observational drawing teaching reflections spring 2009

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Observational Drawing Reflections by students and teacher Honoria Starbuck, Ph.D. Teaching Observational Drawing at the Art Institute of Austin Spring 2009

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Reflections and drawings from a college semester of Observational Drawing with a focus on lessons learned by the teacher as well as by the students.

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Page 1: Observational Drawing Teaching Reflections Spring 2009

Observational Drawing Reflections by

students and teacher

Honoria Starbuck, Ph.D.Teaching Observational Drawing

at the Art Institute of AustinSpring 2009

Page 2: Observational Drawing Teaching Reflections Spring 2009

Look, experiment and learn!

Students often come to the first class anxious about making perfect drawings or bored with the non-technical tools of the course.

Betty Edwards’ Drawing on the Right Side of the

Brain, study of master drawing techniques, plus free art supplies, in a box we call the “Art Supply Rodeo,” help students break ingrained habits, explore new approaches to drawing, and increase observation skills.

Page 3: Observational Drawing Teaching Reflections Spring 2009

Mid-term presentationsfocus on light-logic and learning from the masters.

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The mid-term essay question is:What do you want to concentrate on in the second half

of the semester?

Students formed groups matching their goals and we focused on observational drawing based on individual interests.

Page 6: Observational Drawing Teaching Reflections Spring 2009

Essay answers formed 4 affinities.People• Observe people not posing, going about their natural business & sketching them quickly or slowly• Learn to produce accurate and distinctive drawings from observing peopleEfficiency• Animation is my primary career goal, I am a slow drawer, I want to work on speed• Go over more gesture and quick drawing instead of getting too caught up in one part of a drawingRealism• Make my work go from cartoony to more realistic• Learn to paint realistically with correct shadows• Portray the object more accurately• To see things in reality, not all memorized stereotypes and habits of thinkingTechnique• More proportion techniques so I can draw better large scale drawings• Focus more on texture, i.e. leather, metal, plastic, etc.• How to use my drawing materials like kneaded eraser, watercolors, more effectively• Keep working on light values• Improve on everything I learned the first quarter – you can never learn too much.• Color shading instead of just black and white

Page 7: Observational Drawing Teaching Reflections Spring 2009

This is your final exam. Organic Texas crookneck squash.

Page 8: Observational Drawing Teaching Reflections Spring 2009

Drawings are the answers to the final exam questions.

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Students exhibit their best 3 drawings and present artist statements for the final.

Page 12: Observational Drawing Teaching Reflections Spring 2009

As an artist I find myself exploring my inner thoughts and trying new methods…

My art could be described as a mix between realism and surrealism.

- Salvador M.

Page 13: Observational Drawing Teaching Reflections Spring 2009

Combining photography with drawing

I really like applying this class to our own career goals. I think that makes the class more relevant. Most people go into a drawing class thinking they will never use it.- Danny H.

Page 14: Observational Drawing Teaching Reflections Spring 2009

When I first started this class I hated drawing and everything about it. Leaving this class I’m very pleased with what I’ve done and the execution of different materials. I’ve come to the realization that my negativity towards drawing was my lack of patience and will work on that. I now have the confidence that I can draw anything! - Jaleesa H.

Page 15: Observational Drawing Teaching Reflections Spring 2009

Being in this class has taught me to draw what I see. I used to draw what I’m used to seeing on TV and books. But now, I am able to just look at something and draw it.

- Courtney P.

Page 16: Observational Drawing Teaching Reflections Spring 2009

Teaching reflections and directions.

Based on reflections by students, I will experiment with several new teaching strategies.

HomeworkI will assign student homework directly from the readings instead of

outside observations. This will engage the students with the theory more directly than in-class lectures.

Interest GroupsI will form groups based on student interest earlier than mid-term.

Professional contextsI will assign a homework project for students to find professional

applications for drawing in their specific field.

Page 17: Observational Drawing Teaching Reflections Spring 2009

Thank you to all my great students as well as the faculty and staff at the Art Institute of Austin where I learn more about art and education every day.

Illustrations:1. Green Apple on toned paper by Danny H.2. Hands, master copy and lemon by Courtney P.3. Mid-term drawings by Danny H4. Class taking final exam with squash models.5. Summer Squash by Summer M.6. Big Squash by Salvador M.7. Hard liquor by Salvador M.8. Angel in alien landscape combines drawing and photography by Danny H.9. Portrait in Purple by Jaleesa H.10. Driftwood and sunflower by Courtney P.

Honoria [email protected]

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