alix Goolden Performance Hall. Throughout the festival, there will be an international Trade Show, culminating with a big outdoor Trade Show/concert on Aug 24.

Tickets go on sale from March 15, 2013, with an Early Bird sale for all-inclusive packages only. A limited

quantity of all-inclusive packages will cost $95 per person and includes unlimited access to all events, complementary festival program/brochure (CD included) valued at $10 and a fantastic opportunity to win a special prize - an all-inclusive trip to Rome, Italy during the V-Accordion International Finals, held on October 17 and 18, 2013.

For more details please visit www.bcaccordion.ca or send an e-mail to [email protected]

KIOTAC Ends After 39 Years

December 31, 2012

Dear KIOTAC Patrons,Accordionists and Volun-teers:

It is with a heavy heart, that we the Executive Committee, make this announcement today. The Kimberley International Old Time Accordion Cham-pionships will not continue its long history as an event. After a number of years of increasing costs and falling revenues, it has become apparent that the event is no longer economically sustain-able. After 39 years it is quite apparent that at-tempting to host an exemplary and meaningful event would be a detraction from the many years of success that the event has entertained.

The Committee wishes to thank all of the loyal patrons, the hundreds of dedicated volunteers and members past and present, as well as sponsors; all of whom have historically made KIOTAC into the rich and meaningful event that hundreds of families and artists have grown to embrace over the past 39 years.

The Executive Committee apologizes deeply for any inconvenience that this cancellation notice may bring.

Keep Squeezing! Good Bye to All

Jeany Irvin, Chairmanand all of the Executive Committee

Bill BaergDonna PurvesHeather SmithGail MacLeanAdele NormanEd TicklesWendy Moore



Tacoma Accordion Social Submitted by Eloise Adair

13 December 2012

We had a good attendance 57 at our December meeting. We met in the sanctuary instead of Thompson Hall and the acoustics were great. Our fi rst performer was Kathy Peterson playing “The First Noel”, “Santa Lucia” and “We Three Kings”. Next we had a duet, Mimi Emerson and David Emter playing “Zuylie’s Polka”, “Zurin’s Waltz” and “My Father’s Waltz” Then David played a solo, “0 Holy Night”

Sheila Findlay was up next. She played “What Child is This”, “White Christmas” arranged by Galla-Rini, and “Christmas Medley”. It was nice to have Chad Anderson play for us. I think it was his fi rst time to play. He played “La Valse Des Vioux Os”, “Song of the Volga Boatman” and “La Valse Des Monstres”. Phil Cappetto played some carols for us, “We Three Kings” and “Jingle Bells”

We had another duet - Ray Reusch and Dick Myking playing “Waltz Theme” Then Ray soloed “Away in the Manger” and “Friendly Beasts” Next we had a solo by Dick Myking - “Snow Waltz”. Bob Westland was our next performer. He played “One Day at a Time”, “Seven Spanish Angels” and “Silver Bells”.

It was good to see Charlie Brown again. He was dressed for Christmas with his Santa hat on and he played “Grandma Got Run Over By a Reindeer”, “Jingle Bell Rock” and “Feliz Navidad”. We had another good player who usually works on Thursday but he played for us. He played “Chestnuts Roasting in an Open Fire”, “Have Yourself a Merry Little Christmas” and “Polka Quick Step. Rick Hatley was up next.

He played “Silent Night”, “ Pretty Paper” “Pastorale” and “Winter Wonderland”. Diane Crews sang “I’ll Be Home for Christmas” for us.

10 January 2013 We only had 29 at our fi rst meeting this year and

I think more were retired. Randall Tron began with “Never on Sunday” then he played “Fascination”. He also played a Medley of “San Antonio Rose / Cool Water” then “Foreign Cars” “Peg 0 my Heart” and “Music Music Music”. Linda and Richard Bishop are back form 18 months in Utah and he played his new Roland accordion and she played the guitar and sang. Together they did “Pure White Snow”, “Riding With Dad”, “La Sorella” and “ Freight Train”.

Bob Westlund was up next playing “Sweet Nothing”, “Dreaming of Ellen”, “Montanaka (the

Mountain)”,”Calle Shewene” and “Pride”. Next we had a duet, Mimi Emerson and David Emter playing their chromatic accordions. They played “Have I Told You Lately That I Love You”, “Old Timer’s Waltz”, “EI Rio Drive” and “Give Back My Heart”. Then David played a solo.

Because we didn’t have many accordions Dick Myking went home and got his. His fi rst song to play was “Happy Birthday” to Jan Westlund because it was his birthday. Then Bob Westlund joined Dick and the played “Malmo Valsen”. Dick continued playing solo, his fi rst piece was “Domilena” then “Sol I Sennet”, “Rose Room” and “Janet’s Waltz” Next up was Diane Crews singing “I Wish You Love”. Our last player was Eloise Adair playing “Beautiful Days” and “Lordags Vals or Saturday Waltz” on Dick Myking’s accordion.

Accordi ons For SaleVintage Hohner – best offer

Petosa Cajun $3,500.00

Contact Cooksie Kramer425-828-9104/[email protected]



Spokane Accordion Ensemble NewsSubmitted by Cheryl A. McGinley, Secretary

Joanna Crabtree, Angie Smith, Eileen Webber, Cheryl McGinley, Helen Eldenberg, Claudie Machtmes, Sam Thomas, Rick

Westrick, Beverley Fess (conductor), Kathleen Falco, Frank Bruckner, Glea Trulove, Henry Peden, Gordon Alexander

We performed our midwinter concert: “Americana” on January 18th at St. Mark’s Lutheran Church in Spokane for our loyal, fun loving, very appreciative audience. We opened with a medley of Frank Sinatra favorites, followed by Casey Jones, and a special arrangement of St. Louis by Henry Peden. Other pieces included: “Over the Rainbow,” “Western Medley,” “Arkansas Traveler,” “Rock Around the Clock,” “America the Beautiful,” “Battle Hymn of the Republic,” A Stephen Foster Medley, “When Johnny Comes Marching Home,” A medley of Scott Joplin Rags, “Blueberry Hill” -which the audience sang along with, “Rhapsody in Blue,” “Star Dust” and “Stars and Stripes Forever” which brought the audience to their feet.

Sam Thomas, recent winner of The Trophe Mondial Senior Variety category, played a jazz arrangement of “Deep Purple” as well as his favorite

arrangement of “Lover.” The crowd loved him and showed their appreciation for his hard work and talent. We are proud to have Sam back in our ensemble as a regular member after having been gone for a few years.

We ended our concert with “Adios, Au Revoir, Auf Wiedersehen,” a song often played and sang at the end of Lawrence Welk’s weekly television show. The audience sang along while Rick Webber, our Master of Ceremonies danced with Helen Eldenberg, who has been a member of our ensemble since the

1950’s.Helen Eldenberg and Rick Webber

Rick Webber once again delighted all of us with various costume changes refl ecting the songs we played and narrations about the history and meaning of each one. Rick is a lot of fun on stage and never fails to surprise us. Rick and Eileen both put a lot of time and effort into making the costumes and accompanying slide shows for each of our productions. We are grateful for their dedication and determination.

Rick Webber Our conductor, Beverley Fess, fl ew down

from Calgary, Alberta at the beginning of the week to rehearse us daily and fi ne tune our music. The



ensemble loves working with her and responds well to her direction and ideas. We are very grateful to have her guidance, expertise, and depth of conducting skills. Bev teaches and conducts full time in Calgary as well as via Skype. She can be reached at: [email protected]

In addition to Sam Thomas returning, the ensemble has added two new members: Frank Bruckner who drives in from Clark Fork, Idaho to practice with us, is known to many of you as the Volunteer Coordinator at The Leavenworth International Accordion Festival. Joanna Crabtree, from Post Falls, attended one of our concerts last year and so enjoyed it that she contacted our President for an audition and joined us this season.

Frank Bruckner and Gail LewisA special thank you goes out to Gale Lewis

who runs our visual equipment presenting the slide show during performances. She has quietly worked at this task for the last several years. Many people have commented on this wonderful visual aspect of our shows. In addition we are grateful to our photographer Charlie Smith, and Ed Machtmes, who with Charlie, assists at the door, greeting and helping our attendees.

Eileen Webber, our president, has worked very hard this last year, directing the ensemble at weekly practice sessions, organizing and selecting music, booking gigs, playing in her own band, as well as teaching several students in the Spokane area. Our ensemble continues to grow and thrive because of her hard work and dedication; it is a fun group to be a part of .Thank You Eileen from all of us! Eileen can be contacted at: 509-290-6858.

We can also be found on Facebook as: Spokane Accordion Ensemble

Cory Pesaturo

Well known accordionist Cory Pesaturo will be involved in many new musical projects during 2013. Cory is working out a deal to provide music for the US Formula 1 broadcasts on NBC, as he formally did for SPEED Channel the past 5 years while For-mula 1 was on SPEED. Cory will also perform for the NAMM 2013 from January 23rd to January 28 in Los Angeles, California. For the 5th straight year, Cory will be performing at the hemisphere’s biggest music convention as soloist and with violin-ist, Yasmine Azaiez.

Some of his many 2012 past shows took place at the Veteran’s Memorial Hall in Provi-dence, RI where Cory performed with violinist Yasmine Azaiez and Anton Fig (Drummer for David Letterman), and Joe Silva at the “All For One Concert”: Benefi ting Hasbro Children’s Hospital; Chan’s Jazz in Woon-socket, RI and the Tony Dannon Memorial Concert in November 2012 in Detroit. Tony

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was a great inspiration and a legend to Cory through-out his early career. Cory also performed with Tony’s Jazz Duo partner, fellow Rhode Islander and Jazz Accordionist Joe Cerrito; 2012 Pebble Beach Coun-cours d”Elegance Week in Monterey plus many other concert venues.

