of mice and men - providence players of fairfax · of mice and men as described by the publisher...

Providence Players of Fairfax – AUDITION ANNOUNCEMENT

Of Mice and Men By John Steinbeck Directed by John Coscia

Ten Roles (9 Men – 1 Woman) – All Open The Providence Players of Fairfax is a non-profit community theater troupe. All participation is on a volunteer, non-compensated basis. Performance Dates and Times Preview: October 2, 2014 7:00pm Curtain

Evening Performances: Thursdays, Fridays, Saturdays; 7:30 pm Curtain October 3, 4, 9, 10, 11, 16, 17 & 18 Matinees: Sundays; 2:00 pm curtain October 5 & 12

Audition Dates Wednesday June 25, 7:00 ‐ 9:30 pm (In the James Lee Urbanites Room) Thursday June 26 7:00 ‐ 9:30 pm (In the James Lee Urbanites Room) Call‐Backs (if needed ‐ by invitation): Monday June 30 6:30 ‐ 9:30 pm (In the James Lee Urbanites Room)

One of Steinbeck’s most acclaimed works, this American classic chronicles four days in the lives of migrant workers, George and Lennie. Unlikely friends, they move from town to town hoping to work and save enough to own their own piece of land. But Lennie stirs up trouble, and George must choose between his friend and his dream. This vivid picture of the Great Depression conveys a tale of friendship, loneliness and unfortunate circumstances for even “the best laid schemes of mice and men.” Winner of Best Play by the New York Drama Critic’s Circle.


Location The James Lee Community Center 2855 Annandale Road Falls Church, VA 22042 Auditions will be held in the Urbanites Room – NOT IN THE THEATER. The Urbanites Room is located to the left of the main desk at the front entrance of the community center. Audition Information/Instructions

PLEASE RSVP to [email protected] with the dates you plan on auditioning.

HOW WE WORK: You are encouraged to plan to come to auditions on more than one of the audition evenings. This is not a requirement. Most PPF auditions have actors up and down to read multiple times in multiple combinations and scenes. Most actors find this fun. As space allows, you will be able to watch all the auditions. You may be asked to go into the hallway with audition partners and work a bit on a scene. We will do our best to get you up multiple times reading for parts you are interested in. You will also be asked to read for other parts you may not be auditioning for. The Providence Players strives to make our productions open to interested and engaged actors & actresses, regardless of their level of experience. We try and make our auditions as relaxing and fun as possible.

AUDITION PROCESS: Auditions will consist of readings from the script ‐ No monologue required.

AUDITION SIDES: Sides for the audition process will be supplied at auditions and are included in this announcement. Additional sides may be added at the auditions

AUDITION FORM: Resumes and headshots will be accepted, but are not required. Please ALSO COMPLETE the attached PPF Of Mice and Men Audition Form and bring it with you to the audition.

MEMBERSHIP: The Providence Players of Fairfax is a membership organization. Membership is not required to audition. If cast, actors in addition to production team members will be asked to become members of the Providence Players ($10) for the season (if they are not already).

RSVP: Please send us an RSVP if you plan to audition to [email protected] (or email us any questions you may have).

Rehearsal Schedule: A copy of the preliminary stage rehearsal schedule is included with this announcement and will be available online and at auditions. Stage rehearsals begin September 2, 2014. In addition to the stage rehearsal schedule, additional full cast readings of the play and some selected scene study and character work will scheduled based on actor availability in July and August prior to the stage schedule. The schedule for these will be finalized a week or two after auditions. Unless indicated otherwise, all rehearsals will happen at the James Lee Community Center. Rehearsals will be held in the evenings roughly from 6:30/6:45 to 9:45 pm and on Saturdays and Sundays as indicated.

Please come to auditions prepared to list any availability conflicts over this time period.


Of Mice and Men as Described by the Publisher Two drifters, George and his friend Lennie, with delusions of living off the "fat of the land," have just arrived at a ranch to work for enough money to buy their own place. Lennie is a man‐child, a little boy in the body of a dangerously powerful man. It's Lennie's obsessions with things soft and cuddly, that have made George cautious about who the gentle giant, with his brute strength, associates with. His promise to allow Lennie to "tend to the rabbits" on their future land keeps Lennie calm, amidst distractions, as the overgrown child needs constant reassurance. But when a ranch boss' promiscuous wife is found dead in the barn with a broken neck, it's obvious that Lennie, albeit accidentally, killed her. George, now worried about his own safety, knows exactly where Lennie has gone to hide, and he meets him there. Realizing they can't run away anymore, George is faced with a moral question: how should he deal with Lennie before the ranchers find him and take matters into their own hands

Of Mice and Men Character Descriptions

Notes on age: all of the character’s ages indicated below are as Steinbeck has written them, but they should not be considered set in stone. Actors should examine and try out for roles in which they feel they can successfully portray the character, regardless of the age noted. Meaning if you are 25 and think you can pull off 50, by all means give it a shot! This goes both ways as well ‐ if you are older, feel free to give a younger role a shot. Director John Coscia will ultimately decide on the best age range and mix for characters based on the needs of the play and the actors who audition so assume some flexibility from the listed age ranges. Characters are listed in order of appearance.

