october 2009 the radio technology leader radiomagonline€¦ · gordon smith named new...
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THE RADIO TECHNOLOGY LEADER
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October 2009RadioMagOnline.com
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TRENDS INTECHNOLOGYUpdate on IPaudio delivery
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www.RadioMagOnline.com
CONTENTS
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Features14 Trends in Technology: IP Audio
by Torn I lartnettKeeping an eye on this changing market
20 Facility Showcase: Little Corner Houseby Dave RichardsWOON explores the science of getting small
26 Annual Salary Surveyby Erin ShippsCertification, salaries, education and more
36 Tech Tipsby John LandryTips, tricks, hints and more
Columns
40
ON THE COVERIn this down economy, how (;
you stack up against those in yourfield? Find out in our annualSalary Survey on page 26.
Cover design byMichael J. Knust.
8 Viewpointby Cliriss SchererThe spirit of coopetition
10 Managing Technologyby Kevin McNamaraOutsource yourself
12 FCC Updateby Harry C. MartinNew Form 323 to require multiple FRNs
Departments6 Online
at www.RadioMagOnline.conl
38 Field Report: JBL Control 2Pby Chris \Vygal
40 Field Report: Harris HPXby lirtice Roberts
42 New Products1)y Eriii
52 Classifieds53 Contributor Pro -File
Meet Bruce Roberts
54 Sign Offby Erin ShippsAntique tube testers and social networking.
4 October 2009 RadioMagOnline.com
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www.RadioMagOnline.corn
CONTENTS ONLINE RadfoCurrents Online Selected headlines from the past month.
2009 NAB Radio Show Photo Blog IndexSee the 2009 NAB Radio Show through the camera lenses of the Radio magazine editorial team.
Gordon Smith Named New President/CEO of NABGordon H. Smith of Covington and Burling is a former two -term U.S. Senator from Oregon.
New Quality Measurement Technique for FM IBOC DevelopedThe Ibiquity reference document and details were submitted to the NRSC at the 2009 NAB Radio Show.
FM Digital Booster Technology Development AdvancesIbiquity and NAB Fastroad co -funding project is designed to bring new technology to broadcasters.
NAB Names 2009 Marconi Award WinnersKKOB-AM wins Legendary Station of the Year.
2009 NAB Radio Show Attendance: 2,507Attendance was only slightly down from last year.
Ibiquity Certifies Audio Science ASI8914The quad -channel HD Radio tuner is housed on a PCI card.
Reminder: 2010 NAB Show Calls for Technical PapersProposals are due to the NAB by Oct. 23, 2009.
Find the micand win!
Tell us where you think the mic icon is placed onthis issue's cover and you could win a Heil mic
courtesy of Heil Sound.
We'll award a differentHeil mic each month
during 2009.
Enter by November 10.Send your entry to
[email protected] your name, job title, company name,
mailing address and phone number.
www.heilsound.comNo purchase necessary.For complete rules, go toRadioMagOnline.com.
Pittsburgh SBE Cancels 2009 ConventionConvention organizers say the current economy has forcedthe cancellation.
Site FeaturesRSS, Facebook and Twitter
All the content at RadioMagOnline.com is available as anRSS feed, and throughFacebook and Twitter. Rad ioMagOnl i ne.com/rssfeeds facebook.com/RadioMagazine iwitter.com/Radiomagazine
Radio News Updated as it HappensWhat's happening in radio? Turn to us to find out. Dailynews and industry information is posted in the Radio Currentsthroughout the day.
Podcasts Bring You MoreThe Radio Currents Podcast is updated every week, andspecial podcasts bring you more directly.
Industry EventsThe Radio magazine Industry Events section lists upcomingconventions and conferences.
6 October 2009 RadioMagOnline.com
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VIEWPOINT [email protected]
The spiritof coopetition
My former publisher used (and possibly coined) the phrase coopetition.That's a merger of the word cooperation and competition. In a wayit's a variation of the phrase if you can't beat 'em join 'em, but does
it in a way that benefits all those involved. The beat or join approach oftenshows that one party yielded to another. Not so with coopetition.
As the rules of business are bent and retooled to ensure success, coopeti-tion is a way for two or more iypical competitors to work together for theirmutual benefit. Have you ever thought that the cross-town station rival couldbe your partner? It sounds like an impossibility. You're both competing for the
same listeners and the same ad revenues. Sowhile that may not change, there are elementsof doing business that could be the basis for acooperative effort.
In a way, many stations already engage in somecoopetition. It's usually informal and most often not put
in the spotlight. Engineers from competing stationshave often worked together during emergencies.When a station is off the air, it's not uncommon forone engineer to loan something to another. Haveyou heard a station manager tell an engineer not totalk to any other engineers in town? I laugh whenI hear that summary ruling, because the secretcooperation is often running rampant.
A crisis isn't always the source of competitive co-operation. News and special events often requirestations to work together. In reality, coopetition isn'ta new idea for radio.
That is until you put it in writing.Recently, Cumulus and Gap Broadcasting cre-
ated an agreement to share the engineering teamsat several stations in Texas and Louisiana. Theidea came about when Gary Kline of Cumulusand Norm Phillips of Gap realized they both hadcertain engineering needs in shared markets. It
worked out that where Cumulus needed someassistance in one market, Gap had it coveredThe converse was true in another market.
So rather than struggle in one market while the other
flourished, Kline and Phillips compared resourcesand found a comfortable and complementary fit.
So how does it work? In a given market, GapWhat's your opinion? Send it to
radio@RadioMagOnlinecom
8 October 2009
may have had an engineering staff and Cumulus
had a contract engineer. The agreement allowsthe Gap staff to handle the engineering needsof the Cumulus stations a few days a week.Similar and complementary agreements exist inother markets.
I'm told that no one lost a job in the process.Some contract engineers lost some client work,but staff engineers stayed employed.
And the engineers are being compensated fortheir work. They still draw their regular salariesfrom their existing employer, but they also receivesomething extra - sort of like a commission check- from the other licensee.
In the end, it seems everyone wins. Each groupowner receives the engineering attention it needs, and
the individuals are compensated for their work.There's some accounting to track time worked for
each station, and that's reconciled each month. Theentire process is being reviewed and watched toensure that everything remains fair and equitable.
And while there are days that a Cumulus engineer
would report for duty at a Gap station, if there's anemergency at the Cumulus station, the resourcesare devoted as needed.
So far, everything is working out.It's an interesting situation. So far it works for Gap
and Cumulus in the markets they share. Are thereother markets and groups that could apply thisidea? Probably. And as the pool of radio broadcastengineers continues to shrink, this has helped Gapand Cumulus obtain the support they need.
Coopetition -.-ems to work.
RadioMagOnline.com
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MANAGING TECHNOLOGY www.RadioMagOnline.com
Taking the careerbeyond the hobby By Kevin McNamara
Here we are in late 2009, and like every other business sector, themedia companies are feeling the effects of reduced revenue andsubsequently looking to reduce workforce. Historically, engineer-
ing departments seem to come under the most scrutiny when budget cutsare mandated. Instead of completely turning over the engineering duties toan outside contractor, some are now entering into "sharing" agreements forpersonnel with other stations. This is a real contrast from the past when manystation managers/owners were skeptical about engineers sharing there "scary"formulas for success with other engineers in a market.
The point here is that good broadcast engineeringjobs will be scarcer than trying to land an NFL quar-terback position. Even the suppliers and manufacturers
are cutting back due to reduced capital spending. It
is probably time to start thinking about how to morph
this hobby and the experienceyou gained on the job,to something perhaps completely different, maybe
another industry?
What fulfills you?There is no cookie cutter an-
swer to the question of "how doI move my career to the nextlevel?" as we all have differentbackgrounds, educational lev-els and experience. Perhapsthe most important initial deci-sion you should make is whatis most interesting, fulfillingand pleasurable about yourcurrent job? I find that veryfew people really give thisany thought at all, pos-sibly because they get
wrapped up in day-to-day tasks and do not
allow themselves the time tothink about it. What is perhaps more interesting
is that many workers are feeling extremely stressedby the economy and the possibility of a layoff. It
is easy to understand that anxiety, but considerthis is largely a result from having little control overan uncertain future. Essentially these people havelost control over their destiny. Jack Welch, formerCEO for GE once stated, "If you don't control yourdestiny, someone else will." Taking control of yourdestiny should be high on everyone's priority list.The time to start taking control is not when youget your pink slip; now is the time to create your"plan B" and maybe "Plan C."
Outsourcing yourselfOutsourcing broadcast engineering services is
not new, many markets, particularly the smallerof them, have been using contract engineeringservices for years. I would expect the trend tocontinue. I think there is still tremendous opportunityto create multifaceted service companies that canhandle not only broadcast engineering functions,but perhaps take those skill sets into other publicand private sector projects. If you are willing totake some risk, outsourcing could be an excellentpath to your next level.
There tends to be a correlation between badeconomies and an increase in outsourced labor.We have all heard about or experienced compa-nies that moved certain business processes offshorefor cost savings. This is referred to as BusinessProcess Outsourcing (BPO). tatistics indicate thatthe use of offshore outsourcing has grown nearly11 percent each year since 2004. While thisrepresents a large amount of job losses, keep inmind that the bulk of these positions were typi-cally handled by less -skilled workers. The pointhere is not to minimize the impact BPO has hodon the affected employees and their families butto consider that most of the specific skill sets youhave in your current position would be subject tosome type of BPO. I say most because you shouldexpect hat any IT -related management/operationscould be easily outsourced offshore.
You should also be aware of another trendcalled Knowledge Process Outsourcing (KPO),as you would gother from the title, this modelprovides higher -level services to be performed from
offshore entities, these services could include Webdevelopment, server hosting, certain engineering/scientific/medical support, etc.
