OPERATING MANUAL

SAFETY PRECAUTIONS

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTSINSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL

THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL WITHINAN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THEUSER TO THE PRESENCE OF UNINSULATED “DANGEROUSVOLTAGE” WITHIN THE PRODUCT’S ENCLOSURE THAT MAY BEOF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OFELECTRIC SHOCK TO PERSONS.

THE EXLAMATION POINT WITHIN AN EQUILATERAL TRIANGLEIS INTENDED TO ALERT THE USER TO THE PRESENCE OFIMPORTANT OPERATING AND MAINTENANCE (SERVICING)INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THEAPPLIANCE.

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE, ANDOBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT BEPLACED ON THIS APPARATUS.

CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OFFIRE, REPLACE THE FUSE ONLY WITH THE SAME AMPERAGEAND VOLTAGE TYPE. REFER REPLACEMENT TO QUALIFIEDSERVICE PERSONNEL.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADEOF PLUG TO WIDE SLOT, FULLY INSERT.

WARNING: UNIT MAY BECOME HOT. ALWAYS PROVIDEADEQUATE VENTILATION TO ALLOW FOR COOLING. DO NOTPLACE NEAR A HEAT SOURCE, OR IN SPACES THAT CANRESTRICT VENTILATION.

IMPORTANT SAFETY INSTRUCTIONS:

Read these instructions.

Keep these instructions.

Heed all warnings.

Follow all instructions.

Do not use this apparatus near water.

Clean only with a dry cloth.

Do not block any of the ventilation openings. Install inaccordance with the manufacturer’s instructions.

Do not install near any heat sources such as radiators, heatregisters, stoves or other apparatus (including amplifiers) thatproduce heat.

Do not defeat the safety purpose of the polarized orgrounding-type plug. A polarized plug has two blades withone wider than the other. A grounding-type plug has twoblades and a third grounding prong. The wide blade or thethird prong is provided for your safety. When the provided

plug does not fit into your outlet, consult an electrician forreplacement of the obsolete outlet.

Protect the power cord from being walked on or pinched,particularly at plugs, convenience receptacles and the pointwhere they exit from the apparatus.

Only use the attachments/accessories specified by themanufacturer.

Use only with a cart, stand, tripod, bracket or table specifiedby the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

Unplug this apparatus during lightning storms or whenunused for long periods of time.

Refer all servicing to qualified service personnel. Servicing isrequired when the apparatus has been damaged in any way,such as power supply cord or plug is damaged, liquid hasbeen spilled or objects have fallen into the apparatus, theapparatus has been exposed to rain or moisture, does notoperate normally, or has been dropped.

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WARENTY:

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Avoid installing this unit whereforeign objects may fall onto this unit and/or this unit may be exposed to liquid dripping or splashing. On the top of this unit, donot place:

Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury.

Containers with liquid in them, as they may fall and liquid may cause electrical shock to the user and/or damage to this unit.

Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on theapparatus.

Do not install this equipment in a confined space such as a case or similar. Install it away from direct sunlight, heat sources,vibration, dust, moisture, and/or cold.

Do not cover this unit with a newspaper, tablecloth, curtain, etc. in order not to obstruct heat radiation. If the temperature insidethis unit rises, it may cause fire, damage to this unit, and/or personal injury.

Install this unit near the AC outlet and where the AC power plug can be reached easily.

This unit is not disconnected from the AC power source when it is turned off. This state is called the standby mode. In this state,this unit is designed to consume a very small quantity of power.

NOTE:

This product is not an auto voltage Amplifier. Connect only to the prescribed AC outlet, i.e., 120V 60Hz or 240V 50/60Hz.

CAUTION:

Top surface can become hot.

CAUTION:

These servicing instructions are for use by qualified service personnel only. To reduce the risk of electric shock, do not performany servicing other than that contained in the operating instructions, unless you are qualified to do so.

CAUTION:

Changes or modifications to this equipment not expressly approved by Paradigm Electronics for compliance could void the user’sauthority to operate this equipment.

FCC WARNING:

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority tooperate the equipment.

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCCRules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. Thisequipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with theinstructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will notoccur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can bedetermined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of thefollowing measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and amplifier.

Connect the equipment into an outlet on a circuit different from that to which the amplifier is connected.

Consult the dealer or an experienced radio / TV technician for help.

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IMPORTANT INFORMATION FOR UK CUSTOMERS:

DO NOT cut off the mains plug from this equipment. If the plug fitted is not suitable for the power points in your home or thecable is too short to reach a power point, then obtain an appropriate safety approved extension lead or consult your dealer. If,nonetheless, the mains plug is cut off, REMOVE THE FUSE and dispose of the PLUG immediately, to avoid possible shock hazardby inadvertent connection to the mains supply. If this product is not provided with a mains plug, or one has to be fitted, thenfollow the instructions given below:

IMPORTANT: DO NOT make any connection to the larger terminal which is marked with the letter “E” or by the safetyearth symbol or colored GREEN or GREEN AND YELLOW.

The wires in the mains lead on this product are colored in accordance with the following code:

BLUE – NEUTRAL BROWN – LIVE

As these colors may not correspond with the colored markings identifying the terminals in your plug, proceed as follows:

The BLUE wire must be connected to the terminal marked with the letter “N” or colored BLACK.The BROWN wire must be connected to the terminal marked with the letter “L” or colored RED.

When replacing the fuse, only a correctly rated and approved type should be used, and be sure to re-fit the fuse cover. If in doubtconsult a competent electrician.

NOTES ON ENVIRONMENTAL PROTECTION:

At the end of its useful life, this product must not be disposed of with regular household waste but must be returned to acollection point for the recycling of electrical and electronic equipment. The symbol on the product, user’s manual andpackaging, point this out. The materials can be reused in accordance with their markings. Through re-use, recycling of rawmaterials or other forms of recycling of old products, you are making an important contribution to the protection of ourenvironment. Your local administrative office can advise you of the responsible waste disposal point.

RECYCLING AND REUSE GUIDELINES (Europe):

In accordance with the European Union WEEE (Waste Electrical and Electronic Equipment) directive effective August 13, 2005,we would like to notify you that this product may contain regulated materials which, upon disposal, require special reuse andrecycling processing. For this reason Paradigm Electronics Inc. (the manufacturer of Paradigm speakers and Anthem electronicproducts) has arranged with its distributors in European Union member nations to collect and recycle this product at no cost toyou. To find your local distributor please contact the dealer from whom you purchased this product or go to our website atwww.paradigm.com.

Please note that only the product falls under the WEEE directive. When disposing of packaging and other shipping material weencourage you to recycle through the normal channels.

INFORMATION ABOUT COLLECTION AND DISPOSAL OF WASTE BATTERIES (DIRECTIVE 2006/66/ECOF THE EUROPEAN PARLIAMENT AND THE COUNCIL OF EUROPEAN UNION)

(for European customers only)

Batteries bearing any of these symbols indicate that they should be treated as “separate collection” and not as municipal waste.It is encouraged that necessary measures are implemented to maximize the separate collection of waste batteries and tominimize the disposal of batteries as mixed municipal waste. End-users are exhorted not to dispose waste batteries as unsortedmunicipal waste. In order to achieve a high level of recycling waste batteries, discard waste batteries separately and properlythrough an accessible collection point in your vicinity. For more information about collection and recycling of waste batteries,please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

By ensuring compliance and conformance to proper disposal of waste batteries, potential hazardous effects on human health isprevented and the negative impact of batteries and waste batteries on the environment is minimized, thus contributing to theprotection, preservation and quality improvement of the environment.

Anthem and any related party assume no liability for the user’s failure to comply with any requirements.

TRADEMARKS

Anthem and any related party assume no liability for the user’s failure to comply with any requirements.

Anthem, AnthemLogic, ARC, Sonic Frontiers, and Paradigm are trademarks or registered trademarks of Paradigm Electronics Inc.© Paradigm Electronics Inc. All rights reserved. The information contained herein may not be reproduced in whole or in partwithout our express written permission. We reserve the right to change specifications or features without notice as designimprovements are incorporated. Apple, AirPlay and the AirPlay logo, iPod, iPhone, and iPad are trademarks of Apple Inc.,registered in the U.S. and other countries.

AirPlay 2 works with iPhone, iPad, and iPod touch with iOS 11.4 or later, Mac with OS X Mountain Lion or later, and PC with iTunes10.2.2 or later.

Manufactured under license from Dolby Laboratories. Dolby, Dolby Atmos, Pro Logic, and the double-D symbol are trademarks ofDolby Laboratories.

Manufactured under license from IMAX Corporation. IMAX® is a registered trademark of IMAX Corporation in the United Statesand/or other countries. For DTS patents, see http://patents.dts.com. Manufactured under license from DTS Licensing Limited.DTS, the Symbol, DTS and the Symbol together are registered trademarks or trademarks of DTS, Inc. in the United States and/orother countries. © DTS, Inc. All Rights Reserved.

