panl 2008 #17
DESCRIPTION
panl 2008 #17TRANSCRIPT
2008
#17
2008 #17
17#002 003
17#002 003
IndexALLmembers
credits sponsors
stickerscoLophon Ads
ALLentries
INDEX
the Judges
the nominees
Letsmeet
richArdhutten
ceesdAm
docu-mentAry& Life
interior & exterior
LifestyLe & fAshion
INDEX
peopLe &portrAits
stiLLLife
student work
p 006-007 p 225-241
p 106-163 p 253
p 010-026 p 248-249
p 008-009 p 242-246
p 164-187 p 254
p 028-070 p 074-105 p 250-251 p 252
p 072-073 p 247
p 188-224
004 005
IndexALLmembers
credits sponsors
stickerscoLophon Ads
ALLentries
INDEX
the Judges
the nominees
Letsmeet
richArdhutten
ceesdAm
docu-mentAry& Life
interior & exterior
LifestyLe & fAshion
INDEX
peopLe &portrAits
stiLLLife
student work
p 006-007 p 225-241
p 106-163 p 253
p 010-026 p 248-249
p 008-009 p 242-246
p 164-187 p 254
p 028-070 p 074-105 p 250-251 p 252
p 072-073 p 247
p 188-224
004 005
Lets meet
This book will give you an unique insight of the status quo of Dutch photography. The winners in our yearly PANL Dutch Photography Annual, frames the best of breed amongst our members. Not every one will agree with the choices but that keeps the judging and our organisation healthy and sharp.
Our members are without doubt some of the best photographers in the Netherlands. They are active in three fields; editorial, fashion and advertising. They are broad based, ranging from senior members to students and beginners. Our activities celebrate proven talent as well as focusing to stimulate raw talent.
PANL has never been more alive and kicking. This year (2008) we have, to date, a 33% growth in membership. Submissions for these PANL SONY Awards 2007 were also up 33%, bringing the total of photos to be judged to a staggering 1000. Second only to our best year ever. Interest in many of our acti vities has exceed-ed our most optimistic expectations. To top all this we have found an enthusiastic Main Sponsor in SONY to help us, along with our present sponsors, build the PANL SONY Awards into some-thing really memorable for our members and the photographic community in general. In short, PANL is healthy and is looking confidently to the future.
Times change as do techniques. For the first time all submis sions for the PANL SONY Awards were sent in digitally for the initial first round. Saving members time and the hassle of print-ing and framing their work and the jury of wading through 1000 physical photos. The all important second round of judging, however, was done with prints. Bringing the full force of the work to life.
Creativity remains the force behind all Photographers. Their hunger and constant drive to find the perfect picture results in many hours producing non commissioned work. This year the non commissioned submissions have been on a par with commis-sioned work. This proves that the work in this book show cases the broadest output from our members.
For years we have been proud of our annual. The work we show has been consistently found to be inspiring. That must never change. This year we have added an extra criteria to our briefing. It should also be aimed at a wider more international audience. Just as Dutch Design has made waves in the international market so should the output of Dutch Photography.
We, the PANL Board, wish you an enjoyable and stimulating read.
Eugene Bay, Chairman PANL
17th pAnL sony AwArds
The PANL Board The PANL BoardINTroDucTIoNINTroDucTIoN
007006
Lets meet
This book will give you an unique insight of the status quo of Dutch photography. The winners in our yearly PANL Dutch Photography Annual, frames the best of breed amongst our members. Not every one will agree with the choices but that keeps the judging and our organisation healthy and sharp.
Our members are without doubt some of the best photographers in the Netherlands. They are active in three fields; editorial, fashion and advertising. They are broad based, ranging from senior members to students and beginners. Our activities celebrate proven talent as well as focusing to stimulate raw talent.
PANL has never been more alive and kicking. This year (2008) we have, to date, a 33% growth in membership. Submissions for these PANL SONY Awards 2007 were also up 33%, bringing the total of photos to be judged to a staggering 1000. Second only to our best year ever. Interest in many of our acti vities has exceed-ed our most optimistic expectations. To top all this we have found an enthusiastic Main Sponsor in SONY to help us, along with our present sponsors, build the PANL SONY Awards into some-thing really memorable for our members and the photographic community in general. In short, PANL is healthy and is looking confidently to the future.
Times change as do techniques. For the first time all submis sions for the PANL SONY Awards were sent in digitally for the initial first round. Saving members time and the hassle of print-ing and framing their work and the jury of wading through 1000 physical photos. The all important second round of judging, however, was done with prints. Bringing the full force of the work to life.
Creativity remains the force behind all Photographers. Their hunger and constant drive to find the perfect picture results in many hours producing non commissioned work. This year the non commissioned submissions have been on a par with commis-sioned work. This proves that the work in this book show cases the broadest output from our members.
For years we have been proud of our annual. The work we show has been consistently found to be inspiring. That must never change. This year we have added an extra criteria to our briefing. It should also be aimed at a wider more international audience. Just as Dutch Design has made waves in the international market so should the output of Dutch Photography.
We, the PANL Board, wish you an enjoyable and stimulating read.
Eugene Bay, Chairman PANL
17th pAnL sony AwArds
The PANL Board The PANL BoardINTroDucTIoNINTroDucTIoN
007006
' photogrAphy cArries my obJects into the worLd without me being AbLe to infLuence it.'
I am a brand. Clients come to me, because I am Richard Hutten. Not because they are looking for a specific item. They want something by me, something that carries my name. Of course this allows me a tremendous amount of freedom to make the work I make.
My brand stands for simplic-
ity, logic and directness with
my own interpretation of these
qualities. I see myself as an au-
thor designer. It is because of
the iconographic nature of my
objects that they preserve their
quality in photography.
I am a brandThis is what you can see in my
product book, where the two
different worlds in which my
objects are presented are shown
consecutively. Above, how the
fashion and interior magazines
world want it: the object on a
white background without any
context. And beneath that my
world – the way I see and feel it:
documentary instead of staged
product photography. The doc-
umentary form visualises the
story behind the object.
You see the object in different
environments, in situations in
life –where and how people
live and how they use the ob-
ject; and so placed in context.
For instance take a look at the
picture of a dog using my dom-
bo mug as a bone. Who would
make that up!
The photographs show that the
product leads a life of its own,
despite me and my intentions.
For my graduation project I
designed the table chair and
despite the limited production
of just 50 pieces, photography
made it world-famous. Only a
small number of people have
seen the physical object, but
the image travelling all over the
world made people discuss it.
The dombo with a production of
100.000 has a similar impact. It
is not about production num-
bers but how an image of my
objects is formed. The story of
my objects creates an effect.
Sometimes a design escapes
you to lead a life of its own
VIsIoN VIsIoNRichard Hutten Richard HuttenPhoto by Vincent Boon Photo by Vincent Boon
008 009
' photogrAphy cArries my obJects into the worLd without me being AbLe to infLuence it.'
I am a brand. Clients come to me, because I am Richard Hutten. Not because they are looking for a specific item. They want something by me, something that carries my name. Of course this allows me a tremendous amount of freedom to make the work I make.
My brand stands for simplic-
ity, logic and directness with
my own interpretation of these
qualities. I see myself as an au-
thor designer. It is because of
the iconographic nature of my
objects that they preserve their
quality in photography.
I am a brandThis is what you can see in my
product book, where the two
different worlds in which my
objects are presented are shown
consecutively. Above, how the
fashion and interior magazines
world want it: the object on a
white background without any
context. And beneath that my
world – the way I see and feel it:
documentary instead of staged
product photography. The doc-
umentary form visualises the
story behind the object.
You see the object in different
environments, in situations in
life –where and how people
live and how they use the ob-
ject; and so placed in context.
For instance take a look at the
picture of a dog using my dom-
bo mug as a bone. Who would
make that up!
The photographs show that the
product leads a life of its own,
despite me and my intentions.
For my graduation project I
designed the table chair and
despite the limited production
of just 50 pieces, photography
made it world-famous. Only a
small number of people have
seen the physical object, but
the image travelling all over the
world made people discuss it.
The dombo with a production of
100.000 has a similar impact. It
is not about production num-
bers but how an image of my
objects is formed. The story of
my objects creates an effect.
