november 4-7, 2009 - university of...
TRANSCRIPT
Crossingsandinterroga-onsofgeographicalbordershavebeenattheforefrontofmuchSpanish,La-nAmericanandU.S.La-nocinema.Moreover,thehistoricalprojectoftransna-onalHispaniccinemaso@enappearstohavebeenconstructedbydirectorsandproducers"imagining"audiencesbeyondtheirownimmediatepoli-calborders.Theories,films,directors,genres,andactorshavetraveled–andcon-nuetodoso–acrosslanguagesandcountries.Spa-alityhasalwaysplayedacrucialroleinthepoli-csofrepresenta-on,whilegeographieshavebeencentralinproduc-onandcircula-on.Themul-plefacetsoftheHispaniccommunityonscreenhavebeenmarkedbyitsgeographicalimaginaries.
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Wednesday, November 4th
9:00-10:30 AMDelta Room: Heterotopic Spaces
Thomas Deveny (McDaniel College): "Geographic Imaginaries and Heterotopias in Gustavo Loza's Al otro lado."
Barbara Zecchi (University of Massachussetts, Amherst): "Desde nosOtras a Otras: Las inmigrantes en el imaginario fílmico femenino."
Bécquer Medak-Seguín (Whitman College): "Can the Child Speak?: (Re)Presentations of Escapism in El laberinto del fauno (2006) and El orfanato (2007)."
Spencer Herrera New Mexico State University): "The Creation of Chicano Identity in The Three Burials of Melquiades Estrada."
Creole Queen Room: Urban Cartographies
Santiago Fouz-Hernandez (Durham University, UK): "Chuecatown: Marking the Queer Territory in Madrid."
Ana Vivancos (University of Illinois) " Anti-branding the City: Homelessness, Public Spaces and Gentrification in José Luis Guerin’s En construcción."
Ana Martin Morán (Universidad Rey Juam Carlos): "Nuevos imaginarios, viejas fronteras: las periferías en el cine español contemporáneo."
Malcom Compitello (The University of Arizona): "Fernando León de Aranoa’s Cartographic Imaginary."
Natchez Room: The Televisual Frontier
Miguel Fernández Labayen (Universidad Autónoma de Barcelona): "Fronteras genéricas e identitarias en los programas culturales de TVE en
Cataluña, 1989-1992”
Josetxo Cerdán (Universitat Rovira i Virgili Tarragona): "Comunidades imaginadas/fronteras en
movimiento: el caso de televisión española en Cataluña."
Concepción Cascajosa Virino (Universidad Carlos III, Madrid)": Narciso Ibáñez Serrador: Creación e identidad en un pionero."
Valeria Garrote (Rutgers University:) "After Geography: Musicales del cine a la TV."
10:45-11:15 AM
Delta Room: Global and Local Spaces I
Álvaro Baquero-Pecino (Georgetown University): "Configuraciones del espacio globalizado en Rosario Tijeras."
Gabriela Alemán (Universidad San Francisco, Quito): “Un NO-lugar: Prometeo Deportado”
Roberto Ponce-Cordero (University of Pittsburgh): "The ‘Making of ’ a Cinematic Movement: On the New Ecuadorian ‘Cinema of Migration."
Barry Jordan (De Montfort University, UK): “Trans/post National: National Trends in Contemporary Spanish Cinema”
Creole Queen Room: Sexualities and Space
Stephanie Saunders (University of Kentucky): "‘My Nephew is My Brother?’ Demystifying the Home in El chacotero sentimental."
Julián Daniel Gutiérrez-Albilla: (Newcastle University): "Returning to and from the Maternal Rural Space: Heterosociality, the Matrixial and Nostalgic Utopia in Almodovar’s Volver."
Mónica Filimon (Rutgers University): "Victims and Perpetrators: Space and Family in Manuel Mur Oti’s Condenados."
Anastasia Valecce (Emory University): "MieloDrama."
Natchez Room: Voyages, Imagined Lives, and Transnational Identities
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009 Conference Program
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009 Jorge González del Pozo (The University of
Michigan-Dearborn): "Nuevas miradas a la inmigración: 14 kilómetros o el viaje nunca ocurrió."
Mauricio Espinoza (Ohio State University): "Encuentro y desencuentro: El viaje a la ‘tierra madre’ en los filmes costarricenses El barco prometido y El camino."
Sarah Paruolo (SUNY Stony Brook): "Hollywood’s Good Neighbor: Desi Arnaz."