For DTS patents, see http://patents.dts.com. Manufactured under license from DTS Licensing Limited. DTS, the Symbol, DTS incombination with the symbol, DTS:X and the DTS:X logo are registered trademarks or trademarks of DTS, Inc. in the UnitedStates and/or other countries. © DTS, Inc. All Rights Reserved.

For DTS patents, see http://patents.dts.com. Manufactured under license from DTS Licensing Limited. DTS, the Symbol, DTS andthe symbol together, Virtual:X and the DTS Virtual:X logo are registered trademarks and/or trademarks of DTS, Inc. in the UnitedStates and/or other countries. © DTS, Inc. All Rights Reserved.

Google, Google Play, Chromecast, and other related marks are trademarks of Google LLC.

HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

The Spotify Software is subject to third party licenses found here: www.spotify.com/ connect/third-party-licenses

Wi-Fi® is a registered trademark of the Wi-Fi Alliance. The Wi-Fi CERTIFIED Logo is a certification mark of the Wi-Fi Alliance.

All other trademarks are the property of their respective owners.

TABLE OF CONTENTS

1.0 BOX CONTENTS & PACKAGING

1.1 Before Making Connections

2.0 INTRODUCTION

2.1 In-Use Notices

2.2 Default Inputs

2.3 Front Panel

2.4 MRX 1140 Rear Panel

2.5 MRX 740 Rear Panel

2.6 MRX 540 Rear Panel

2.7 AVM 90 Rear Panel

2.8 AVM 70 Rear Panel

2.9 Remote Control

3.0 SPEAKER POSITIONING

3.1 Speakers

3.2 5.1-Channel Speaker Positioning

3.3 7.1-Channel Speaker Positioning

3.4 Height Effects Speaker Positioning

4.0 CONNECTIONS

4.1 HDMI Video Inputs And Outputs

4.2 Audio Connections

4.3 Local Area Network

4.4 12 Volt Trigger

4.5 Infrared

4.6 RS-232

4.7 Power

4.8 Headphone Jack (Front Panel)

5.0 SETUP

5.1 Speaker Setup

5.2 Bass Management

5.3 Listener Position

5.4 Level Calibration

5.5 Input Setup

5.6 Preferences

5.7 Network / Control

5.8 Store / Load / Update

5.9 System Info

6.0 ANTHEM ROOM CORRECTION

6.1 Anthem Room Correction (ARC®)

6.2 Using ARC With An MRX/AVM

7.0 OPERATION

7.1 Power On / Off and Volume

7.2 Zone 2 Operation

7.3 Input Selection

7.4 Level Trim

7.5 Bass / Treble / Balance

7.6 Lip-Sync

7.7 Listening Modes

7.8 Dolby Audio Post Processing and Dynamic Range Control

7.9 DTS:X Dialog Level Control

7.10 Display Brightness

7.11 Info Display

7.12 AirPlay SETUP

7.13 Chromecast SETUP

7.14 Spotify Connect

LIMITED WARRANTY

1.0 BOX CONTENTS & PACKAGING

1.1 BEFORE MAKING CONNECTIONS

Check that you have received all items listed below and report discrepancies to your dealer as soon as possible. Incase the unit needs to be transported in the future, keep the packing materials. Retain the invoice that you receivedfrom your authorized Anthem dealer at time of purchase – without it, service will not be provided under warranty.

AVM Processor or MRX ReceiverRemote Control2x Wireless Network Antennas2x AAA BatteriesIEC Power Cord (US / UK / EU / CN types are supplied by factory, other types are normally provided by the localdistributor)

Additional items in Anthem Room Correction (ARC) kit:

USB MicrophoneMicrophone ClipTelescopic Stand with BoomUSB Cable

Save the Packaging

Save your MRX/AVM’s packaging. Should you move or should your unit require service, the original packaging willminimize the risk of damage during transport.

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2.0 INTRODUCTION

2.1 IN-USE NOTICES

Disconnect the power cord before connecting or disconnecting any components.If the MRX/AVM was transported or stored in the cold, let it reach room temperature before use.Due to continuing advances, operational characteristics may change. If this manual contains discrepancies, pleasecheck www.AnthemAV.com for the latest manual or software.

2.2 DEFAULT INPUTS

Source Audio Input Video Input

HDMI 1 HDMI HDMI 1

HDMI 2 HDMI HDMI 2

HDMI 3 HDMI HDMI 3

HDMI 4 HDMI HDMI 4

HDMI 5 HDMI HDMI 5

HDMI 6 HDMI HDMI 6

HDMI 7 HDMI HDMI 7

eARC HDMI eARC None

Streaming Streaming None

Bluetooth Bluetooth None

Optical 1 Optical 1 None

Coax 1 Coax 1 None

Analog 1 Analog 1 None

The unit comes programmed from the factory with thirteen (fourteen on AVM) inputs, but you may change this tocreate up to 30 inputs. MRX/AVM uses virtual inputs that give you complete control of the name of each input youcreate, along with which video (HDMI) input to use, which audio input (HDMI, digital, analog or streaming) to use,which speaker profile to use, and much more. You can even create multiple inputs for the same source device. Forexample, a Blu-ray input configured for 7.1.4-channels and another Blu-ray input configured for 2-channels (and nosubwoofer). For information on setting up inputs, refer to the Setup section of this manual.

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2.3 FRONT PANEL

MRX 1140 model shown.

DisplayRemote control sensor locationVolume control and menu navigation Headphone jackPower / standbyMuteNext input or itemPrevious input or itemSelection confirmationSetup menu access

1. 2. 3. 4. 5. 6. 7. 8. 9.

10.

2.4 MRX 1140 REAR PANEL

US model shown. EU model is similar.

Wireless antenna connectorsUSB jack for factory serviceLocal area network connection for IP control and Anthem Room CorrectionHDMI outputs: HDMI 1 supports eARC (Enhanced Audio Return Channel)HDMI inputsAC inputRS-232 interface (bidirectional) for serial controlIR input and trigger outputsCoaxial digital audio inputsOptical digital audio inputs and outputSpeaker connectionsAnalog audio inputsPre-out connectionsChassis ground screw

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14.

2.5 MRX 740 REAR PANEL

US model shown. EU model is similar.

Wireless antenna connectorsUSB jack for factory serviceLocal area network connection for IP control and Anthem Room CorrectionHDMI outputs: HDMI 1 supports eARC (Enhanced Audio Return Channel)HDMI inputsAC inputRS-232 interface (bidirectional) for serial controlIR input and trigger outputsCoaxial digital audio inputsOptical digital audio inputs and outputSpeaker connectionsAnalog audio inputsPre-out connectionsChassis ground screw

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14.

2.6 MRX 540 REAR PANEL

US model shown. EU model is similar.

Wireless antenna connectorsUSB jack for factory serviceLocal area network connection for IP control and Anthem Room CorrectionHDMI outputs: HDMI 1 supports eARC (Enhanced Audio Return Channel)HDMI inputsAC inputRS-232 interface (bidirectional) for serial controlIR input and trigger outputsCoaxial digital audio inputsOptical digital audio inputs and outputSpeaker connectionsAnalog audio inputsPre-out connectionsChassis ground screw

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14.

2.7 AVM 90 REAR PANEL

US model shown. EU model is similar.

Wireless antenna connectorsUSB jack for factory serviceLocal area network connection for IP control and Anthem Room CorrectionHDMI outputs: HDMI 1 supports eARC (Enhanced Audio Return Channel)HDMI inputsAC inputRS-232 interface (bidirectional) for serial controlIR input and trigger outputsCoaxial digital audio inputsOptical digital audio inputs and outputPre-out connections (XLR)Analog audio inputsChassis ground screwPre-out connections (RCA)

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14.

2.8 AVM 70 REAR PANEL

US model shown. EU model is similar.

Wireless antenna connectorsUSB jack for factory serviceLocal area network connection for IP control and Anthem Room CorrectionHDMI outputs: HDMI 1 supports eARC (Enhanced Audio Return Channel)HDMI inputsAC inputRS-232 interface (bidirectional) for serial controlIR input and trigger outputsCoaxial digital audio inputsOptical digital audio inputs and outputPre-out connections (XLR)Analog audio inputsChassis ground screwPre-out connections (RCA)

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14.

2.9 REMOTE CONTROL

Main zone power onStandbyBassTrebleNumeric keypad PresetSetup menuNavigation controlsClear for deleting input configurations andclearing new entryDolby Volume and Dolby Digital DynamicsVolumeZone 2 ControlsBacklightPG/PR (DTS:X Dialog Level Control)Lip-syncMuteSurround mode toggleLastInfo display (front panel)Input SelectLevelBalance L/RDim

The left/right buttons also select previous/nextinput. The up/down buttons also control tunerstation.