Sometimes a design escapes
you to lead a life of its own
VIsIoN VIsIoNRichard Hutten Richard HuttenPhoto by Vincent Boon Photo by Vincent Boon
008 009
PeoPle &
PortraIts
InterIor
stIll lIfe
documentary
& lIfe InterIor
& exterIor
student work011010
PeoPle &
PortraIts
InterIor
stIll lIfe
documentary
& lIfe InterIor
& exterIor
student work011010
commIssIoNEDMerit
robbert Jan de witte
page 16
commIssIoNEDMerit
robbert Jan de witte
page 17
commIssIoNEDNomination + Best of members
Jeroen hofman
page 18-19
NoN commIssIoNEDMerit
martijn de Vries
page 22-23
NoN commIssIoNEDBest of members
maurice heesen
page 20-21
NoN commIssIoNEDNomination
Lucia ganieva
page 24-26
documentary & life documentary & lifeThe Winners The WinnersoVErVIEw oVErVIEw
013012
commIssIoNEDMerit
robbert Jan de witte
page 16
commIssIoNEDMerit
robbert Jan de witte
page 17
commIssIoNEDNomination + Best of members
Jeroen hofman
page 18-19
NoN commIssIoNEDMerit
martijn de Vries
page 22-23
NoN commIssIoNEDBest of members
maurice heesen
page 20-21
NoN commIssIoNEDNomination
Lucia ganieva
page 24-26
documentary & life documentary & lifeThe Winners The WinnersoVErVIEw oVErVIEw
013012
014 015
oVErVIEw documentary & life All Winners documentary & life All WinnersoVErVIEw
014 015
oVErVIEw documentary & life All Winners documentary & life All WinnersoVErVIEw
017016
Robbert Jan de Witte Robbert Jan de Wittedocumentary & life documentary & lifemerit merit
017016
Robbert Jan de Witte Robbert Jan de Wittedocumentary & life documentary & lifemerit merit
018 019
Jeroen Hofmandocumentary & life Nomination + Best of members
018 019
Jeroen Hofmandocumentary & life Nomination + Best of members
020 021
Maurice Heesen documentary & life Best of members
020 021
Maurice Heesen documentary & life Best of members
Martijn de Vriesdocumentary & life merit
Martijn de Vriesdocumentary & life merit
Lucia Ganievadocumentary & life Nomination Luica Ganievadocumentary & life Nomination
024 025
Lucia Ganievadocumentary & life Nomination Luica Ganievadocumentary & life Nomination
024 025
026
Lucia Ganievadocumentary & life Nomination Proloque PANl boArd People & Portraits richard Hutten
026
Lucia Ganievadocumentary & life Nomination Proloque PANl boArd People & Portraits richard Hutten
PeoPle &
PortraIts
InterIor
& exterIor
documenta029028
PeoPle &
PortraIts
InterIor
& exterIor
documenta029028
Interior & exterior The WinnersoVErVIEw
commIssIoNEDNomination
Jansje klazinga
page 34-35
commIssIoNEDNomination
Jaap Vliegenthart
page 36-37
commIssIoNEDBest of members
Jimmy nelson
page 42-43
oVErVIEw Interior & exterior The Winners
NoN commIssIoNEDSilver
renée Zindler
page 44-47
NoN commIssIoNEDSilver
Joris ten bosch
page 48-53
NoN commIssIoNEDMerit
erik van gurp
page 54-57
NoN commIssIoNEDNomination
merel Zwart
page 58-61
NoN commIssIoNEDNomination
marco van middelkoop
page 62-65
NoN commIssIoNEDNomination
marco van middelkoop
page 66-67
NoN commIssIoNEDBest of members
ebo fraterman
page 68-70
031030
Interior & exterior The WinnersoVErVIEw
commIssIoNEDNomination
Jansje klazinga
page 34-35
commIssIoNEDNomination
Jaap Vliegenthart
page 36-37
commIssIoNEDBest of members
Jimmy nelson
page 42-43
oVErVIEw Interior & exterior The Winners
NoN commIssIoNEDSilver
renée Zindler
page 44-47
NoN commIssIoNEDSilver
Joris ten bosch
page 48-53
NoN commIssIoNEDMerit
erik van gurp
page 54-57
NoN commIssIoNEDNomination
merel Zwart
page 58-61
NoN commIssIoNEDNomination
marco van middelkoop
page 62-65
NoN commIssIoNEDNomination
marco van middelkoop
page 66-67
NoN commIssIoNEDBest of members
ebo fraterman
page 68-70
031030
033032
oVErVIEw Interior & exterior Interior & exterioroVErVIEwAll Winners All Winners
033032
oVErVIEw Interior & exterior Interior & exterioroVErVIEwAll Winners All Winners
035034
Jansje Klazinga NominationInterior & exterior
035034
Jansje Klazinga NominationInterior & exterior
036 037
Jaap Vliegenthart NominationInterior & exterior
036 037
Jaap Vliegenthart NominationInterior & exterior
pAnL is urbAn
038 039
Jaap VliegenthartcLIENT NBc
pAnL is urbAn
038 039
Jaap VliegenthartcLIENT NBc
040 041
Jaap Vliegenthart Jaap VliegenthartQuoTE QuoTE
' the technIque Is always secondary to the Idea, It's a questIon of what you show to the PeoPle.'
040 041
Jaap Vliegenthart Jaap VliegenthartQuoTE QuoTE
' the technIque Is always secondary to the Idea, It's a questIon of what you show to the PeoPle.'
042
Jimmy Nelson Best of membersInterior & exterior
043
042
Jimmy Nelson Best of membersInterior & exterior
043
Renée Zindler silverInterior & exterior Renée Zindler silverInterior & exterior
044 045
Renée Zindler silverInterior & exterior Renée Zindler silverInterior & exterior
044 045
Renée Zindler silverInterior & exterior Renée Zindler silverInterior & exterior
046 047047046
Renée Zindler silverInterior & exterior Renée Zindler silverInterior & exterior
046 047047046
048 049
Joris Ten Bosch Joris Ten Boschsilver silverInterior & exterior Interior & exterior
048 049
Joris Ten Bosch Joris Ten Boschsilver silverInterior & exterior Interior & exterior
050 051
Joris Ten Bosch silverInterior & exterior
050 051
Joris Ten Bosch silverInterior & exterior
Joris Ten Bosch silverInterior & exterior
052 053053
Joris Ten Bosch silverInterior & exterior
Joris Ten Bosch silverInterior & exterior
052 053053
Joris Ten Bosch silverInterior & exterior
054 055
Erik van Gurp meritInterior & exterior Erik van Gurp meritInterior & exterior
054 055
Erik van Gurp meritInterior & exterior Erik van Gurp meritInterior & exterior
056 057
Erik van Gurp meritInterior & exterior Erik van Gurp meritInterior & exterior
056 057
Erik van Gurp meritInterior & exterior Erik van Gurp meritInterior & exterior
058 059
Merel Zwart Merel ZwartNomination NominationInterior & exterior Interior & exterior
058 059
Merel Zwart Merel ZwartNomination NominationInterior & exterior Interior & exterior
060 061
Merel Zwart NominationInterior & exterior
060 061
Merel Zwart NominationInterior & exterior
062 063
Marco van Middelkoop NominationInterior & exterior Marco van Middelkoop NominationInterior & exterior
062 063
Marco van Middelkoop NominationInterior & exterior Marco van Middelkoop NominationInterior & exterior
064 065
Marco van Middelkoop NominationInterior & exterior
064 065
Marco van Middelkoop NominationInterior & exterior
066 067
Marco van Middelkoop NominationInterior & exterior
066 067
Marco van Middelkoop NominationInterior & exterior
068 069
Ebo Fraterman Best of membersInterior & exterior Ebo Fraterman Best of membersInterior & exterior
068 069
Ebo Fraterman Best of membersInterior & exterior Ebo Fraterman Best of membersInterior & exterior
070 071
Ebo Fraterman Best of membersInterior & exterior
070 071
Ebo Fraterman Best of membersInterior & exterior
cees damVIsIoN VIsIoNPhoto by Vincent Boon Photo by Vincent Booncees dam
072 073
the Art of Looking
Only after you have mapped all these ingredients of life, do you
truly understand what reality is; what it is that actually gives
pleasure, what is merely pleasing or just very functional, and so
on. A well-trained visual memory is the indispensable luggage
for every architect that wants to create good buildings.
And this also goes for the painter, the couturier or the choreogra-
pher that wants to make interesting work, which will last in time
and in people’s minds.
Of all art disciplines photography is the purest form of express-
ing skilled observation. What the photographer sees or chooses
to see through the lens or on the digital screen of the camera, he
instantly fixes in an image. However, this may be a somewhat too
simple way of describing it. For a photographer this looking is at
the same time discovering, composing, lighting, assembling, and
editing, creating an atmosphere, generating calmness or distur-
bance; encountering the adventure. And all this has to be done
with great technical craftsmanship, but also with the indispen-
sable catalogue in your mind’s eye of everything you have seen
in life, really looked at, and this in the most open-minded way
possible. Only then is there a chance that quality originates.
Cees Dam, architect
In the first place photography is: to look.In my profession, architecture, the ability to look is essential. And by looking I mean: actually perceiving. Consciously registering, and capturing the world around you in your mind. And I am not just talking about looking at the constructed world, but also looking at art, at theatre, at fashion and above all: at people.
cees damVIsIoN VIsIoNPhoto by Vincent Boon Photo by Vincent Booncees dam
072 073
the Art of Looking
Only after you have mapped all these ingredients of life, do you
truly understand what reality is; what it is that actually gives
pleasure, what is merely pleasing or just very functional, and so
on. A well-trained visual memory is the indispensable luggage
for every architect that wants to create good buildings.
And this also goes for the painter, the couturier or the choreogra-
pher that wants to make interesting work, which will last in time
and in people’s minds.
Of all art disciplines photography is the purest form of express-
ing skilled observation. What the photographer sees or chooses
to see through the lens or on the digital screen of the camera, he
instantly fixes in an image. However, this may be a somewhat too
simple way of describing it. For a photographer this looking is at
the same time discovering, composing, lighting, assembling, and
editing, creating an atmosphere, generating calmness or distur-
bance; encountering the adventure. And all this has to be done
with great technical craftsmanship, but also with the indispen-
sable catalogue in your mind’s eye of everything you have seen
in life, really looked at, and this in the most open-minded way
possible. Only then is there a chance that quality originates.
Cees Dam, architect
In the first place photography is: to look.In my profession, architecture, the ability to look is essential. And by looking I mean: actually perceiving. Consciously registering, and capturing the world around you in your mind. And I am not just talking about looking at the constructed world, but also looking at art, at theatre, at fashion and above all: at people.