On a smaller scale, there is no rule that outsourc-ing is dcne exclusively from an offshore company;in fact, there is a great deal of opportunity to topinto that market.
Getting involvedThere are three different approaches one can
take to realizing outsourced opportunities. Theyeach have specific benefits and risk levels. Thegreat thi-ig about the outsourcing path is that youcan control your involvement. In my opinion, get-ting involved with outsourcing is the best way to
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MANAGING TECHNOLOGYenter a new industry, if that is your desire. It allowsyou to gain recognition, experience and mostimportantly, contacts in a particular field.
The first and least risky approach is to find avendor who has job requisitions for specific proj-ects. Many of these positions are marketed andmanaged by specialized recruitment companies.In some cases, they will hire you as a temporaryemployee (contractor) to work on their clients'project, typically at the clients' specified location.Pretty much like a real job, but they have a limitedassignment timeframe, typically a year or two.Some of these include certain expensesand sometimes offer benefit packagesand vacation.
The second approach is to workwith a recruiter as a subcontractor.In this arrangement, you could besubcontracting for the recruitment firm,but working with the client directly.Recruiters call this arrangement a "Cto C" or company to company. Gen-erally you will need to form a legalentity (corporation, LLC, etc.) maintainrequired insurances and provide theequipment needed to perform thetask you are contracted for. This ar-rangement typically only covers yourservices, but some contracts allow youto include other employees (yours) ifnecessary. The advantage of takingthis route is that these recruiters are typi-
cally large companies with establishedrelationships that open opportunitiesyou would otherwise not have.
The final option is to subcontractdirectly for a client. In my experience,you will likely be working with a primecontractor who was brought into acompany for the purpose of completinga specific job(s). These projects can lastseveral years. Again you would needto form o legal company and obtain allthe necessary insurances, etc.
In general, this type of on -site outsourc-ing is becoming more prevalent. Largelythese are project -based assignments,but we are seeing more of a trendtoward outsourcing entire operations.For example, Sprint recently enteredinto an outsourcing contract withEricsson to manage its cell networkoperations nationally. Many local, stateand federal government agencies aretaking the same approach to handlingspecific projects or certain portions oftheir infrastructure.
As a starting point, search the Internetfor contract positions. There are dozens
of sites that market these opportunities, includingMonster and Career Builder. Many sites aretargeted at particular industries. find the onesthat cater to technology sectors. Make sure youjoin as many of these site as possible and post aresume and specifically note you are looking forcontract positions.
Hopefully this gave you some motivation toperhaps take your hobby to the next level.
McNamara is presioent of Applied Wireless, CapeCoral, FL.
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FCC UPDATE www.RadioN/acOnline.com
New Form 323to require multiple FRNs By Harry Martin
In May the FCC ordered changes in the ownership reporting proceduresfor commercial radio and TV stations, expanded the reach of its report-ing rules and ordered its Media Bureau to come up with a Form 323 for
broadcasters to use beginning Nov. 1, 2009, the date all commercial stationsmust file their biennial reports. A copy of the Bureau's proposed form can befound on the on the Fletcher, Heald & Hildreth blog at www.commlawblog.com/2009/08/articles/broadcast/revised-form-323-revealed.
The most striking proposed change -a change not mentioned by the FCCin any of its notices - is that the new Form 323 requires every person or entity
holding an attributable interest must hove his/her/its own FRN which must in turn be reported in thenew form. Those with attributable interests includeofficers, directors, LLC managers or members,general partners in limited partnerships, 5 percentor greater shareholders and individuals or entitieswhose interests exceed certain levels under theequity -debt -plus standards.
This means that by Nov. 1, if the new formis adopted in time, a whole new universe of
DatelineAs of this writing, Nov. 1 is the deadline for submission
of biennial ownership reports for commercial radiostations in all states and territories.
For noncommercial radio stations in Alabama,Connecticut, Georgia, Massachusetts, Maine, NewHampshire, Vermont and Rhode Island, their biennialownership report deadline is Dec. 1.
Dec. 1 is the deadline for radio stations in Connecticut,Massachusetts, Maine, New Hampshire, Vermont andRhode Island to electronically file their Broadcast EEOMid -Term Reports (Form 397) with the FCC.
Dec. 1 is the deadline for radio stations licensed inthe following states to place their annual EEO Reportsin their public files: Alabama, Connecticut, Georgia,Massachusetts, Maine, New Hampshire. Vermont andRhode Island.
people and entities will have to sign up for theirown FRNs, which in turn means they will haveto provide the FCC with their social securitynumbers, employer ID numbers or taxpayer IDnumbers - which are required by the CORESsystem in assigning an FRN. Of course, this as-sumes that the OMB will approve the new formby the Nov. 1 deadline. It is possible that thenew FRN requirement, or other new reporting
requirements, could be rejected by the OMB. Ifthis happens, or if there is a substantial delay,the FCC either will require the filing of biennialreports on Nov. 1 using the existing Form 323,or will postpone the universal biennial reportfiling deadline until it can come up with anacceptable form.
If and when the new form is approved, thenumber of FRNs applied for and issued by theCommission is likely to balloon beyond theagency's processing capabilities. At this point aForm 323 generally requires only a single FRN -the licensee's. If the proposed form is approved,the FCC will suddenly become a repository of avast trove of sensitive information - SSNs, EINs,TINs for tens of thousands of individuals and otherattributable owners. In view of the ever-presentand increasing threat of identity theft, one wouldthink that Federal agencies would be reluctant tocollect such data. Additionally, reporting entities- licensees and their various officers, directors,stockholders and others - will have to keep trackof the multiple FRNs they are required to includein their reports.
Plus, the new form requires all FRN informationto be consistent among all reports, i.e., if anindividual or entity listed in one report reports aparticular FRN, then that same FRN should be usedin all other reports in which that individual or entityhappens to be listed. The unstated problem here isthat, historically, the FCC has not limited FRNs on aone -to -a -customer basis. As a result, any individualor entity might have several different FRNs. In orderto achieve the consistency mandated by the newform, respondents will have to take pains to usethe correct FRNs, and will have to hope that allother respondents do likewise.
The Commission appears not to have recognizedthe likely impact of this change. In its defense ofits new form, as presented to the OMB, nothing issaid about the new requirement to report FRNs forevery attributable interest holder. In fact, the FCCsumma* concludes that "[t]here is no need forconfidentiality with [the revised Form 323]" andthe revised form "does not address any privatematters of a sensitive nature."
Martin is a member of Fletcher, Heald & Hildreth, PLC,Arlington, Virginia. E-mail: [email protected]
12 October 2009 RadioMagOnline.com
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TRENDS IN TECHNOLOGY
ABy Tom Hartnett
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Audio
DistributionSave money
by keepingan eye on this
changing market
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By now it's pretty well understood that the growth andexcitement for moving "broadcast -able" audio frompoint-to-point (POTS, ISDN, etc.) centers around IP
transmission. It's a good time to take a look at the stateof this technology and where it's headed.
Here in the wired worldGood IP codecs now have ultra -low delay coding like
AAC-ELD and dynamic buffer managers, so when utiliz-ing an Ethernet connection on a reasonable -bandwidthIP link, these now rival the reliability and delay factorspreviously experienced with ISDN. This is good becausemany users are reporting reluctance of telcos to continueto provide and support ISDN, especially for short-term use.And IP of some flavor is now universally easier to obtainthan a POTS connection (especially one guaranteed tosupport a POTS coded). The main pitfalls with wired IPconcern fire -walling, dynamic IPs and breaking throughcommercial login screens.
If you're connecting an IP codec to a heavily securednetwork (like at a corporation) there are likely to beports and protocols blocked. While you can experi-ment with varying port settings and protocols on yourcodec, it's usually safer to work with the IT departmentto achieve some kind of demilitarization of the connec-tion to your codec.
Commercially availableIP connections
Most publicly available IP connections rely on assigningdynamic or varying IP addresses to computers connectedto them. This can complicate incoming connections tocodecs. The simplest way around this problem is to be surethe studio P codec is plainly visible from the Internet (bymeans of c public, static IP address), and all connectionsare initiated from the field. In environments where this isnot practical, better codecs have a Traversal Server func-tion, which provides some network intelligence in helping
14 October 2009 RadioMagOnline.com
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E
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IP-based Audio Distribution
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make these connections. A Traversal Server subscription(provided by the codec vendor) has the added benefitof providing a dynamic directory of all affiliated codecsthat appears on the codec itself much like a buddy list.This way, the user is completely removed from having toknow anything about IP addresses on either end of thelink, removing the dynamic IP problem as well.
If you've ever connected to the Internet at an airport, hotel
or coffee shop, you know thatthey always redirect new usersto a login page, regardless ofwhether the access is free orpaid. Many IP codecs con-nected directly to this type of link
have no way of allowing the user
to click through this login page.
It's possible to utilize a laptopahead of the codec to spoof thesystem into thinking it's a laptop
connection, and using the laptop
browser to do the login. But this
arrangement is burdensome andcomplex, so it makes more sense
to have a portable IP codec with
an integrated browser for theselocations. Of course, a codecthat easily talks Wi-fi will helphere as well.
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Caveat emptorThe low price of wired IP connections make them tempt-
ing replocements for nailed -up data circuits like DDS,satellite channels and Tls. The best advice I can offerhere is that you get what you pay for. Don't expect aDSL line at $40/month to come with any form of servicelevel agreement (SLA) or guarantee of up -time. But thisis certainly being done in environments where the costof pro links is prohibitive, and the less -than -100 -percentreliability factor is acceptable, like feeding transmittersin sparse rural locations. But even users with reason-able budgets can often manage to convert dedicatedexpensive synchronous links to IP links with some SLAand QoS specified.