Cory Pesaturo also plays the piano, clarinet, and saxophone. He began playing at the age of nine, and in 2002, became the youngest person to win the

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Castiglione Accordions

National Accordion Championship. He most recently won the 2011 Primus Ikaalinen World Championship and was the fi rst American contestant. Additionally, Pesaturo won the Coupe Mondiale World Digital Ac-cordion Championship in Auckland, New Zealand, and became the fi rst American to win a World Accor-dion Championship since Peter Soave 25 years ago. In June 2009, he won the Leavenworth International Championship, and International Jazz Championship.



Leavenworth Accordion Celebration Competition - Categories and Rules*Open Categories - Open to both Professionals and Amateurs*

Category Age (if any)

Category Code

Fee

Leavenworth Open All LV-O $35Classical Open All CL-O $20March All M-O $20Accordion Duets - 1 18 & over AD-1 $20 (per entrant)Diatonic All DI-O $20Bands All BA-1 $15 (per band member)

*Amateur Categories - Amateurs only*

Category Age Category Code

Fee

Variety 1 70+ V-1 $20Variety 2 60 - 69 V-2 $20Variety 3 19 - 59 V-3 $20Variety 4 13 - 18 V-4 $10Variety 5 11 - 12 V-5 $10Variety 6 10 & under V-6 $10Accordion Duets - 2 17 & under AD-2 $10 (per entrant)Classical 15 & under CL-A $10

*Non-competitive - Evaluation - Open to both Professionals and Amateurs*

Evaluation All (non-competitive) E-O (@ GRANGE) $15

*SEE RULES AND NOTES FOR IMPORTANT EXPLANATIONS*

Leavenworth Open - 3 selections - 1 must be Old Time - max time: 12 minutes

Classical Open - 1 selection - max time: 8 minutes

March - 1 selection - max time: 4 minutes

Diatonic - 2 selections - both must be Old Time - max time: 8 minutes

Accordion Duets - 18 & over - 2 selections - 1 must be Old Time - max time: 8 minutes

Accordion Duets - 17 & under - 2 selections - 1 must be Old Time - max time: 8 minutes

Band Competition - 2 selections - 1 must be Old Time - max time: 10 minutes.

Variety (1 - 6) - 2 selections - 1 must be Old Time - max time: 8 minutes

Classical - 15 & under - 1 selection - max time: 8 minutes

Evaluation - non-competitive - 1 or 2 selections may be played - will take place at the Grange.

Competition Rules: 2013 Leavenworth International Accordion Celebration

1. Contestants may enter as many categories as they qualify for – SEE DIVISIONS AND REQUIREMENTS

2. The contestant playing order is determined by a random drawing prior to beginning the competition.

3. Entry applications must be postmarked no later than June 1, 2013. The LIAC Committee reserves the right to accept late entries at its discretion. Late entries, if allowed, will play fi rst in order of appearance in any category entered.



4. For this competition, the term “PROFESSIONAL” is anyone who is currently active in a career playing the accordion; i.e. Listed in Publications as a concert performer, promoting oneself as a professional, receiving money through contracts to perform, etc. Those considered Professional musicians may participate in the Leavenworth Open, Bands, Duet I, March Open, Diatonic and Classical Open only.

Any competitor deemed a professional by the LIAC Committee may ask the committee to reexamine their status; however the fi nding of the LIAC Committee shall be fi nal.

5. The LIAC Committee reserves the right to limit entries in any category. Categories with 3 entries or less are subject to review.

6. Digital, electronic, amplifi ed and MIDI accordions are not accepted in any division. If any of these systems are installed only the acoustic accordion will be allowed. (*see rule 13 for exception)

7. Competitors must provide proof of age upon request by the LIAC Committee.

8. For the purpose of this competition, “Old Time” refers to the manner and style in which the selection was written or is being played, not to the selection’s age or ethnic origin. Old-time music is fi ttingly described as the style and tempo predominantly and successfully used for executing the polka, schottische, and waltz throughout a broad cross-section of North American and European communities during the past few centuries. All cultural styles are equally acceptable as long as the selection is played in the manner used by the culture of origin. With this as a guide, the decision of the adjudicators is fi nal.

9. CLASSICAL/CONTEMPORARY describes the category of music which follows the original form and intent of the composer; repeats may be omitted to fi t the time requirement. The printed sheet music is provided to the judges.

10. LIGHT CLASSICAL MUSIC is based on a classical piece or theme but is reinterpreted to have entertainment value; it does not have to follow the format of the original composition.

11. LEAVENWORTH OPEN: If a person has won the Leavenworth Open for two consecutive years, they must sit out one year before competing in the Leavenworth Open again. This same rule applies to the CLASSICAL OPEN and the MARCH OPEN.

12. DIATONIC DIVISION: Diatonic accordions of all types/styles are allowed but only “old-time” music selections permitted. This category is open to amateur and professional accordionists.

13. BAND DIVISION: This must be a group of three or more musicians with a predominant acoustic accordion lead. The lead accordion may be amplifi ed* but not electronic and must lead at least 2/3 of the time. There are no age limits and professionals can participate. Support instruments will be judged on the quality of harmony with the lead instrument. Support instruments may be amplifi ed to achieve a loudness level consistent with the lead accordion. Bands are not limited to one accordion. Vocalists may be substituted for instruments.

14. When competing in more than one category, the music selected must be different for each category.

15. Contestants may restart a selection within 15 measures of its beginning without penalty. If restarting the full time limit is allowed as if no playing had yet taken place. Only one restart allowed without a scoring penalty.

16. The adjudication (judging) process begins with the on-stage presence of the contestant and is concluded with the preparation of remarks and scores by the adjudicators, which are given to the LIAC Committee. Adjudication for all categories will be based on the following: appropriateness of music, interpretation (appropriate style), tone projection and balance, stage presence and appearance, phrasing and articulation, dynamics and shading, technique and accuracy, tempos and rhythm, bellows technique and control and level of complexity. For defi nitive information on the adjudication, an “Adjudicators Guide” is included in Competitors’ Packets which are provided to all competitors at the Celebration. The “Adjudicators Guide” will also be posted on www.nwasnews.com.

17. Discussions with adjudicators about a contestant’s performance must be delayed until after the day’s



competition is completed to avoid interference with the adjudication process. Good Sportsmanship is expected. This courtesy to the adjudicators is essential and a contestant may be disqualifi ed by the LIAC Committee for violation of this procedure. If in doubt ask the LIAC Committee. Score sheets and adjudicators remarks are available to contestants at the end of the Celebration. Pick up score sheets at the registration table following Sunday’s awards presentation. The decision of the judges is fi nal.

18. The contestants must present a pleasing appearance to the audience. Good grooming and dress is expected of the accordion player. Tank tops, T-shirts, shorts and jeans are considered substandard attire unless part of the ethnic costume dress.

19. Please take care that all still camera and video pictures taken to avoid interference with competitors, adjudicators and audience. Be courteous to all and limit fl ash photography of contestants to times when active playing is not being done.

20. The decision of the LIAC Committee shall be fi nal regarding all of the above rules, except for scoring, which shall be the responsibility of the adjudicators (judges).

21. Only a Page Turner is allowed on stage to assist the competitor during the performance.

22. A Medley is considered as 1 selection but max time of the category must not be exceeded.

Additional Clarifi cation and Details - LIAC 2013

Note that the music requirements for most categories have been adjusted. ALL categories, except March and Classical require one Old Time selection. We support the community of Leavenworth and its Bavarian theme. Competitors have time restraints and will present their Old Time music along with other music styles within time defi nitions given. Competitors are not required to play for the entire time segment but must play the required music for each category.

The LEAVENWORTH OPEN requires the competitor to play three selections. One Old Time selection is required. The competitor may play 2 other selections from genres such as jazz, popular, and light classical. Serious classical music is not appropriate. If the competitor chooses to play additional old time music for the category, the music must be selected from the 2 remaining old time dance styles. Old Time music is defi ned in rule #8. The competitor will present 3 pieces and will confi ne the presentation to 12 minutes or less.

The MARCH category has been reinstated to LIAC. One march will be played; the music may come from any country. Since “Old Time” refers to dance music, the march has been removed from that defi nition for our purposes. This category requires 1 music selection which will not exceed 4 minutes performance time. This is an “open” category; amateurs and professionals of any age may participate. The March is not considered as an Old Time selection for this competition.

CLASSICAL MUSIC is played only in the Classical categories; LIGHT CLASSICAL music may be played in the Leavenworth Open, Duet, Band, and Varieties divisions.

The BAND and DUET categories each require one Old Time selection plus another piece from any other music genre. Competitors may choose to play old time music exclusively; in that event a different dance style will be used for the 2nd piece. Note that there are two Duet divisions: Duet 2 is for amateur competitors ages 17 and under.

The VARIETY category is for amateur players only. The competitor will play one Old Time piece. The second piece may be Old Time or a selection from any genre (popular, jazz, and light classical, or old time music from a different dance style.)

We also have a category called EVALUATION. This category will have a panel of qualifi ed accordionist reviewing the performance. The purpose is to give the player an opportunity to have their playing evaluated in a constructive and helpful manner without having to compete. This category does not have monetary awards but the award is in the helpful comments obtained. All evaluations will be done at the Grange.