InterIor
& exterIor
lIfestyle
&fashIon
PeoPle&
PortraIts
075074
InterIor
& exterIor
lIfestyle
&fashIon
PeoPle&
PortraIts
075074
lifestyle & fashion The WinnersoVErVIEw oVErVIEw lifestyle & fashion The Winners
077076
commIssIoNEDMerit
maurice heesen
page 80-81
commIssIoNEDNomination
wendelien daan
page 82-83
commIssIoNEDBest of members
Alek bruessing
page 84-89
NoN commIssIoNEDNomination
wendelien daan
page 92-93
NoN commIssIoNEDNomination
Janneke Luursema
page 94-97
NoN commIssIoNEDNomination
mirella sahetapy
page 98-99
NoN commIssIoNEDBest of members
maarten wouters
page 100-105
lifestyle & fashion The WinnersoVErVIEw oVErVIEw lifestyle & fashion The Winners
077076
commIssIoNEDMerit
maurice heesen
page 80-81
commIssIoNEDNomination
wendelien daan
page 82-83
commIssIoNEDBest of members
Alek bruessing
page 84-89
NoN commIssIoNEDNomination
wendelien daan
page 92-93
NoN commIssIoNEDNomination
Janneke Luursema
page 94-97
NoN commIssIoNEDNomination
mirella sahetapy
page 98-99
NoN commIssIoNEDBest of members
maarten wouters
page 100-105
079078
oVErVIEw lifestyle & fashion All Winners lifestyle & fashion All WinnersoVErVIEw
079078
oVErVIEw lifestyle & fashion All Winners lifestyle & fashion All WinnersoVErVIEw
080 081
lifestyle & fashion meritMaurice Heesen
080 081
lifestyle & fashion meritMaurice Heesen
083082
Wendelien Daanlifestyle & fashion Nomination
083082
Wendelien Daanlifestyle & fashion Nomination
084 085
Alek Bruessinglifestyle & fashion Best of members Alek Bruessinglifestyle & fashion Best of members
084 085
Alek Bruessinglifestyle & fashion Best of members Alek Bruessinglifestyle & fashion Best of members
086
Alek Bruessinglifestyle & fashion Best of members
087
Alek Bruessinglifestyle & fashion Best of members
086
Alek Bruessinglifestyle & fashion Best of members
087
Alek Bruessinglifestyle & fashion Best of members
089088
Alek Bruessinglifestyle & fashion Best of members
089088
Alek Bruessinglifestyle & fashion Best of members
Alek Bruessing
pAnL is on the moVe
090 091
cLIENT rAILs
Alek Bruessing
pAnL is on the moVe
090 091
cLIENT rAILs
093092
Wendelien Daanlifestyle & fashion Nomination
093092
Wendelien Daanlifestyle & fashion Nomination
094 095
Janneke Luursemalifestyle & fashion Nomination
094 095
Janneke Luursemalifestyle & fashion Nomination
096 097
Janneke Luursema Janneke Luursemalifestyle & fashion lifestyle & fashion Nomination Nomination
096 097
Janneke Luursema Janneke Luursemalifestyle & fashion lifestyle & fashion Nomination Nomination
098 099
Mirella Sahetapylifestyle & fashion Nomination
098 099
Mirella Sahetapylifestyle & fashion Nomination
101100
Maarten Wouters Maarten Wouterslifestyle & fashion lifestyle & fashion Best of members Best of members
101100
Maarten Wouters Maarten Wouterslifestyle & fashion lifestyle & fashion Best of members Best of members
103102
Maarten Wouterslifestyle & fashion Best of members
103102
Maarten Wouterslifestyle & fashion Best of members
105104
Maarten Wouters Maarten Wouterslifestyle & fashion lifestyle & fashion Best of members Best of members
105104
Maarten Wouters Maarten Wouterslifestyle & fashion lifestyle & fashion Best of members Best of members
lIfestyle
&fashIon
PeoPle&
PortraIts
stIlllIfestu-
dent work107106
lIfestyle
&fashIon
PeoPle&
PortraIts
stIlllIfestu-
dent work107106
People & Portraits People & Portraits The WinnersoVErVIEw oVErVIEw The Winners
commIssIoNEDSilver
tara fallaux
page 112-113
commIssIoNEDMerit
krijn van noordwijk
page 114
commIssIoNEDMerit
Alice wolfs
page 116-118
commIssIoNEDNomination
ilya van marle
page 122-123
commIssIoNEDNomination
ilya van marle
page 124
commIssIoNEDBest of members
simon warmer
page 126-129
NoN commIssIoNEDGold
polle Aubert
page 132-135
NoN commIssIoNEDGold
tobias reymond
page 136-137
NoN commIssIoNEDSilver + Best of members + PANL Award #17
maurice heesen
page 140-146
NoN commIssIoNEDNomination
maurits giesen
page 148-153
NoN commIssIoNEDNomination
tobias reymond
page 154-156
NoN commIssIoNEDNomination
Jochem sanders
page 158-160
NoN commIssIoNEDNomination
mirjam brinkhof
page 162
109108
People & Portraits People & Portraits The WinnersoVErVIEw oVErVIEw The Winners
commIssIoNEDSilver
tara fallaux
page 112-113
commIssIoNEDMerit
krijn van noordwijk
page 114
commIssIoNEDMerit
Alice wolfs
page 116-118
commIssIoNEDNomination
ilya van marle
page 122-123
commIssIoNEDNomination
ilya van marle
page 124
commIssIoNEDBest of members
simon warmer
page 126-129
NoN commIssIoNEDGold
polle Aubert
page 132-135
NoN commIssIoNEDGold
tobias reymond
page 136-137
NoN commIssIoNEDSilver + Best of members + PANL Award #17
maurice heesen
page 140-146
NoN commIssIoNEDNomination
maurits giesen
page 148-153
NoN commIssIoNEDNomination
tobias reymond
page 154-156
NoN commIssIoNEDNomination
Jochem sanders
page 158-160
NoN commIssIoNEDNomination
mirjam brinkhof
page 162
109108
111110
oVErVIEw People & Portraits People & PortraitsoVErVIEwAll Winners All Winners
111110
oVErVIEw People & Portraits People & PortraitsoVErVIEwAll Winners All Winners
113112
Tara fallauxPeople & Portraits silver
113112
Tara fallauxPeople & Portraits silver
Krijn van NoordwijkPeople & Portraits merit
115114
Krijn van NoordwijkPeople & Portraits merit
115114
116 117
Alice WolfsPeople & Portraits merit Alice WolfsPeople & Portraits merit
116 117
Alice WolfsPeople & Portraits merit Alice WolfsPeople & Portraits merit
Proloque PANl boArd People & Portraits richard HuttenAlice WolfsPeople & Portraits merit
118
Proloque PANl boArd People & Portraits richard HuttenAlice WolfsPeople & Portraits merit
118
120 121
cLIENT wINQ mAgAzINE Alice Wolfs
pAnL uncoVers
120 121
cLIENT wINQ mAgAzINE Alice Wolfs
pAnL uncoVers
122 123
Ilya van MarlePeople & Portraits Nomination
122 123
Ilya van MarlePeople & Portraits Nomination
124 125
Ilya van MarlePeople & Portraits Nomination
124 125
Ilya van MarlePeople & Portraits Nomination
126 127
Simon Warmer Simon WarmerPeople & Portraits People & PortraitsBest of members Best of members
126 127
Simon Warmer Simon WarmerPeople & Portraits People & PortraitsBest of members Best of members
128 129
Simon WarmerPeople & Portraits Best of members
128 129
Simon WarmerPeople & Portraits Best of members
Simon WarmercLIENT AuToTrAck
130 131
pAnL cAptures
Simon WarmercLIENT AuToTrAck
130 131
pAnL cAptures
Polle Aubert Polle AubertPeople & Portraits People & Portraitsgold gold
132 133
Polle Aubert Polle AubertPeople & Portraits People & Portraitsgold gold
132 133
Polle Aubert gold
Polle Aubert
' the beauty of the absence of lIght'
QuoTEPolle AubertPeople & Portraits gold
134 135
Polle Aubert gold
Polle Aubert
' the beauty of the absence of lIght'
QuoTEPolle AubertPeople & Portraits gold
134 135
136 137
Tobias ReymondPeople & Portraits gold
136 137
Tobias ReymondPeople & Portraits gold
140 141
Maurice HeesenPeople & Portraits silver & Best of members
140 141
Maurice HeesenPeople & Portraits silver & Best of members
Maurice HeesenMaurice Heesen People & PortraitsPeople & Portraits silver & Best of memberssilver & Best of members
142 143
Maurice HeesenMaurice Heesen People & PortraitsPeople & Portraits silver & Best of memberssilver & Best of members
142 143
144 145
Maurice HeesenPeople & Portraits silver & Best of members
144
144 145
Maurice HeesenPeople & Portraits silver & Best of members
144
146 147
Maurice Heesen Maurice HeesenPeople & Portraits
' tellIng a whole story In one Image
QuoTEsilver & Best of members
146 147
Maurice Heesen Maurice HeesenPeople & Portraits
' tellIng a whole story In one Image
QuoTEsilver & Best of members
148 149
Maurits Giesen with Ilse LeendersPeople & Portraits Nomination
148 149
Maurits Giesen with Ilse LeendersPeople & Portraits Nomination
150 151
People & Portraits Nomination People & Portraits NominationMaurits Giesen with Ilse Leenders Maurits Giesen with Ilse Leenders
150 151
People & Portraits Nomination People & Portraits NominationMaurits Giesen with Ilse Leenders Maurits Giesen with Ilse Leenders
152 153
People & Portraits NominationMaurits Giesen with Ilse Leenders
152 153
People & Portraits NominationMaurits Giesen with Ilse Leenders
154 155
Tobias ReymondPeople & Portraits Nomination Tobias ReymondPeople & Portraits Nomination
154 155
Tobias ReymondPeople & Portraits Nomination Tobias ReymondPeople & Portraits Nomination
' the Images I take, often lIke snaPshots, aPPear to have been lIvIng wIth me for a long tIme. once taken they often go and Play outsIde agaIn.'
156 157
Tobias ReymondPeople & Portraits Nomination QuoTE Tobias Reymond
' the Images I take, often lIke snaPshots, aPPear to have been lIvIng wIth me for a long tIme. once taken they often go and Play outsIde agaIn.'