Packing List:

Install batteries in the MRX/AVM remote control in the directions shown in the illustration below.

1. 2. 3. 4. 5. 6. 7. 8. 9.

10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23.

Remote Control Range of Operation:

The MRX/AVM remote control operates best when used within the range and distance shown in the illustration below.

Rear and Front IR Inputs:

If your remote control is not working and you have already checked the batteries, before contacting technical support,check that Front IR is set to “On” in the Network / Control menu.

3.0 SPEAKER POSITIONING

3.1 SPEAKERS

Your MRX/AVM, depending on the model, allows connection of anywhere from 2-channels (front left and right speakerswith no subwoofer) to 9.4.6-channels (a nine- speaker surround sound system with four subwoofers and six heightspeakers). When setting up your speakers, care should be taken to achieve the best possible immersive audioexperience.

Front Left & Right

The front speakers are what you hear when listening to 2 channel recordings but also play a large part in your hometheater setup along with the centre channel playing the majority of content. If using listening to music without asubwoofer it is advised to use full range front speakers.

Center

The center channel is the most important speaker in a home theater system, as the center channel reproduces almostall of the dialogue and a large portion of the front speaker information. The center channel speaker must be accurate,recommended for use as a center speaker, and mate well with the front speakers. The center channel is not the placeto cut corners.

Surround Left & Right / Back Left & Right

Surround and back speakers reproduce the information that makes sounds wrap around your home theater space.

Subwoofer(s)

With any surround sound system, you will need one or more high-quality subwoofers (the .1 in 5.1- or 7.1.4-channelsurround systems). Most movie soundtracks contain large amounts of bass information as part of the LFE (LowFrequency Effect) track that sends information directly to your subwoofer. Good subwoofers will provide a foundationfor the rest of the system and add “weight” to music.

Height 1 and Height 2

Up to six height speakers (the .2 and .4 in 5.1.2- and 7.1.4-channel surround systems) can be connected to allow 3-dimensional Dolby Atmos and DTS:X surround sound. Height speakers reproduce the information that makes it soundas if planes are flying over your head and other similar effects.

3.2 5.1-CHANNEL SPEAKER POSITIONING

These illustrations show recommended speaker placements for a 5.1 channel system.

5.1.2 Configuration

with one pair in-ceiling height speakers

5.1.2 Configuration

with Dolby enabled front speakers

5.1.4 Configuration

with two pair in-ceiling height speakers

5.1.4 Configuration

with Dolby enabled front and surround speakers

3.3 7.1-CHANNEL SPEAKER POSITIONING

These illustrations show recommended speaker placements for a 7.1 channel system. (not all setups are available onthe 540 due to number of channels available.

7.1.2 Configuration

with one pair in-ceiling height speakers

7.1.2 Configuration

with Dolby enabled front speakers

7.1.4 Configuration

with two pair in-ceiling height speakers

7.1.4 Configuration

with Dolby enabled front and rear speakers

3.4 HEIGHT EFFECTS SPEAKER POSITIONING

These illustrations show recommended speaker placements when using height effects channels.

One pair in-ceiling height speakers (side view)

Two pair in-ceiling height speakers (side view)

4.0 CONNECTIONS

4.1 HDMI VIDEO INPUTS AND OUTPUTS

An HDMI connection carries video and audio together. Connect HDMI output from MRX to a display with HDMI input –one with the appropriate version of High-bandwidth Digital Content Protection (HDCP) is required to display copy-protected material.

Insert HDMI cables gently because the connector is more delicate than traditional ones. Damaged cables can damagejacks, and the warranty does not cover jack replacement. Therefore, replacing HDMI cables is recommended if there isany chance of damage with the existing cable.

Use only certified High-Speed cables and connecting devices. Cables and connecting devices that worked in an oldersetup do not necessarily work with newer video formats such as Deep Color, UHD, or high frame rates. If you are usingadapters or port savers, start troubleshooting by eliminating them since they can affect bandwidth.

4.2 AUDIO CONNECTIONS

HDMI Audio Inputs and Outputs

Digital audio sources can be connected using an HDMI, coaxial, or optical cable. These connections carry linear PCM,and bitstream (Dolby Digital, and DTS audio formats).

An HDMI connection is generally preferred to ensure the use of lossless audio when sources provide it, although youcan also use optical/coax connections for sources outputting 2-channel PCM, Dolby Digital 5.1, and DTS 5.1 withoutaffecting audio quality. HDMI outputs restrict audio to 2-channel PCM since these outputs are intended to connect to atelevision.

HDMI Enhanced Audio Return Channel

If your television provides audio through HDMI eARC (Enhanced Audio Return Channel), for example, when it accessesstreaming media sources, it can send the audio to the MRX/AVM’s HDMI output 1 (eARC), eliminating the need for aseparate audio connection from the television.

If the display reads “Dial Norm Offset -4.0 dB” at the start of a movie, it is indicating that the encoded level is higherthan standard by 4.0 dB. The playback level of all channels is then automatically reduced by 4 dB.

Optical and Coaxial Digital Audio

If HDMI audio from a Dolby Digital, DTS, or 2-channel PCM source is problematic or takes too long to switch, werecommend the use of an optical/coaxial audio connection (you can still use HDMI for video). Older cable and satellitedevices often benefit from this.

The optical output provides a down-mix of Zone 1 content. Anything that is playing in Zone 1 will be downmixed (2.0)and sent out of the optical output at a fixed volume.

RCA Pre-Amp Outputs—Using External Amplifiers

The pre-amp outputs, which are variable according to the main zone volume control, are used to connect externalamplification. The addition of external amplifiers allows you to supplement or replace internal amplification. This set ofconnections includes subwoofer outputs.

With MRX 740, external amplification is necessary to add additional back and height effects channels.

With MRX 540, external amplification is necessary to add back and height effects channels.

Balanced XLR Pre-Amp Outputs (AVM Only) —Using External Amplifiers

Balanced XLR connection offers the highest analog transmission quality, particularly over long cable lengths becauseit rejects noise and hum pickup. These outputs are provided using the conventional pin-2 positive configuration.

With the AVM models, the RCA and XLR outputs have identical signals at the same time (XLR connections are suitablefor longer cables).

RCA and Balanced XLR Pre-Amp Outputs—Connecting Subwoofers

The pre-amplifier outputs include subwoofer outputs. Although subwoofers are considered to be speaker channels,they are generally self-amplified and, thus, connect in the same way you’d connect an external amplifier. Your AVM/MRX features two subwoofer outputs (the AVM 90 features four). Each sub output has its own position delay, level,and Anthem Room Correction filter, however they all receive the same signal which is the LFE + low-pass portions ofsmall speakers on other channels (MRX540 and 740 have paralleled subwoofer outputs). There is also a mode wherefront left and right channels are set to large (full range) and the low-pass of left and right channels is also added tothe subwoofer.

Line Output and Zone 2 Output

The line output is a 2-channel version of the selected input with a fixed output level. Use this output with a headphoneamp or similar device with built-in volume control.

The Zone 2 (all models except 540) output, which has an independent volume control, is used in two ways:

For independent source selection, connect the source using an analog input, optical/ coaxial input or HDMI.Note, for AVM 70/90, external amplification is always necessary when adding Zone 2 speakers.Note, for MRX 740 and MRX 1140, if you are using all available sets of binding posts for the main zone’s speakersystem, external amplification is necessary for Zone 2. Otherwise, some unused channels can be assigned to powerZone 2 which can be found in the Speaker Setup > Amp Matrixing menu and will be explained further in the SpeakerSetup section.

Analog Inputs

There are five RCA line inputs. On AVM models, the fifth analog input is a dedicated phono input suitable for aturntable with a moving-magnet (MM) phono cartridge. When using a turntable, connect the ground wire from theturntable to the screw terminal next to the phono inputs to prevent excessive hum. Note, if you are using a turntablewith a moving-coil (MC) phono cartridge, you will need a separate phono preamp which will connect to the standardanalog inputs because there will not be enough gain on the (MM) input.

• • •

Speaker Connections (MRX Only)

Using speaker wire, connect the positive (+) connection on the speaker to the positive (+) binding post on theappropriate amplifier output, and the negative (–) on the speaker to the negative (–) binding post on the sameamplifier channel using cable that is insulated to handle the maximum output of the amplifier.

When preparing speaker wire, carefully remove insulation using a wire stripper and tightly twist the loose end of thewire. Make sure no loose strands from frayed speaker cables contact another cable or the MRX’s case.

To insert the speaker wire, loosen each binding post by twisting it counterclockwise and insert a wire into the hole thatopens. Close the binding post by turning it clockwise. Do not over-tighten. Check the connection by gently tugging onthe connected cable.