The promise of delivering remotes over 3G wirelessservices has been realized, but with limitations. In manyareas, an lP codec coupled with a 3G data card will getyou on -air with remarkable quality and low cost. But inother areas, 3G has become a victim of its own success,with network over -subscription and under -deploymentbeing the main culprits.
Those who deploy a 3G remote system as a replace-ment for ISDN for long-term programming like sportsbroadcasts are often disappointed by the network'sability to be robust for hours at a time. And the abilityof specific networks to carry reliable real-time streams(like IP codecs require) varies dramatically even betweencities. Figure 2a shows a snapshot of a statistics display
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16 October 2009 RadioMagOnline.com
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Fig. 2A
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Comparison of IP codec stats on different links
using the AT&T wireless network. The toppart of the graph shows a 60 -secondwindow of time with low network jitter(hight blue). In the bottom window, packetloss is indicated by red bars (2a has nored and therefore 0 percent packet loss).Figure 2b shows a connection from thesame location using the Verizon wirelessnetwork. The red in the graph indicatesoacket loss, and this connection willexhibit audible droo-outs and artifactsof this loss. To be fair to Verizon, thereare other locations where this situationis reversed. Figure 2c shows an evenworse connection, this one from a 3Gnetwork utilized on a high-speed train,with multi -second intervals of 100 per-cent packet loss.
Fixing bad wirelessNo technology can fix a channel as
corrupted as Figure 2c, but there is hopefor enhancing the stability of moderatelypoor channels. Some attempts have beenmade to apply forward error correction(FEC) or to switch from the snappy -but -fragile UDP transport (favored by real-timeInternet devices) tb the bulky -but -robust
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IP-based Audio Distribution
TCP transport. But both of these methods involve dramati-
cally increasing the amount of data sent and received.About the worst thing you can do to a congested channelis switch to a data transport that requires more data, asthat usually increases overall congestion and makes thesituation worse.
New firmware for Comrex codecs utilizes an intelligentUDP reliability layer called BRUTE IBRIC UDP Transmis-sion Enhancement). Essentially, while data transmission
Comrex Access (center) with Wimax modem (left) Inmarsatterminal (right) and a variety of 3G and Wi-fi modems (front)
takes place via UDP in the lowest layer, on additionallayer checks whether packets have been received anddecides whether it's worth it to request a resend. In ad-dition, this congestion manager has license to reducecodec overhead and step down to modes with lowernetwork utilization dynamically, in essence riding thegain of the data output. Tests show this can allow rea-sonable operation on networks with moderately highpacket loss, without gumming up the works with a lot of
overhead data.
Andy Denoncour of the Comrex engineering team specs out a3 -mile 5.8GHz IP radio link.
4G and other optionsA few stations are lucky enough to be
located in cities chosen for early deploymentof 4G Wimax services, and are having goodsuccess on these networks. Wimax offershigher throughput and lower latency andjitter than 3G networks, providing a "wire-like" experience to users. Deployment hasslowed during the economic rough patch, butsome of the cities on the roadmap for 2009include Chicago, Dallas and Philadelphia.Verizon is leading the charge with deployingthe main 4G competitor to Wimax, calledLTE, and plans to have a handful of citiesonline by the end of 2009.
Another attractive network for IP codecs isthe Inmarsat BGAN network, which utilizesportable satellite terminals that are everdecreasing in cost and size. The BGANnetwork also sports a per -minute cost fora codec-capable IP channel that is a frac-tion of what previous generation satellitenetworks charged. With BGAN, worriesabout coverage are non-existent, as longas a reasonable view of the sky in the di-rection of the nearest satellite is achieved.And the terminals can be set up in minutesby non -technical users.
Some manufacturers have introduced simple,low-cost versions of their IP codecs, and theseproducts mate well with the new breed ofinexpensive IP point-to-point radios. Manyof these work in the relatively uncongested5.8GHz unlicensed band, and carry enoughbandwidth to provide full -duplex uncom-pressed audio links. Several brands are avail-able in weather-proof packages with built-indirectional antennas and cost less than $500per end. These make an attractive alternativefor cross -city links, or even for extending IPaccess to non -wired locations.
Migration to IP audio can save money aswell as offer new choices in the way audiois shipped for remotes, STLs and other real-time links. As the demand for mobile dataincreases, so will these choices. It's wise tokeep an eye on this changing market whenconsidering solutions.
Hartnett Is technical director of Comrex.
1 8 October 2009 RadioMagOnline.com
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FACILITY SHOWCASEr-1
WOON explores the scienceof getting small
LTBy Dave Richards
W.DN-AM, serving Woon-socket, RI, near the RhodeIsland/Massachusetts bor-
der, is focused on serving its localmarket. As part of its community pres-ence, the station leased 2,000 squarefeet of office space on the first floor ofan office building with big store -frontwindows. It occupied this space foralmost 20 years. While the spacewas nice, it was not inexpensive, andparking was sometimes a problem.The building also changed handsbetween three landlords in two years,and with that came a 255 percentrent increase accompanied by newfees and assessments.
It was time to move. -----,..:.........I was lucky enough to see a cute little
-house on a corner lot of one of the busi- -.',.1,'
est streets in town. What's more, therewas already a two -room office in it with14 parking spaces and a residentialapartment upstairs. All we had to dowas expand the commercial use to thewhole first floor and a portion of thebasement, make a four -room apartmentinto new studios, move in and startbroadcasting from there. We neededto do it in 12 weeks and this wouldnot be a turnkey operation. Businesswas off in the summer of 2008, cashwas tight (and about to get tighteracross the nation, though we didn'tknow it yet), so we'd be moving thesame equipment we were using everyday to the new location.
Our goal was to stay on the air withzero down time. No trouble. The dif-ficult part? Squeezing the radio, TVand Internet operations and officesinto less than 1,200 square feet ontwo levels without moving any loadbearing walls.
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The basement is utilized as the equipment room, whichmade for short cable runs.
A good neighborThe new location required us to expand the commer-
cial zoning use. When working with zoning issues, I
cannot over emphasize the care that should be taken tocommunicate in a plain and honest way with your new
The upstairs portion of the house used tobe an apartment. The kitchen was guttedfor the main studio.
neighbors. Most neighborhoods have one or two keyresidents woo are very active and will ask a lot of ques-tions. Give them all the time they want to help them feelgood about your plans. Time invested here in engagingtheir support will reap dividends down the road as theytalk to the other neighbors.
We have all heard and read about ugly NIMBY (not inmy back yard) fights over the years. When we went to thezoning meeting, I had a plan that the residents were com-fortable with because I answered every question before themeeting. As it turned out, only two attended and only onespoke. And that one spoke in favor or our proposal.
This method also served us well in a previous zoning
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During construction, walls were built,as seen from this view from the formerkitchen into the living room.
issue when we moved our transmitter and tower into aneighborhood which never had one. While we sweatedon the process, we put the time and care into each resi-dent's concerns and addressed them all so well in bothcases that we saved time and money in the long run. Trustand honesty are key in these situations. If they ask, "Willthere be any interference on my phone, TV or radio?" Tell
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them the truth, that there may be, but follow up quicklywith, "But government regulations require me to addressevery complaint of interference promptly and to installfilters at my own expense if they are required."
Project challengesDowntown, we had an imperfect 950MHz STL path to
the transmitter that lacked appropriate fresnel clearanceduring the summer, so we used it as an auxiliary path. Ourprimary path was a balanced and equalized broadcastaudio loop. It was expensive but reliable. Our new locationwould be farther away, behind a hill and had no hopeat all of an RF path. Worse, our legacy telco companyreally wanted to get out of the M -2C) leased audio circuitbusiness. They didn't want to move our STL audio loop tothe new studio location. So I spent about two weeks test-ing STL-over-IP systems. I looked into three manufacturersand tested WO. Both foiled in my case.
I keep hearing that this is the way of the future and Iwanted to embrace the technology. But even though NewEngland has the fastest and most reliable broadbandInternet service of any place in the country except themid -Atlantic, the packet loss simply couldn't be overcome,even though we were using the same Internet backbone.I worked with the factory reps and techs to rectify theproblems of cropped audio and other artifacts, includ-ing a $55 telephone call to Ireland one night for setuphelp, to no avail.
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RadioMagOnline.com October 2009 23
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Uttie Houstow,
WOON 1240
WOON's main studiofeatures four guestmicrophones andcameras for live Internetstreaming TV. It is adrastic change from theprevious interior design.
ME
WOON's production room
My advice for anyone looking into this
method is to take the time and trouble to askfor an evaluation unit. They work well in someplaces but not in all places. Try before youbuy. After a really convincing sob story to theteico, it relented and agreed to move the lineand continue service.
In addition to the radio station and offices,we also had to move our live Internet stream-ing TV and production operations as well.In converting a kitchen into the main studio,for instance, a major concern was sightlines for the cameras and lights. We have a
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24 October 2009 RadioMagOnline.com
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daily morning show that needs to have a minimum offive people sitting around the table talking and eachvoice needed a dedicated camera. We used two3/4" finished sheets of plywood (4'x8'), glued andscrewed them together, and made a big countertoptable for all to sit. It works and looks great, is lessmicrophonic than laminated tables, and is standingup remarkably well to the day-to-day abuse any mainstudio surface will get.
What went wrongLike any project, some things just don't go according to
plan. I already noted that we completely remodeled theinterior without touching any structural walls. When westarted, the previous owner provided a set of blueprintsfor the house. We quickly found out that the blueprintsdid not accurately show everything, including the pathof the chimney through the walls from the basement. Wefound the correct path the hard way.
We also had to modify the plan for a 5' studio window.As a wall was taken down we found a hidden rear doorthat was not shown on the plans. The planned 5' windowis now 3' wide.