2:00-3:15 PM
Delta Room: Global and Local Spaces II
Michael Talbott (New York University): "A Global Language for World Cinema: The Twin Aesthetics of North-South Coproduction.”
Luisela Alvaray, (De Paul University): "Are we Global Yet?: The New Challenges to Define Latin American Cinema."
Yvonne Gavela (University of Miami): "Entre el viaje imaginado y el espacio real en el cine de Daniel Calparsoro."
Clara Garavelli (Universidad Autónoma de Madrid): "De-localizing Daily Life through the Lens of Jorge Gaggero."
Creole Queen Room: Landscapes of Memory, Myth, Modernity and Politics
Ann Davies (Newcastle University): "Transnational Landscapes of Memory: Guillermo Del Toro’s Pan’s Labyrinth and The Devil’s Backbone."
Elena Cueto Asín (Bowdoin College): "El otro árbol de Guérnica (1969) en la descontextualización geográfico-política del mito."
Patrick Blaine (University of Washington): "Recovering Submerged Politics in Chilean Cinema."
Natchez Room: Transnational Others
Ilene Goldman (Independent Scholar): "Springall’s My Mexican Shiva (Morirse está en hebreo), Lichtmann’s Judios en espacio, and Agosín’s El brindis."
Dionne Blasingame (Kennesaw State University): "Identity, Transnational Blackness, and Cinematography in the Afro-Mexican Journey."
Dolores Alcaide Ramírez (University of Washington, Tacoma): “Ruth Behar’s Adios Kerida (Goodbye My Dear Love) and Rosie Pérez’s Yo soy boriqua pa’ que tú lo sepas: Women Rewriting the Self and Nation”
Macarena Urzúa Opazo (Rutgers University, Williams College): "Cartografías disidentes: Chile, el punk de la nostalgia. Del movimiento juvenil Lautaro al Santiago punk."
3:30-5:00 PM
Delta Room:
Creole Queen Room: Reel/Real Border Crossings
Catherine L Benamou (University of California, Irvine): "With a Pistol in Her Hand: Changing Geographies of Gender and Violence in Borderlands Cinema"
Lynn Healy (Ohio State University): "Phantasmagoric Border Crossings: Agency and Abjection in Jose Mojica Marins’ A meia-noite levarei sua alma."
Álvaro Fernández (Queens College, CUNY): "La historia española desde el país de la hadas: El laberinto del fauno y la construcción de otro país: El pasado."
Natchez Room: Indigenous Practices
Claudia Ferman (University of Richmond): "Cine y practica de comunicación indígena: Nuevas gramáticas de creación."
Rosana Blanco-Cano (Trinity University): “Nuevas ciudadadanías culturales desde la mirada transnacional de Yolanda Cruz”
Cynthia Steele (University of Washington): "Going Native: Performing Lacandon Identity in Contemporary Mayan Video from Chiapas."
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Riverbend I and II: Plenary Presentation
Alberto Elena (Universidad Carlos III, Madrid): "Asuntos de familia: política y poética de las coproducciones".
6:30-9:00 PM Reception
Thursday: November 5th
9:00-10:30 AM
Delta Room: Production Studies
Tamara Falicov (University of Kentucky): "Hubert Bals and International Film Festival Funds: Its Impact on Latin America Film Production."
Samuel Cruz (Ohio State University): "Politics and Geography: Boundaries of Visibility in Brazilian Cinema."
Mariana Lacunza (Ohio State University): "Cine digital boliviano: Revolución falsa o verdadera?"
Fernanda Zullo-Ruiz (Hanover College): "The ‘Cine Argentino’ Brand: The Politics of a Geographical-Cultural Trademark."
Creole Queen Room: Cartographic Diasporas
Aurora Alcaide Ramírez (Universidad de Murcia): ‘Fronteras interiores y exteriores. Cartografía fílmica de la diáspora dentro, desde y hacia España: Poniente (2002), El tren de la memoria (2005) y 14 kilómetros”
Beatriz Leal Riesco (Universidad de Salamanca): "La otra orilla del estrecho: Melilla, paradigma de ciudad-frontera."
Susan Wiebe Drake (Murray State University): "La misma luna: A Fractured Fairytale of Immigration."
Ana Ros Matturro (University of Michigan): "Las partidas que heredamos: Inmigración y exilio en el cine argentino del siglo XX."