US models allow banana connectors. If using them, before inserting the banana connector, turn the binding postclockwise until it is closed (this allows full insertion of the banana connector). If a banana plug is connected to anoutput that is not fully tightened, it will likely fall out.

Do not connect more than one speaker to each amplifier output. Be sure to turn off the power when connecting ordisconnecting anything. Only use speakers rated for use with this MRX/AVM.

4.3 LOCAL AREA NETWORK

Configuring Anthem Room Correction, streaming or using IP control requires a network connection. To use a wiredconnection, connect your router using CAT cable.

If using a wireless connection, add the two network antennas to the rear panel. The setup section of this manualexplains how to set up a wireless connection. Please note, if mounting the MRX/AVM in a metal rack, we recommend awired network connection, especially if the wireless router is in a different room or if anything else can impact thesignal strength.

Wireless antennas are also required for Bluetooth connection.

If using a firewall for security, ensure that the MRX/AVM is permitted to join the network.

4.4 12 VOLT TRIGGER

If another system component has a trigger input, the MRX/AVM can activate it (as long as it requires 40mA or less).Connect the MRX/AVM’s trigger output using a cable with 3.5mm mini-plugs. The MRX/AVM provides flexible triggeroptions. Through the setup menu, you can specify the conditions for enabling triggers.

4.5 INFRARED

An external IR receiver allows the use of the remote control from another location in your home – connect the MRX/AVM from an external IR hub to the IR IN jack. Most powered IR repeater kits are compatible, but to avoid problems,test compatibility before installing permanently.

4.6 RS-232

The RS-232 connection allows connection to a compatible control system. The control system should be configured touse 115200/8-N-1, no flow control, protocol. The cable connection should be one to one.

4.7 POWER

Insert a power cord into the MRX/AVM’s AC input. Plug the cord into a wall outlet. Ensure that the AC supply matchesthe voltage rating shown on the back of the MRX/AVM. The 230V models support voltages from 220V to 240V. Routeaudio and video cables away from the power cord to reduce potential sources of hum and other interference.

4.8 HEADPHONE JACK (FRONT PANEL)

This socket accepts headphones with an impedance rating between 32Ω and 600Ω, fitted with a 6.35mm stereo jackplug. The headphone socket is always active, except when Receiver is muted. When the headphone jack is inserted,the speaker outputs and analogue preamplifier outputs are muted by default, the preamplifiers can be activated withthe headphones jack in within the Preferences menu.

5.0 SETUP

5.1 SPEAKER SETUP

If a source component, such as a Blu-ray player or media streamer, also offers bass management and time alignment,be sure to disable the source device’s built-in bass management and time alignment. Do this by setting all channels to“large” and setting identical values for distance to the listener (your source doesn’t need to handle these settingssince the MRX/AVM performs these tasks). Performing these processes twice will degrade audio quality.

Speaker Setup

Amp Matrixing

3D Sound

Profile 1 Selection

Profile 2 Selection

Profile 3 Selection

Profile 4 Selection

Amp Matrixing (740/1140)

This option allows you to assign amplifier channels to different channels of information. This is meant to allow you toreplace certain amp channels with external amplification and still be able to use the amplifier channels to power otherspeakers, for example it is common to use an external amplifier to power the Front Left and Front Right speakers ifthey require more power, you can use this menu to assign the amplifier channels originally used for these speakers topower other speakers such as Height or Zone 2. The Centre channel cannot be reassigned because it is a singlechannel while everything else is a pair.

Bi-Amp

This option allows you to use unused channels to apply extra amplification to your front speakers, this should only beused if your front speakers have the connections that allow bi-amping. Bi-amping is useful for separating the high-frequencies on a speaker from the low-frequencies, this is especially useful if there is any audible distortion in thebass section. Note that bi-amping does not “double” the power to the speaker, it applies the same amount to yourspeaker in two different areas.

Zone 2 on Demand

When “Zone 2 on Demand” is ON then Back speakers will be set to Zone 2 when Zone 2 is powered on, when Zone 2is powered off, the Back speakers will revert to their option chosen in the Amp Matrixing menu. When “Zone 2 onDemand” is OFF, the Back speakers will follow the Amp Matrixing selection always.

Amp Matrixing

Front Front, Zone 2, Front Wide, Height 3

Surround Surround, Zone 2, Height 3

Back Back, Zone 2, Zone 2 On Demand, Front Wide, Front (Bi-Amp)

Height 1 Height 1, Zone 2, Front (Bi-Amp)

Height 2 Height 2, Zone 2, Front Wide, Front (Bi-Amp)

(MRX 1140)

3D Sound

MRX 1140, by default, is configured for amplification for 7.1.4 main speakers, MRX 740 for 7.1 main speakers, andMRX 540 for 5.1 main speakers. You can assign height channel information to be sent correctly to the speakers.

Height Speaker Type and Position

Two, four or six speakers may be installed in the ceiling or on the wall near the ceiling and 1 pair of Front Wide. Or,you may place a type of height speaker referred to as Dolby- enabled on top of existing speakers. A Dolby-enabledspeaker works by bouncing height information off the ceiling. Using the room layout diagrams in this manual as aguide, select from the following possibilities to match your height speakers:

Front In-CeilingFront Dolby-enabledFront On-WallFront WideMiddle In-CeilingMiddle Dolby-enabledBack In-CeilingBack Dolby-enabledBack On-Wall

3D Sound

Height 1 Front In-Ceiling

Height 2 Middle In-Ceiling

Height 3 Back In-Ceiling

Four Speaker Profiles

The use of one speaker profile is suitable for most systems. However, the MRX/AVM allows up to four unique profileswith unique speaker selections, bass management, listening position, level calibration, and Anthem Room Correction(ARC) equalization values. Multiple speaker profiles are useful if your listening room varies according to predictablesound-altering characteristics such as screen up versus down, a door open versus closed, or stereo listening for musicvs. home theatre.

Speaker profiles can be set up manually using the MRX/AVM’s front display menu or web user interface. However, it is easier to configure profiles using Anthem’s ARC Genesis software.

Speaker Setup

Profile Name Profile 1

Subwoofer 1

Front On

Front Wide On

Center On

Surround On

Back On

Height 1 On

Height 2 On

Height 3 On

• • • • • • • • •

Profile Name

By using the remote control or the front panel navigation keys and volume knob, each profile can be renamed, up to16 characters long. When finished, press SELECT. However, please note that it is best to set profile names in AnthemRoom Correction because, during file upload, ARC overwrites the name set in the menu.

Subwoofer / Center / Surround / Etcetera

Anthem Room Correction automatically sets these.

For manual setup, if you are using any of these speakers, set each to “On.” Otherwise, set them to “Off.” This step isessential to keep sounds from going missing. Setting unavailable channels to “Off” causes sound (that wouldotherwise have come from those speakers) to reroute to the appropriate available speakers. Front speakers cannot beturned off, these are required for all profiles.

5.2 BASS MANAGEMENT

Subwoofers play two things, LFE (Low-Frequency Effects) channel sound in multichannel soundtracks and bassredirected from speakers that are configured to use a crossover (i.e., there’s a Hz value set in the bass managementmenu instead of being set to “Off”). Some people prefer to play 2-channel music without the use of a subwoofer. Thereason often cited for this is that subwoofers do not blend well with the main speakers. Do not fear! Anthem RoomCorrection excels in integrating subwoofers with the main speakers. When using Anthem Room Correction, we stronglyrecommend using at least one subwoofer to enhance all the speakers. A subwoofer, with a built-in amplifier, playsbass that is louder, deeper, and with less distortion than that of most full-range speakers. (there are some amazingfull range speakers and not that great subwoofers available so this is a general rule of thumb)

In this menu, enter information about your speakers so that bass does not become distorted. The bass manager is acrossover that divides the audio into two frequency bands. The result is less bass going to speakers, and more bassgoing to the subwoofer.

If your subwoofer has a built-in crossover, set it to “bypass” or set its frequency control to the highest frequency sincethe MRX/AVM handles this.

Similarly, if your subwoofer has a phase option, set it to 0 since the MRX/AVM handles this as well. Highlighting BassManagement, then pressing SELECT displays this menu:

Bass Management

Profile 1 Selection

Profile 2 Selection

Profile 3 Selection

Profile 4 Selection

Four configurations may be set up. Each contains the following:

Profile # Selection

LFE Low Pass Filter 120 Hz

Subwoofer 1 Phase Frequency 80 Hz

Subwoofer 1 Phase 0

Subwoofer 1 Polarity Normal

Subwoofer 2 Phase Frequency 80 Hz

Subwoofer 2 Phase 0

Subwoofer 2 Polarity Normal

Subwoofer 3 Phase Frequency 80 Hz

Subwoofer 3 Phase 0

Subwoofer 3 Polarity Normal

Subwoofer 4 Phase Frequency 80 Hz

Subwoofer 4 Phase 0

Subwoofer 4 Polarity Normal

Front Cross Over 80 Hz

Super Sub Fronts No

Front Wide Crossover 80 Hz

Center Crossover 80 Hz

Subwoofer Phase

Subwoofer Phase allows you to add electronic delay to the subwoofer signal going to the specified subwoofer. This canbe useful to help the subwoofer(s) better integrate with the speakers.