Also, please be aware that this play is notable for its particularly offensive language and prejudicial opinions held by the characters regarding people of color. The complex history of racism in Northern California and the country at large is a persistent topic of analysis, discussion, and occasionally censorship with this play. Rather than passively and unthinkingly accepting the words on the page, we choose to view this facet of the play as a deliberate choice of Steinbeck’s to represent a time and place in our country, and as a chance for us as actors to reflect on these offensive views through the more‐informed lens of the present day.

Setting: Farm and ranch land in an unnamed Northern Californian valley. 1930s.

George Milton, 30‐35 years old

A small, quick‐witted man who is Lennie’s de facto guardian, traveling companion, fellow ranch hand, and best friend. Although he frequently complains about his caretaking responsibilities, he is obviously devoted to and protective of Lennie. This friendship is what helps sustain George’s dreams of a better future ‐ a fantasy of a little piece of farmland to call their own.


George has a tendency to posture around others. He and Lennie are perennially out of work and down on their luck, but they take on these trials together.

Lennie Small, 30‐35 years old

A physically imposing, lumbering, and occasionally clumsy childlike man, also a migrant worker along with his friend and companion George. His mental disability means that he is almost entirely reliant upon George for guidance and protection, however Lennie looks up to his pal with a combination of awe, respect, and love. The two men share a vision of a farm they will own together, a vision that Lennie believes to the bottom of his heart. He is gentle and kind, but he has no conception of his own strength, which gets him into trouble.

Candy, 60‐70 years old

An aging ranch handyman, Candy lost his hand in an accident some time ago. He worries about his future on the ranch and fears the arrival of the day when his age will make him useless to others. When he hears of George’s description of their dream farm, he offers a considerable amount of money to join their venture, if only they would include him in the plans. Candy has an ancient dog he loves dearly (will be portrayed by an actual dog on stage).

The Boss, flexible age, over 40 years old

The Boss is a stocky and well‐dressed man in charge of the ranch George and Lennie land at. He is also Curley’s father. He is stern but fair‐minded employer ‐ an anecdote from Candy says the Boss gifted a gallon of whiskey to the ranch hands one Christmas. He makes only one appearance on stage.

Curley, 22‐30 years old

The Boss’ son: a young, impetuous, and combative character. Curley indicates he “has done quite a bit in the ring” at one time, but now is just “a little guy, alla time pickin’ scraps with big guys.” He obviously has several chips on his shoulder, many of them regarding his newly acquired wife of two weeks and the way the other ranch hands look at her. His jealousy and frequent losses of temper serve to accentuate his essential pettiness ‐ and his inadequacies..

Curley’s Wife, 19‐25 years old

Only known throughout the whole play by her relationship to her new husband Curley and a string of unpleasant epithets from the ranch hands, she is a victim of time and place. Young, pretty, and isolated as the only woman in the play, she is, like many of the ranch hands,


desperately lonely and has broken dreams of a different life. She is a victim in many ways, and her preoccupation with her looks gets her ‐ and Lennie ‐ into trouble.

Slim, 35‐50 years old

The consummate ranch hand and the main driver of the mule team, Slim is called the “prince of the ranch.” And for good reason ‐ he is tall, good looking, strong, and greatly respected by the other characters for his physical abilities around the ranch as well as his treatment of the other workers. He keeps his mouth shut unless it is to speak for the weak. He is an insightful, kind, and a natural leader ‐ and the only other character who seems to intuit the nature of the bond between George and Lennie.

Carlson, 35‐50 years old

Another one of the ranch hands, he is a thick‐bodied man who constantly complains about the smell of Curley’s old dog. Carlson is a simple man who enjoy simple pleasures, but he has little sympathy for Curley when convinces him to let him take the dog out back and shoot it.

Whit, flexible age, 25‐50 years old

Another one of the ranch hands, noted as a youngish laborer. He is amiable and good‐natured, but a bit of a pushover. He and Carlson are in company together for much of the play, though when it comes down to it he is the only one who takes Candy’s side over the killing of the dog ‐ but only for a moment before resigning himself to the group’s will.

