open content from danish museums 29012013

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Open Content from Danish Museums Merete Sanderhoff, Statens Museum for Kunst http://www.slideshare.net/ MereteSanderhoff/ 29 January, 2012, Paris

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Presentation at Open Data Workshop, Europeana and INA, Paris, January 29 2013

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Page 1: Open content from Danish museums 29012013

Open Content from Danish MuseumsMerete Sanderhoff, Statens Museum for Kunst

http://www.slideshare.net/MereteSanderhoff/

29 January, 2012, Paris

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Background

SMK in Google Art Project~160 highlights ~100 videos

CC-BY

Image sharing between Danish art museums

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www.mobypicture.com

Tiny experimental pilot project 300,000 DKK ~ 40,000 EUR

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www.guardian.co.uk

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www.guardian.co.uk

start smallask the users

adaptexperiment

seize the opportunity at hand

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3 dogmas

All Public Domain content is freely shareable and reusable

We use an existing platform instead of custom-building a new one

Target users take part in developing and creating the experience

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2009

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2011

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2012

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Value Proposition

Museums

Need: Be mobile, expose collections

Offer: A shared, sustainable mobile museum platform

Users

Need: Keys to look at art

Offer: Keys, relations, dialogue

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Incentive

Facing common challenges with common solutions push Danish art museums to start using open licenses on

collections

connect collections and send users on to each other

involve users in dialogue and encourage co-creation of content

re-cycle existing online content

build a sustainable platform using dynamically updated system

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Channels

Simple “shell”/image repository/archive: HintMe [beta]

Twitter’s API

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Simple interface

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Simple backend

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vStand in front of an artwork in a museum

Pull out your smartphone or tablet

Scan QR code or enter URL

Scroll through a stream of brief comments, open links to related images, texts, videos etc. (anyone can do this)

Post a comment, question, add a link, photo, video etc. (you need to be a Twitter user to do this)

Maybe you get a response – if you direct a question or comment to a museum tweep, you certainly will

It works like this

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Why use Twitter?

artworks identified via #

manageable content production

existing online content activated

users are equal and identifiable

multilingual

dynamically updated and improved

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Communication channels

MuseumNext conferencehttps://vimeo.com/45705253?action=share&post_id=1129350540_429715973734173#_=_

Open Knowledge Festival http://openglam.org/2012/09/27/openglam-workshop-at-the-okfestival-2/

Swedish Exhibition Agency

http://www.riksutstallningar.se/content/spana/curating-and-participation-new-mobile-platform?language

=en

OpenGLAM blog

http://openglam.org/2012/10/23/the-participatory-museum-of-denmark/

Musings blog

http://blatryk.wordpress.com/2013/01/24/beta-test-smk/

Lots of tweets

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Stakeholders

Users

Educators

Museums

Agency of Culture

Artists

Open GLAM communityCreative CommonsEuropeana

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Open licenses

CC-BY Artworks

Statens Museum for Kunst 20 (160)

Den Hirschsprungske Samling 18

Thorvaldsens Museum 20

Ny Carlsberg Glyptotek 10

J.F Willumsens Museum 10

Fyns Kunstmuseum 15

Vejle Kunstmuseum 7 (+ 5)

CC-BY-NC

Ribe Kunstmuseum 22

KØS – Museum for Art in Public Spaces (11)

Awaiting decision

Sorø Kunstmuseum (want CC-BY) 10

Faaborg Museum 20

168 (308)

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Benefits

Real demand for open content

Museums and artists are willing to open up content

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http://www.skoletube.dk/

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Benefits

Potential in mobile museum Interpretation/dialogue tool

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Links to rich media content are appreciated

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Risk of looking down, not up

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The personal curator is popular

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Users do not necessarily want to participate

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Users are happy to be invited into dialogue

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Next steps

Open licenses on modern and contemporary artworks

Launch and report by April 2013

How do we make this project scale?

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Thank you

@MSanderhoff

[email protected]

http://www.slideshare.net/MereteSanderhoff/