We wanted a low maintenance floor in the mainstudio, so we chose VCT self-adhesive flooring squares.This was a bad idea. We ended up carpeting over itfor acoustic reasons.
Placing the equipment racks in the basement directly
The main level of the house features the lobby and twooffices, which were already in place.
below the studio was a good idea, but not goodenough. The cable runs were really short. But whatwe didn't know was that most inexpensive keyboard,video and mouse extenders Ito the automation playoutcomputer) caused erratic operation. We had to gowith one of the $200 models, which thwarted ourcost -saving plans.
All in all, f'm proud to say we pulled of the entireproject in less than three months and I was able to doit with the assistance of three part-time engineers.
Richards is president, general marv.ger and chief engineer ofWOON, Woonsocket, RI.
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2003 Salary SurveyBy Erin Shipps
It's a tough year to talk about money. Many people in the U.S. have been affectedby soaring unemployment rates, either in their own career or someone they know.Many more have seen reduced hours, changes in titles and responsibilities, and
pay cuts. So, yes it is a difficult to talk about, but maybe it's also encouraging toknow you're not alone and that overall, there were no enormous changes when wecompared this year's survey with last year's results.
Reflective of the economy this year, more respondents are concerned with job security andbenefits, not to mention pay. Take a look at the benefits chart on page 32 and see howyour job stacks up. As far as job security goes, take heart; according to Fast Company, IT/engineering is one of the top jobs for 2009. And as we found out from last year's survey,your job description becomes more IT -related every day. Nearly everyone is suffering inthe salary category this year; take a look at our engineer's salary chart on page 30.
The good news is, you probably still care about your job. While some peoplehave become desensitized to their responsibilities because of pay cuts and a lack ofappreciation, many respondents to our survey put just as much emphasis on a newequipment budget as they did on their own salary. Others are frustrated with everythingfrom management and communication to training, hours and office conditions. Secondin line to salary is the need for help and a great deal of respondents expressed howcrucial it is to have more hands on deck in engineering. However, a good numberhad nothing to complain about, and that is always good news.
26 October 2009 RadioMagOnline.com
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Read what our users say...KJDL, Lubbock, TX
I like (Xtreme) a lot! Once we got things together we never have any problems. (Xtreme) is a 9 out of10 for usability. It didn't take me long to figure out, I picked up most of the major (features) in the first
day. (The Xtreme) is user-friendly for all involved."
Jessie Walker, Program Director
DMS Broadcasting, San Francisco, CA
" When we started, we were jumping into something we knew nothing about! We called your tech sup-
port & within a day they had a solution. It was miraculous. They helped us get wired up & set up. (Tech
Support) had a positive & upbeat attitude. They went above & beyond!"
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WDHC, Berkley Springs, WV
We are absolutely pleased. I especially like the game scheduling feature, it works great for Mountain-
eer West Virgnia University games. I rate it a 9 because we can schedule 2 games simultaneously &flip flop when there are rain delays. It works great for sports talk!'Mike Hurst. Engineer
KSVL, Yerington, NV
"/ love (Xtreme)! We've been running (Xtreme) for a year & a half every single day & we give it a 10! It'seasy to learn & use. Good support & it's dependable!"
George Lemait, Station Manager
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"Xtreme has more flexibility, sounds better & has fewer problems then cur stations running (other auto-
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and MANY more...
Join the hundreds...... of others on air with Digilink-Xtreme, the best automation system in Radio. Full fea-
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WHY PAY A FORTUNE
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2009 Salary Survey
SalariesLet's start with salary. The typical respondent to our survey earns and estimated medianincome of $52,500. Regardless of job title, salaries in larger markets are higher. Only 27percent of respondents received a salary increase during the past 12 months (last yearit was 62 percent) and the average salary increase was 7.2 percent. Compared withlast year, it seems that regional directors of engineering, station chief engineers, andstation/staff engineers/tech titles generally went up in salary, while the others fell.
The estimated median salary for staff engineers below Top 50 ;umped up a couplethousand dollars from last year and Top 50 engineers are actually earning less than
they have in the past four years.
Contract engineers in general are charging more. Last year 77 percent of contractorswere charging less than $69 per hour. This year only 63 percent are under $74. Now, 23
percent are charging $75 to $99 per hour.
OTop 50
IMOBelow Top 50
RegionalDirector of
Engineering
Estimated Median Salaryby Job Function
StationChief
Engineer VP/GM/Station
Manager Station/StaffEngineer/Tech
Titles Corp Officer/Co Mgmt/Sole
Prop/Other
Methodology
OperationsStaff/Mgrs
Estimated Median Salaries
for StaffEngineers
On Aug.Aug. 25, 2009, Penton Media e -mailed invitations to participate in an online survey to a total of3,583 subscribers of Radio selected on an nth name basis from the category "Radio Station/Network." To encourageprompt response and increase the response rate overall, the following marketiig research techniques were used:A drawing was held for one of four $50 Amazon.com gift certificates. A link was included on the invitation to routerespondents directly to the questionnaire. The magazine name was used on the invitation to tie the study effort toRadio magazine. A follow-up e-mail was sent to non -respondents on Sept. 2, 2009.
30 October 2009 RadioMagOnline.com
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pictured: Modulux Standard
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We started a revolution in broadcast furniture and now our designs are the industrystandard. They remain in the forefront of high tech engineering and manufacturingdesign with thousands of satisfied customers worldwide.
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CertificationCertification is always a touchy subjectin the radio engineering community. SBEcertification is up this year among stationchief engineers, and other titles, but downamong regional directors of engineeringand station/staff engineers/tech titles.
Overall however, all respondents still
average 23 percent certified, the sameas last year.And even though it is proven statistically that
SBE certified engineers earn more salary ($20Kmore for Top 50 and $15K more below Top 501,
some respondents still don't find it necessary. In fact, 49people specifically stated they saw no need for certificationin our write-in answer portion. Others mostly cited money-Ind time as reasons they are not certified.
StationChief Engineer
Regional Directorof Engineering
Corp Officer,Co Mgmt/
Sole Prop/Other Station/Staff Engineer/
Tech Titles
0Top 50
I.Below Top 50
SBECertified
OperationsStaff/Mgrs
Percent Holding
SBE Certification
VP/GM/Station Manager
Allrespondents
Estimated Median Salaries
by SBE Certification
Not SBECertified
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Burli's reliability, ease -of -useand state-of-the-art featuresmake it a leading choice for radionewsrooms around the world andacross America, including thelargest all -news newsrooms inthe country's top markets.
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RadioMagOnline.com October 2009 33
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2009 Salary Survey
Online course/seminar Trade
publications
Training Preference
Regional/localconvention
Books
Specific classroomcourse
SBE meetings
Training and program deliveryWhen it comes to training, most respondents
prefer taking online courses/seminars,reading trade publications and books.However, probably due to the economy,fewer are able to attend regional/local conventions, SBE meetings andnational conventions. Still, 43 percentof you have not attended a broadcast-ing and/or educational seminar in thepast two years.
For the most part, respondents wouldlike more training in IT and networking, RF,HD Radio, automation, streaming and new
technology in general. Radio magazine will tryto help with these topics in the upcoming year.
As for new methods of program delivery, the useof both Internet streaming and podcasting hasstabilized after the dramatic growth seen between
2007 and 2008. An emerging technology,doubling in usage since last year, is
the use of cell phones for deliveri,live information.
Nationalconvention
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34 October 2009 RadioMagOnline.com
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2009
S2008
2007
Internetstreaming
Podcasting
To purchase the complete salary survey,access this article online at
www.RadioMagOnline.com
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Over 400 years of combined broadcast experience ready and willing to help you!
iiduloMagOnline.com I Octouer 2009 35
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www. com
Tips, tricks, hints and moreFreeware
Sometimes replacement is the only option. This is often true withsoftware. But when the software is something critical such as
an audio editor, it might become a budgetary issue. Recently, whenAdobe Audition added ASIO support, the ability to record somethingwhile editing something else went away. Several users had noticedit, but there was'no simple solution other than to upgrade to the latestversion. A simple solution is a freeware program called Wavosaur
1.0.5. ldownload.cnet.com/Wavo-saur/3000-2170_4-10632135.htmll
Wavosaur will multitask like the previousversion of Adobe and is compatible withmost older Windows operating systems.
We need your WelIdeas submitted to Tech lipsmay be suitable to earn SBErecertification credits.
Landry is an audio maintenanceengineer at CBS Radio/Westworld One. rj iv York
Do you have a tech tip?Send it to us at
By John Landry, CSRE
oil '7' f 4 - 16.-111, Met! OM
N.O. IMMO
.111.ANA Min, Nile ONO. 4 4
Go wirelessreat radio requires several computers in a
Tstudio, but that also means several monitors,keyboards and mice. KVM
switches are a
big help, but in many cases we need to accessmore than one computer at the same time. Whenyou must have more than one keyboard and mouse,
one way to make things neater is to use a wire-less keyboard/mouse combination. The LogitechEX 100 cordless desktop is an excellent option.It operates reliably up to 20 feet away from theworkstation transmitter and two can be used side-
by -side on the same desktop. The keyboard hasa sleek design and the mouse will work in bothleft-handed and right-handed modes. It appearsthis model has been replaced. A current unit isthe 5520.
Switch N Senseany automation systems utilize the
surement Computing SystemsSwitch N Sense -8 USB converter box forcue closure inputs. The Switch N Senseis an instrumentation interface with differ-ential isolated inputs designed to handleup to 500Vac or dc. Its use for broadcastautomation requires an external powersupply, which means another wall -wartto clutter up the dc strip or a 9V batteryto be replaced regularly. However, theunit has a 5V regulator on the circuitboard, and with the addition of twotack -soldered leads this can be made toprovide the voltage to operate the inputs. Simplylift open the cover, and solder wires to both endsof capacitor C2. Connect the positive lead ofthe capacitor to switch and bring it bock to the A
sides of the inputs. Then connect the negative leadfrom C2 to the B sides of the inputs. If desired, asmall picofuse can be added to the positive leadto protect the power supply.