Professional players are allowed in all Open categories, duets, bands, and diatonic categories. They may also



Leavenworth International Accordion Celebration PresentsThe Trio Voronezh

It has been confi rmed that world class virtuosos Sergei Teleshev, Valerie Petrukhin and Vladimir Volokhin, who comprise The Trio Voronezh, will be featured artists at LIAC 2013, June 20 – 23 in Leav-enworth, WA. Together they will offer a master class in “Using the Accordion in Ensemble Performance.” Sergei will participate as one of the judges in the com-petitions that are central to the festival. In addition the Trio will engage in evening performances for the festival and community at large. Those of you who attend LIAC this year are in for a genuine treat.

We in Emerald Valley Accordion Club have benefi ted greatly from our friendship with the Trio Vo-ronezh. Luckily for us they have made Eugene their home since 2001. Over the years they have surprised us with private performances. Sergei (bayanist) and Val (piano accordionist) have found time to play solos and duets with club members who are their students. Their infl uence has led to increased motivation and improved playing in our membership. You will fi nd them most congenial, easy going and fun to be with. For more info go to: http://www.triovoronezh.com/TrioVoronezh/Digital_Press_Kit_fi les/TRIO%20VO-RONEZH%20PRESS%20KIT%20copy.pdf

participate in the EVALUATION category.

The competition is designed to fl ow without long interruptions to make the music and the experience pleasant for the competitor, adjudicators, and the audience. We want to give opportunities to showcase all the hard work and preparation that goes into playing in competition. We want to allow for creativity as well as technique.

The goal is complete the competition categories in two days.

For more information, clarifi cation or questions please contact:

Doris Osgood - [email protected] 503-357-0417Rod Miller - [email protected] 250-807-2083

Seattle Accordion SocialsAlways 2nd Monday each month 7:30 – 9:30 PM

Locations: Swedish Cultural Center or West Seattle Senior Center

MARCH: Toby Hanson, (piano accordion, Ted Lunka, (button box accordion), Lee Wright, (pi-ano accordion), .Anthony Pierce, a high school Sr. and upcoming piano accordionist: Swedish Cultural Center.

APRIL: Andy Mirkovich, (piano accordion), Marjorie Rombauer (piano accordion), Louis Traverso (piano accordion), Mario Tonda (piano accordion), Gino Picini, (piano accordion): West Seattle Senior Center

MAY: “Featuring” - “The Northwest Accor-dionaires Band”, led by Conductor/Performer, Cooksie Kramer: Swedish Cultural Center

JUNE: West Seattle Senior Center, featured players to be announced

JULY - AUGUST: summer break, no socials

SEPTEMBER: accordion socials resume



By the Way – From Doris Osgood

I don’t mean to “sing to the choir”, but I hope that you will go out of your way to support the entertainers, individuals, and businesses who advertise in the Northwest Accordion News. Our professional accordionists advertise CD’s and many individuals advertise instruments for sale. Before looking elsewhere, shop at home! Your support of our advertisers helps both them and us.

Toby Hanson writes, “I’m playing more with French cabaret singer Janet Rayor and playing with Balkan band Alchymeia. It has been challenging to learn all of those Balkan rhythms in 7/8 and other odd meters. In addition to that one of the other groups I play with regularly, the Valse Café Orchestra, lost one of our founders and artistic directors. Susan Balshor passed away on January 23rd, two days before the big Masquerade Ball in Seattle that she was producing. That left us in a huge vortex of activity trying to replace her just days before the big event. I had to take on many of the production responsibilities that normally I wouldn’t have had to worry about. The following weekend we were in Portland at the Norse Hall for Portland Dance Eclectic’s Winter Ball. It was a huge success but no less chaotic having one fewer person to work on the production.”

The spring social in Forest Grove, OR is coming soon. Our friend from Renton, WA, John Giuliani will be our featured player April 28. We will still sign in to play solo, duets, and ensembles. Socials are an IMPORTANT place for amateur players to perform. We all have a reason to prepare. Having professional and accomplished accordionists provides the example that we all need. Join us for the fun of it.

Just a reminder, years ago there were large accordion studios that provided instruction and lots of interaction among the students and teachers. That model is different now. There are smaller studios and individual teachers. Many players are geographically isolated. Accordion socials provide the link that is needed to edify and encourage players. For the good of the instrument seek out a “social” near you and participate.

Many people in our membership are dealing with very serious health issues. We especially encourage you to remember Rick Hatley in your prayers. Rick has been an active member of the NWAS for years and also served as president. He may be best known for his work at the Puyallup Fair, band leader at Leavenworth, and Rising Star manager at the Day of

the Accordion. To send notes of encouragement write: Rick Hatley 1004 4th St. NE Auburn, WA 98002

It’s time to prepare for the annual parade in Leavenworth this June. Rod Miller, our parademeister, writes, “We play only a few simple songs for the parade! The Happy Wanderer in C, Beer Barrel Polka in C (theme is in F I believe), if needed we would play Lily Marlene, but it is a short walk and we haven’t need it so far so concentrate on the fi rst two. At the Gazebo we will play Edelweiss in G, practice in both keys C and G just in case, but it is traditionally played in G and easier to sing. Once we play that we may play the Snow Waltz as well in C. Have to keep it tight on the keys so that the diatonic accordions can join in.” I would add that generally the parade group usually plays Edelweiss, Beer Barrel, and the Snow Waltz while on the steps of the gazebo. There are usually lots of people with cameras and we need to stretch the “photo op” for a bit before leaving the stage. The parade is short and sweet!! The schedule for the parade will be listed at the offi cial accordion celebration web site: www.accordioncelebration.org Plan on the parade’s being noonish on Saturday.

Portland accordionist, Jimmy Bianco passed away this winter after a very long illness. Jimmy was a well-known entertainer and teacher in the area. The dapper young Bianco entertained during WWII and continued playing for many years. His “Bianco” accordion had a reverse color keyboard – black keys were white and white were black. A few were sold and are easy to spot.

Congratulations to Patricia Bartell. 2012 was a very successful year for her and for her music program. She outgrew her old studio and had moved into a new studio with 4,000 square feet. Way to go!

Hans Rainer has been busy too. His wife, Monica, wrote to say that he has been playing every weekend. Life has been a bit hectic for them. But for a musician, it’s great!

The Rose City Accordion Club in Portland, OR will host the annual accordion camp in June. At the lovely Silver Falls State Park Conference Center, Anthony Galla Rini was the fi rst instructor years ago at the camp’s inception. The “Galla Rini Accordion Camp” drew people from all over the United States. When it was no longer wise for the Maestro to travel, the camp bearing his name moved to California near his home. Campers who had come to love the beautiful setting in the foothills of the Cascade Mountains looked to keep an accordion camp there. The leadership of the



Rose City Accordion Club stepped up and took on the HUGE task of running a quality camping experience for accordionists. Check the contact information in the calendar of events; there is still time to make your reservation. This year’s conductors will be Murl Allen Sanders and Gordon Kohl; Ron Borelli and Beverley Fess will be workshop instructors. Camp will be June 9 – 14, 2013.

Remember to submit your articles and other information to our magazine address: NWAS News 5102 NE 121st Ave Unit 12, Vancouver, WA 98682

Check the web site, www.nwasnews.com for current events and updates.

Mental Activity M ay Keep Older Brains Healthy

by Harley Jones

Simple mental activity such as reading, writing, playing games and doing puzzles may protect brain health in old age, according to a new study being pre-sented at a meeting in the USA this weekend.

The study, presented at the 98th scientifi c assem-bly and annual meeting of the Radiological Society of North America (RSNA) in Chicago, is the work of Konstantinos Arfanakis and colleagues, from Rush University Medical Center and Illinois Institute of Tech-nology.

“Reading the newspaper, writing letters, visiting a library, attending a play or playing games, such as chess or checkers, are all simple activities that can contribute to a healthier brain” says Arfanakis.

Editor: What could be even better is playing the accordion. You have the extra mental and physical stimulus of playing a different keyboard with each hand (assuming your accordion has standard bass), co-coordinating the bellows and your fi ngers, so you are also stimulating both brain activity and brain to muscular activity as well, all while you enjoy your music.

Therefore, NEVER stop PLAYING the accordion. Play in groups, orchestras or solo. Our older readers might not play like they did many years earlier, but the pleasure of music can still be fully enjoyed plus the benefi ts of musical practice are becoming recognized as medically ever more important to your brain health.

Leavenworth International Accordion Celebration 2013

A Music Festival for the entire family Join us in Leavenworth, Washington

June 20 - 23, 2013



We welcome you to the 66th Coupe Mondiale and the 130th CIA International General Assembly of Delegates Congress in Victoria, B.C., Canada to be held from the 17- 25 August, 2013 hosted by CIA member the BC Accordion Society.

This will only be the second time ever that the Coupe Mondiale has been held on Canadian soil (Toronto in 1964) and CIA is more than excited for this great opportunity to promote it's activities in one of the most beautiful cities in the world, Victoria, B.C.

The BC Accordion Society is thrilled to announce one of the highest prize budget ever, with over $50,000 in money prizes, instruments and awards. Also, we invite you to the International Competition of Accordion Orchestras, that will be organized as a part of the Victoria International Accordion Festival, under the auspices of the CIA, with impressive awards, too.

We look forward to welcoming you to Canada, in August 2013!

2013 Coupe Mondiale Organizer: BC Accordion SocietyAleksandar Milojevic - 2013 CIA Honorary Vice President and President of the BC Accordion Society will be assisted by his organizing team.

