painting part 2 colour ways of seeing. means and methods of colour: cold-warm slide 1cold-warm slide...
TRANSCRIPT
PAINTING PART 2
COLOUR
WAYS OF SEEING
Means and methods of colour:
Cold-Warm slide 1 slide 2Advancing/Receding
Naturalistic/Non-naturalistic slide 1 slide 2The creation of mood and atmosphere
Brush strokes and marks
Means and methods of colour: Cold-Warm
PABLO PICASSO CAMILLE PISSARRO CLAUDE MONET
PATRICK HERON GEORGIA O’KEEFEDAVID HOCKNEY
Means and methods of colour: Cold-Warm
IAN MCKEEVER VINCENT VAN GOGH TRACEY EMIN
EDOUARD MANET NANCY SPEROPIERRE-AUGUSTE RENOIR
Means and methods of colour: Advancing/Receding
PAUL CEZANNE
RAPHAELEGON SCHIELE
PAUL NASH
SALVADOR DALI
• Muted• Darker colours in foreground, softer and brighter
colours in background• Colours recede towards background• Tree advances owing to warmer and brighter colours• Palette is limited to ranges of purple hues• Colours used in patches, almost pattern-like• Patches of bright light in foreground advance• Colours applied in horizontal bands to contrast with thin
verticals of trees• Trees provide a connection between foreground and
background though colour use• Complementary colours of yellow values in sky and
purple values in land, also orange of tree leaves and purple of land
• Earthy colours• Non-representational, but not overly exaggerated, still
organic
EGON SCHIELE
LANDSCAPE WITH TREES
Means and methods of colour: Naturalistic/Non-naturalistic
VINCENT VAN GOGH
INGRES JENNY SAVILLEHENRI MATISSE VERMEER
JOHN CONSTABLE
Means and methods of colour: Naturalistic/Non-naturalistic
YVES KLEIN
REMBRANDT EDWARD HOPPERERNST KIRCHNER
WASSILY KANDINSKYWALTER SICKERT
Means and methods of colour: Mood and Atmosphere
TURNERMARK ROTHKO
JOHN SINGER SARGENT PETER DOIG
Means and methods of colour: brush strokes and marks
LUCIAN FREUD ANDRE DERAINALBERTO GIACOMETTI
GEORGES BRAQUE PABLO PICASSOVINCENT VAN GOGH