36 October 2009 RadioMagOnline.com
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AutomationSimple Powerful Redundant
Not since Axia audio-over-IP was introduced to the broadcast industry have we atBGS been so excited! It is with great enthusiasm we'd like to invite you to take a look atthe new Op -X Radio Automation delivery system for any single or multi -station cluster.
Op -X works seamlessly with Axia IP-Audio networks or as a stand-alone system.
"The merging of traffic and music logs takes a mere :30seconds, making it among the easiest 1 have everworked with. Once you get used to your adjustablepersonal color scheme, everything is pretty easy tofollow. The best part about this system is the LACK of"dead -air" or "hangups" during automation. PD's willbreathe a sigh of relief at this. Another thing thatstands out is the absolute ease with which you can buildyour personal hot keys for each air talent. If youorganize your show properly ahead of time and knowwhere you are going, this system will make your showmuch easier and let you concentrate on *soundinggoods on the air. "
- Jim Franklin, Program DirectorWVB0, Appleton/Oshkosh - Wisconsin
"Opx is very functional and easy to use. One the bestfeatures is the log merge. On our old system it tookminutes and with Opx it takes only seconds"
- John O'Dea Operations ManagerWNNK-FM, Harrisburg - PA
"A fast paced station needs a system that can keep
up and is easy to use. Op -X gives us the tools we
need to deliver the sound Houstonians have come to
expect from KRBE."
- Leslie Whittle, Program DirectorKRBE, Houston - TX
If you're looking for an audio delivery system -you owe it to yourself to find out more about Op -X.
Give us a call or email info©bgs.cc!
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FIELD REPORT www.RadioMagOnline.com
JBLControl 2P By Chris Wygal, CBRE
/nasmuch as we try to monitor and tweak our audio mixes, feeds andproduction pieces, sometimes situations arise where we must evaluateaudio on the run. Voice-over booths, production trucks and engineering
room monitoring are all environments where precise evaluation of audio iscritical, and 20Hz to 20kHz is not absolutely necessary. In addition, manytimes these scenarios are made difficult by oversized speakers and the needfor an amplifier. The JBL Control 2P compact powered reference monitors arethe perfect solution for high -quality audio referencing where space is limitedand accurate monitoring is vital.
The Control 2P stereo pair is designed to allowfor installation nearly anywhere, especially wherespace is tight. The speakers are shipped withtwo snap -on pedestals that optimize the listeningangle when the speakers are set on a desktop.The master speaker (which houses the amplifiersfor both speakers) weighs only 5.5 pounds andthe extension speaker weighs 4.5 pounds making
Performance at a glance80Hz - 20kHz
frequency response
35W poweredspeakers
0.75" tweeter,5.25" woofer
Shielded transducers
Wall -mount capable
both simple to wall mount. Each speaker standsapproximately 9" high, 6" deep and 6" wide andis equipped with a 5.25" low frequency driverand 0.75" dome tweeter. The crossover point is at4.2kHz. Both speakers combined will produce anSPL of 115dB with a frequency response of 80Hzto 20kHz. All inputs to the Control 2P connect atthe master speaker via balanced Neutrik comboXLR-I /4" TRS jacks or unbalanced RCA jacks. The
system has an internal peak limiter, which servesas overload protection.
An added feature on the Control 2P speakerpair is a 3.5mm headphone jack located on theside of the master speaker. The speakers mutewhen headphones are plugged in, allowing forprivate listening. A dial is situated next to theheadphone jack for volume control of the speakersand headphones.
Get connectedAll connections and controls are located on the
back of the master speaker. Power for both speakeramplifiers and dc power input are located on themaster speaker as is a high frequency adjustment.The HF adjustment provides -2dB or +2dB highfrequency roll off. Unbalanced and balanced inputsmake the Control 2P handy in every audio systemsetup. The mounting bracket attachment points onboth speakers are compatible with 74-20 TPI fit-tings and allow for the attachment of the optionalMTC-2P wall mounting bracket. Each speaker hasa safety bar tor an optional safety cable or lanyard,which provides added safety when mounting thespeakers overhead. The extension speaker (whichserves as the "left" speaker in the system) connectsto the master speaker via a '/4" to bare terminalcable (the extension speaker has red and blackspring loaded bare wire connectors).
Both speakers are covered by a black metal grill
38 October 2009
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FIELD REPORT
that protects the LF and HF drivers, port tube andtwo LEDS. The red LED will flash if the system isoverdriven and nearing thermal protection mode.When the LED is on continuously, the system shouldbe turned off and allowed to cool. This feature isan added bonus that warns the user when he ismisusing the speakers. The white LED is simply anindicator that the system is powered on.
The JBL Control 2P compact speaker system. put
JBLP 800-852-5776
W www.jblpro.com
simply is loud. Generating an SPL well past 100dB,the pair provides excellent stereo monitoring whereambient noise is present and acoustics are lessthan perfect. Tight spaces, small recording rooms,trucks and engineering spaces are ideal environ-ments for the Control 2P pair, and users will findthe performance and sound reproduction the systemprovides to be the right solution.
( MD EXPRESSYOURSELF.
Wygal is the station engineer at Liberty UniversityLynchburg, VA.
Edda's note: Field Reports are an exclusive Radio manrizine featurefor radio broadcasters. Each report is prepared by well -qualified staff ata radio station. production facility or consulting oompany.
These reports are performed by the industry, for the industry. Manu-facturer support is limited to providing ban equ.pment and to aiding theauthor if requested.
It is the responsibility of Radio magazine to oublish the results of anydevice tested, positive or negative. No report should be considered anendorsement or disapproval by Radio rnagazire.
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October 2009 39
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FIELD REPORT
Et -
WWW .RadioMagOnline .com
Harris HPX
In June 2009 we took delivery of what has become my favorite transmitter.After 30+ years in broadcasting, most transmitters don't get me excited.You hook them up and then go back to what you were doing before you
installed it. The HPX series from Harris right off the truck is just sexy (pleasedon't tell my wife I said this!)
It appears Harris did some serious homework on this transmitter. It really doeslook good. It came in two cabinets: one for the power supply and the other forthe exciter, IPA, PA and controls. I understand there is a kit to separate theseboxes; however, my configuration is side -by -side. The combined measurements
are 64" wide, 35" deep by 78" high. For a40kW transmitter, this is a pretty small footprint. I
was glad to see a slightly higher box that made
Performance at a glanceIntegrated RF and
control interface
Separate high voltagepower supply
VGA GUI foradvanced control
and diagnostics
74 -wave groundedcathode design
Analog and/orHD Radio operation
Two cabinets in64'W x 35"D x 72"H
for a smaller amount of floor space used up byone transmitter.
Installation time on the HPX is very short. In fact,this was the easiest high power FM I have everinstalled. This is because all the control connectionsbetween the two cabinets are plug-in connectors,and the three phase wires are on a WAGO con-nector. The high voltage connection between thetwo cabinets is about long. Remote control con-nections are also on a WAGO connector behind afront panel. They are easy to get to even with thepower on. The entire component layout just makessense because parts are clearly marked and locatedin a logical location, as well as easily accessible.
By Bruce Roberts
Primary power is connected behind a panel on thefront ... again a convenient location.
The 4CX 20,000C PA tube installation wasquick and easy. There was plenty of room to getmy hands in the cavity and install the tube. Har-ris has continued the Flex Patch to allow makingquick changes to bypass defective stages shoulda problem arise.
Get insideThe controller is like nothing I have ever seen
before. Software updates are done via a CF flashcard. There is no battery backup to remember thelast mode but it appears this is written to the CFcard. The 0' is located behind the control paneldoor that hinges down. We recently received asoftware update that just required removing the
I would buy thistransmitter againand hope in the
near future to seemore of these at
our facility.
40 October 2009 RadioMagOnline.com
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FIELD REPORT
old CF and installing the new one. Down timewas only about 3 seconds.
It took only a few hours to get this box ready totest into a dummy load. When you apply filamentvoltage, the shorting solenoid energizing will getyour attention; however, when the high voltageis applied there is a soft -start sequence that isquiet and easy on the nerves: No loud clangof a relay, no light dimming, just a nice gradualincrease in power.
I got a chance to test the VSWR pro-tection circuit. It seems in the process ofcleaning a section of 3 78" rigid line forthe inside building, a rag was left in asection of line. The HPX said no thanks, Idon't like this load and shut down. Aftera few tries, we swept the line and foundthe rag and all was well.
My csk, -ion to wait for the release ofthe HPX was based on the thought thatnot only is this an efficient transmitter, butthis was a transmitter designed for IBOC,not a transmitter modified to pass IBOC.Also, this being the new kid, it is goingto get the full support and attention thatI wanted for this station. I currently amresponsible for more than 10 transmittersmade by several excellent companies,but this one is papa's new baby.
I worked with SCMS, the Harris chan-nel partner, when I bought the transmitter,
and I would buy this transmitter again.I hope in the near future to see more ofthese at our facility.
Roberts is the chief engineer of Apex Broad-casting, Charleston, SC.
Editor's note Field Reports are an exclusive Radermagazine feature for radio Orriarfrasters Each report isprepared by well -qualified staff at a radio station. produc-tion facility or consulting company.
These reports are performed by the industry. for theindustry. Manufacturer support a limited to providing loanequipment and to airing the author if requested.
It is the resporsibility of Redo magazine to publish theresults of any device tested, positive or negative. No reportshould be considered an endorsement or disapproval byRado magazine.