E-mail: [email protected]



Dan “Daddy Squeeze” Newtonto Release 2 New CD’s In January

by Rita Davidson

Accordionist Dan “Daddy Squeeze” Newton has two new CDs available now. Cafe Accordion Or-chestra will release their 9th album “La Zingara”, a collection of tunes refl ecting various Gypsy lifestyles featuring guest vocalist Diane Jarvi and clarinetist Tony Balluff on 4 tracks. The recording features great music from France, Greece, Mexico, Venezuela, Cabo Verde, Finland and the US.

Members of CAO, Cafe Accordion Orchestra are Dan Newton (accordion, vocals), Eric Mohring (man-dolin, violin and vocals), Erik Lillestol (bass and vo-cals}, Robert Bell (guitar and vocals) and Joe Steinger (percussion).

CAO has been delighting audiences and danc-ers alike since 1995. They have appeared in New York at the Lincoln Center’s Midsummer Night Swing series, the International Akkordeon Festival in Vienna, Austria, the Minnesota State Fair, as well as festivals, theaters and dance halls across the United States.

Dan is also releasing a new solo album “Daddy Squeeze Solo” which includes 11 tracks of just accor-dion with vocal, featuring original and traditional blues, jug band, rags and novelty tunes.

Dan “Daddy Squeeze” Newton has been enter-taining audiences with his vast repertoire and creative accordion style for over 30 years. He is a talented composer and arranger who has produced over 25 recordings and has appeared at many festivals across the USA and also in Finland, Canada, and Austria.

He has performed at Lincoln Center in New York City, Kennedy Center in Washington D.C., The Winnipeg Folk Festival and is a frequent guest on Garrison Keil-lor’s A Prairie Home Companion.

Dan spends most of his time playing accordion with his group Café Accordion Orchestra, perform-ing vintage Swing, Latin, American, and French Café music. Dan leads a number of bands including Jumbo Ya Ya, Rockin’ Pinecones, The Daddy Squeeze Band and The Hula Peppers. drawing infl uences for songs and tunes from French Musette, Gypsy Swing, Cajun, Jug band, Tex-Mex and Cumbia.

2 Cafe Accordion Orchestra Concerts are planned for for the New Year. On New Year’s Eve CAO shared the stage at the Sheldon Theater in Red Wing, MN with Monroe Crossing, the region’s top bluegrass outfi t with sell out shows all over the state of Minnesota.

On January 12, CAO returns to the Cedar Cultur-al Center in Minneapolis for their 8th annual concert there celebrating the release of their new album “La Zingara” with Diane Jarvi and Tony Balluff as special guests.

PETOSA - $490.00.This is in mint condition 50’s - 60’s “baby grand.” It has just been thoroughly gone over by a top notch Portland technician, and is in great shape.

Tight bellows, no leaking, beautiful buttery action and the sweet tone that makes it a Petosa!

Baby blue original case, a bit battered on the out-side, but very solid and with beautiful interior.

Email: [email protected], or call: 503 -666-6870

Accordion for Sale



Something Special in SequimBy Jeannie Berg

It has been a long time since I have written an article for our magazine and it is long overdue. My friend Ilse Osier reminds me that it is time to write! We had such a wonderful time yesterday that I have to share the good times we have here in Sequim with all of you.

My husband Steve and I began the socials here in Sequim in September 2008 after moving here in 2007. Since that time, we have been truly blessed to have the support of so many of our accordion friends that have taken the time to come and play for our group. Many of you already know that Sequim is a predominantly retirement aged community. We have made many German, Austrian and Swiss friends as well as dance friends and, of course, friends who just love to listen to the accordion! Some special guests who have traveled a good distance to be our featured players over the years include: Dick Myking, Bon-nie Birch accompanied by Nick, Toby Hansen, Einar Tapio, Rod Miller, Rick and Eileen Webber, John Guiliani, Paul Bria, Jon Person, David Emter and Linda, Martin Hergt and Ivan Preanicov, Jane Johnson and Jeff Anderson, and, most recently, Andy Mirkovich. Additionally, our local talents have been featured: Paul Le Marche, Elsie and Hermann Laresser, Ilse Osier and Helen Bucher. We want all of our players to know how much we appreciate the time each have taken to play for our community and the difference it has made in the lives of many people.

I am pleased to say that we rarely have less than 60 people attending our event. Snow was the only cul-prit that put a damper on things this past January, so we have decided to stop fi ghting mother nature and we will re-commence in February of 2013. Our accor-dion fans will not hear of waiting any longer than that!

On Sunday November 11th , we had 70 people come to hear Andy Mirkovich on Accordion accom-panied by John Giuliani on upright bass, as well as our other accordionists. There were several new faces in the audience who never knew an accordion could sound so good! Our Trio, lovingly named the Tirolean Trio, started the day off. The trio is composed of Ilse Osier, Steve Berg and me, Jeannie Berg. Ilse’s daughter, Stephanie, was visiting her this week-end, so Ilse wanted her to hear the three of us play. I donned my steirische for this set as we played Bauern Kirmes, Tiroler Holzhacker, and the Weinglasl Boarischer. I received many positive comments about including the steirische with the group….I guess I better get working on increasing my repertoire! Stephanie was impressed I was told, so, all is good!

Jeannie, Ilse and Steve

We just never know who will show up with an accordion in tow to join us. We just set up the location and keep our fi ngers crossed! Well, we were happy when in walked Paul and Judy Bria from Aloha,

Oregon. It is always a pleasure to see them and to listen to Paul play for us. Paul played Janet’s Waltz and Maybe Tomor-row. His mild and pleasant presentation is always a crowd pleaser.

Andy Mirkovich played next, accom-panied at times by John Giuliani on upright bass. Andy told us that he began playing the accordion

as a youngster. When he was 5 years old, he told his mother that he wanted ‘a box that played music like Mr. Caruso’s across the street’ for Christmas. Hmmm…..doesn’t this sound like a monkey and organ grinder kind of thing?? Well, Andy’s mother’s interpre-



tation of a box that played music was an accordion. But, Andy’s idea was, you guessed it, the monkey’s organ grinder. Needless to say, Andy shed a few tears of disappointment that Christmas. Now that he had the instrument he needed to learn how to make it play music. His mother called a renowned teacher in Ta-coma at the time, Mr. Anderson, but was turned away because Andy was a mere 5 years old and he only started students at the age of 7. Undaunted, Andy’s mom continued to call several teachers, but they all said the same thing----not until the child is 7 years old. She tried one last time and called Joe Spano who said the child can be started at the age of 7 and Andy’s mother said, that’s how old he is! So, a great musical career began with a very respected teacher, who was the only teacher in the United Stated to produce two accordion world champions. Andy’s fi rst lesson was on February 2, 1946, so you can do the math…

The fi rst set Andy played solo was Italian, O Sole Mio and Ritourno a Sorrento. The audience was just beginning to get a taste of the treat that was in store for them. John joined Andy for the next set. John and Andy met in the 70’s and they have been playing together ever since. They played a tribute to Marvin Hamlisch who wrote songs for “A Chorus Line”. They played One followed by New York, New York. Being a former New Yorker and having seen “A Chorus Line” on Broadway, I was happy and admittedly a bit teary

as I thought back to my New York life. They continued with pieces from “Sleepless in Seattle” that included What a Wonderful World, A Wish to Build a Dream On, and Making Whoopie.

Andy then began a solo series of songs that gained prominence during World War II, Hi Lili Hi Lo

and Lilli Marlene. Since half of our audience is German speaking, they of course unhesitatingly sang along as Andy played. John rejoined Andy as they played Sina-tra hits All the Th ings You Do and Just the Way You Look Tonight. He winked as John returned and said that he liked to change keys on John when he least expected it! Andy and John played Brazil and Tico Tico as a trib-ute to Joe Spano, who having spent 4 years in Brazil during his time in the US Army, had a strong love for

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the South American rhythm. Andy told us that his fi rst professional work was

with a German orchestra, so he segued into Du Kannst Nicht Treu Sein , Muss I Denn and the Liechtensteiner Polka. Yes, you guessed it, lilting German voices fi lled the air! Andy played for eleven years at the Space Needle, and how he got started made for a good story. There was an offer for a 6 week engagement to play at the Space Needle as they promoted a trip to France to commemorate the Eifel Tower. Andy wanted to play there so bad that he quit his job. He learned that the restaurant owner’s name was Milos--- not very French indeed. So, how would he win him over so that he got the job? By playing something Greek, n’cest pas? He serenaded Mr. Milos with Never On a Sunday and Mr. Milos happily told Andy that he would be playing at the Space Needle for a long time!

The next piece was very touching to us all as Andy paid special tribute to his wife, Mary, who was in our audience, too. He dedicated La Vie En Rose, and, everyone loved both the playing and the sentiment it relayed for Mary. Andy plays about 125 engagements each year, but Mary seldom is able to be there to listen to him. This performance was very special for all of us.

Lastly, Andy fi nished with a Russian piece, Th ose Were the Days. The crowd responded with a standing ovation and as we headed into the break, he signed his CDs that quickly sold out.

After the break, playing continued with local fa-

vorites Elsie and Hermann Laresser. Hermann has recently been learning to play the piano accordion, and they capably played two intricate duets together. Knowing Elsie, I am certain that she will not take anything but perfection from Hermann, and it showed in his playing. They were just great! Elsie soloed with Neapolitan Nights and Radetsky March. She later re-turned at the end of the day to play Frosini’s Bubbles, a diffi cult piece which she mastered with ease. Elsie and Hermann will be heading south soon and we will all miss them, but they have already hooked up with accordionists in Arizona.