156 157
Tobias ReymondPeople & Portraits Nomination QuoTE Tobias Reymond
158 159
Jochem SandersPeople & Portraits Nomination Jochem SandersPeople & Portraits Nomination
158 159
Jochem SandersPeople & Portraits Nomination Jochem SandersPeople & Portraits Nomination
160
Jochem SandersPeople & Portraits Nomination Proloque PANl boArd People & Portraits richard Hutten
160
Jochem SandersPeople & Portraits Nomination Proloque PANl boArd People & Portraits richard Hutten
162
Mirjam BrinkhofPeople & Portraits Nomination
163
162
Mirjam BrinkhofPeople & Portraits Nomination
163
PeoPle&
PortraIts
stIlllIfe
student
work
165164
PeoPle&
PortraIts
stIlllIfe
student
work
165164
still life still life The WinnersoVErVIEw oVErVIEw The Winners
commIssIoNEDSilver
marcel christ
page 170-173
commIssIoNEDBest of members
Jaap Vliegenthart
page 174-177
commIssIoNEDMerit
marcel christ
page 178-181
NoN commIssIoNEDMerit
marcel christ
page 182-185
NoN commIssIoNEDNomination + Best of members
ebo fraterman
page 186-187167166
still life still life The WinnersoVErVIEw oVErVIEw The Winners
commIssIoNEDSilver
marcel christ
page 170-173
commIssIoNEDBest of members
Jaap Vliegenthart
page 174-177
commIssIoNEDMerit
marcel christ
page 178-181
NoN commIssIoNEDMerit
marcel christ
page 182-185
NoN commIssIoNEDNomination + Best of members
ebo fraterman
page 186-187167166
169168
oVErVIEw still life All Winners still life All WinnersoVErVIEw
169168
oVErVIEw still life All Winners still life All WinnersoVErVIEw
Marcel Christstill life silver
171170
Marcel Christstill life silver
Marcel Christstill life silver
171170
Marcel Christstill life silver
173172
Marcel Christstill life silver Marcel Christstill life silver
173172
Marcel Christstill life silver Marcel Christstill life silver
174 175
Jaap Vliegenthartstill life Best of members Jaap Vliegenthartstill life Best of members
174 175
Jaap Vliegenthartstill life Best of members Jaap Vliegenthartstill life Best of members
176 177
Jaap Vliegenthartstill life Best of members Jaap Vliegenthartstill life Best of members
176 177
Jaap Vliegenthartstill life Best of members Jaap Vliegenthartstill life Best of members
178 179
Marcel Christ Marcel Christstill life still lifemerit merit
178 179
Marcel Christ Marcel Christstill life still lifemerit merit
180 181
Marcel Christ Marcel Christstill life still lifemerit merit
180 181
Marcel Christ Marcel Christstill life still lifemerit merit
Marcel Christstill life merit
182 183
Marcel Christstill life merit
Marcel Christstill life merit
182 183
Marcel Christstill life merit
184 185
Marcel Christstill life meritMarcel Christstill life merit
184 185
Marcel Christstill life meritMarcel Christstill life merit
186 187
Ebo Fratermanstill life Nomination + Best of members
186 187
Ebo Fratermanstill life Nomination + Best of members
PortraIts
stIlllIfe
student
workdocu-
mentary
& lIfe
189188
PortraIts
stIlllIfe
student
workdocu-
mentary
& lIfe
189188
student work student work The WinnersoVErVIEw oVErVIEw The Winners
Nomination
marc driessen
page 194-195
Nomination
marc driessen
page 196-199
Silver
sonja de ridder
page 200-201
Silver
Marco Kuis
page 202-205
Merit
Linda Jansen
page 206-209
Nomination
roel van Lanen
page 210-213
Nomination
henri blommers
page 214-216
Nomination
merel van beukering
page 218-219
Best of members
fred van ‘t slot
page 220-223
191190
student work student work The WinnersoVErVIEw oVErVIEw The Winners
Nomination
marc driessen
page 194-195
Nomination
marc driessen
page 196-199
Silver
sonja de ridder
page 200-201
Silver
Marco Kuis
page 202-205
Merit
Linda Jansen
page 206-209
Nomination
roel van Lanen
page 210-213
Nomination
henri blommers
page 214-216
Nomination
merel van beukering
page 218-219
Best of members
fred van ‘t slot
page 220-223
191190
193192
oVErVIEw student work All Winners student work All WinnersoVErVIEw
193192
oVErVIEw student work All Winners student work All WinnersoVErVIEw
194 195
Marc Driessenstudentwork NominationADoPTED By soNy
194 195
Marc Driessenstudentwork NominationADoPTED By soNy
197196
Marc Driessenstudentwork Nomination Marc Driessenstudentwork NominationADoPTED By soNyADoPTED By soNy
197196
Marc Driessenstudentwork Nomination Marc Driessenstudentwork NominationADoPTED By soNyADoPTED By soNy
198 199
Marc Driessenstudentwork Nomination Marc Driessenstudentwork NominationADoPTED By soNyADoPTED By soNy
198 199
Marc Driessenstudentwork Nomination Marc Driessenstudentwork NominationADoPTED By soNyADoPTED By soNy
200 201
Sonja de Ridderstudentwork silverADoPTED By soNy
200 201
Sonja de Ridderstudentwork silverADoPTED By soNy
202 203
Marco Kuisstudentwork silverADoPTED By soNy
202 203
Marco Kuisstudentwork silverADoPTED By soNy
Marco Kuis Marco Kuisstudentwork studentworksilver silver
204 205
ADoPTED By soNyADoPTED By soNy
Marco Kuis Marco Kuisstudentwork studentworksilver silver
204 205
ADoPTED By soNyADoPTED By soNy
206 207
Linda Jansenstudentwork merit Linda Jansenstudentwork meritADoPTED By soNyADoPTED By soNy
206 207
Linda Jansenstudentwork merit Linda Jansenstudentwork meritADoPTED By soNyADoPTED By soNy
208 209
Linda Jansenstudentwork merit Linda Jansenstudentwork meritADoPTED By soNyADoPTED By soNy
208 209
Linda Jansenstudentwork merit Linda Jansenstudentwork meritADoPTED By soNyADoPTED By soNy
210 211
Roel van Lanen Roel van Lanenstudentwork studentworkNomination NominationADoPTED By soNyADoPTED By soNy
210 211
Roel van Lanen Roel van Lanenstudentwork studentworkNomination NominationADoPTED By soNyADoPTED By soNy
212 213
Roel van Lanen Roel van Lanenstudentwork studentworkNomination NominationADoPTED By soNy
212 213
Roel van Lanen Roel van Lanenstudentwork studentworkNomination NominationADoPTED By soNy
214 215
Henri Blommersstudentwork Nomination Henri Blommersstudentwork NominationADoPTED By soNyADoPTED By soNy
214 215
Henri Blommersstudentwork Nomination Henri Blommersstudentwork NominationADoPTED By soNyADoPTED By soNy
216
Henri Blommersstudentwork Nomination
217
ADoPTED By soNy
216
Henri Blommersstudentwork Nomination
217
ADoPTED By soNy
219218
Merel van Beukeringstudentwork NominationADoPTED By soNy
219218
Merel van Beukeringstudentwork NominationADoPTED By soNy
220 221
Fred van 't Slotstudentwork Best of members Fred van 't Slotstudentwork Best of membersADoPTED By soNy ADoPTED By soNy
220 221
Fred van 't Slotstudentwork Best of members Fred van 't Slotstudentwork Best of membersADoPTED By soNy ADoPTED By soNy
222 223
Fred van 't Slotstudentwork Best of membersADoPTED By soNy
222 223
Fred van 't Slotstudentwork Best of membersADoPTED By soNy
224
entrie
iesALLot
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225
All other entriessecond round All other entriessecond round
227226
Jim
my
Nel
son
Mau
rice
Hee
sen
Réne
van
der
Hul
st
Réne
van
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Mac
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d Sc
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Anne
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Jero
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All other entriessecond round All other entriessecond round
227226
Jim
my
Nel
son
Mau
rice
Hee
sen
Réne
van
der
Hul
st
Réne
van
der
Hul
st
Kee
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Stu
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Ebo
Frat
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Mac
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d Sc
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Mac
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Mac
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Mac
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Anne
lore
van
Her
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Vui
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Fred
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Will
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Will
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Will
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Erik
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Jero
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Hof
man
Jero
en H
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an Je
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Hof
man
All other entriessecond round All other entriessecond round
229228
Isab
ella
Roz
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abel
la R
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Isab
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Jim
my
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ella
Roz
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abel
la R
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daal
All other entriessecond round All other entriessecond round
229228
Isab
ella
Roz
enda
al
Isab
ella
Roz
enda
al Is
abel
la R
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Isab
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Jim
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All other entriessecond round All other entriessecond round
Hei
ke E
ngel
Edo
Kars
Mau
rice
Hee
sen
Mau
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Hee
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Mau
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Schr
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231230
Raym
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All other entriessecond round All other entriessecond round
Hei
ke E
ngel
Edo
Kars
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
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231230
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232
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233
All other entriessecond round
Dolp
h Ke
ssle
r Do
lph
Kess
ler
Dolp
h Ke
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Hijw
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Nat
alia
Pie
ters
e
Tobi
as R
eym
ond
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Dolp
h Ke
ssle
r Do
lph
Kess
ler
Mau
rice
Hee
sen
Mar
cel K
entin
Mar
cel K
entin
Mar
cel K
entin
Mar
cel K
entin
Gerd
jan
van
der
Lugt
Gerd
jan
van
der
Lugt
Ilya
van
Mar
le
232
All other entriessecond round
233
All other entriessecond round
Dolp
h Ke
ssle
r Do
lph
Kess
ler
Dolp
h Ke
ssle
r
Erik
Hijw
eege
Erik
Hijw
eege
Mir
jam
Bri
nkho
f
Deni
se B
oom
kens
Deni
se B
oom
kens
Deni
se B
oom
kens
Deni
se B
oom
kens
Mar
tin D
ijkst
ra
Krijn
van
Noo
rdw
ijk
Krijn
van
Noo
rdw
ijk
Krijn
van
Noo
rdw
ijk
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Ilya
van
Mar
le
Ilya
van
Mar
le
Arja
n Be
nnin
g
Arja
n Be
nnin
g.
Kees
Stu
ip
Pete
r Ti
jhui
s
Pete
r Ti
jhui
s
Pete
r Ti
jhui
s
Pete
r Ti
jhui
s Pe
ter
Tijh
uis
Hei
di d
e Gi
er
Eddo
Har
tman
n
Eddo
Har
tman
n
Eddo
Har
tman
n
Eddo
Har
tman
n
Réne
Kra
mer
s
Nat
alia
Pie
ters
e
Tobi
as R
eym
ond
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Suza
nne
Kars
ters
Dolp
h Ke
ssle
r Do
lph
Kess
ler
Mau
rice
Hee
sen
Mar
cel K
entin
Mar
cel K
entin
Mar
cel K
entin
Mar
cel K
entin
Gerd
jan
van
der
Lugt
Gerd
jan
van
der
Lugt
Ilya
van
Mar
le
All other entriessecond round All other entriessecond round
234
Man
on v
an d
er Z
waa
l
Man
on v
an d
er Z
waa
l
Jim
my
Nel
son
Katr
ien
Fran
ken
Katr
ien
Fran
ken
Katr
ien
Fran
ken
Wen
delie
n Da
an
Wen
delie
n Da
an
Debo
rah
Roff
el Ed
o Ka
rs M
aart
en W
oute
rs
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Jaap
Vlie
gent
hart
Ja
ap V
liege
ntha
rt Ja
ap V
liege
ntha
rt
Jaap
Vlie
gent
hart
John
Bak
ker
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Kees
Stu
ip
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Tobi
as R
eym
ond
Réne
Kra
mer
s Ré
ne K
ram
ers
Réne
Kra
mer
s
Réne
Kra
mer
s
Réne
Kra
mer
s
Erns
t Ype
rlaa
n M
anon
van
der
Zw
aal
Man
on v
an d
er Z
waa
l
Maa
rten
Wou
ters
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mar
tijn
van
Oors