HarrisL P 800-622-0022
W www.broadcast.harris.com
I MICROPHONEAND MONITOR ARMS
New accessories! Yellowtec's award winningproduct line for positioning micro-
phones and monitors continues itsgrjwth. The modular system has
been expanded by some newmounting options: VESA 75
Adapter for Genelec nearfield monitors, Ceiling
Mounting Kit, WallMounting Bar
and Board No. I(20"x12")
www.yellowtec.com
YELLOWTECnrich-Hertz-Strasse 1-3
40789 Monheim GermanyPhone +49-21T-1-967 315e-mail: [email protected]
RadioMagOnline.cor October 2009 41
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NEW PRODUCTSby Erin Shipps, associate editor
www.RadioMagOnlinacom
OLYMPUS
Digital audio devicesOlympus
DM -520; DM -420: TheDM -520 and DM -420 haveincreased internal memory(4GB and 2GB, respectively)and expandable microSDcapacity (up to an additional16GB) to record longer thanever before. They feature pock-et -sized high -quality recording,
Sonority software compatiblewith PC or Mac, long-lastingpower with rechargeable bat-tery function, USB connectionand voic' 1, .-
888-553-4448www.olympusamerica.com
UPSEaton Corporation9135: The new 5kVa and 6kVa UPSs offer easy to use power protectionthat safeguards systems against damage and costly power disturbancesand outages. The 9135 - part of the Powerware series - delivers up to6kVa of clean double -conversion power in a slim 3RU enclosure. As theneed for greener IT infrastructures becomes increasingly important, the newmodels operate at up to 97 percent efficiency in high efficiency mode andup to 91 percent in double conversion - using less energy and dissipatingless heat - thus reducing expensive power and cooling costs.
216-523-5000; www.eaton.com
Fiber opticconnection systemNeutrikOpticalcon Quad:This four -channelversion of theprotected fi-
ber opticconnectorsystem, is
designedspecifically for multichannel point-to-pointcabling applications. It is IP65 rated for dusttight and water jet protection. With threevariations including 4 -channel, 4 -channelX-treme and Triple -Split 12 -channel assem-blies, it provides several fiber solutions forany broadcast or live event. It is availablewith 4- (NKO4M) or 12 -channel (NK012S)mobile field cables. Its Triple -Split cablefeatures three connectors on both ends, al-lowing standardized 4 -channel connectivityfor multi -channel point-to-point cabling. Op-ticalcon QUAD X-treme is also available forroad -ready applications. It offers a cut -proofand rodent -resistant double jacket with a glassyarn armored cable const
732-901-9488; [email protected]
ilfX/Y stereomicrophonesTascamTM -51'2, TM -ST Pro: fas-
COM has premiered the IM-ST2and TM-STPRO X/Y stereo micro-phones. The unbalanced TM-ST2is an affordable microphone withboth a 10' cable for live recordingand an 18" cable for video cam-era connection. The TM-STPROadds a balanced output, includesa 16' stereo XLR cable and has theability to run on phantom power.Both microphones feature a switch -able low cut filter and come witha mic clip, battery, wind screen
and protective carry bag323-726-0303; www.tascam.com
Console accessoriesAxia Audio
1101:101:10061
IN000C1013111111111111111110111113110
Router Control Panels: Axia's X1 router controlpanel lets operators instantly route any source on theirAxia Livewire network to a specified destination. TheX2 panel provides the routing functionality of two X1panels in a single chassis; each separate control routesany available network source to an individually specifieddestination. All Axia Router Control panels connect tothe network via a single Ethernet connection and occupy1 RU. The XY panel lets operators route any source toany destination within the Livewire network. Axia routerpanels make use of custom button functions programmedusing Axia's popular Pathfindo cInci Pnthfirder Prorouter control software.
216-241-7225; [email protected]
42 October 2009 RduiuMagOnline.CUfli
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NEW PRODUCTS
CAP to EAS converterCascade Technology Corporation
CAPLinkCAP ,DIA<rrwvt Pr,.
CASCADE YE CDNIDI ORPODADDE4
CAP Link: The CAP Link interface polls a Common Alerting Protocol server andgenerates locally synthesized standard EAS audio (FSK and attention) It connectsdirectly to a standard router with Internet connectivity and is set up with a standardbrowser. The output of CAP Link is standard EAS audio. This audio may be appliedto the audio input of any FCC certified encoder/decoder to be used as one addi-tional EAS audio source. It requires no operator attention after it has been installed.The link to the CAP server can be manually confirmed at any time. If the primaryCAP server link fails CAP Link will automatically attempt to connect with alternateservers as defined at setup, and can automatically send an e-mail reporting the
problem. It supports EAN as well as EAS. All audio file chunks are assembled andoutput as quality balanced or unbalanced audio. CAP Link has three options: ESM,(ThCM nnH DeclAnn
360-988-0459; www.easwatch.com; [email protected]
27,832 products instock at press time!
broadcast gear from people you trust
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BSWUSA.COM 800-426-8434
Direct connect dc powerVycon EnergyVDC and VDC-XE: The VDC systems feature higherpower and more energy storage in a smaller footprint thanVYCON's previous generation system. Utilizing VYCON'spatented flywheel technology, the VDC unit provides up to220kW of dc power while the VDC-XE (Xtended Energy)model supplies up to 300kW of dc power within a singlecabinet. For longer run times and higher power capacities,the VDC models can be easily paralleled without needinga special communications link. For extended power out-ages, the VDC will seamlessly provide encugh ride -throughprotection to transfer to a standby engine generator for acontinuous power s. --
714-386-3800; [email protected]
2RU filler plateKey DigitalKD-RF 1 U, KD-RF2U: KD-RF1U and KD-RF2U filler plates create the besttmsnluimeHt tut HuuJIlij your A/V components. Key Digital's plates enable a clean,professional rack setup, and 'n4 fqn to produce the optimal amoi rtcirculation within the rack.
914-667-9700; www.keydigital.com; [email protected]
uS rb,Cost- iveAudio Over IP!
Instreamer100
6'Rim V
----"thosB R Exstreamer100
Barix Analog/Digital AudioEncoder and Decoder Instreamer 100 encoder converts audio fromany analog or digital device into high -qualityMP3 streams (line level and S/PDIF inputs forMP3, G711 and PCM format)
Generated audio stream can be distributed, viaan IP-based network or the Internet, to one ormore receivers or Shoutcast/Icecast-servers
Exstreamer 100 decodes MP3, G.711 and PCMaudio files to let you create flexible, distributedaudio systems using standard IP technology
Use together for a flexible, networked system
INSTREAMER100 List $395.00EXSTREAMER100 List $195.00
Cal BSW For Lowest Price: 800-426-8434
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Comrex BRIC-LinkSTL Over IP CONIRE xx,
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Full duplex audio transmission over IP links Simple to configure via a standard web browser Can be used on a wide variety of IP circuits Analog stereo and AES I/O Multistreaming capability Requires two or more for complete system
BRIC-LINK List $1,800.00 per unit
Call BSW For Lowest Price: 800-426-8434
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1-iadioMagOnline.Com October 2009 43
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NEW PRODUCTS www.RadioMagOnline.com
Digital to analog direct boxARX Systems
USB-DI: ARX has updated its USB-DI digital -to -analog direct box. Thetransformer -isolated dual -channel USBaudio to balanced XLR output DI boxis a plug -and -lay digital -to -analog pro
audio interface. It removes the need to'sting sound card outputs with their inher-
ent noisy environment and problematic grounding.It features full transformer balanced output isolation
to eliminate earth loops/ground hum and otherextraneous interaction noise and distortion.
480-998-7140; www.orxamerica.com
Music scheduling softwareRCSG Selector Version 3.12: G Selector 3.12 addsseveral new enhancements to the first patented goalscheduler including: multiple database access, hourand depth search, interactive history maps and userdefined support in the web service. You can now addadditional multi -station databases to your system viadata exchange or the restore function. All history mapsin G Selector now provide access to the editor when
n date nncl firnP, moll
914-428-4600; www.rcsworks.cominforcsworks.com
NVii tt rSchomandlFIT -70: The FIT 70's separate test head lets an operator easily connect to hard -to -reach cables. As quickly as it is con-nected, the functional values are brightly displayed on a high -contrast LCD screen. The site's VSWR output is read out,as are the forward and reverse power readings, measured in watts or dBm. The FIT -70 covers a range from 70MHz to1000MHz. The device works for tests at remote antenna sites and at links between studios and transmitters. The wattmeteris carried in a fitted case that ri sects it in transit to an outlying antenna location.
+49 8641-403 140; www.schomandl.de/en; [email protected]
Advanced Wattchman Monitor°/AlarmFor Analog and Digital Broadcasting
The Model 81094 is the first 111 a series of Internet/Intranet accesible
Advanced Wattchman Wattmeter/Alarm systems that will monitorboth forward and reflected power in two transmission lines with onlyone controller. Unlike previously available systems that needed onecontroller for each transmission line, the Advanced Wattchman willmonitor two lines (4 ports). The front panel display shows power onboth systems simultaneously. Operating conditions may also bedisplayed on a PC from any location on the Internet/Intranet.
It is designed to work with a series of specialized line sections from7/8" to 6-1/8" and standard Coaxial Dynamics elements for eitheranalog or digital applications.