Natchez Room: Spatial Innovations and Transgressions in Early Spanish Cinema
Leigh Mercer (University of Washington): “Beyond Mar i muntanya: City Space in Early Documentaries of Barcelona”
David George (Bates College):“Seeing Spain through Doña Elvira’s Eyes: Blasco’s Sangre y arena as Travel Film”
Luis Guadaño (Weber State University):“The Border is not where it Seems: Entertainment Venues, Spatial Relations and the Rise of Cinema in Early 20th Century Madrid”
Eva Woods Peiró (Vassar College):“Law and Assimilation: The Space of the Gypsy”
10:45-12:15 PM
Delta Room: The Foreign in the National
Ángel Miquel (Universidad Autónoma del Estado de Morelos): "Vámonos con Pancho Villa! Personajes extranjeros sumados a la revolución en tres películas de los años treinta."
David Wilt (University of Maryland and George Washington University): "De Tal Palo, Tal Astilla: Journeys to and from the Mother Country."
Caryn Conelly (Northern Kentucky University): "México Lindo, México Exótico: Others and Outsiders in el Cine de Oro."
Luis Edgardo Coronado Guel (University of Arizona): "Salon México: Urban and Cosmopolitan Representation of Mexican National Identity."
Creole Queen Room: Central/Marginal: Geographies and Affect
Laura Senio Blair (Southwestern University): "Driving Class Conflict: Taxis and Taxistas in Contemporary Chilean Cinema."
Héctor Fernández L’ Hoeste (Georgia State University): "Nation and State: Public vs. Private in Rodrigo Pla’s La zona.”
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009 Laura Podalsky (Ohio State University): "The
Politics of Feeling and Contemporary Latin/o American Cinema: The Landscape of Melodrama and Affective Communities."
Natchez Room: Cinematic Geographies, Transnational/Global Exchange and Circulation
Carla Marcantonio (George Mason University): "Melodrama on the Road: Ripstein’s Profundo carmesi (1996) and González-Iñárritu’s Babel (2006)."
Luis Duno-Gottberg (Rice University): "Phobic Imagination and Cinema in the Chavez Era: From Secuestro express (2005) to Azotes de barrio (2007)."
Jonathan Risner (University of North Carolina, Chapel Hill): "‘This City is Killing me’: Buenos Aires and the Dynamics of Circulation in Daniel de la Vega’s Chronicle of a Raven (2004) and Death Knows Your Name (2007)."
Juana Suárez (University of Kentucky): "Yo soy otro (2008): Sujeto escindido, no-lugar y violencia globalizada."
2:00-3:15 PM
Delta Room: Travelers and Border Crossers
Vicki Ruetalo (University of Alberta): "Painting the Pampas with Light: John Alton in Argentina."
Roberto Ortíz (Independent Scholar): "I’m All Truth: The Deceitful Charm of Hispanic Movie Stars."
Alejandra Espasande (University of California, Los Angeles): "From Quintanar to Hollywood: The Life and Times of Romualdo Tirado (1880-1963)."
Valentina Velázquez-Zvierkova(University of California, Davis): "Cruzando fronteras (de celuloide): Representaciones del personaje extranjero en México y Argentina”
Creole Queen Room: Politics of Place: The Sertão
Lucy Blaney (University of Arizona): "‘It’s the Smell of the World Rotting’: Female Bodies,
Incomplete Modernity and the Sertão in Baixio das Bestas."
Carla do Nascimento (Universidade Federal do Rio de Janeiro): "Deuses e diabos em terras de Furtado."
Leslie L Marsh (Georgia State University): "Relativity and the Ontology of Globalization in Casa de areia."
Isis Sadek (University of South Carolina): "A Retomada do Sertão: Telling Stories of Love and Migration in Contemporary Brazilian Cinema."
Natchez Room: New Cinemas: Precursors, Influences and Legacies
Luis Ulloa and James Drown (Independent Scholars): "Intercultural Influences- The New Latin American Cinema and Godard."
Currie K. Thompson (Gettysburg College): "Exposing the Cover-Up: ‘Creative Geography’ in La casa del ángel."
Steven Marsh (University of Illinois, Chicago): "World Cinema, the National Question and Nomadic Filmmaking: Discord in the Cinema of Pere Portabella."
Moira Fradinger (Yale University): “ Birri, Ríos, Geyzer: Desplazamientos en busca de una audiencia”
3:30-5:00 PM
Delta Room: Geographies of Reygadas
Sandra Navarro (Emory University): "Landscapes of Modernity: Journeying Through Japón."
Sheldon Penn (University of Leicester): "Cinematic Space as Realisation of Time in Carlos Reygadas’ Stellet Licht (2007)."