Phase Frequency

Phase Frequency allows you to select at which frequency the phase shift is applied. (generally the same frequency asthe crossover)

Subwoofer Polarity

Not to be confused with 180 degrees of phase. Similar to phase, this setting can be used to achieve balance betweenyour speakers and the subwoofer. Inverting the polarity will make your subwoofer’s driver operate opposite to yourspeakers, when your speakers driver’s move out, the subwoofer’s will move in.

Crossover Frequency

The range is 40 to 200 Hz in 10 Hz steps, or “Off” (which prevents bass for that channel from being diverted to asubwoofer). Setting a channel’s crossover to “Off” is not recommended. Note that a crossover does not cutfrequencies off like a cliff, but rolls them off according to a slope. If set to 80 Hz, for example, frequencies lower than80 Hz still play below 80 Hz, but gradually roll-off. Setting the crossover to a number equal to your speaker’s specifiedlow-frequency response value is unlikely to provide the best result. This is set automatically when you run AnthemRoom Correction.

Super Sub Fronts

Full frequency range stereo is fed to the front left and right channels and bass is sent to the subwoofer. In this case

the low frequency information is effectively doubled which may result in unpredictable and colored low frequency

reproduction. This setting is not recommended for accurate sonic reproduction.

5.3 LISTENER POSITION

These settings achieve proper imaging by coordinating the sound from all speaker channels to reach the listening areaat the same time. The channels with the longest distance setting have no delay. The sounds from channels withshorter distance settings have a delay.

Set these values before or after running ARC (ARC does not set distances, and these settings do not affect the roomcorrection process).

Listener Position

Profile 1 Selection

Profile 2 Selection

Profile 3 Selection

Profile 4 Selection

For measurement units, select “feet” or “metres” within the Preferences menu.

These following settings display for each configuration:

Profile 1 Selection

Subwoofer 1 12 Feet

Subwoofer 2 12 Feet

Subwoofer 3 12 Feet

Subwoofer 4 12 Feet

Front Left 12 Feet

Front Right 12 Feet

Front Left Wide 12 Feet

Front Right Wide 12 Feet

Center 12 Feet

Surround Left 12 Feet

Surround Right 12 Feet

Back Left 12 Feet

Back Right 12 Feet

Height 1 Left 12 Feet

Height 1 Right 12 Feet

Height 2 Left 12 Feet

Height 2 Right 12 Feet

Height 3 Left 12 Feet

Height 3 Right 12 Feet

Enter the distance between your primary listening area and each speaker. The range is 0–30 ft in 2 in increments or 0–9 m in 5 cm increments.

5.4 LEVEL CALIBRATION

Anthem Room Correction automatically sets these items during measurement, and you may skip this menu.

Level Calibration uses internally generated test noises to match speaker output levels at the listening position. Thesenoises are also a way of checking system connections between receiver, amplifier, and speaker. We do notrecommend audio calibrations from home theatre setup discs because some use incorrect methods.

If not using ARC, we recommend a sound pressure level (SPL) meter with C-weighting, especially to set the subwooferlevel. Measure the sound pressure from the listening position while pointing the meter up and holding it away fromyour body to prevent reflections. Adjust the level of each speaker until the meter reads 75dB SPL. The volume levelsetting on the MRX/AVM does not matter when using test tones. Level adjustment is limited to plus 12dB to protectspeakers. If your speakers require more than 12dB of adjustment, consider moving your speakers or listening position.

Level Calibration

Profile 1 Selection

Profile 2 Selection

Profile 3 Selection

Profile 4 Selection

These following settings display for each configuration:

Level Calibration

Test Noise Off

Calibration Level 0 dB

Subwoofer 0 dB

Front Left 0 dB

Center 0 dB

Front Right 0 dB

Surround Right 0 dB

Back Right 0 dB

Back Left 0 dB

Surround Left 0 dB

Front In-Ceiling Left 0 dB

Front In-Ceiling Right 0 dB

Back In-Ceiling Left 0 dB

Back In-Ceiling Right 0 dB

Test Noise

To play the test noise, select “On.” Use the up/down buttons to move the sound to the other speakers.

Calibration Level

This setting adjusts the master volume for this menu’s test noises. It changes the output of all channels, but thesound only comes out of the front left channel when adjusting this setting.

Channel Levels (Subwoofer, Front Left, Center, Etcetera)

If you’re calibrating by ear, use the remote control and sit in the listening area. Adjust each channel’s loudness untilall levels sound the same. If using an SPL meter, adjust the level until it reads 75 dB for each channel. If Front Left wasat 0dB when you set Calibration Level, then no adjustment of Front Left is necessary. If using a powered subwoofer,adjust the sub’s built-in level control before setting the subwoofer level in this menu or using ARC. Speakers set to“Off” in the Bass Management menu can not be adjusted. Note that if ARC has been used to set levels and is thenturned off, the subwoofer level should be reduced by the same amount as room gain, or else you’ll hear elevatedsubwoofer output.

Multiple Subwoofers

If using multiple subwoofers, you should balance them with one another before calibrating the rest of your system. Ifusing ARC, use the Quick Measure function to help find a flat response as a preliminary step before running fullmeasurement. If setting up the traditional way, play the subwoofer test noise with only one subwoofer connected at atime. If using two subs, set the subwoofer’s built-in input level so that the SPL meter reads 71 dB from the listeningarea. Target 67 dB if using four subs. Repeat this for the remaining subs, balancing each to the target level. With allsubs connected at the same time, the result should be around 75 dB. Make the final adjustment in the level calibrationmenu.

5.5 INPUT SETUP

In this menu, you configure inputs and listening mode presets. The unit comes programmed from the factory withthirteen inputs (fourteen on AVM), but you may change this to create up to 30 inputs. MRX/AVM uses virtual inputsthat give you complete control of the name of each input you create, along with which video (HDMI) input to use,which audio input (HDMI, digital, analog, bluetooth or streaming) to use, which speaker profile to use, and much more.You can even create multiple inputs for the same source device. For example, a Blu-ray input configured for 7.1.4-channels and another Blu-ray input using the same player configured for 2-channels (and no subwoofer).

Input Setup

HDMI 1

HDMI 2

HDMI 3

HDMI 4

HDMI 5

HDMI 6

HDMI 7

eARC

Streaming

Bluetooth

Optical 1

Coax 1

Analog 1

Insert Input

Delete Input

To add a new input at the end of the list, highlight “Insert Input” and press SELECT.

To delete an input, highlight “Delete Input”, press “SELECT”, highlight the input you want to delete and press“SELECT” again.

The following settings display for each configuration:

Input Setup

Input Name HDMI 1

Video Input HDMI 1

Audio Input HDMI

Convert Analog (AVM) N/A

Speaker Profile Profile 1

Anthem Room Correction N/A

Rumble Filter (AVM) Off

Dolby Audio Post Processing Off

Mode Preset for Mono Sources Last Used

Mode Preset for Stereo Sources Last Used

Mode Preset for Multi-Ch Sources Last Used

Lip Sync 0 ms

Input Trim 0.0 dB

Input Name

Each input can be renamed using the navigation keys and volume knob. Up to sixteen (16) characters are allowed foreach name. When finished, press Select.

Example – Rename “HDMI 1” to “Blu-ray”:

Highlight “Input Name” and press SELECT. The first character is highlighted by a white box.Use the UP/DOWN remote buttons or volume knob to change “H” to “B.”Use the PREV/NEXT buttons or LEFT/RIGHT on remote to move to each remaining character and complete therenaming.Press SELECT to return to the menu.

Video Input

Select the connection to use: HDMI 1–7 or None. Use “None” if you are generating video directly on the TV. Ex. Whenusing a streaming service through an app on your TV and using optical/eARC for audio back to the MRX, use “None”for video.

Audio Input

Select the connection to use: HDMI, HDMI eARC, Coaxial 1–2, Optical 1–3, Analog 1–5, Streaming, Bluetooth, or MM(MM or “Moving Magnet” is only available on AVM).

Zone 2 Input

Select the connection to use: HDMI, HDMI eARC, Coaxial 1–2, Optical 1–3, Analog 1–5, Streaming, Bluetooth, or MM(MM or “Moving Magnet” is only available on AVM)

Convert Analog (AVM Only)

Setting this to “No” bypasses digital conversion and signal processing, and only level adjustments are available. Nodigital processing whatsoever will be used, including Anthem Room Correction. This option may be desirable forlisteners using sources such as turntables.