Coaxial Dynamics 6800 Lake Abram Drive Middleburg Hts, OH 44130
Phone: 440-243-1100 Toll Free: 800 -COAXIAL Fax: 440-243-1101
[email protected] www.coaxial.com
PLAN NOW FOR HELP ON YOUR NEXT PROJECT
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Whether you just need an extra pair of hands,measurements field work or a completeturn -key studio or transmitter installation
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44 October 2009 HadioMagOnline.com
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NEW PRODUCTS
Safety unitTowermastD-TEC II: The D-TEC II safety unitprovides overhead
power line and obstacle detection and above -the -mast illumination. The anti -collision systemautomatically stops mast extension, providingadded protection from overhead hazards for theoperator and equipment. Features include look -uplight illumination directly above telescoping mast,high -voltage sensor to aid the operator in detect-ing overhead power lines, anti -collision sensor toautomatically stop mast extension and a factorypre-set sensitivity setting.
330-684-4000; towermast.willburt.com
P
Audio/EAS monitorIntrinsic NetStudio Hawk.11: The Studio Hawk.8monitors audio and EAS receivers at a studioand communicates problems via e-mail, textmessaging and signaling devices. The basesystem includes Studio Hawk software andhardware to monitor eight status channels,analog channels and relays. It records EASdata (transmitted and received), andcan be expanded to monitor up to atotal of six EAS receivers. Users willalso receive multiple contacts for eachalarm with delays between messages,a daily dead air report PDF by e-mailand filtered EAS alerts
662-324-2769; www.plussine.comsupport@i PlusSine.com
UPGRADES and UPDATEudio Science has received
certification from Ibiquity for itsAS18914 four -channel HD Radio tuneradapter. (www.audioscience.com)...
nnheiser Electronics, the U.S.istributor for HHB, is shipping theHB CDR -882 Dualburn professionalD recorder. (www.sennheiserusa.com,
Www.hhb.co.uk)...Sennheiser hasleased high -end wireless headphones,ith Bluetooth connectivity thatcorporate Apt -x audio codec
technology under license agreementwith APTX. (www.sennheiser.com,ovww.aptx.com)...Sound Devices has
released firmware update 1.75 for its,788T digital recorder.(www.sounddevices.com)
DVR lockboxMiddle Atlantic Products
DLBX Series: The DLBXSeries is optimized to handlethe active or passive thermalmanagement needs of digitalvideo recorders and otherdigital equipment. It mounts
vertically or horizontally to the
wall, and can be used as amonitoring shelf. A configu-rable thermal managementsystem including a fan and
two filters can be set upto accommodate the needs ofany DVR. An optional proportional speedthermostatic fan control ensures the fan only runswhen needed, reducing mainenance require-ments and noise. Extensive cable managementincludes tie points, EKOs and cable pas:,-throughs.A mechanically interlocking top provides addedsecurity yet removes easily for equipmery servicing,
and a standard keylocked solid hinging front doorallows easy equipment access.
973-839-1011; [email protected]
AcousticsFor
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First'Materials to Control Sound and Eliminate Noise
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From practice spaces to professional recording studios. we can helpyou get the materials you need to fit your application and budget. Ourproducts include acoustical foams. iberglass panels. diffusers, bassand corner traps, vibration control. acoustical wall fabrics, ceiling tiles,modular enclosures and various othe- acoustical materials.
Toll Free 1.888-765-2900Web: http://www.acousticsfirst.com
hats ldgUiIWIe.uiin October 2009
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NEW PRODUCTS vwwv.RadioMagOnline.corn
Touchscreen GUIIntracom Systems
VCOM Touchpanel: De-signed using a tablet PC corethat can readily be removedand used as a stand-alonedesktop intercom station, the3RU intercom panel features
a high -resolution touch -screen selector to createmulti -channel intercom systems. It works inter-changeably with VCOM Control Panels on PCs,tablet PCs and handhelds. VCOM Touchpanel's7", touch -screen GUI supports a virtually unlimitednumber of channels configurable for point-to-points,
group calls, party lines, and program audio listens.Moreover, the entire VCOM Matrix System con bedynamically configured and monitored from anyVCOM Touchpanel on the network. The modularunit supports a gooseneck microphone and hasdual integrated speakers. It can also be usedwith a USB headset (XLR connector optional) orwirelessly with Bluetooth.
518-827-8502; [email protected]
IP addressablepower conditionersSurgeX
SX1120iP: SX1 1 20iP is the first in a series ofIP addressable power conditioners. Designedas a 20 -amp, 1 RU unit with eight individuallycontrollable outlets, it can be configured andmanaged via a Web browser to control andmonitor individual outlets online. It monitorsoutlet status, current draw, power consump-tion and rack temperature. E-mail notificationscan be sent based on certain conditions andthresholds. The SX 1 1 20iP features AdvancedSeries Mode surge elimination, ImpedanceTolerant EMI/RFI filtering, SurgeX ICE InrushCurrent Elimination and COUVS CatastrophicOver/Under Voltage Shutdown.
215-766-1240; [email protected]
Paperless production order systemVcreativeVcreative Radio: This is a Web -based paperless production order system designed to help expedite the produc-tion process and streamline communication between a station's sales, traffic and production departments. Accountexecutives submit production orders or schedule traffic changes from any Internet -ready computer or Internet -capablemobile phone. Traffic and production departments receive all requests simultaneously so orders do not bottleneck andall work and communication is time stamped for accountability. All scripts and final spots are saved in the systemso account executives can track all ads in progress, listen to and approve ads, track what's on -air and expiringsoon as well as search archives of all past ads. For the production department, features like a customizable HotList and sortable views keep hundreds of requests in a loairol neat order. Vcreative Radio can also pool togethercorporate voice talent
800-497-9305; www.vcreativeinc.com; [email protected]
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MX8R List $5,200
amily Of Consoles... 20 versions available!DVIIIMMIX consoles have been a
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6 to18 channel configurations 24 or 36 inch wide frames 2" or 3" wide module options 4 Output Buss (two Stereoand two Mono)
Metering for all 4 Outputs 2 - 4X1 auxiliary inputs standard Mic preamp on first two channels
MX8L List $5,200,,
215-547-2570 DYNAMAXwww.sandiesusa.corri MX SERIES MX12L List S6,300
46 October 2009 RadioMagOnline.com
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Find the micwinner
August issueCongratulations to
Charles Eadsof KGAL, Lebanon, OR.
His name was drawn fromthe correct entries for the
August issue. He won a HeilPR -20 mic from
Heil Sound.
The mic iconwas disguiseds a crack in the
block wall.
www.heilsound.comNo purchase necessary. For complete
rules, go to RadioMagOnline.com.
NEW PRODUCTS
Website enhancementPlatformicEmbedded Content Tool: This enables us-ers to easily aCk: _;,gital assets from their medialibraries and embed them within articles or texton their websites.
Content, such asvideo, photosand audio canbe easily inte-
grated within thebody of an articleto enhance visi-tor experienceand increase onsite time in onlya few minutes.
COITICOSt PPIEJICKL/77114SPORTS/YE-7
Illeramdr 5.0.. Soso Waft arlrenran. oritr sr ma!simoft
6.-666 6-6
The system's new
interface -driven CSS style sheet builder gives usersflexible display ootions to customize the appear-ance of embedded media. Multiple stacks ofembedded media can be pcsitioned on eitherthe right or the left side, for irstance, and eachblock can be formatted using the same style sheetor a different one.
866-309-9414; [email protected]
SkimmerPlusSkimming, Logging and
Air Checks with ease.
SkimmerPlus Features Creates high -quality and highly
compressed files simultaneously Supports multiple professional audio
formats, such as PCM M P2, and NI P3 Supports recording from triggers Automatically manage hard drive space Up to 24 record decks available Individually customizable title bars
and record features for each deck Create and save event logs for fully
customizable unattended recording Control over record break points for
long-term recording Central skimming for multiple -station
clusters
Web Server Features Access rile checks from the
Interne.: with Web Interface Emailing of ftp links or audio
files from NVeb Interface Suppors user account creation Easily hrowse recordings
with an intuitive web design 7--m=imoomommosor- listening to last week's records 1"."-Ir-"5"11".1
16 just a calendar's click away
IllSkienrnerP1us
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RadioMagOnline.com October 2009 47
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NEW PRODUCTS www.RadioMagOnline.com
Handheld RFspectrum analyzerKaltman Creations
Spectran HF60100: TheSpectran HF60100 is a hand-held RF analyzer that featuresa frequency range of 1MHzto 9.4GHz, sensitivity at-130dBm, bandwidth resolutionof lkHz, stability of 0.5PPMand accuracy at ±1dB. It is soldas a complete analysis kit thatincludes the HF60100 RF ana-lyzer, optional internal pre -amp,
an SMA stick antenna, a precision handheld logperiodic antenna, ac charger/adaptor, aluminumcarrying case, mini -tripod stand, 6' USB cable,PC software and fi r
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DSP-based analog FM tunersBW Broadcast
RB1, RBRX1: .Vhether used for monitoring radiostations to adjust processing, evaluating the competi-tion, rebroadcasting or pleasure, the RB 1 and RBRX1apply BW's RF and audio DSP-technology. Adjustmentsare provided for more than 50 parameters, includingaudio bandwidth, IF bandwidth, de -emphasis, stereo,HF and ultrasonic noise blending, and blending attack/
release times. All adjustments, plus factory presets anduser -stored settings, can be accessed via Ethernet andserial connections. For retransmission applications, theRBRX1 version adds DSP-e- Mpg'
888-866-1671; [email protected]
20 Annual Radio Excellence AwardsREASONS TO ENTER:* Recognition of your work from your peers, Radio magazine readers.* Your facility will be featured in the December issue of
Radio magazine.* Winners are announced in the March NAB issue.* Winners receive yearlong exposure at RadioMagOnline.com
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FCC CertifiedFM Stereo Transmitters
MOMGET ON -THE -AIR STAY ON -THE -AIR!