chot
235
All other entriessecond round All other entriessecond round
234
Man
on v
an d
er Z
waa
l
Man
on v
an d
er Z
waa
l
Jim
my
Nel
son
Katr
ien
Fran
ken
Katr
ien
Fran
ken
Katr
ien
Fran
ken
Wen
delie
n Da
an
Wen
delie
n Da
an
Debo
rah
Roff
el Ed
o Ka
rs M
aart
en W
oute
rs
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Maa
rten
Wou
ters
Jaap
Vlie
gent
hart
Ja
ap V
liege
ntha
rt Ja
ap V
liege
ntha
rt
Jaap
Vlie
gent
hart
John
Bak
ker
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Geek
Zw
etsl
oot
Kees
Stu
ip
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Julie
tte
Erke
lens
Tobi
as R
eym
ond
Réne
Kra
mer
s Ré
ne K
ram
ers
Réne
Kra
mer
s
Réne
Kra
mer
s
Réne
Kra
mer
s
Erns
t Ype
rlaa
n M
anon
van
der
Zw
aal
Man
on v
an d
er Z
waa
l
Maa
rten
Wou
ters
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mau
rice
Hee
sen
Mar
tijn
van
Oors
chot
235
All other entriessecond round All other entriessecond round
236
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Sofie
Kni
jff
Will
eke
Duijv
ekam
Nic
k Fr
anke
n
Alex
andr
a Br
and
Carl
frie
d Ve
rwaa
yen
Carl
frie
d Ve
rwaa
yen
Carl
frie
d Ve
rwaa
yen
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t M
arce
l Chr
ist
Bart
van
Bus
sel
Bart
van
Bus
sel
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Alei
d De
nier
van
der
Gon
Alex
andr
a Br
and
Mal
ou v
an B
reev
oort
M
alou
van
Bre
evoo
rt
Gerr
it Sc
hure
r Do
lph
Kess
ler
Tobi
as R
eym
ond
Tobi
as R
eym
ond
Tobi
as R
eym
ond
Gerr
it Sc
hure
r
Gerr
it Sc
hure
r
Gerr
it Sc
hure
r
Mal
ou v
an B
reev
oort
Mal
ou v
an B
reev
oort
237
All other entriessecond round All other entriessecond round
236
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Dolp
h Ke
ssle
r
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Aatja
n Re
nder
s
Sofie
Kni
jff
Will
eke
Duijv
ekam
Nic
k Fr
anke
n
Alex
andr
a Br
and
Carl
frie
d Ve
rwaa
yen
Carl
frie
d Ve
rwaa
yen
Carl
frie
d Ve
rwaa
yen
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t
Mar
cel C
hris
t M
arce
l Chr
ist
Bart
van
Bus
sel
Bart
van
Bus
sel
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Petr
a va
n de
r Ve
er Pe
tra
van
der
Veer
Alei
d De
nier
van
der
Gon
Alex
andr
a Br
and
Mal
ou v
an B
reev
oort
M
alou
van
Bre
evoo
rt
Gerr
it Sc
hure
r Do
lph
Kess
ler
Tobi
as R
eym
ond
Tobi
as R
eym
ond
Tobi
as R
eym
ond
Gerr
it Sc
hure
r
Gerr
it Sc
hure
r
Gerr
it Sc
hure
r
Mal
ou v
an B
reev
oort
Mal
ou v
an B
reev
oort
237
238
All other entriessecond round
239
All other entriessecond round
Nat
asch
a Li
bber
t N
atas
cha
Libb
ert
Nat
asch
a Li
bber
t
Nat
asch
a Li
bber
t
Ange
line
Swin
kels
Ange
line
Swin
kels
Ange
line
Swin
kels
Ange
line
Swin
kels
Robi
n de
Puy
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Moo
n Ja
nsen
Moo
n Ja
nsen
Moo
n Ja
nsen
Moo
n Ja
nsen
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Lott
e Gi
eles
Lott
e Gi
eles
Lott
e Gi
eles
Phili
p Pl
oegm
aker
s
Phili
p Pl
oegm
aker
s
Phili
p Pl
oegm
aker
s
Jens
van
der
Vel
de
Har
rie
van
Kess
el
Rem
co M
untz
Réne
Mes
man
Réne
Mes
man
Réne
Mes
man
Gerr
it Sc
hreu
rs
Gerr
it Sc
hreu
rs
Gerr
it Sc
hreu
rs
Alex
andr
a Br
and
Mar
cel C
hris
t
Mir
ella
Sah
etap
y
Iens
ke M
eind
erts
ma
Chan
tal H
eijn
en
Nat
asch
a Li
bber
t
Bart
van
Bus
sel
Bart
van
Bus
sel
Tjit
ske
van
Leeu
wen
Koen
e en
Heu
vink
238
All other entriessecond round
239
All other entriessecond round
Nat
asch
a Li
bber
t N
atas
cha
Libb
ert
Nat
asch
a Li
bber
t
Nat
asch
a Li
bber
t
Ange
line
Swin
kels
Ange
line
Swin
kels
Ange
line
Swin
kels
Ange
line
Swin
kels
Robi
n de
Puy
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Laet
itia
Mol
enaa
r
Moo
n Ja
nsen
Moo
n Ja
nsen
Moo
n Ja
nsen
Moo
n Ja
nsen
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Karo
lien
Dam
stra
Lott
e Gi
eles
Lott
e Gi
eles
Lott
e Gi
eles
Phili
p Pl
oegm
aker
s
Phili
p Pl
oegm
aker
s
Phili
p Pl
oegm
aker
s
Jens
van
der
Vel
de
Har
rie
van
Kess
el
Rem
co M
untz
Réne
Mes
man
Réne
Mes
man
Réne
Mes
man
Gerr
it Sc
hreu
rs
Gerr
it Sc
hreu
rs
Gerr
it Sc
hreu
rs
Alex
andr
a Br
and
Mar
cel C
hris
t
Mir
ella
Sah
etap
y
Iens
ke M
eind
erts
ma
Chan
tal H
eijn
en
Nat
asch
a Li
bber
t
Bart
van
Bus
sel
Bart
van
Bus
sel
Tjit
ske
van
Leeu
wen
Koen
e en
Heu
vink
All other entriessecond round
240
Han
s de
Vri
es H
ans
de V
ries
Adri
an N
oort
man
Alew
ijn E
ijgen
raam
Alew
ijn E
ijgen
raam
H
eidi
de
Wit
Hei
di d
e W
it
Hei
di d
e W
it
Hei
di d
e W
it
Hei
di d
e W
it
Sask
ia D
omm
isse
Sask
ia D
omm
isse
Sask
ia D
omm
isse
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mon
ique
Elle
r
Mon
ique
Elle
r
Mon
ique
Elle
r
Rem
co M
untz
Rem
co M
untz
Rem
co M
untz
Rem
co M
untz
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Pete
r va
n de
Wijn
gaar
t
Pete
r va
n de
Wijn
gaar
t
Mer
el v
an B
euke
ring
Kees
van
den
Akk
er
Han
s de
Vri
es
Han
s de
Vri
es
Han
s de
Vri
es
241
All other entriessecond round
All other entriessecond round
240
Han
s de
Vri
es H
ans
de V
ries
Adri
an N
oort
man
Alew
ijn E
ijgen
raam
Alew
ijn E
ijgen
raam
H
eidi
de
Wit
Hei
di d
e W
it
Hei
di d
e W
it
Hei
di d
e W
it
Hei
di d
e W
it
Sask
ia D
omm
isse
Sask
ia D
omm
isse
Sask
ia D
omm
isse
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mar
jole
in v
an V
een
Mon
ique
Elle
r
Mon
ique
Elle
r
Mon
ique
Elle
r
Rem
co M
untz
Rem
co M
untz
Rem
co M
untz
Rem
co M
untz
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Ben
Knoo
p
Pete
r va
n de
Wijn
gaar
t
Pete
r va
n de
Wijn
gaar
t
Mer
el v
an B
euke
ring
Kees
van
den
Akk
er
Han
s de
Vri
es
Han
s de
Vri
es
Han
s de
Vri
es
241
All other entriessecond round
242 243
Photo by Vincent Kruijt Photo by Vincent KruijtThe judges The judges
The 17th annual Photography Awards of the Netherlands was the first to allow digital submissions and online voting. Photographers who made it through the first round were then asked to submit a hard copy print. Once all the submissions were assembled, the jury was flown in to meet for just one day to make their final choices and award the much-coveted prizes. In the past, the jury gathered for two days to hash out their selections. But this year they were able to make their initial selections from their home computers. The members took plenty of time to look over the submissions; three or four evenings or an entire Saturday and Sunday. Their first task was to get an overall impression and take notes. Then they went through, category by category, making their selections. A few took their notes with them to Amsterdam or made screen dumps of their choices. Dennis Baars: “It was fun, but it was a lot of work. The method was simple so selection was quick: it was a matter of yes, no or undecided. I took three days: two evenings just browsing and the third day voting. Being part of an internet jury takes more discipline. The Art Directors Club of the Netherlands is going digital this year too.”
The PANL members had the option to vote as well while those who had submitted photographs were required to do so. In fact, photographers were only allowed to submit work if they also participated on the jury. Members selected one photo in each category, with the final tally counting towards the granting of the PANL Award, the prize for The Best of Show.
Clearly, those who made it through the selection process would want their work to look its best on a quality print. Marc de Groot: “In my opinion, a number of photos would have presented better if the photographer had used film instead of taking digital shots. And they should have had a good professional make a print from the film. But maybe I’m splitting hairs. Generally, the print quality of the works displayed here is better than I’d expected. Not that I think they’re all good, mind you. There are clearly people who haven’t mastered the technical side while others get lost in all the technical possibilities. It’s very exciting to look at photos with this depth of awareness. It reminds me of the multi-tude of elements and stages that go into making a great shot.”
243242
In the past, two days were carved out for the selection process. The first day was about separating the wheat from the chaff; the second involved a discussion to further narrow the selection and award the prizes. On that first day, it was sometimes quite challenging for the jury members to walk into the room where all the submissions were displayed. It was the first time they saw the photos; the hodgepodge of mature and less polished works often created a negative atmosphere. This time the jury members had already made their initial selections at home and were already fairly familiar with the submissions. Thanks to the pre-selection process, the works on display were surprisingly high-quality. This inspired enthusiasm among the jury members, who began the final sifting process in high spirits which they maintained throughout.
Jeannette van Zee, who assists the jury on behalf of the PANL board, reminds the jury that the photo selection must be reduced by half. She also points out that there is no longer a balance between commissioned and non-commissioned works as a majority of the selected work is non-commissioned. She asks if
the jury would please have another look. Nick wants to know what the difference is between commissioned editorial and commissioned advertising. He mentions a still life he thought was really striking. In his view, if the work was editorially commissioned and the photographer was the one to come up with the idea, this should weigh more heavily than if the idea came from an art director. The PANL secretarial staff may provide additional information upon request, revealing everything but the name of the photographer. And if this means a make-break difference to Nick, then they’re happy to do so. A discussion follows about the difference between commissioned and non-commissioned. The freedom to create something yourself and sell it to a magazine. The jury considers it important to know whether the concept behind a photograph came from the photographer or the art director/ the client.
“Has anyone else changed their mind? No? Then it’s out.” On to the next. Jeannette: “One. Two. Three?” She waits to give every-one a chance to consider. Nick: “I’m prepared to fight for this one.” “Tell me, tell me,” Marc says, encouraging details. Nick: “There’s
this year’s jury was not only impressively talented, but impressively tall.
nick Meek Photographer, 1.83 m
Julia Llamas Art buyer, + 1.70 m
Marc de Groot Photographer, 1.93 m
ruth eichhorn Picture editor, + 1.70 m
Kai Uwe Gundlach Photographer, + 1.80 m
Dennis BaarsArt director, an impressive 2.02 m tall
242 243
Photo by Vincent Kruijt Photo by Vincent KruijtThe judges The judges
The 17th annual Photography Awards of the Netherlands was the first to allow digital submissions and online voting. Photographers who made it through the first round were then asked to submit a hard copy print. Once all the submissions were assembled, the jury was flown in to meet for just one day to make their final choices and award the much-coveted prizes. In the past, the jury gathered for two days to hash out their selections. But this year they were able to make their initial selections from their home computers. The members took plenty of time to look over the submissions; three or four evenings or an entire Saturday and Sunday. Their first task was to get an overall impression and take notes. Then they went through, category by category, making their selections. A few took their notes with them to Amsterdam or made screen dumps of their choices. Dennis Baars: “It was fun, but it was a lot of work. The method was simple so selection was quick: it was a matter of yes, no or undecided. I took three days: two evenings just browsing and the third day voting. Being part of an internet jury takes more discipline. The Art Directors Club of the Netherlands is going digital this year too.”