Helen Bucher came forward to play several

sing-a-longs for us. A normally quiet and reserved Helen was cracking jokes and keeping the audience laughing. A very accomplished musical talent, Helen is always a delight to the audience. She played Till We Meet Again accompanied by Elsie for those heading south and because we will not have a social for the next 2 months (ugh!). She also played Autumn Leaves and Shine on Harvest Moon. Helen artfully types the lyrics for us on her manual (yes, a manual) typewriter and distributes the pages to the audience so that we all may join in. She joked with John Guiliani be-cause he was at Renton High School when she was a teacher there. John said that he wanted to be in her class but she wouldn’t let him! Well, Helen taught girls physical education at the time.

Last, but certainly not least, Ilse Osier came forward to play two beautiful pieces of light classical music. Ilse’s favorite musical genre is light classi-cal. Ilse played Th e Mill in the Black Forest and Vienese Song. Stephanie was in charge of picture taking and Stephanie said she could defi nitely listen to more ac-cordion music after today’s program! Thank you, Ilse, for prompting me to write this story.

Andy Mirkovich returned to play several more pieces for us. The fi rst group of songs were Vienna City of my Dreams, Two Hearts in ¾ Beat (as translated to me by Ilse), Du Du Liegst Mier in Herzen, and In Munchen Steht ein Haufb rau Haus. Andy had one more, great story to relate to us about his time at the Space Needle. He said that he played for many celebrities over the years, but one memorable one was when King Hussein of Jordan came to Seattle. There was a location in the restaurant that has been cordoned off for the King and security where he was to perform. He labored over the politically correct piece to play for the King. As he tossed sleeplessly the night before his performance, he decided to play Getting to Know You from the “King and I”. Four measures into the piece, King Hussein came forward, put his arm around Andy and began to sing the lyrics! I guess it was the right song to pick!

The fi nale of the day, aptly played in honor of Veterans Day was an American medley consisting of You’re a Grand Ol’ Flag, Yankee Doodle Dandy, Give My Regards to Broadway, Waiting for the Robert E. Lee, Swanee, and the rousing God Bless America. Once again, the performance was met with a standing ova-tion.

Again, we thank all of our musical friends for their time, talent, and thoughtfulness. Let us know if you would like to come and play at our social. All the best and may music bring happiness to you and those you entertain!



Grandpa Reaches 88 years of ageDo not need more than one accordion

90 Bass “Traviata” Leaks but palsy fairly well$150.00 120 Bass “Noble” Excellent Condition

$600.00

120 Bass “Elkavox” Midi (installed by Arralde)$3995.00

120 Bass “Excellcior” Gold Model Recently spot tuned by Arralde

$6000.00

120 Bass “SCM” 15 pound reedless, serviced by Arralde. $1200.00

120 Bass “Petosa” Millenium. Like new, recently service by Petosa - $3995.00

Call Grandpa Luigi in Kent, WA for more info - 206-550-7806



Seattle Accordion Social By Marjorie Rombauer

November 12, 2012Accordion Social fans were treated to a feast

of Scandinavian music this evening, appropriately pre-sented at the Swedish Cultural Center. The program was organized by Ione and Brenda Bard (mother and daughter) and featured group and solo accordion numbers and dancing.

The program began with familiar Scandinavian dances played by a group consisting of Ione Bard and Brenda Bard (Nordic Refl ections), Jim Lofgren (Northwest Accordionaires), and Harold Nygaard. Dances played were Livet I Finn Skogen, Rosa pa ball, Drom om Elin, Jamtegubben, Bestefars vals, “Swagger Waltz” and Finska Valsen. The music brought two pro-fessional dancers to the fl oor-well known to those who

attend the accordion festival in Minot, North Dakota, each fall, where they regularly perform. They were unfl appable and performed fl awlessly the various traditional dances that were played. As the evening moved on they were joined by more dancers (includ-ing one graceful young man in his stocking feet), and

Lori Ann Reinhall (Klem och Kram ) joined the group of accordionists.

Then guests Cooksie Kramer, Director of the Northwest Accordionaires, and drummer Lio-nel Kramer joined Jim Lofgren to play, followed by Cooksie and Lionel playing an exciting South African number.

What followed was a unique program of ac-cordion music - music composed by local Northwest Scandinavian accordionists and teachers over the years. The group began with Viken underbar härling dag (“What a Wonderful Day”) and “You’d Be Sur-prised” by Folke Hyttenfädt and “Farewell Polka” by Paul Karlson. Then Lori Ann played his lively polka, “I Remember You.”

Next, the group played “Hugo’s Hambo”, com-posed by Hugo Helmer of Mt. Vernon, who created and directed what was the state’s largest accordion band for many years, at one time consisting of 50 players. (The band has played for our Socials in the past.) Then the group played Soprani Smile Polka by Ragnar Salldin (who was the locally-loved Stan Bore-son’s teacher), two numbers by Harold Bodin – “Au-rora Schottische” and Midnattsol over pajala. (Pajala is a city on the border with Finland); and two numbers by Carl Lind, “Polka” and “Keep Off My Toes.” (Lind also composed the well-known “Life in the Finnish Woods.”

Harold Nygaard then played two waltzes. The



fi rst, I believe, was Fagre Stryn, by Per Boldstad. The second, composer unknown, was distinguished by lovely melodies and harmonies in thirds.

The group then played Schottisfl ickan (Scottish Girl) by Paul Johansson, Gre-no-li-marsch by Erliing Grönstedt, En sommerkveld med baelijespell (“A Summer Night”) by Hanson Erichsen, Vid Älvbrinken (“By the River’s Edge”?) by Ebbe Jularbo, Ragtimeschottis by Arne Arvidsson & Sone Banger, and Sol I sinnet (“Sun in the Mind”) and Här är inget vilohem (“This is Not a Rest Home”) by Andrew Walter, and Födelsedagsvals till Mona (“Birthday Waltz for Mona”) by Benny Anders-son & Björn Ulaevus).

The group concluded with “We’ll Meet Again.” I hope that will be soon. It was a wonderful program.

December 10, 2012Back at the West Seattle Center, we were

privileged to hear outstanding professionals play for us again.

Back after a too-long absence was Jim To-bler, who formerly, with Bonnie Birch, sustained our Social programs by doing every-thing from re-cruiting talented accordionists to play to set-ting up tables and chairs and collecting admissions. Jim played a

program of a variety of his distinctive arrangements, starting with a medley of popular tunes, followed by the classic “The Swan”, a German drinking song with hot bellows shaking, a medley of popular Christmas songs, “New York, New York” from “Chorus Line”, Scott Joplin’s “Solace” (a rag with a tango feel), “O Holy Night”, “Siboney”, and Vern Meisner’s “El Rio Grande” polka. It was great to have him back.

Then Murl Allen Sanders made a walk-in entrance playing “Silver Bells” and continued with “Holly and Ivy”, ‘Rudolph the Red Nosed Reindeer’ (Cajun style), “It’s a New Year” (his own composition), “God Rest Ye Merry, Gentlemen” (decked out with

minor runs and chords), Gershwin’s “But Not for Me”, “Spring Hope” (a jazz number adapted from his CD featuring him playing with a quartet), and Duke Elling-ton’s “Just a Lucky So and So” (with Cajun riffs and vocal and harmonica choruses.).

Then we had an “unplanned, unrehearsed” performance by Lyle Schaefer and John Giuliani on bass, starting with “I’ve Got You Under My Skin” and a Show Time tune that John challenged us to name. No one could, and John didn’t tell. Then numbers we mostly knew – “Scott Joplin Polka”, a Scandinavian waltz, “Walking in the Winter Wonderland”, “I’ll Be Home for Christmas”, a Swiss schottische (like an American polka), “I’m Dreaming of a White Christ-mas”, and “I Saw Mama Kissing Santa Claus.”

The evening ended with our now traditional Christmas jam, led by Bonnie Birch and including the evening’s performers along with Phil and Brigit, Nick Heating, and Dick Swanson. They played “Blue Christmas,” “Let It Snow”, “Jingle Bells”, “Silent Night”, “Silver Bells”, and “Jingle Bells Rock”.



John Giuliani and Lyle SchaeferIt was great. And I hope you all had a Merry

Christmas and are enjoying the New Year!

January 14, 2012We were at the Swedish Cultural Center this eve-

ning and hear Swedish music again and, from across the ocean, music from Brazil.

Einar Tapio provided the Swedish music. Noted for his speedy renditions, he presented another side tonight with some slow music. He began with Fjäril vingad syns på Haga with a slow, stately melody and sustained notes in the bass line. The following waltz, Calle Schewens Vals was also slow. The next number, Hälsning från Södern, refl ected the Spanish infl uence on the composer’s (Andrew Walter) music. Then Einar returned to his rapid fi re playing style with the “Bacon and Eggs” polka. He indicated that his next number, Trønderen, was more recently composed than his earlier pieces. It began in a minor key, which I have rarely heard in Swedish music. “The Journey-

man’s Test”, which followed, was quite different. It featured a minor section, a sustained bass chord as in Scottish bagpipe music, and bellows shaking. The next number, Brita, by P. Bolstad is an “old country” schot-tische, written early in the 19th century. He concluded with

the fi rst waltz he learned, light and delicate, and a fast, perfectly articulated number that I recognized but cannot name.

Jamie Maschler and a new guest, Meese Agrawal, playing a fl ute, provided the Brazilian music. We have been fortunate to hear Jamie play a variety of music before - and she can play a wide variety. On the internet, the US national accordion news reports:

“Jamie is a unique member of Seattle’s music scene. Over eighteen years of experience in playing all styles of accordion has allowed her to explore jazz, tango, Latin, chamber, classical, pop, Klezmer, solo and en-semble pieces.” Now she has added a new style after time spent in Brazil studying and participating in a music festival there. She reports that you hear accor-dion playing everywhere there, from classical to jazz to Brazilian folk music, often with young players.