Speaker Profile

Select the profile to use with this input. This is where you can select previously made speaker profiles for differentsituations such as 7.1.4 vs. 2 channel.

Anthem Room Correction

The ARC measurement process, described later, automatically turns this On. To disable room equalization afterward,change this to “Off.” If room correction isn’t loaded, “N/A” is displayed.

Dolby Audio Post Processing (Main Zone Only)

Select “Music”, "Movie", "Night" or “Off.” Dolby Volume makes content with significant differences in volume easy tolisten to by analyzing it and intelligently adjusting two things—level and frequency response. It does this continuallywithout causing pumping and breathing artifacts that are common with traditional dynamic range compressors. Indoing so, the volume setting is taken into account, as is our hearing’s declining sensitivity to the lowest and highestfrequencies relative to the midrange as their levels drop. The result is that the perceived frequency response remainsconstant while making quieter parts of the content more listenable.

Mode Presets

A listening mode is processing that enhances source material by increasing the number of output channels. Eachavailable mode performs this differently, providing a unique type of sound.

To find your preference, spend some time listening to various modes using various sources. To disable presets andmake selections entirely on the fly, select “Last Used.” To disable listening modes altogether, select “None.”

AnthemLogic-Cinema lets you experience full impact home theater sound from any 2-channel source. This modecreates an extensive, enveloping, and dynamic listening experience, making 2-channel movies sound more like astate-of-the-art movie theatre. Through extensive listening tests, Anthem engineers developed this proprietary modeavoiding the use of echo effects, which could negatively affect the purity of the sound.

AnthemLogic-Music enhances the stereo listening experience without detracting from the stereo soundstage. Thismode is also a minimalist design that uses no echo or reverberation effects. To ensure that the purity of the stereomusic soundstage is not compromised when you’re sitting in the “sweet spot” listening to your favorite stereorecordings, this mode uses no center channel.

• • •

•

Dolby Surround up-mixes all stereo, 5.1, and 7.1-channel content to take full advantageof all speakers in a Dolby Atmos system.

Unlike previous wideband upmixing technologies, Dolby Surround can steer frequency bands individually, producingsurround sound with precisely located audio elements and a spacious ambiance. Dolby Surround replaces the DolbyPro Logic II family of upmixers, offering greater flexibility and superior audio performance.

DTS Neural:X uses all speakers in a DTS:X system for an immersive audio experience, creating separation by placingsounds at different points in the sound field. This mode does not apply to DTS:X Master Audio, DTS:X, Dolby Atmos,Dolby TrueHD, and Dolby Digital Plus sources.

All Channel Stereo mode sends the left and right channels to the surround channels with equal loudness while thecenter channel and subwoofer receive a combination of both.

All Channel Mono sums all channels and distributes an identical signal across all speakers. The only differencebetween each signal speaker will be determined by their crossover setting and therefore how much bass each willplay.

Lip-Sync Delay

If you hear the audio before seeing its corresponding image, you can set up to five hundred (500) milliseconds ofaudio delay. Set this using trial and error or a synchronization test disc. Movies are not always the best test becausesounds, including dialog, are usually re-recorded after the filming is completed, and can be slightly out of sync atvarious points in the recording. While viewing a movie, you can also make adjustments after pressing the Lip-Syncbutton on the remote.

Input Trim

If your inputs have varying degrees of volume causing spikes in volume as you change between inputs, you cannormalize these by setting your input trim per input. This menu offers both + and - options for input trim but werecommend setting your quietest input at 0.0 dB and normalizing your louder ones around that by trimming themdown, this is recommended because one input may be very loud and trying to turn the rest up to match it could clipthe incoming signal.

5.6 PREFERENCES

Here you can set preferences as listed.

Preferences

Language English

Automatic Updates No

Beta Update No

Units Feet

Front Panel Brightness 10%

Wake-up Brightness 60%

On-Screen Info Display 16:9

On-Screen Info Zone Both Zones

Front Panel Displayed Info Volume Only

Master Volume Scale dB

Mute Level Silent

Main Max Volume +10.0 dB

Zone 2 Max Volume +10.0 dB

Main Power-On Volume -35.0 dB

Zone 2 Power-On Volume -35.0 dB

Main Power-On Input Last Used

Zone 2 Power-On Input Last Used

Headphone Mutes Main Outputs Yes

Default Streaming Zone Main

Favor Current Streaming Input Yes

No Signal Power Off 20 Minutes

Standby HDMI Bypass Off

Connected Standby Enabled

CEC Control Off

CEC Power-Off Control Disabled

HDMI Audio to TV Off

Mute Line-Out None

Mute Digital-Out None

Language

Set the language you would like the menu to appear in.

Automatic Updates

When “Yes” is selected, your MRX/AVM will automatically update to the latest firmware when it becomes available. Toupdate firmware manually, you can read about it in the "Store / Load / Save" section of the manual.

Beta Update

When “Yes” is selected, your MRX/AVM will become enrolled in our beta over-the-air receiver update program thatprovides updates to help with testing new software, which will either include bug fixes or new features.

Note that beta updates are not necessarily ready for full release and may introduce new bugs into your MRX/AVM(which can be resolved by reverting to the old software or waiting for the newer version of the beta software) if youare not comfortable with potential bugs, leave this setting at its default position “No”.

Units

Choose between imperial and metric versions of measurement.

Front Panel Brightness

Set the preferred default brightness of the front panel. Note, when set to “Off,” even the lights behind the powerbuttons are turned off. By default the MRX/AVM is set with 10% brightness, in most rooms this is a good setting but ifyour room is quite dark, the back-light may look too bright.

Wake-Up Brightness

After pressing a button, the display can go to a brighter level for five seconds. Note that the minimum setting willchange depending on your selected setting for FRONT PANEL BRIGHTNESS, this is to stop from the possibility ofmaking the screen dimmer when pressing buttons.

On-Screen Info Display

This setting affects the 2 line display that appears on-screen when changing settings such as input or volume. Bydefault it is set to 16:9 which is the aspect ratio of the majority of televisions. 2.4:1 can be used with a wide projectionscreen to keep the 2 line display properly positioned in relation to the screen.

On-Screen Zone Display

This setting affects the 2 line display that appears on-screen when changing settings such as input or volume. Theinformation displayed here will always reflect what is being changed in the Main Zone. By default you can seechanges happening on both the Main Zone and Zone 2 displays but you can limit the information to only be displayedon the Main Zone.

Front Panel Displayed Info

Choose between “Volume Only” and “All” for information to be displayed on the front panel of the unit. “All” willinclude information such as incoming audio and video signals.

Master Volume Scale

By default this is set to “dB” which is common for most modern receivers. dB references the volume trim of theincoming signal where “0.0 dB” is the unaltered signal coming in from a source, while this is the standard it can beconfusing for new users. “%” offers a volume scale of 0-100 which is standard for computers, televisions and mostsources.

Mute Level

By pressing Mute, sound can turn off completely or decrease in volume by the amount that you select. This settingallows mute to decrease the volume while still keeping some in the background. Select from Silent or -5 to -30 dB in 5dB steps.

Maximum Volume

These settings allow you to limit the volume setting to avoid damaging equipment or hearing.

Power-On Volume

This setting controls a volume level to use when first powering the MRX/AVM. To power- on at the last used volume,select “Last Used” by changing the value to less than -90.

Power-On Input

This setting controls which input to use when first powering on the MRX/AVM. Select from one of the available inputsor “Last Used.”

Headphone Mutes Main Outputs

Changing this to “No” allows the speakers to continue playing with headphones plugged into the front panel.

Default Streaming Zone

Choose between the Main Zone and Zone 2. This option will determine where your streaming is automatically sentonce you start streaming to the MRX/AVM.

Favor Current Streaming Input

When set to no, streaming to the unit will force it to switch to the default streaming zone. If set to yes, the stream willfollow whichever zone you are on.

No Signal Power Off

When there is no input signal, the MRX/AVM turns off after the selected time: 5, 10, or 20 minutes, 1, 2, or 6 hours, or“Never.” Default is 20 minutes.

Standby HDMI Bypass

This option allows the use of an HDMI source without turning on the MRX/AVM. Select HDMI 1–7, or “Last Used.” Thestandby LED on the front panel changes to red. Your television may need to be set to allow the sound to come from itsspeakers. Check its manual. After changing CEC settings, or loading factory defaults, it may be necessary to brieflydisconnect and reconnect the HDMI cable between the MRX/AVM and TV or source component for the new settings tobe recognized.

Connected Standby

When disabled, the AVM/MRX goes into a low-consumption standby mode and does not sense IP commands while in it.To make it respond to a power-on command or so it can be used immediately after power on, enable this setting. Thiscan also be used with RS-232 control to avoid sending a wake-up command.