The PANL members had the option to vote as well while those who had submitted photographs were required to do so. In fact, photographers were only allowed to submit work if they also participated on the jury. Members selected one photo in each category, with the final tally counting towards the granting of the PANL Award, the prize for The Best of Show.
Clearly, those who made it through the selection process would want their work to look its best on a quality print. Marc de Groot: “In my opinion, a number of photos would have presented better if the photographer had used film instead of taking digital shots. And they should have had a good professional make a print from the film. But maybe I’m splitting hairs. Generally, the print quality of the works displayed here is better than I’d expected. Not that I think they’re all good, mind you. There are clearly people who haven’t mastered the technical side while others get lost in all the technical possibilities. It’s very exciting to look at photos with this depth of awareness. It reminds me of the multi-tude of elements and stages that go into making a great shot.”
243242
In the past, two days were carved out for the selection process. The first day was about separating the wheat from the chaff; the second involved a discussion to further narrow the selection and award the prizes. On that first day, it was sometimes quite challenging for the jury members to walk into the room where all the submissions were displayed. It was the first time they saw the photos; the hodgepodge of mature and less polished works often created a negative atmosphere. This time the jury members had already made their initial selections at home and were already fairly familiar with the submissions. Thanks to the pre-selection process, the works on display were surprisingly high-quality. This inspired enthusiasm among the jury members, who began the final sifting process in high spirits which they maintained throughout.
Jeannette van Zee, who assists the jury on behalf of the PANL board, reminds the jury that the photo selection must be reduced by half. She also points out that there is no longer a balance between commissioned and non-commissioned works as a majority of the selected work is non-commissioned. She asks if
the jury would please have another look. Nick wants to know what the difference is between commissioned editorial and commissioned advertising. He mentions a still life he thought was really striking. In his view, if the work was editorially commissioned and the photographer was the one to come up with the idea, this should weigh more heavily than if the idea came from an art director. The PANL secretarial staff may provide additional information upon request, revealing everything but the name of the photographer. And if this means a make-break difference to Nick, then they’re happy to do so. A discussion follows about the difference between commissioned and non-commissioned. The freedom to create something yourself and sell it to a magazine. The jury considers it important to know whether the concept behind a photograph came from the photographer or the art director/ the client.
“Has anyone else changed their mind? No? Then it’s out.” On to the next. Jeannette: “One. Two. Three?” She waits to give every-one a chance to consider. Nick: “I’m prepared to fight for this one.” “Tell me, tell me,” Marc says, encouraging details. Nick: “There’s
this year’s jury was not only impressively talented, but impressively tall.
nick Meek Photographer, 1.83 m
Julia Llamas Art buyer, + 1.70 m
Marc de Groot Photographer, 1.93 m
ruth eichhorn Picture editor, + 1.70 m
Kai Uwe Gundlach Photographer, + 1.80 m
Dennis BaarsArt director, an impressive 2.02 m tall
244 245244
a level to it where you can almost feel what’s going on in the rest of the room. There’s a story here; the room is describing the character of the woman in the photograph. Just the look on her face speaks volumes. What you see almost describes the rest of the building, the other people who are there, what might be about to happen. There’s a lot going on. Even if you forget the story, there are some really beautiful colours and the framing is nice.” Kai Uwe: “I love the colours, the wooden stuff, the interior; the framing is perfect.” Ruth mutters her agreement. Marc joins in: “Is it in Eastern Europe? What is it?” Dennis: “She does look Eastern European, yes.” Marc: “The plant looks plastic, but so does the colour management.” Nick: “It’s like a film fragment, isn’t it?” Ruth: “It’s a little like a film still.” Marc: “This photo-graph raises plenty of questions, which is already a strong point in itself.” Jeannette: “Shall we vote?” Four hands are raised.
A series of three of a young men with short hair wearing a suit and red tie. Kai Uwe: “I’m a fan of this one. I don’t know why. I like the casting. The character isn’t typical. I don’t know what he is – a poker player, a terrorist or just arrogant-looking. I like the framing and the posing. A good piece.” Marc: “The hard thing for me is understanding the added value of them as a series.” Ruth has trouble with the fact that the middle photo is black and white. Kai Uwe: “As a typical manager’s portrait it’s a bit weird. The seventies location …” Marc: “It is quite David Lynch.” Jeannette suggests putting it to a vote. Only one hand is raised. Kai Uwe: “One thing. We voted the other one in, the old man behind his desk piled high with papers. This series is a hundred thousand times better. This is very innovative. I’ll be unhappy if this doesn’t make it into the book. The middle one isn’t as good, but it’s still not bad.” Kai’s appeal gets two more votes and, after
some apparant hesitation Dennis follows, bringing the number of votes to four. The series is in. Julia tells Kai Uwe: “Well done!” From one to four.
Documentary & Life, non-commissioned. Nick wants to discuss a series of four photos. Very good. Quiet, subtle clear and con-vincing. “I really want to vote for that. I think the two pictures at the top have a lovely spacial quality to them. There’s a kind of quietness. By comparison, the compositions of the two at the bottom aren’t really that strong. They’re not as clean as the top two; both are scruffy and almost look like they were taken by a different photographer.” Everyone agrees. Each year it becomes apparent once again how difficult it is to submit a consistent series. Just one weak photograph ruins the chances of the entire series!
Boy with reddish hair. Kai Uwe: “I like the portrait. I’m touched.” Nick: “There’s something curious about the colour on the hair. It’s a beautiful quality.” It reminds Ruth of Vermeer’s “The girl with the pearl earring”. Jeannette: “Who’s voting for it? One, two, three.” Marc is the fourth to vote. In. Marc: “You convinced me. Actually, in the first round I didn’t raise my hand. But Ruth, when you so sensually described the hair around the ear, you won my vote for it.”
Blue dress with white birds and a hand adorned with a chain. Ruth: “The cloth, the fabric, and the mood reflected by these photos’. I can imagine the type of designer involved, the kind of woman the photos are targeting. I like these pictures They attract me.” Marc: “Yes, they’ve grown on me as well. Very naive and quiet. They are not trying to be clever at all.” Dennis:
“I like the one in the middle.” Julia: “What I like about it is that it has the same shape as the butterfly here as it has in the fabric over here. The colours are repeated as well. That’s what I like about these series. The composition is nice because the photogra-pher has thought about what textures to put together.” Jeannette: “Ok, shall we vote for these series? Who’s in favour? One. Two.” Giggling. Only the two female jury members vote for this se-ries. Marc: “I must admit I have my doubts.” Kai Uwe: “Half a point for me.” Ruth, to Julia: “I like what you said. It’s kind of naive.” Julia: “When you look closer I think it really grows on you. I had a long look at these pictures online and they kept coming back to me. I’m not sure why. There’s something about them.” Marc: “They capture a kind of un-fashion-like quality that is in it’s own way fashionable.” Dennis: “Ok, I’ll give them my vote.” Jeannette: “That’s three. Three and a half.” Then Kai Uwe decides to give the series a full vote and it’s in, much to every-one’s delight.
Next up is People & Portraits, non-commissioned. Jeannette does her best to inspire the jury to award prizes. One Silver and – for the first time – one Gold are granted. Jeanette and the jury are pleased. “Ok. We have a Gold and we have Silver. And what’s this, Silver as well?” “Merit,” says Julia decisively. Speaking with an exaggerated Dutch accent, Marc says: “Merit, anyone?” Kai Uwe replies absently: “I’m married.”
The next category is Interior & Exterior, non-commissioned. A relatively broad category. Nick: “Bold ideas. Excellent.” Jeannette: “Who wants to go for Gold?” Three hands are raised. “Silver then?” Jeannette asks. Five hands. When considering the next submission Ruth asks if two submissions can be awarded
Silver. The answer is yes. Kai Uwe: “Is it really Silver quality?” Jeannette pipes up: “Or do you think it should be Gold? Shall we vote for Gold?” Nick: “The quality is not very good, nor is the printing. I really don’t think it’s worthy of Silver.” But Marc thinks this submission is better than the one just awarded Silver, so they vote for Gold. But no one considers it worthy. Marc’s point is really that he disagrees with the previous vote. The jury votes for Silver and six hands go up; this is the second Silver award in this category. Next the members consider a Merit in this category. There are three votes in favour. Nick: “Oh, come on.” A fourth vote is added for the Merit. Things are moving along. The jury is feeling generous.It’s time for the PANL Award, the Best of Show. You would think it would go to a photograph with a ‘Gold Award’; after all, Gold is the best of the best. In the past, the jury put the Gold Award winners side by side or, if no Gold was granted, the Silver Awards. The PANL Award was then selected from this group. But this year was different. As is the case with popular TV programmes like Idols and Big Brother, other votes were considered alongside those of the jury: namely the member votes, which were added to the jury selections to determine the winner. The jury was surprised, even amazed to hear which photograph won the coveted PANL Award. This was because the submission that was awarded Gold by the jury received no points at all from the members. The jury then considered what the outcome would be if a different photo was upgraded from Silver to Gold. But even then, the photo ended up with insufficient points to win the PANL Award. No matter what they do, the members’ choice wins. The jury must concede.
The judges The judgesText by Pim Milo Text by Pim Milo
' this is very innovative. i’ll be unhappy if this doesn’t make it into the book.'
244 245244
a level to it where you can almost feel what’s going on in the rest of the room. There’s a story here; the room is describing the character of the woman in the photograph. Just the look on her face speaks volumes. What you see almost describes the rest of the building, the other people who are there, what might be about to happen. There’s a lot going on. Even if you forget the story, there are some really beautiful colours and the framing is nice.” Kai Uwe: “I love the colours, the wooden stuff, the interior; the framing is perfect.” Ruth mutters her agreement. Marc joins in: “Is it in Eastern Europe? What is it?” Dennis: “She does look Eastern European, yes.” Marc: “The plant looks plastic, but so does the colour management.” Nick: “It’s like a film fragment, isn’t it?” Ruth: “It’s a little like a film still.” Marc: “This photo-graph raises plenty of questions, which is already a strong point in itself.” Jeannette: “Shall we vote?” Four hands are raised.