The announcement for this evening program indi-cated that Jamie would present a Brazilian/Latin Clin-ic. That she did, introducing us to a popular genre of Brazilian dance music called forró with Baiäo rhythm. That rhythm can be simulated with 1-2-3 counts of eight eight-notes, with accents like this: ONE, two three, ONE, two three, ONE two. A 4/4 melody plays over that rhythm. She made it seem simpler by fi rst drilling us in the rhythm and then adding the melody for a very popular folk song, Asa Branca (White Wing). She said that forró music is written for accordion but has lovely melodies that sound great on the fl ute.

After that introduction to the form of music, Jamie and guest Meese Agrawal, playing the fl ute, treated us to samples of the music. Meese is an accom-plished player, and the combination of fl ute and reed sounds was beautiful. All the music was exhilarating. I did not attempt to write down names of songs, but here are some brief comments. The fi rst number was about a little type of bird, and the melody was “fl ighty.” Another number had the accordion bass providing rhythm with the treble providing counter melodies and rhythms while the fl ute soared above it with the melody. The fl ute adds an exciting edge to the infec-tious melodies and rhythms. Bonnie Birch joined the duo to provide treble and bass rhythms, and all I could write down was “wild!” A truly thrilling introduction to this form of Brazilian folk music.



Hired Gun with IL DIVO: onstage for the Extravagant Entertainment Experience

By Murl Allen Sanders

Simon Cowell had a good idea. Twenty fi ve million records sold has proven him quite right. IL DIVO, the internationally famous quartet of handsome, young male singers put together ten years ago by Simon Cowell has fi lled a mainstream entertainment void.

My opportunity to witness it fi rst hand came with a call from a music contractor in Seattle to play keyboard in a concert titled “IL DIVO with orchestra” at Seattle’s Paramount theatre. Alas, they didn’t require an accordionist.

It was a whirlwind day: two hours of rehearsal for a two- hour show with a twenty fi ve piece orchestra augmented by pre-recorded backing tracks. That means we rehearsed each song in the show once. It was a test of everyone’s focus and reading skills.

The rehearsal took place in the lobby of the Paramount while the sound engineers blasted away a sound check with IL DIVO’s immense sound system in the main auditorium. It made it very diffi cult to hear the other musicians and the pre-recorded backing tracks during the rehearsal. Ah, but we’re professionals and that’s why they call it work!

Besides the local twenty fi ve piece orchestra, IL DIVO comes with an army of support staff, engineers, stage hands, makeup artists, merchandise sellers, road managers as well as a musical director, who also played drums in the band and a separate conductor for the onstage orchestra. They also carry their own stage set-up and sound system, which requires three large semi-trucks. The staff and crew travel in buses and the singers in a luxury travel bus, when they’re not on airplanes.

In a brief, chance moment the guitarist and I shared an elevator backstage with two of the IL DIVO singers. Each man was accompanied by a “handler” who during the quick ride made sure not a hair was out of place, ties straight, pants and vests perfectly aligned.

During the rehearsal, which was not attended by the singers, we were briefed about onstage protocol and Simon Chalk, the highly-skilled orchestra conductor, issued the “prime directive” in his impeccable English accent: “Do Not Touch The Boys- there have been incidents!” We all burst out laughing, and from that moment we realized we would have a good time and were working with true professionals with a positive attitude about their work.

IL DIVO onstage is Urs Buhler from Switzerland, Carlos Marin from Spain, Sebastien Izambard from France and David Miller from the USA. They sing what is described as “pop/opera”, which leaned heavily towards Italian pop, some Andrew Lloyd Weber and a few brief opera themes in the Seattle show.

Onstage in the back row with the rhythm section, we were equipped with headsets and a metronome click track. The show started at a reasonable sound level with our click tracks gently clicking away, tic-toc, tic-toc while we followed the conductor. As the show progressed, the emotional and volume level went up dramatically and the rhythm section turned up the click track as high as it could go TIC-TOC, TIC- TOC!

IL DIVO’s audience for this sold-out show was about 75% women of a certain age, 20% gay men and 5% husbands coerced or actual secret fans. The audience literally roared its approval for every song, every vocal solo, every perceived sexy fl ourish or wink from the singers. It was exciting to experience that much enthusiasm. I got a sense of what it must have been like for the Beatles in a bygone era. Simon Cowell’s marketing genius is evident. He clearly saw an under-served demographic and created IL DIVO to perfectly match the need.

Seattle’s Paramount theatre was completely sold out and holds only a few thousand people, so with some arithmetic after the show I calculated that IL DIVO must have lost money on this particular show, in spite of the high ticket price of $50 to $125. I’m sure small shows like this are balanced by 50,000 seat arena shows all around the world where they make a tidy profi t.

The moment the show was over, the small army of stage hands rushed on stage and began the hours-long process of tearing down the stage and loading it back on the huge trucks. We were encouraged to pack up and get offstage as quickly as possible, which wasn’t easy with the dozens of people racing around.

Heading out the stage door, there was a throng of women waiting for autographs and photo ops with IL DIVO. One older lady in a wheelchair asked me when the singers were coming out, and could she go in backstage. I laughed and confessed my lack of information, and in a moment one of the singers emerged and was swarmed by smiling, adoring ladies eager for an up-close look and a hug. They were not disappointed!

Through it all, I managed to enjoy the experience and above all, I write this with some pride: I obeyed the “prime directive”.



Miroslav and Vlada in Concert

The long awaited concert with Virtuosos Miroslav Lelyukh and his wife Vlada RaHuzina from Kalinin-grad, Russia fi nally came to fruition. It was Monday, February 4th at 7:30 p.m. in the Veterans’ Memorial Building in Eugene, Oregon. The crowd was seated, the introduction given and then out from a side room strolled Miroslav, playing his beautiful Borsini accor-dion. He paused here and there to serenade individu-als in the audience, while simultaneously enchanting the whole audience with the clear, rich fl ow of his music.

On reaching the stage Miroslav continued his set of six solos:

French Medley (M. Lelyukh)Libertango (A. Piazzolla)Skylark (Roumanian folk dance) Fou Rire (R. Galliano)Chardash (V. Monti)Tico-Tico (Z. Abreu)

The variety of selections allowed Miroslav ample opportunity to demonstrate his impeccable technique and artistry as well as the impressive capability and quality of his instrument. His fi ngers became a blur of speed that produced amazing accuracy and ex-pression. There were cadenzas, tremolos, dynamic contrasts in tempo and expression, all involving perfect form and bellows control. The audience was spellbound and responded with exuberance.

Then Vlada appeared, playing to and answering Miroslav’s accordion as she walked up the aisle to the stage. Her dazzling silver gown complemented the sparkle of her music and her eyes. The talented duo

immediately launched a synergy that continued for the balance of their program, which included: Indif-ference (T. Murena), Cumparsita (M. Rodriguez), Volare (D. Modugno), Baila con Migo, Paroles, Paroles (Dalida), Klarinett-polka, Flick-Flack (A. Fossen) Tango pour Claude (R. Galliano) and Carnaval (V. Novikov).

A surprise was in store for the fi nal encore when Sergei Teleshev, bayanist for The Trio Voronezh, joined Vlada and Miroslav for a rousing rendition of Piazolla”s Libertango.It was the perfect conclusion to a marvelous evening of music.

The Borsini accordion Miroslav played had just arrived from Italy for his tour performances in this country. Equipped with handmade reeds, it has 41 keys and 13 treble registers. A special register called the “cassotto driver” activates a double tone chamber to lend a more classical tone quality to the instrument. In addition the treble and bass sides of the instrument are meticulously balanced so the one complements the other to the maximum.

The seven bass registers are conveniently large and arranged with the Master switch in the middle and the Tenor and Bass Piano switches above and below for easy access.

Both the keyboard and the bellows have quick re-sponse, further enhancing ease in playing. It is a well made instrument with lovely tone.

Miroslav is a laureate of many international com-petitions and festivals in Russia, Finland, Sweden, Italy, Latvia, Lithuania and Poland. He has won three fi rst prizes at the prestigious International Competition of Accordionists in Castelfi dardo, Italy. In the 29 year history of this competition Miroslav is the fi rst Russian to take fi rst place in the category of senior variety. His accolades are extensive and ongoing. A master of many music genres, Miroslav performs solo, in en-sembles and orchestras. He is a teacher, composer and a poet.

Vlada is also a world class accordionist. She is a



Borsini AccordionExcellent condition.

Treble 4 sets of handmade reeds 11 registers and master

Bass 5 sets of handmade reeds - 7 registers.25 lbs. Keyboard 18 ¾”. Dry tuned.Air tight bellows with stereo pickups.

Comes with soft case.$ 2100.00

Call 503-484-5064

graduate of the Belarusian State University of Culture and Arts and works as a music and accordion teacher. She and Miroslav are newly married and make a fantastic duo. We were indeed fortunate to have had them with us in Eugene.

Miroslav, Vlada and Sergei Teleshev, Linda Gunn and Ed Amundson

A big thank you goes to Ed Amundson for bringing Miroslav and Vlada to Eugene and making the con-cert possible. Jeffrey Iacono of Borsini Accordions North America was indispensible with his help every step of the way. Sergei Teleshev, Valerie Petrukhin and Vladimir Volokohv of the Trio Voronezh were key hosts, and Emerald Valley Accordion Club pro-vided venue and notes.