Crooks, African American, 40‐60 years old

The proud, bitter, and somewhat cynical black stable‐hand, Crooks gets his name, it is indicated in the script, from his crooked back. He lives by himself and is largely shunned by the other ranch hands ‐ and he actively shuns them back, regarding any offers of kindness with suspicion. This bitterness stems from a combination of loneliness and the extremely pervasive, casual prejudices held by the country at the time this story takes place. He does take somewhat of a

Providence Players of Fairfax Audition Form

OF MICE AND MEN

Please fill out each section below Attach a resume and/or headshot to this form (optional)

NAME

ADDRESS

Home Work Phone Cell Email

Note: The Providence Players of Fairfax is a membership organization. If you are cast and are not already member, you will be asked to become one. Membership is $10 per season. OF MICE AND MEN – Character Preferences

__ I wish to be considered for any role. __ I wish to be considered for any role, but have a strong preference for the roles checked below. __I would prefer to only be considered for the following roles (checked): MALE ROLES ___ George ___ Lennie ___ Candy ___ Curley ___ Slim ___ The Boss ____ Carlson ____ Whit ___ Crooks FEMALE ROLES ___ Curley’s Wife Notes about Role Preference:


OF MICE AND MEN

Scheduling Conflicts? Please review the audition announcement, show dates, and preliminary production calendar

The Director will be scheduling read‐throughs and table work sessions in August and possibly in late July, prior to starting the official production schedule. These will be especially important for George and Lennie. Stage rehearsals will be intensive during September and October and all actors will be consistently called.

Do you have vacation plans in July/August and when (for our scheduling purposes)?

Any known conflicts with a periodic read‐through and/or table work session in July and August?

Please list known conflicts for September Rehearsals:

Please list known conflicts for October Rehearsals:


OF MICE AND MEN

Give us a sketch of your Theater Background A resume may be attached in lieu of filling out the table below, though it is not required. Acting Experience: High School ___Y ____N ‐ Approx. Number of Productions _______ College ___Y ____N ‐ Approx. Number of Productions _______ Community ___Y ____N ‐ Approx. Number of Productions _______ Pro (Paid) ___Y ____N ‐ Approx. Number of Productions _______

Overall Production Experience: Production Role

#

Shows

Production Role

#

Shows

Production Role

#

Shows Directed Set Decoration Choreography

Stage Managed Props Musician

Stage Crew Lighting House Mgmt

Set Design Sound Publicity

Set Construction Costumes Photography

Set Painting Makeup/Hair Musician

Important: Would you be interested in getting involved in the production if you are not cast?

_______Yes _______ No _______ Unsure Please give us a brief sense of any theater work over the past three years:

Providence Players Of Mice and Men Preliminary Production Calendar

Of Mice and Men Preliminary Production Calendar As of June 1, 2014 – Subject to Change Page 1 of 5



July 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

1

2 3 4 Independence Day Holiday

5

6 7 PPF Committee Meeting Date

8 PPF Play Reading Night

9 10 11 12

13 14 15 16 17 18 19

20 21 PPF Board Meeting

22 23 24 25 26

27 28

29 30 31

Full Cast Readings, Character work, scene studies and other pre-stage rehearsal work will be scheduled in July and August based on actor availability



August 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

1 2

3 4 PPF Committee Meeting Date

5 6 7 8 9

10 11 12 PPF Play Reading Night

13 14 15 16

17 18 PPF Board Meeting

19 20 21 22

23

24

31

25 26 27 28 29 30

Full Cast Readings, Character work, scene studies and other pre-stage rehearsal work will be scheduled in July and August based on actor availability



September 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

1 Labor Day

2 PPF Theater Use Rehearsal 6:00 PM –10PM



5 6 PPF Theater Use Set Build Weekend 9 AM – 10 PM

7 PPF Theater Use Set Build Weekend 9 AM – 5 PM

8 PPF Committee Meeting Date

9 PPF Theater Use Rehearsal 6:00 PM –10 PM PPF Play Reading Night

10 PPF Theater Use Rehearsal 6:00 PM –10 PM


12 13 PPF Theater Use Rehearsal 9:00 AM –6 PM

14 PPF Theater Use Rehearsal 9AM to 5 PM

15 PPF Board Meeting




19 PPF Tech Set Up 6:00 PM –10 PM

20 PPF Theater Tech Weekend 9:00 AM –10 PM

21 PPF Theater Tech Weekend 9:00 AM –5 PM





26 This Date Could be added to schedule.

27 PPF Theater Use Dress Rehearsal 9:00 AM –6 PM

28 PPF Theater Use- Dress Rehearsal 9A M to 6 PM

29 PPF Theater Use Dress Rehearsal 5:00 PM –10 PM




October 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday


2 PPF Student & Senior Preview Performance 7PM 5:00 PM –11PM

3 PPF Performance 7:30 PM 5:00 PM –11 PM


5 PPF Performance Matinee 2 PM 12 PM-6PM

6 PPF Committee Meeting Date

7

8 9 PPF Thursday Performance 7:30 PM 5:00 PM –10 PM



12 PPF Performance Matinee 2 PM 12 PM-6PM

13 Columbus Day Holiday

14 PPF Play Reading Night

15 16 PPF Thursday Performance 7:30 PM 5:00 PM –10PM

17 PPF Performance 7:30 PM 5:00 PM –11PM

18 PPF Performance 7:30 PM 5:00 PM –11PM

19 PPF Strike 9 AM – 5 PM

20 PPF Board Meeting

21 22 23 24 25

26

27

28 29 30 31

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