A series of three of a young men with short hair wearing a suit and red tie. Kai Uwe: “I’m a fan of this one. I don’t know why. I like the casting. The character isn’t typical. I don’t know what he is – a poker player, a terrorist or just arrogant-looking. I like the framing and the posing. A good piece.” Marc: “The hard thing for me is understanding the added value of them as a series.” Ruth has trouble with the fact that the middle photo is black and white. Kai Uwe: “As a typical manager’s portrait it’s a bit weird. The seventies location …” Marc: “It is quite David Lynch.” Jeannette suggests putting it to a vote. Only one hand is raised. Kai Uwe: “One thing. We voted the other one in, the old man behind his desk piled high with papers. This series is a hundred thousand times better. This is very innovative. I’ll be unhappy if this doesn’t make it into the book. The middle one isn’t as good, but it’s still not bad.” Kai’s appeal gets two more votes and, after
some apparant hesitation Dennis follows, bringing the number of votes to four. The series is in. Julia tells Kai Uwe: “Well done!” From one to four.
Documentary & Life, non-commissioned. Nick wants to discuss a series of four photos. Very good. Quiet, subtle clear and con-vincing. “I really want to vote for that. I think the two pictures at the top have a lovely spacial quality to them. There’s a kind of quietness. By comparison, the compositions of the two at the bottom aren’t really that strong. They’re not as clean as the top two; both are scruffy and almost look like they were taken by a different photographer.” Everyone agrees. Each year it becomes apparent once again how difficult it is to submit a consistent series. Just one weak photograph ruins the chances of the entire series!
Boy with reddish hair. Kai Uwe: “I like the portrait. I’m touched.” Nick: “There’s something curious about the colour on the hair. It’s a beautiful quality.” It reminds Ruth of Vermeer’s “The girl with the pearl earring”. Jeannette: “Who’s voting for it? One, two, three.” Marc is the fourth to vote. In. Marc: “You convinced me. Actually, in the first round I didn’t raise my hand. But Ruth, when you so sensually described the hair around the ear, you won my vote for it.”
Blue dress with white birds and a hand adorned with a chain. Ruth: “The cloth, the fabric, and the mood reflected by these photos’. I can imagine the type of designer involved, the kind of woman the photos are targeting. I like these pictures They attract me.” Marc: “Yes, they’ve grown on me as well. Very naive and quiet. They are not trying to be clever at all.” Dennis:
“I like the one in the middle.” Julia: “What I like about it is that it has the same shape as the butterfly here as it has in the fabric over here. The colours are repeated as well. That’s what I like about these series. The composition is nice because the photogra-pher has thought about what textures to put together.” Jeannette: “Ok, shall we vote for these series? Who’s in favour? One. Two.” Giggling. Only the two female jury members vote for this se-ries. Marc: “I must admit I have my doubts.” Kai Uwe: “Half a point for me.” Ruth, to Julia: “I like what you said. It’s kind of naive.” Julia: “When you look closer I think it really grows on you. I had a long look at these pictures online and they kept coming back to me. I’m not sure why. There’s something about them.” Marc: “They capture a kind of un-fashion-like quality that is in it’s own way fashionable.” Dennis: “Ok, I’ll give them my vote.” Jeannette: “That’s three. Three and a half.” Then Kai Uwe decides to give the series a full vote and it’s in, much to every-one’s delight.
Next up is People & Portraits, non-commissioned. Jeannette does her best to inspire the jury to award prizes. One Silver and – for the first time – one Gold are granted. Jeanette and the jury are pleased. “Ok. We have a Gold and we have Silver. And what’s this, Silver as well?” “Merit,” says Julia decisively. Speaking with an exaggerated Dutch accent, Marc says: “Merit, anyone?” Kai Uwe replies absently: “I’m married.”
The next category is Interior & Exterior, non-commissioned. A relatively broad category. Nick: “Bold ideas. Excellent.” Jeannette: “Who wants to go for Gold?” Three hands are raised. “Silver then?” Jeannette asks. Five hands. When considering the next submission Ruth asks if two submissions can be awarded
Silver. The answer is yes. Kai Uwe: “Is it really Silver quality?” Jeannette pipes up: “Or do you think it should be Gold? Shall we vote for Gold?” Nick: “The quality is not very good, nor is the printing. I really don’t think it’s worthy of Silver.” But Marc thinks this submission is better than the one just awarded Silver, so they vote for Gold. But no one considers it worthy. Marc’s point is really that he disagrees with the previous vote. The jury votes for Silver and six hands go up; this is the second Silver award in this category. Next the members consider a Merit in this category. There are three votes in favour. Nick: “Oh, come on.” A fourth vote is added for the Merit. Things are moving along. The jury is feeling generous.It’s time for the PANL Award, the Best of Show. You would think it would go to a photograph with a ‘Gold Award’; after all, Gold is the best of the best. In the past, the jury put the Gold Award winners side by side or, if no Gold was granted, the Silver Awards. The PANL Award was then selected from this group. But this year was different. As is the case with popular TV programmes like Idols and Big Brother, other votes were considered alongside those of the jury: namely the member votes, which were added to the jury selections to determine the winner. The jury was surprised, even amazed to hear which photograph won the coveted PANL Award. This was because the submission that was awarded Gold by the jury received no points at all from the members. The jury then considered what the outcome would be if a different photo was upgraded from Silver to Gold. But even then, the photo ended up with insufficient points to win the PANL Award. No matter what they do, the members’ choice wins. The jury must concede.
The judges The judgesText by Pim Milo Text by Pim Milo
' this is very innovative. i’ll be unhappy if this doesn’t make it into the book.'
246 247
All CategoriesThe nomineesPersonal ChoicesThe judges
Julia: “I think it’s a very cinematic image. Sensual and intimate. A lovely composition.
While we were voting on other works, I’ve been looking at it at length and it stands head and
shoulders above the rest. Classic black and white, without seeming cliché. Well styled.”
Ruth: “You know, I’m a storyteller. I love to look at pictures that tell a story. They’re fun to
look at. It’s intriguing to find out what’s going on. And the photographer did a nice job here.
Clearly, it wasn’t a one-off shot, because he or she took a couple of pictures. I would guess
the photographer is a professional; very much aware of what he or she is doing. I was very
intrigued, indeed. I prefer picture stories. I think it’s very funny when somebody does this
type of thing. I’m much more drawn into a picture if I have the impression there’s real life
behind it. You get a kind of inside view of people’s lives. That’s much more interesting to me
than a staged photo. This touches my job. We do mainly picture stories. Storytelling through
photography.”
Nick: “Of all the individual pictures I’ve seen – i.e. not including the series – this one tells the
longest story. There’s a lot going on here; it really holds my attention. A beautiful shot. If I had
a second choice, it would be the black and white series of the houses, which is really my style.
Absolutely decisive, perfectly executed. Sharp lines. There’s something emotional about it.”
Kai Uwe: “I love the funny situation depicted here. One dog is biting the other. Normally,
this could be traumatic. But the dog looking into the camera seems bored, like he doesn’t
mind what the other dog is doing. It’s really comical. Shows the photographer’s sharp eye.
And I like the composition.”
Dennis: “This photo is somewhat abstract. You’re not sure if it’s a caravan or perhaps a car.
Maybe it’s a site where a caravan once stood. I assume we’re looking inside the caravan.
But I’m not sure of that either. It’s so simple and so weird. It looks like it was cut out of cardboard.
It touches me somehow. It’s really quite peculiar. And very abstract. It kind of stands out.”
Marc: “This is simply a beautiful, playful, sensual play of lines, diagonals, structures, light,
shadow, composition, tonalities. The use of light and shadow reminds me of the work of
Edward Weston. As does the subject, showing part of a naked body. The photo is sexy. I think
it’s a great shot.”
alek bruessingalice wolfsebo fratermanerik van gurpfred van 't slothenri blommersilya van marlejaap vliegenthartjanneke luursemajansje klazingajeroen hofmanjimmy nelsonjochem sandersjoris ten boschkrijn van noordwijklinda jansenlucia ganievamaarten woutersmarc driessen
marcel christmarco kuismarco van middelkoopmartijn de vriesmaurice heesenmaurits giesenmerel van beukeringmerel zwartmirella sahetapymirjam brinkhofpolle aubertrenée zindlerrobbert jan de witteroel van lanensimon warmersonja de riddertara fallauxtobias reymondwendelien daan
246 247
All CategoriesThe nomineesPersonal ChoicesThe judges
Julia: “I think it’s a very cinematic image. Sensual and intimate. A lovely composition.
While we were voting on other works, I’ve been looking at it at length and it stands head and
shoulders above the rest. Classic black and white, without seeming cliché. Well styled.”
Ruth: “You know, I’m a storyteller. I love to look at pictures that tell a story. They’re fun to
look at. It’s intriguing to find out what’s going on. And the photographer did a nice job here.
Clearly, it wasn’t a one-off shot, because he or she took a couple of pictures. I would guess
the photographer is a professional; very much aware of what he or she is doing. I was very
intrigued, indeed. I prefer picture stories. I think it’s very funny when somebody does this
type of thing. I’m much more drawn into a picture if I have the impression there’s real life
behind it. You get a kind of inside view of people’s lives. That’s much more interesting to me
than a staged photo. This touches my job. We do mainly picture stories. Storytelling through
photography.”
Nick: “Of all the individual pictures I’ve seen – i.e. not including the series – this one tells the
longest story. There’s a lot going on here; it really holds my attention. A beautiful shot. If I had
a second choice, it would be the black and white series of the houses, which is really my style.
Absolutely decisive, perfectly executed. Sharp lines. There’s something emotional about it.”
Kai Uwe: “I love the funny situation depicted here. One dog is biting the other. Normally,
this could be traumatic. But the dog looking into the camera seems bored, like he doesn’t
mind what the other dog is doing. It’s really comical. Shows the photographer’s sharp eye.
And I like the composition.”
Dennis: “This photo is somewhat abstract. You’re not sure if it’s a caravan or perhaps a car.
Maybe it’s a site where a caravan once stood. I assume we’re looking inside the caravan.
But I’m not sure of that either. It’s so simple and so weird. It looks like it was cut out of cardboard.
It touches me somehow. It’s really quite peculiar. And very abstract. It kind of stands out.”