CEC

When enabled, Consumer Electronics Control allows controlling an HDMI-connected component using another brand'sremote control (as long as the other components have CEC enabled). Note that when components are from differentbrands, this control system may not be reliable.

With CEC, turning on one component in the system can turn on the rest of the system, the same as turning onecomponent off. You may or may not want this, which is why we provide separate options for CEC Power Off Controland CEC Power On Control. When either setting is disabled, the MRX/AVM ignores corresponding power commandssent by other HDMI-connected components.

HDMI Audio to TV

This option allows you to divert the audio signal from your MRX/AVM directly to the TV.

Mute Line Out or Digital Out

If using a recording device, select the input to which the recorder’s output is connected. This setting prevents therecorder’s output from being fed back to its input, which can result in a loud noise.

5.7 NETWORK / CONTROL

Network / Control

Network Status IP Address

Device Name XXX###

Wi-Fi MAC

Ethernet MAC

IP Status

Ethernet IP Settings

Wi-Fi IP Settings

Remote Control

Trigger 1 Selection

Trigger 2 Selection

Trigger 3 Selection

Trigger Delay None

Network Status

After the MRX/AVM connects to a local area network, the device’s IP address displays here.

Device Name

This option sets the name that the MRX/AVM broadcasts, and can be changed using up to 16 characters.

Wi-Fi / Ethernet MAC Address

This displays the two MAC addresses that belong to your MRX/AVM, one if you are using wireless control and anotherfor an Ethernet connection. MAC addresses are used for identifying your MRX/AVM on your network and cannot bechanged.

IP Configuration

Settings in this submenu should only be changed if your network administrator gives the direction.

IP Configuration

Mode Auto (DHCP)

IP 192.168.000.001

Subnet Mask 255.255.255.000

Gateway 000.000.000.000

Mode

Static IP settings take effect once this setting changes to “Manual.”

Remote Control

This menu offers more advanced control settings.

IP Configuration

TCP Port 14999

Rear IR On

Front IR On

Tx Status IP Only

TCP Port

Change this only if there is a conflict with another application that uses 14999. Available settings are 1025 to 49150.TCP Port is required for Anthem Room Correction.

Rear and Front IR

This setting allows you to disable each of the MRX/AVM’s infrared inputs, which can be useful when the MRX/AVM isconnected to an IR repeater and is receiving too many signals.

Note that after you disable the front and rear IR inputs, you can no longer control the MRX/AVM with the remotecontrol. You can re-enable the IR inputs using the front panel buttons. If your remote control is not working and youhave already checked the batteries, check these settings next before contacting technical support.

TX Status

Choose whether all commands, status changes, and control information report through the Ethernet and RS-232connections or Ethernet only.

Trigger

When connected to the trigger input of another component, such as an amplifier or projector, the MRX/AVM’s triggeroutput can turn the connected device on or off according to the trigger’s setup.

MRX 540

Trigger Selection

Trigger Control Menu

Power Main or Zone 2

HDMI 1 Off

HDMI 2 Off

HDMI 3 Off

In the example shown, the trigger activates while Main or Zone 2 power is turned on. Trigger outputs can also be setto activate according to any combination of inputs instead of Power.

If controlling triggers through IP or RS-232, change “Menu” to “RS-232/IP.”

Trigger Delay

Choose whether your trigger is delayed or not. This can be useful if there is a “pop” when something turns on toosoon after the MRX/AVM.

5.8 STORE / LOAD / UPDATE

Store / Load / Update

Check for Update

Store User Settings

Store Installer Settings

Load User Settings

Load Installer Settings

Reset on-the-fly Settings

Reset Network Settings

Load Factory Defaults

Check For Update

This option requires an internet connection. When you select this option, it will scan for a software update and promptto update if one is found. If you have "Automatic Updates" enabled in the preferences menu, you will not have tocheck for updates manually.

To update unit by USB, you must contact technical support.

Store/Load User Settings

Selecting Save User Settings and confirming saves all menu settings. If you change settings later and want to recallthe saved settings, select Load User Settings, and press SELECT.

Store/Load Installer Settings

This offers the same functionality as the SAVE/LOAD user settings but offers you a second option for an installer tosave their settings when they leave. This can be useful if user settings are modified to a point where there are issues,so they can revert back to the settings where the installer last left them.

Reset On-The-Fly Settings

Selecting and confirming this option resets all non-menu settings such as level and bass/treble.

Load Factory Defaults

Selecting and confirming this option resets all menu settings to the factory defaults. This option does not resetnetwork settings.

Reset Network Settings

Selecting and confirming this option resets all network settings.

System Reset

This process is not available using the on-screen menu. To manually reset the MRX/AVM to factory condition: connectpower, and press the front panel Menu and Main Power buttons at the same time. The unit should turn on. Thisprocess is useful if the MRX/AVM has become inoperable. However, the method described above wipes all usersettings. Before doing this, try manually rebooting the MRX/AVM first:

Disconnect the power cord.Press the front panel power button five times to drain any residual power.Reconnect the power cord.Power on the MRX/AVM.

• • • •

5.9 SYSTEM INFO

System Info

Release Version 1.0.0

Release Build Date Jan 1 2021

Networking Module Version 0.01

MCU Version 0.01/0.01

DSP Version 0.01

DTS Version IMAX Version

OSD Version 0.01/0.01

LCD Version 0.01/0.01

ARC Name

ARC Date

Serial Number

ARC Name

This item shows the name that you gave to your ARC measurement file.

ARC Upload Time

This item shows the date and time that your ARC file was uploaded.

6.0 ANTHEM ROOM CORRECTION

6.1 ANTHEM ROOM CORRECTION (ARC®)

Please visit AnthemARC.com for detailed information about using Anthem Room Correction.

The most significant detriment to the sound of an audio system is almost always the room it resides within—especiallytrue in the realm of bass. Even in a professionally treated sound room, bass can quickly become boomy or anemic.Anthem Room Correction helps audio systems sound their best in any space. ARC offers a robust suite of tools to tameyour wild sonic frontier—whether you have a tricked-out home theater, a traditional living room with carpet and thickdrapes, or a modern floor plan with large open spaces and acoustically reflective furniture and windows.

Have you ever tested the acoustics in an empty room by whistling or clapping? It brings to mind how sound is affectedby a room’s size, structure, and contents. Even when using optimally positioned speakers of exceptional quality, theroom negatively impacts sound quality considerably. Surfaces such as windows and furnishings and the geometry ofthe walls, floor, and ceiling add unwanted resonance and coloration, making the bass either boomy or less punchy,voices less natural, and dialogue less intelligible. The effect on frequency response is typically ±6 dB in the midrangeand ±10 dB at low frequencies.

To compensate for this and to optimize the in-room response of your speakers, Anthem Room Correction measures theoutput of each speaker relative to the listening area then, through a series of calculations, adjusts its output. Not onlydoes ARC correct peaks and dips in a speaker’s frequency response, but it also preserves the beneficial acousticattributes of a room—attributes based on proven psychoacoustic science (the study of how humans hear andexperience sound).

In the sample curves provided here, the red curves represent the in-room response before correction, as an averagefrom five measurement positions. In contrast, the green ones show a response with equalization applied. The blackcurve represents the target response. In this case, a subwoofer and bass management are also in use.

The default correction range, as shown below, is 5,000 Hz. This range can be changed to a higher or lower frequencyif desired, although raising it is not recommended. At higher frequencies, the microphone becomes directional, thusaffecting measurement accuracy. Note the rise in the measured and corrected response below 200 Hz. This rise showsthe amount of room gain. ARC preserves the natural room gain of the room or allows you to adjust the amount ofroom gain if you wish.

The subwoofer graph may imply that the subwoofer plays up to the highest frequency shown, but what it playsdepends on what the other channels send to it as determined by their crossover setting. The subwoofer graph showsthe available correction range, which is not necessarily the range that other channels send to it through bassmanagement.

6.2 USING ARC WITH AN MRX/AVM

In addition to correcting the acoustic response of subs and speakers, ARC also:

Adjusts the left/right balance of the speakers.Sets the crossover point between the speakers and subwoofer (do not manually change this after running ARC).Adjusts the subwoofer’s level relative to the speakers.Adjusts the subwoofer’s phase/polarity relative to the speakers.

Before using Anthem Room Correction:

Enable subwoofers (if applicable).Measure and set distance (can be down afterwards as well)

To use Anthem Room Correction:

Download and install the program from AnthemARC.com (the beta version is required for x40 MRX/AVM units)Start the program and select Launch ARC from the first screen.Select the MRX or AVM from the device discovery screen.Follow the on-screen instructions to measure the room, calculate correction curves, and upload them to the MRX orAVM.

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7.0 OPERATION

7.1 POWER ON / OFF AND VOLUME

Main and Zone 2 have separate power controls. During power-on and power-off, MRX/AVM produces a mechanical click(this is normal). Volume comes on according to the menu “Main Power On Volume”/ “Zone 2 Power On Volume”settings.