Although Miroslav has no CD’s because they are prohibitively expensive to make in Kaliningrad, you can hear much of his concert repertoire on UTube.

His website is http://akkordeonist.com/en/ .

Change of Address?Change of email address?

Please contact NWAS when you have a change of address - email [email protected] or send a note to NWAS, 5102 NE 121st Ave. Unit 12, Vancou-ver, WA 98682

Welcome New Members

Steven Battaglia, McMinnville, ORWilliam Branch, Seattle, WARebecca Brandao, Redmond, WANancy Behan, Gig Harbor, WADaniel Brietske, Seattle, WAAlice Dunkin, Lilliwuap, WAMimi Emerson, McKenna, WANancy Haldeman, Corvallis, ORLois Hanson, Shelton, WARay Harris, Lynnwood, WABruce Huff, Redding, CANhico Moises, Juneau, AKTito Morales, Seattle, WALouise Niemi, Seattle, WACliff Paulson, Woodinville, WARon Smith, Helena, MTSam Thomas, Spokane, WAJana Whittington, Tacoma, WA

Remember, you are welcome to give gift member-ships! The membership form is on the last page of this publication.

You may request hard copy, PDF (electronic), or both. You may also pay for more than one year at a time, if you like.



Accordion Events CalendarBy Doris Osgood

[email protected]

NORTHWEST ACCORDION SOCIETY SOCIALS SEATTLE, WA2nd Monday monthly: March 11, April 8, May 13, June 10 Contact: John Giuliani 425-255-2121 or Birgit Ages 206-368-9720 Back up contact: Bonnie Birch 206-622-4786. Music 7:30 PM – 9:30 PM. *note the venues in this issue.

NORTHWEST ACCORDION SOCIETY SOCIALSTACOMA, WA2nd Thursday monthly :March 14, April 11, May 9, June 13 Lutheran Church 121st & Park Ave. across from PLU Library 7:00 – 9:30 PMcontact: Dick Myking 253-537-0136

NORTHWEST ACCORDION SOCIETY SOCIALSFOREST GROVE, OR4th Sundays April and October. Forest Grove Community Center, 2037 Douglas St. Forest Grove, OR. 1:30 PM – 5:00 PM. Contact: Doris Osgood 503-357-0417.April 28 and October 27, 2013

ACCORDION CLUB OF CENTRAL OREGONBEND, OR2ND Saturday Monthly, noon – 2 PM Aspen Ridge Retirement Home 1010 NW Purcell Blvd, Bend Members provide entertainment one Sunday monthly also. Contacts: Lillian Jones, 541-536-1531 [email protected] or Karl Kment, 541-548-0495 [email protected]

ACCORDION JAM IN SANDYSANDY, ORThis event has been cancelled!

ACCORDION CLUB OF ROSEBURGROSEBURG, OR3rd Monday monthly 6:30, 553 Little Valley Rd. RoseburgPres. Karen Cordell 553 Little Valley Rd. Roseburg, OR 97471 541-784-1911 [email protected]

ACCORDION CLUB OF VANCOUVERVANCOUVER, B.C.www.meetup.com/Accordion-Club-of-Vancouvercontact: Haike Kingma, [email protected]

ACCORDION INTERNATIONAL MUSIC SOCIETYSANTA BARBARA, CA2nd Sunday monthly 1 – 3 PM Vale Verde Retirement Theatre 900 Calle de los Amigos, Santa Barbara, CAAIMS P.O. Box 4511 Santa Barbara, CA 93140Info: Heinz Trick 805-685-2260

www.santabarbaraaccordions.com

BROOKINGS ACCORDION CLUBBROOKINGS, OR4th Sat. monthly 2-4 PM, Evergreen Federal S&L, 850 Chetco Ave. Brookings, OR, Pres. Cami Meccia 541-469-807

EASTSIDE JAZZBellevue, WA3rd Tuesday monthly, Courtyard Marriott Hotel, 7:30 PM beginning January 2012. Contact: Cooksie Kramer 425-828-9104

EMERALD VALLEY ACCORDION CLUBEUGENE, OR1st Monday monthly: 7:00 – 9:30 PM Veterans’ Memorial Bldg. 1626 Willamette St. Secretary Linda Gunn 541-726-6330 [email protected] V.P. Lou Marzano Social time 6 PM, business 6:45 PM

FAIRBANKS ACCORDION CLUBFAIRBANKS, AKMondays weekly 6 – 8 PM Pioneers Home, open to all free reed instruments. Contact: Christine Upton 907-457-3392

FIVE VALLEY ACCORDION ASSOCIATION MONTANA 5VAA Jams are 1- 5 PmMarch 10 Rustic Hut, FlorenceMarch 24 Sunrise Saloon, MissoulaApril 14 Eagles, HamiltonApril 28 Rustic Hut, FlorenceMay 12 Jokers Wild Missoula Pres. Helen Brady [email protected] – NW Accordion AssociationContact Nick Gabanyicz 406- 756-0179 all NWAA Jams 2 – 5:30 PMMontana – Great Falls Accordion PlayersJams are 1 PM – 5 PMContact Pat Sharp for info: 406-452-4546

GEM STATE ACCORDION CLUBIDAHOSunny Ridge Retirement Center Nampa, ID 3rd Saturday monthly 2 – 4 PMfor information contact: Dianne Lansing [email protected]

HUGO’S ACCORDION BANDMT. VERNON, WA2nd and 4th Monday monthly 2:00 - 4:00 PMPresident, Duane Stowe 16580 Peterson Rd Burlington, WA 98233 360-757-4826 [email protected]



HOUSTON BAY AREA ACCORDION CLUBHOUSTON, TX2ND Wednesday monthly 5 – 9 PM Joe Brikha, Pres [email protected] www.bayareaaccordionclub.com

MEDFORD ACCORDION CLUBMEDFORD, OR4th Monday monthly 7 - 9 PM: Central Point Senior Center 123 N. 2nd St, Central Point, OR Jeannette Dewey, Pres. 1029 SE Rogue Dr. Grants Pass, OR 97526 541-471-7455

OKANAGAN ACCORDION CLUBKELOWNA, BCTuesdays weekly Sept. – May, Senior Center on RichterInfo contact: Rod Miller 250-317-9088, Lela Bourne [email protected]

ROGUE RIVER ACCORDION CLUBROGUE RIVER, OR1st Wednesday monthly. 7 PM Council Chambers Rogue River City Hall, 133 Broadway St. Rogue River, OR. Pres. Margot Turrell 206 Creekside Grants Pass, OR 97526 541-479-9409 [email protected]

ROSE CITY ACCORDION CLUBPORTLAND, OR3rd Saturday monthly. 1 – 5 PM Milwaukie Public Safety Bldg, SE 32nd & Harrison, Milwaukie, OR.* meeting in September 4th Sat.(Sept.24) Pres. Steve Knapke 503-612-8381 email: [email protected]

SEQUIM ACCORDION SOCIALSEQUIM, WA2nd Sunday, Odd numbered months, 1:00 – 4:00 PM Sequim Senior Center 921 E. Hammond St; next meeting January 13 contact: Jeannie Berg- [email protected] 360-683-5620

SIERRA NEVADA ACCORDIONSRENO, NVJohn Covarelli, Pres. 775-848-3777, [email protected]

SPOKANE ACCORDION ENSEMBLESPOKANE, WA weekly rehearsals 6- 9 PM Eileen Webber, Pres. 509-290-6858 [email protected]

SPOKANE AND INLAND NORTHWEST ACC. CLUBSPOKANE, WA4th Monday monthly, 1520 W. 3rd and Maple in Spokane, at the Global Credit Union Bldg. Exit #280

off I-90. 6 – 9 PM, $3. at the door

TUALATIN VALLEY ACCORDIONISTS FOREST GROVE, OR1st Sat. monthly 10 AM – 1 PM Forest Grove Library Pacifi c Ave. Contact: Paul and Judy Bria 503-591-0504 [email protected]

YUMA ACCORDION CLUBYuma, AZevery Tuesday, November - March at the Yuma Food Bank at 2404 E 24th Street, Yuma, AZPresident, Coreen Bergholm @ [email protected] or Ginger Purdy @ [email protected]

VICTORIA ACCORDION CLUBVICTORIA, B.C. CANADA1st Sunday Monthly 2:30 PM, Victoria Edelweiss Club108 Niagra St., James Bay District Victoria, BCContact: John 250-386-7282 or 250-477-3098BUTTON BOX CAMPS JULY AND SEPTfor information contact: Joseph Smiell Jr. 812 Bantry Way Benica, CA 94510

DAY OF THE ACCORDIONFebruary 23, 2013 Crossroads Mall Bellevue, WA

RCAC ACCORDION CAMP- SILVER FALLS CONFERENCE CENTER June 9 - 14, 2013 near Sublimity, OR. Camp treasurer: Marlene Meissner 503-463-9909 [email protected]

LEAVENWORTH INTERNATIONAL ACCORDION CELEBRATION June 20- 23, 2013 Leavenworth, WA. www.accordioncelebration.org www.nwasnews.com

KIMBERLEY OLD TIME ACCORDION COMPETITION KIMBERLEY, BCafter 39 years, the event has been canceled.FAIRBANKS SUMMER ARTS FESTIVALJuly , 2013 on the campus of U. of Alaska Fairbanks. www.fsaf.org contact 907-474-8869

ACCORDION CELEBRATION – Historic Wallace Wallace, ID August , 2013 www.wallaceIdahoChamber.com