María B Clark (Carson-Newman College): "Geography of the Heart: Feminine Domains of Influence in Luz silenciosa (2007) by Carlos Reygadas."
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009 Jennifer Boles (University of Indiana,
Bloomington): “‘We are all Marcos:’ Realism and Beyond in Carlos Reygadas’ Japan and Battle in Heaven.”
Creole Queen Room: El cine mexicano "se impone;" aventuras del cine mexicano en el extranjero
Maricruz Castro Ricalde (Instituto Tecnológico de Estudios Superiores de Monterrey): "Una vida de película: El doble papel interpretado por las rumberas."
Inmaculada Álvarez (Worcester Polytechnic Institute): "Las coproducciones entre México y España o el primer cine hispano transnacional."
Mónica Szurmuk (Instituto Mora, Mexico City): "La competencia entre el cine argentino y el mexicano durante la década de 1940."
Robert McKee Irwin (University of California, Davis): "Charros en la selva y Vedro Nebo en tierras lejanas: Una re-evaluación de la industria cultural mexicana desde Venezuela y Yugoslavia."
Natchez Room: Travelling in/near Silence
Valeria Camporesi (Universidad Autónoma de Madrid): "Broken Lives and Adjustable Texts."
Hugo Ríos (Rutgers University): "Traveling Silence: The Circulation of International Silent Film in Spain."
Sandra García-Myers (University of Southern California): "Out of the Shadows: Shedding New Light on Latina Representation in Hollywood’s Spanish Language Films of the 1930’s."
Friday, November 6th
9:00-10:30 AM
Delta Room: Documentary Cartographies
Susan Martin-Márquez (Rutgers University): "Cartographies of Gender and Sexuality in Lejos de los árboles."
María Elena De las Carreras (University of California, Los Angeles): "La memoria fracturada: Los años setenta y el documental político en la Argentina."
Irene Depetris Chauvin (Cornell University): "Superficies de la globalización: Copacabana de Martin Rejtman y la redefinición de las fronteras en el documental etnográfico."
Creole Queen Room: In and of the Island: Cuba
Patricia Catoira (Montana State University): "Capitalist Cyclones and Socialist Ruins in Cuba’s Entre ciclones."
James Buckwalter-Arias (Hanover College): "The Ruins of Havana, as Seen from New Orleans."
Nicholas Balaisis (York University): "Between Cosmopolitanism and the Primitive: Imagining Revolutionary Nationhood through the Cuban Mobile Cinema Campaign."
María Luisa Ortega (Universidad Autónoma de Madrid): "Geografías de la revolución: Políticas de representación del centro y las periferias en los documentales de Sara Gómez y Nicolás Guillen Landrian."
Natchez Room: Brazilian Cinema in Transit
Ramayana Lira (Universidade do Sul de Santa Catarina): "Violent Transfusions- Strategies Against Immunity in Estorvo and O cheiro do ralo."
Alessandra Brandão (Universidade do Sul de Santa Catarina): "Re-Imagining Migration: (Im)Mobility and the Sertão."
Antonio João Teixeira (Universidade Estadual de Ponta Grossa): "Identity and Difference: Trespassing Borders in Two Contemporary Brazilian Films."
Mississipi Room: Literary Imaginations
Enrique Cortez (Georgetown University): "Love in the Time of Cholera: La adaptación como descontextualización e imperativo realista mágico."
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009 Agustín Cuadrado (Texas State University, San
Marcos): "Picaresca y extrarradio: Barrio, de Fernando León de Aranoa."
Patricia Keller (Cornell University): "Letters from the City: Writing Boundaries in Nueve Cartas a Berta."
10:45-12:15 PM
Delta Room: Musical Imaginaries
Kathleen M. Vernon (SUNY Stony Brook): "All About World Music: Almodóvar’s Global Musical Imaginary."
Marvin D’Lugo (Clark University): "Of Brothels and Boleros: The Sounds of Peripheral Modernity in Mexican Cinema."
Gerard Dapena (Independent Scholar): "Rumbas, Tangos and Boleros: Performing and Crossing Musical Borders in Una cubana en España."
Sergio de la Mora (University of California, Davis): "Comedia ranchera and the Sounds of Mexico.”
Creole Queen Room: Comings and Goings
David McLaughlin (Ohio State University): "No Hay Nada + que Viva Cuba? Towards an Understanding of Staying or Going in Contemporary Cuban Cinema."
Cynthia Duncan (University of Washington, Tacoma): "Home Across the Water: Negotiating the Space of the Cuban Diaspora in Miel para Oshún and Cercanía."