Remote

To control volume, rotate the front panel knob or press VOL up/down on the remote control. To mute or un-mute theaudio, press MUTE on the front panel or remote.

Front Panel Remote

7.2 ZONE 2 OPERATION

To operate Zone 2 using the remote control, use these buttons:

7.3 INPUT SELECTION

The number of active inputs varies according to how the Input Setup menu was programmed. To scroll through theactive inputs, press PREV/INPUT or NEXT/INPUT on the front panel or press the right/left buttons on the remote, and tomake a selection press SELECT.

Front Panel Remote

Alternatively, press the INPUT button for an on-screen list of inputs. Use the left/right or prev/next and SELECT buttonsto change the input.

To select the next input in Zone 2, press the INPUT button (after pressing the ZONE button if using the front panel).

7.4 LEVEL TRIM

If a channel group, for example, the surrounds or the subwoofer, occasionally sounds too loud or soft, adjust its levelon the fly—press LEVEL on the remote to cycle through the groups then up/down to adjust. Note, LFE is a separateadjustment from the subwoofer. LFE can be used to reduce the level of LFE effects on multichannel recordings withoutaffecting the bass redirected from other speaker channels. The subwoofer adjustment changes both the redirectedbass and LFE levels. Also keep in mind that ARC will balance all channels to be equal and you should wait to adjust on-the-fly settings until after running ARC.

Do not use these controls, intended for on-the-fly adjustments, for system calibration. System calibration should becompleted using Anthem Room Correction or the setup menu.

7.5 BASS / TREBLE / BALANCE

To change the tone of your system, press BASS or TREBLE on the remote control then the up/down buttons. Note thatBASS does not affect the subwoofer output, which is handled by the Level adjustment.

To change balance, press BAL on the remote. Then, press up to move the image to the right or down to move theimage to the left.

7.6 LIP-SYNC

If the audio is not synchronized with the video, press LIP-SYNC then up/down to add as much as 500 milliseconds ofdelay. Adjusting the lip-sync permanently changes the lip-sync setting of the current input.

7.7 LISTENING MODES

Refer to the Input Setup section for a description of listening modes. Once the MRX/ AVM’s display shows the inputformat, the listening mode preset is applied. If you wish, you can make a different selection after pressing the MODEbutton.

At times it might appear that the MRX/AVM is detecting a sound format different from the one that you would like tobe playing. Note that the source is in control and that the connection to the MRX/AVM carries one format at a time. Toensure audio sent to the MRX/AVM is in its original format:

In the source’s setup menu, set digital audio output to Bitstream mode for all Dolby Digital and DTS formats. If the source is a Blu-ray player, also ensure that Secondary Audio is disabled. If the source material is on Blu-ray or DVD, you may want to select an audio track other than the disc’s default.There are two ways to do this: through the audio or language setup in the disc’s menu, or during the movie bypressing AUDIO on the player’s remote control.

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7.8 DOLBY AUDIO POST PROCESSING AND DYNAMIC RANGE CONTROL

Refer to the Input Setup section for a description of Dolby Audio Post Processing. To change on/off status, press DYNon the remote control and then the up/down buttons.

When Dolby Audio Post Processing is off, and you press the DYN button a second time, alternate dynamic rangesettings become available. This setting allows you to control the difference between the softest and loudest passageson soundtracks that contain dynamic scaling cues.

7.9 DTS:X DIALOG LEVEL CONTROL

This control applies only to DTS:X sources making use of the function. To raise or lower the level of the dialogue (actorvoices), use the PG/PR up/down buttons on the remote. The range is 0–6 dB, default 3 dB.

Note that not all soundtracks are recorded with a separate dialogue track and therefore won’t be able to use thisfeature.

7.10 DISPLAY BRIGHTNESS

To change the brightness of the front panel display and LED indicators, press DIM then up/down to move between 1%and 100%.

7.11 INFO DISPLAY

Pressing the info button toggles between "Volume" and "All Info" on your MRX/AVM display.

7.12 AIRPLAY SETUP

Wired Connection

Connect an ethernet cable to the Receiver/Processor.

To listen to audio via AirPlay on your Receiver/Processor, ensure your Apple device is connected to the same networkas the Receiver/Processor and simply select the Receiver/Processor as the AirPlay audio playback device.

Note: The Receiver/Processor will appear as MRX/AVM in the AirPlay speaker menu.

Wireless Connection

Ensure your Apple device is connected to the wireless network you wish to connect the Receiver/Processor to.

1. Enter the Wi-Fi Settings Menu.2. Locate MRX/AVM under “Set up new AirPlay speaker.”3. Select the unit you wish to connect and allow it to connect to your network.

Note: The Receiver/Processor will appear as MRX/AVM in the AirPlay speaker menu.

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7.13 CHROMECAST SETUP

Wired Connection

Connect an ethernet cable to the Receiver/Processor.

Wired & Wireless Connection

Download and open the Google Home app.

You should be prompted that there is a device available for setup. If not, simply tap “Add” followed by “Setup aDevice.” Select the Receiver/Processor and follow the instructions on screen.

To listen to cast audio from any supported application on your Receiver/Processor, ensure your device is connectedto the same network as the Receiver/Processor.

Tap the Chromecast built-in icon from within the application and select the Receiver/Processor as the playbackdevice.

Bluetooth Setup

Bluetooth connection requires both wireless antennas to be attached. Once the antennas are attached, you must beon the Bluetooth input for the MRX/AVM to enter Bluetooth pairing mode. Note that when you switch off of theBluetooth input or change inputs, the MRX will lose the pairing. The unpairing happens because Bluetooth wasdesigned for individual speakers and if it automatically reconnects to the receiver, it can switch your input and playunwanted audio from something like background audio on a website that may be too loud.

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7.14 SPOTIFY CONNECT

Use your phone, tablet or computer as a remote control for Spotify. Go to spotify.com/connect to learn how.

LIMITED WARRANTY

CANADA & USA

The warranty period on new Anthem products is:

5 years: Separate power amplifiers and integrated amplifiers 3 years: Audio/Video preamplifiers and receivers

Please register your product at www.anthemAV.com

The warranty period begins on the date of purchase from Anthem or an Authorized Anthem Dealer. This warranty isoffered only to the original owner and is not transferable. Demonstration and display units are covered by the samewarranty except that the period commences on the date of dealer invoice, not the purchaser’s invoice, and cosmeticflaws are excluded.

If Anthem determines that the product has a defect in materials or manufacturing during the warranty period Anthemwill at its option repair, replace or provide the necessary replacement parts without charging for parts or labor.Repaired or replaced equipment or parts supplied under this warranty are covered by the unexpired portion of thewarranty.

Warranty is void if the serial number has been removed, altered or defaced, if the product has been operated,installed or handled other than in accordance with the intended application, tampered with, modified, or damaged byaccident, while in transport or by failure of electric power, or has been repaired by a non-authorized party. Anthemshall have no obligation to correct any defect that is not reproducible by Anthem. If inspection by Anthem disclosesthat the repair required is not covered by this warranty, regular repair charges shall apply.

If a problem is discovered in your Anthem product, please contact the Authorized Anthem Dealer from whom youpurchased the product. Your dealer will help to determine the cause of the problem and arrange for the appropriateaction. Alternatively, follow the procedure below for factory service.

A Return Authorization (RA) number must be obtained from Anthem Technical Supportbefore a product can be shipped to Anthem for any reason. Product shipped to Anthem without its RA Number clearlyvisible on the outside of the shipping carton will be refused and returned to the sender, freight collect. Productshipped to Anthem must have shipping and insurance prepaid by the sender, be packaged in the original carton andpacking material and accompanied by a written description of the defect. Service will not be given under warrantywithout an accompanying copy of the sales invoice. Product repaired under warranty will be returned with shippingand insurance prepaid by Anthem (within Canada and continental USA only).

DISCLAIMER OF LIABILITYUnder no circumstances shall Anthem, its agents, representatives or employees assume liability or responsibility forinjury or damages sustained in the use or operation of Anthem products or for damages to connected products. Somejurisdictions do not allow limitations of incidental or consequential damages so this exclusion may not apply to you.

Anthem reserves the right to make design changes without obligation to revise prior versions. All specifications aresubject to change without notice.

This warranty shall be the sole and exclusive remedy to you. No other warranty or condition, statutory or otherwise,expressed or implied, shall be imposed upon Anthem nor shall any representation made by any person, including arepresentative or agent of Anthem, be effective to extend the warranty coverage provided herein.

On the expiration of the warranty all liability of Anthem in connection with the product shall terminate.

INTERNATIONAL

Terms and conditions are set and maintained by the Authorized Anthem Distributor, not Anthem.

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