V 5CW RF output continuous duty!V Auto protect, auto soft fail, auto restore!V Automatic battery backup!V Digital display of all parameters!t/ Simple to install!What's the bottom line? To stay on the air! The PX50was designed with that in mind! Auto monitoring of allparameters, with automatic power reduction and restoreon VSWR and temperature errors! No more down timeAND no more trips to the tower site! Plus the PX50 isFCC Certified under parts 2, 73, & 74 (PF3PX50) andIndustry Canada approved (IC: 4318A-PX50) so younever have to worry about non compliance! Make yourlife easy with the PX50 from Ramsey!
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fey RAMSEY ELECYRONICS, LLC590 fishers Station Drive, Victor, NY 14564800 446 2295 585-924-4560innrinev.ramseybroadcast.com
48 October 2009 RadioMagOnline.com
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October 2009 49
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Get your own copy!Each month, the RadioTechnology Leader bringsyou the latest must -readinformation: Managing Technology Trends in Technology Facility Showcase RF Engineering Field Reports New Products FCC Update
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RatifyTHE RADIO TECHNOLOGY LEADER
www.RadioMagOnline.com [email protected] - Chriss Scherer, CPBE CBNT, chriss,schereapenton.com
Technical Editor, RF -John Battison, P.E., botcom@ohio netAssociate Editor - Erin Shipps, erin.shippsapenton.corn
Senior Art Director - Michael J. Knust, mike.knustepenton.cornSenior Digital Content Specialist - Brad Erpelding, [email protected]
Technical Consultants
Kevin McNamara, CNE, Computers and NetworksMark Krieger, CBT, IBOC and Contract Engineering
Russ Berger, Broadcast AcousticsDonald L Markley, F.E., Transmission Facilities
ConfributersDoug Irwin, CPBE AMD: Chris Wygal, CBRE; John Landry, CSRE
Group Publisher - Wayne Madden, wayne.moddenepenton cornAssociate Publisher - Steven Bell, steven.bellapenron,corn
Marketing Director - Kirby Asplund, kirby.asplundOpenton.cornMarketing Coordinator - Crystal Shires, crystal.shiresOpenton.cornVice President of Production - L:sa Parks, [email protected]
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52 October 2009 RadioMagOnline.com
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Sales Offices ADVERTISER INDEXAssociate PublisherSteven BellPhone: 913-967-7221; Fax: 913-514-6848E-mail: [email protected]
Europe/UKRichard WoolleyPhone: +44 1295 278 407Fax: +44 1295 278 408E-mail: [email protected]
Classified AdvertisingJulie DahlstromPhone: 312-840-8436; Fax: 312-595-1983E-mail: [email protected]
Online Sales & MarketingAngie GatesPhone: 913-967-7516; Fax: 913-514-7516E-mail: [email protected]
ContributorPro -file
Meet the professionals who writefor Radio magazine.
This month:Field Report, page 40
Bruce RobertsChief EngineerApex
BroadcastingCharleston, SC
'adioiug when he was3 years old and ran*he PA for a church)roadcast on the
radio. When he turned18 he took a part-time weekend job atWEZL Charleston helping the contractengineer. He left radio for a short timebut stayed in electronics. He returned toWEZL where he was encouraged to gethis First Class FCC License (requiredat the time) which led to him becomingthe chief engineer. By 1982 he owneda class A FM in Charleston. Today heowns and operates a recording studio.
RadfoWritten by radio professionalsWritten for radio professionals
Radio, Volume 15. Number 10, ISSN 1542-0620 ispublished monthly and mailed free to qualified recipientsby Penton Media, Inc. 9800 Metcalf, Overland Park, KS66212-2216 (www.penton.corn). Canadian Post Publica-tions Mail Agreement No. 40612608. Canada returnaddress: Bleuchip International, P.O. Box 25542, London,ON N6C 682. Additional resources, including subscriptionrequest forms and an editorial calendar ore available onlineat www.RadioMagOnlinecom. To order single copies call866-505-7173 or 402-505-7 I 73.
PageNumber
AdvertiserHotline
AdvertiserWebsite
Acoustics First 45 888-765-2900 www.acousticsfirst.com
Arrakis Systems 28-29, 55 970-224-2248 www.arrakis-systems.com
AudioScience 39 302-324-5333 www.audioscience.com
Bay Country Broadcast Equipment 51 877-722-1031 wwvv.baycountry.com
Broadcast Bionics 25 888-363-4844 www.phonebox.com
Broadcast Software Inel 37, 47 888-BSIUSA1 www. bsiusa .com
Broadcast Supply Worldwide 43 800-426-8434 www. bswusa .com
Broadcast Tools 49 360-854-9559 www.broadcasttools.com
Burli Software 33 604-684-3140 www. burl i .com
Circuitwerkes 50 352-335-6555 www.circuitwerkes.com
Coaxial Dynamics 44 440243-1100 www.coaxial.com
Comrex 9 978-784-1717 www.comrex.com
Continental Electronics 22 800-733-5011 www.contelec.com
Dielectric 11 866 -DIELECTRIC www.dielectric.com
Digital Alert Systems 39 801-568-0915 www.digitalalertsystem.com
Dixon Systems 49 416-261-3773 www.dixonsystems.com
DM Engineering 51 800-249-0487 www.dmengineering.com
Enco Systems 1 800-ENCO-SYS www.enco.com
ESE 34 310322-2136 www.ese-web.com
Eventide 15 201-641-1200 www.eventide.com
Graham Studios 31 866-481-6696 www.graham-studios.com
Henry Engineering 13 626-355-3656 www. hen ryeng .com
Kay Industries 25 800-348-5257 www. kayind.com
Kintronic Labs 23 423-878-3141 www.kintronic.com
LBA Technology 7 800-522-4464 www.Lbagroup.com
Log itek 5 800-231-5870 www. log itekaud io .com
Mooretron ix 50 800-300-0733 www. mooretron ix .com
Moseley Associates 27 805-968-9621 www.moseleysb.com
Nautel Electronics 19 902-823-2233 www.nautel.com
Nott ltd. 51 505-327-5646 www. nottltd .com
OMB America 21 305-477-0973 www.omb.com
Phosetek 51 800-742-7383 www.phasetekinc.com
Pulsecom 17 800-381-1997 www.pulse.com
Ramsey Electronics 48 800-446-2295 www.ramseybroadcast.com
RF Parts 51 800-737-2787 www. r fpa rts .com
RF Specialties 35 816-628-5959 www. rf spec . co m
Sandies USA 46 215-547-2570 www. sand iesusa .com
SCMS, Inc 16 800-438-6040 www.scmsinc.com
Sierra Multimedia 44 479-876-7250 www.sierra multi media .com
The Studio Hawk 49 662-324-2769 www.thestudiohawk.com
Transcom Corp. 50 800-441-8545 www.fmamtv.com
V -Soft Communications 51 800-743-3684 www.v-soft.com
Wheatstone 2, 56 252-638-7000 www.wheatstone.com
WideOrbit 3 404-378-3381 www.wideorbit.com
Wirecad 50 866-273-5298 www.wirecad.com
Yellowtec 24, 41 +49-2173-967-315 www.yellowtec.com
This index is a service to readers. Every effort is made to ensure accuracy, but Radio magazine cannot assumeresponsibility for errors or omissions.
RadioMagOnline.com October 2009 53
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SIGN OFFby Erin Shipps, associate editor
Supreme 85C
Do you remember?In August we ran a few photos of
Steve Johnson's excellent collection
of radios. This month, we're tuningin on his tube testers. All information
courtesy of Steve's website.First, the antique Supreme 85C
tube tester is the Great Grand-daddy of all corner drug storetube testers. This was mode forradio shops front counters. It's anearly Supreme 85C Tube Testerdesigned to allow customers totest their own vacuum tubes. The
tube chart and operating instructions pull out ona wooden slide from the front bottom.
Next, is a Confidence Special tube tester.When Supreme Instruments founder Jewell R.
Sample and HoldDon't be anti -social
Social networking. Huge buzzwords, everyone's doing it. Well, 67percent are doing it anyway. According to Jacobs Media's TechSurvey V for 2009, two-thirds of people surveyed visit and/or haveprofiles on social networking sites, up from 57 percent in last year'spoll. Women, fans of alternative and active/mainstream rock, and18 -34 -year -olds are the most avid social networkers. In fact, 82percent of alternative partisans use sites like MySpace and Facebook.
But a key finding in this study is how social networking has caught onamong older demographicsand classic rockers. Morethan half of those who listento stations that specializein the Rolling Stones, LedZeppelin and Pink Floydspend time on these socialnetworking outlets.
Another big story in thisresearch is Facebook.Among all respondents, 43percent now visit or havebuilt a profile on Facebook,compared to 38 percentfor the long-time pioneer,MySpace. In fact, Facebookholds its lead among bothgenders, as well as thevarious age groups.
www.RadioMagOnline.com
Confidence Special
Williams left SupremeInstruments in the 1930s,
he started the ApparatusDesign Company inlittle Rock Arkansasand manufactured these"Confidence" and othermodel tube testers.
Finally, the TriplettModel 1310 tube tes-ter tests early 4- and5 -pin tubes from the1920s and 1930s. It
is a Triplett 1210 testerin the Triplett 1211-Acase, which was also available separately. Thisis a working tester that uses an 01A tube. Thetube settings are listed on the metal plates on eachside of the case.
Check out more antique radio equipment atwww.stevenjohnson °corn .
Triplett Model 1310
Social Networking Sites Usedfacebook
myspace
None
claSsmates-com
Linked m.Other
reunion
0%
Jacobs tJ : A, Te,,
10'
67% use them(Up from 57% in 2008)
50
54 October 2009 RadioMagOnline.com
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NEW full featured, professional consoles at amazing prices from A AKIS
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..what more need be said ?
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FINALLY...FAILSAFE NETWORKED AMP.wurimmic c mime c wurirorT in Anr erPT nuninr nv A imp runt
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