Evelyn Silva (Ohio State University): "Prostitutos caribeños: Migración y turismo sexual en la producción cinematográfica española contemporánea."
Elisa Costa Villaverde (Universidad de Las Palmas de Gran Canaria): "Human Geography in Contemporary Spanish Cinema."
Natchez Room: On the Margins: Other Practices
Misha MacLaird (Independent Scholar): "Producing Authenticity: Casting and Camera
Movement in Recent Latin American Social Realism"
Isolina Ballesteros (Baruch College, CUNY): "Migration, Terrorism and Fictional Documentary: Chicos normales/Ordinary Boys (2008) by Daniel Hernández."
Jennifer Boles (Indiana University, Bloomington): "Concrete Realities: Superochero Cinema and the City, 1970-1974."
Antonio Gómez (Tulane University): "Documental ‘de autor’ y la ficción del multiculturalismo argentino: Copacabana de Martín Rejtman"
12:30 - 2:00 PM
Riverbend I and II: Luncheon and Presentation
Paul Julian Smith (University of Cambridge): "Los estudios cinematográficos y televisivos: localismo y transnacionalidad."
2:00-3:15 PM
Delta Room: On the Road
Juan Poblete (University of California, Santa Cruz): "Film as a Cultural Trip: Subordinated Memory and Liberatory Spectatorship in Fernando Embcke’s Duck Season (2004)."
Dean Allbritton (Stony Brook University): "Manscapes: Topographies of Masculinity and Memory in Marc Recha’s Dies d’agost."
Carolina Rocha (Southern Illinois University): "Men on the Move: Historias mínimas and Lugares comunes."
Catherine Simpson (University of Richmond): "Post-Franco, Post-landismo: Alfredo Landa's Political Odyssey in Juan Antonio Bardem's El puente."
Creole Queen Room: Community Media and Political Practice
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009 Freya Schiwy (University of California, Riverside):
"Community Media and the Political."
Alexandra Halkin (International Coordinator Chiapas Media Project): "Community Media in Southern Mexico."
Ana Rosa Duarte and Byrt Wommack Weber (Universidad Autónoma de Yucatán and Yoochel Kaaj/ Escuela Superior de Artes de Yucatán and Yoochel Kaaj) "Re-imaginando Diáspora: Dos décadas de video Maya en la península de Yucatán."
Natchez Room: Acting and National Landscapes
Carmen Ciller Tenreiro (Universidad Carlos III, Madrid): "Cecilia Roth: Mujer, Exilio y Estrellato Fílmico en España Durante la Transición Democrática."
Seraina Rohrer (University of Zurich): "Crossing Borders: Migration in the Films of ‘ La India María.’"
Marina Díaz López (Instituto Cervantes/Universidad Autónoma de Madrid): "Arturo de Cordova: Un actor transnacional en el cine español."
Julie Jones (University of New Orleans): "Mapping Identity: Luis Bunuel’s Exploration of Self in Four Characters Played by Fernando Rey."
3:30-5:00 PM
Delta Room: Without Borders
Dolores Tierney (Sussex University): "Directors without Borders: Alfonso Cuarón and Alejandro González Iñárritu."
Christina Sisk (University of Houston) "Contemporary Mexican Cinema: From Hollywood to the Underbelly."
Natalia Ruiz (Michigan State Univerity): "Demonios y fetiches: Sin dejar huella en los espacios globales mexicanos."
Parvati Nair (Queen’s Mary, University of London): "Reconfiguring the Rural: Fettered
Geographies, Unsettled Histories and the Abyss of Alienation in Recent Socially Engaged Cinema from Spain."
Creole Queen Room: Legacies of Colony and Empire
María Elena Soliño (University of Houston): "Projecting Dreams of Empire: Franco-Era Attempts at a Cultural Reconquista."
Lisa Amor Petrov (Dominican University): "Teaching Transculturated Space and Colonial Modalities through Cinema."
Noelia Sáenz (University of Southern California): "Re-framing Empire: Latin American Cinema and the Hispanic Imaginary."
Natchez Room: Geographies of Violence and Nature
Paula Halperin (University of Maryland): "The Other Side of the Cartão Postal: The Cinematic Depiction of Violence and Marginality in Rio de Janeiro, 1970-1980."
Lauren E. Shaw (Elmira College): "Ecocriticism and the Politics of Image."
Sebastián Velásquez Escobar (Rutgers University): "Confesión a Laura: La violencia colombiana en clave de amor."
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