COTATI ACCORDION FESTIVALCotati, CA August , 2013 www.cotatifest.com

VICTORIA ACCORDION FESTIVALVictoria, British Columbia August 16 – 17, 2013www.bcaccordion.ca 1-778-433-8700

66TH COUPE MONDIALEAugust 19 – 26, 2013 Victoria, B.C. Canada1st time ever in Canada



Entertainers in the NorthwestSubmit your public performance schedules to Doris Osgood 3224 B St Forest

Grove, OR 97116 [email protected]

Alpiners USA www.alpinerusa.com with Joe Domitrowich

Juan Barco – BandContact: 23091 23rd Ave. W. Brier, WA 98036425-775-8150; cell 206-356-1878

Corky BennettWednesdays at Polo Lounge, Fridays w/ 9th St. Band Reno Senior Center, Saturdays at Bavarian Worldwebsite: www.corkybennett.comemail: [email protected]

Bonnie Birchwebsite: bonniebirch.com For scheduling information: write 1107 1st Ave. #1003 Seattle, WA 98101. 206-622-4786, email: [email protected]

Chuck BergerAccordion Repair and Public PerformanceFor information call: [email protected]

Charlie BrownContact: [email protected] hm 253-857-6557cell 253-376-5487

Frank CalapristiWinter schedule at King Ludwig’s, Wed, Thurs. Sun. nights; tour groups as needed For scheduling information write PO Box 1057 Leavenworth, WA 98826 [email protected]

Gary DahlFor scheduling information write 509 Valley Ave. NE #5 Puyallup, WA 98372Phone/fax [email protected]; www.accordions.com/garydahl; www.beltuna.com

Tom Demski (Mr. Flash)For scheduling information write: 518 9th St. SW Puyallup, WA 98371 [email protected]

Folk Voice BandFor scheduling: Birgit Ages 206-368-9720 [email protected]; http://folkvoiceband.com

Happy Hans’ Music Hans Rainer, Jr. March 9 Berliner Pub Renton, WA 6 – 10 PMMarch 23 Berliner Pub Renton, WA 6 – 10 PMApril 13 Berliner Pub Renton, WA 6 – 10 PMApril 20 Lakewood Elks Austria Club Springfest Tacoma, WA 7:30 – 11:30 PMApril 26 Berliner Pub Renton, WA 6 – 10 PM

ALPENFEST Alpenfest Sept. 26 – 29, 2013 Wallowa County, OR, Oregon’s Little Switzerland Enterprise, P.O. Box 301 Joseph, OR 97846 Details: oregonalpenfest.com or 541-432-0209. Cell 541-398-1096

ACCORDION EXTRAVAGANZA EDMONTON, ALBERTA September, 2013www.edmontonaccordion.com

INTERNATIONAL ACCORDION CONVENTIONLas Vegas, NV, Oct. 28 - 31, 2013 Carinval of Venice in Vegas at the Gold Coast Hotel, Las VegasUSA: 1-800-472-1695 outside USA: [email protected]

Leavenworth International Accordion Celebration

June 20 – 23, 2013

www.accordioncelebration.org

Thank you to our 2013 Sponsors and Donors

Northwest Accordion Society Projekt Bayern

Petosa AccordionsTempo Trend

Drs. Jim and Shirley O’Brien*Marjorie Rombauer

Lois Yale*Day of the Accordion 2013

*NWAS Socials in Forest Grove, OR*Donations given to support LIAC Competitions

Jim and Shirley O’Brien



The Chester Pietka Scholarships are available for young accordionists. Young people ages 18 and under, taking lessons from a recognized teacher, or wishing to do so, may submit a written request for scholarship funds for the purpose of taking lessons. Requests are to be submitted to Doris Osgood, 3224 B St., Forest Grove, OR 97116 or e-mail [email protected].

In addition to giving personal information, students are to share their interest and their goals for playing the accordion. These scholarships are open to the young people within the Pacifi c Northwest, not just the greater Portland area.

April 27 German House Seattle, WA 8 – 11:30 PMMay 11 Berliner Pub Renton, WA 6 – 10 PMJune 1 Berliner Pub Renton, WA 6 – 10 PMJune 15 Berliner Pub Renton, WA 6 – 10 PMFor scheduling information write Hans Rainer, Jr 24613 231st Ave. SE Maple Valley, WA 98038 425-413-6562 [email protected] WWW.HAPPYHANSMUSIC.COM

Lynn HaldemanLeader of Haldeman’s OOM-PAH BoysDer Rheinlander Restaurant Portland, ORWed, Thurs, Sat, Sun. 5 PM – 9 PMContact: Lynn Haldeman 1200 NE 199th Ave. Portland, OR 97230 503-328-6099 [email protected]

Little Bohemian BandCheck web site for details.For scheduling contact: Gene Sadowsky 541-990-3109 email:[email protected] www.littlebohemianband.com 802 NW Quarry Rd. Albany, OR 97321

Greg MeierFor scheduling information write: 38572 Park Ave. Sandy, OR 97055 503-668-7002. Fax 503-668-1058 [email protected]

Andy MirkovichApril 8 Seattle Social – West Seattle Sr. CenterFull schedule private engagementsMaster Classes by appointment: 425-451-1256

Murl Allen SandersFeb. 23 DOTA – Crossroads Mall Bellevue, WAMarch 16 – 17 Lakeside Bistro Seattle, WA 7:30 – 10:30 PM www.LakesideBistroSeattle.com June 9 – 14 Accordion Camp Silver Falls State Park Conference CenterOct. 18 Benaroya Hall w/members of the Seattle Symphony (stay tuned for more about this!)Full schedule private engagements, regular performances in synagogue and church, composing, and teaching.www.murlallensanders.comFor scheduling information write: [email protected] PO Box 30553 Seattle, WA 98113, 206-781-8196

Lyle Schaefer For scheduling information write: 10523-63rd St. Ct. E. #61, Puyallup, WA 98372, [email protected], 253-848-0778.

Sam’s Variety GemsSam Pecorilla: home 541-847-2282, cell 541-321-9088

Smilin’ ScandinaviansApril 13 Dakota Club Renton VFW 7 – 11 PMMay 5 Swedish Cultural Center 11:45 AM – 1 PM

For scheduling information contact: Toby Hanson11123 216th St. E Graham, WA 98338 253-875-8580 [email protected]://smilinscandivanians.com

Dennis SchadduckChina Jade Restaurant 87th & Greenwood Ave. NSeattle Sunday nights.

Joe SzaboFri – Sat. 6:30 – 9:30 PM Nonna Emilia’s RistoranteAloha, ORFor scheduling information: 13484 SW Devonshire Dr. Beaverton, OR 97005 503-641-2313

Syl’s Ya Sure Ya Betcha Band (WA)Syl’s Arizona Dance Band and Polka BandMay 18 Sons of Norway Tacoma, WA 8 – 11 PMJune 8, 13 Dakota Club Renton VFW 7 – 11 PMFull schedule in Mesa and Apache Junction, AZNovember - April(Jan.- April, Nov. Arizona Schedule, 480-357-2585)For scheduling: Sylvia Jorgensen, WA contact: 253-845-9321, cell [email protected], www.fjordsong.com

SVEA TrioSvea Trio- Richard Svensson and Bjarne Jacobsen206-523-3245, [email protected] www.winwins.com/sveatrio/

NW AccordionairesContact: Cooksie Kramer 425-828-9104

Most of our professional players keep their current and updated performance schedules on their web sites. Advance scheduling is diffi cult and often fl uid. Consult the contact information and web addresses for up to date information. Support them when you can.



Membership ApplicationAll funds in U.S. Currency

Membership Type:

Regular MembershipNorth America U.S. - $20.00Canada - $25 (U.S. Funds)Outside North America$35 (U.S. Funds)

New Membership

Student MembershipAge 18 and UnderU.S. $15/yearCanada $20/year (US funds)

Renewal

Patron Membership$35/year U.S. funds

Gift Membership from:

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Please mail to: Northwest Accordion Society, 5102 NE 121st Ave. Unit 12, Vancouver, WA 98682. Include SASE (Self Addressed STAMPED Envelope) for membership card

All funds in U.S. Currency

Northwest Accordion Society

5102 NE 121st Ave. Unit 12Vancouver, WA 98682

www.nwasnews.com

The year was 1922. The man, Carlo Petosa, began something that simply will not stop. Undoubtedly, he did not know that he was destined to begin a legacy that would pass to his son, Joe, then on to his grandson, Joe, II, and now to his great grandson Joe, III who would carry on the same tradition spanning nearly a century of accordion manufacturing.

Perhaps the reason so many artists find only the petosa equal to their insistence upon excellence… an excellence that makes it worthy of consideration

for yourself… the relentless pursuit of perfection: “petosa”, by which all other accordions are compared.

an excellence that makes it worthy of consideration for yourself… the relentless pursuit of perfection: “petosa”, by which all other accordions are compared.

Northwest Accordion Society5102 NE 121st Ave., Unit 12Vancouver, WA 98682-6164

CHANGE SERVICE REQUESTED

Current MembersYour membership renewal date is specifi ed on the mailing label. Please assist our volunteer staff by sending in your renewal form before that date.

Change of AddressTo avoid delay and extra cost, send address changes to the above address, or email as soon as possible. There is a $5 charge to resend undeliverable issues.

New MembersWe encourage all individuals interested in supporting, playing, and/or promoting the

accordion to become members.

Membership forms are inside the back cover.

NORTHWEST ACCORDION SOCIETY Membership

5102 NE 121st Ave., Unit 12, Vancouver, WA 98682-6164www.nwasnews.com

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