Marc: “This is simply a beautiful, playful, sensual play of lines, diagonals, structures, light,
shadow, composition, tonalities. The use of light and shadow reminds me of the work of
Edward Weston. As does the subject, showing part of a naked body. The photo is sexy. I think
it’s a great shot.”
alek bruessingalice wolfsebo fratermanerik van gurpfred van 't slothenri blommersilya van marlejaap vliegenthartjanneke luursemajansje klazingajeroen hofmanjimmy nelsonjochem sandersjoris ten boschkrijn van noordwijklinda jansenlucia ganievamaarten woutersmarc driessen
marcel christmarco kuismarco van middelkoopmartijn de vriesmaurice heesenmaurits giesenmerel van beukeringmerel zwartmirella sahetapymirjam brinkhofpolle aubertrenée zindlerrobbert jan de witteroel van lanensimon warmersonja de riddertara fallauxtobias reymondwendelien daan
248 249
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membersmembers
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250 251
crediTs
documentary & life commissioned
Page 16Name robbert jan witteAgency ksmClient nissan
Page 17Name robbert jan witteAgency ksmClient nissan
Page 18-19Name jeroen hofmanAgency riscClient risc flack nutecLocation maasvlakte rotterdam
documentary & life non commissioned
Page 22-23Name martijn vriesLocation napoli
interior & exterior commissioned
Page 34-35Name jansje klazingaClient nobilesLocation voormalig hoofdkantoor elsevier
Page 36-37Name jaap vliegenthartAgency adk europeClient nbc
Page 42-43Name jimmy nelsonLocation tanzania
interior & exterior non commissioned
Page 54-57Name erik gurpLocation portugal
Page 68-70Name ebo fratermanLocation hong kong
lifestyle & fashion commissioned
Page 80-81Name maurice heesenAgency fitch londonClient vodafoneLocation st. paul – spainPage 82-83Name wendelien daanAgency meClient panl
Make up cindy broekhuisModel sabina, hoo models
Page 84-89Name alek bruessingClient railsStyling frances levolegerMake up fedde hoekstraLocation vondelparkModel larissa
lifestyle & fashion non commissioned
Page 92-93Name wendelien daanMake up kathinka gernantLocation amsterdamModel heleen, tony jones
Page 98Name mirella sahetapyDesign studio mirella sahetapyFashion editor mirella sahetapyStyling mirella sahetapyMake up esther goldsteinModelmaker skin model agencyModel marijeCasting mirella sahetapy
people & portraits commissioned
Page 112-113Name tara fallauxClient circe films, calimuchoLocation circus harlekino, holland
Page 114-115Name krijn noordwijkFashion editor hilde kreuzeClient dik magazine
Page 116-121Name alice wolfsAgency winQ magazineModel aristide von bieneveldtCasting writer
Page 122Name ilya marleModel f. vrenkel
Page 124Name ilya marleClient volkskrant banen
Page 126-131Name simon warmerAgency eigen fabrikaatClient autotrackStyling simone jayMake up gerry-an schetsCasting simone jay
people & portraits non commissioned
Page 132-134Name polle aubertLocation baarnModel elke
Page 140-146Name maurice heesenLocation buenos aires
Page 148-153Name maurits giesenStyling giesenleendersMake up giesenleendersLocation paris/giesenleendersModel giesenleenders
Page 158-160Name jochem sandersLocation Queens, ny, usaCasting streetcast
still life commissioned
Page 170-173Name marcel christAgency provider magazineStyling marcel van doorn
Page 174-177Name jaap vliegenthartClient mendo
Page 178-181Name marcel christAgency provider magazineStyling marcel van doorn
still life non commissioned
Page 182-185Name marcel christStyling marcel van doorn
studentwork
Page 200-201Name sonja ridderLocation zwembad beekhuizen te velp
Page 202-205Name marco kuisLocation amsterdamse bosModel paul de vries
Page 210-213Name roel lanenLocation belarus
250 251
crediTs
documentary & life commissioned
Page 16Name robbert jan witteAgency ksmClient nissan
Page 17Name robbert jan witteAgency ksmClient nissan
Page 18-19Name jeroen hofmanAgency riscClient risc flack nutecLocation maasvlakte rotterdam
documentary & life non commissioned
Page 22-23Name martijn vriesLocation napoli
interior & exterior commissioned
Page 34-35Name jansje klazingaClient nobilesLocation voormalig hoofdkantoor elsevier
Page 36-37Name jaap vliegenthartAgency adk europeClient nbc
Page 42-43Name jimmy nelsonLocation tanzania
interior & exterior non commissioned
Page 54-57Name erik gurpLocation portugal
Page 68-70Name ebo fratermanLocation hong kong
lifestyle & fashion commissioned
Page 80-81Name maurice heesenAgency fitch londonClient vodafoneLocation st. paul – spainPage 82-83Name wendelien daanAgency meClient panl
Make up cindy broekhuisModel sabina, hoo models
Page 84-89Name alek bruessingClient railsStyling frances levolegerMake up fedde hoekstraLocation vondelparkModel larissa
lifestyle & fashion non commissioned
Page 92-93Name wendelien daanMake up kathinka gernantLocation amsterdamModel heleen, tony jones
Page 98Name mirella sahetapyDesign studio mirella sahetapyFashion editor mirella sahetapyStyling mirella sahetapyMake up esther goldsteinModelmaker skin model agencyModel marijeCasting mirella sahetapy
people & portraits commissioned
Page 112-113Name tara fallauxClient circe films, calimuchoLocation circus harlekino, holland
Page 114-115Name krijn noordwijkFashion editor hilde kreuzeClient dik magazine
Page 116-121Name alice wolfsAgency winQ magazineModel aristide von bieneveldtCasting writer
Page 122Name ilya marleModel f. vrenkel
Page 124Name ilya marleClient volkskrant banen
Page 126-131Name simon warmerAgency eigen fabrikaatClient autotrackStyling simone jayMake up gerry-an schetsCasting simone jay
people & portraits non commissioned
Page 132-134Name polle aubertLocation baarnModel elke
Page 140-146Name maurice heesenLocation buenos aires
Page 148-153Name maurits giesenStyling giesenleendersMake up giesenleendersLocation paris/giesenleendersModel giesenleenders
Page 158-160Name jochem sandersLocation Queens, ny, usaCasting streetcast
still life commissioned
Page 170-173Name marcel christAgency provider magazineStyling marcel van doorn
Page 174-177Name jaap vliegenthartClient mendo
Page 178-181Name marcel christAgency provider magazineStyling marcel van doorn
still life non commissioned
Page 182-185Name marcel christStyling marcel van doorn
studentwork
Page 200-201Name sonja ridderLocation zwembad beekhuizen te velp
Page 202-205Name marco kuisLocation amsterdamse bosModel paul de vries
Page 210-213Name roel lanenLocation belarus
252 253
sPonsors sPonsors
corporate sponsors
a36Donker Curtiusstraat 51051 JL AmsterdamTel +31 (0)20 412 09 06Fax +31 (0)20 412 09 [email protected]
mattmoSpinhuissteeg 51012 CJ AmsterdamTel +31 (0)20 420 67 73Fax +31 (0)20 639 00 [email protected]
sony benelux bvSchipholweg 2751171 PK BadhoevedorpTel +31 (0)20 658 15 13Fax +31 (0)20 658 50 64info@sony. /nlwww.sony.nl
straight premediaKuiperbergweg 501101 AG AmsterdamTel +31 (0)20 751 19 70Fax +31 (0)20 751 19 [email protected]
general sponsors
avnetInsulindelaan 1345613 BT EindhovenTel +31 (0)40 265 93 13Fax +31 (0)40 265 93 [email protected]
eyes on mediaBasisweg 451043 AN AmsterdamTel +31 (0)20 5858222Fax +31 (0)20 [email protected]
het licht Duivendrechtsekade 85 b1096 AJ AmsterdamTel +31 (0)20 630 48 00Fax +31 (0)20 630 48 [email protected]
magic Hygieastraat 101076 RM AmsterdamTel +31 (0)20 575 46 80Fax +31 (0)20 575 46 [email protected]
modderman drukwerkKeizersgracht 758 hs1017 EZ AmsterdamTel +31 (0)20 618 23 01Fax +31 (0)20 618 22 [email protected]
additional sponsors
bosch & bosch translations and copyKeizersgracht 205
1016 DS AmsterdamTel +31 (0)20 646 31 32Fax +31 (0)20 646 52 [email protected]
dekeijzernipius & co Paasheuvelweg 161105 BH Amsterdam Z.O.Tel +31 (0)20 564 60 00Fax +31 (0)20 564 60 [email protected]
klomps & boor risicobeheerSingel 17411 HV DeventerTel +31 (0)570 69 17 77Fax +31 (0)570 69 17 [email protected]
lucas van doornBloemgracht 1261015 TP AmsterdamTel +31 (0)20 422 31 69Fax +31 (0)20 622 40 [email protected]
name modelsWestermarkt 2 D1016 DK AmsterdamTel +31 (0)20 638 12 17Fax +31 (0)20 638 51 [email protected] www.namemodels.nl
vertical vision internationalFlevolaan 221382 JZ WeespTel +31 (0)294 48 43 60Fax +31 (0)294 48 27 [email protected]
PANL greatly appreciates the assistance and support of all its volunteers, without whom the exhibitions, this book and many other activities would never been accomplished
252 253
sPonsors sPonsors
corporate sponsors
a36Donker Curtiusstraat 51051 JL AmsterdamTel +31 (0)20 412 09 06Fax +31 (0)20 412 09 [email protected]
mattmoSpinhuissteeg 51012 CJ AmsterdamTel +31 (0)20 420 67 73Fax +31 (0)20 639 00 [email protected]
sony benelux bvSchipholweg 2751171 PK BadhoevedorpTel +31 (0)20 658 15 13Fax +31 (0)20 658 50 64info@sony. /nlwww.sony.nl
straight premediaKuiperbergweg 501101 AG AmsterdamTel +31 (0)20 751 19 70Fax +31 (0)20 751 19 [email protected]
general sponsors
avnetInsulindelaan 1345613 BT EindhovenTel +31 (0)40 265 93 13Fax +31 (0)40 265 93 [email protected]
eyes on mediaBasisweg 451043 AN AmsterdamTel +31 (0)20 5858222Fax +31 (0)20 [email protected]
het licht Duivendrechtsekade 85 b1096 AJ AmsterdamTel +31 (0)20 630 48 00Fax +31 (0)20 630 48 [email protected]
magic Hygieastraat 101076 RM AmsterdamTel +31 (0)20 575 46 80Fax +31 (0)20 575 46 [email protected]
modderman drukwerkKeizersgracht 758 hs1017 EZ AmsterdamTel +31 (0)20 618 23 01Fax +31 (0)20 618 22 [email protected]
additional sponsors
bosch & bosch translations and copyKeizersgracht 205
1016 DS AmsterdamTel +31 (0)20 646 31 32Fax +31 (0)20 646 52 [email protected]
dekeijzernipius & co Paasheuvelweg 161105 BH Amsterdam Z.O.Tel +31 (0)20 564 60 00Fax +31 (0)20 564 60 [email protected]
klomps & boor risicobeheerSingel 17411 HV DeventerTel +31 (0)570 69 17 77Fax +31 (0)570 69 17 [email protected]
lucas van doornBloemgracht 1261015 TP AmsterdamTel +31 (0)20 422 31 69Fax +31 (0)20 622 40 [email protected]
name modelsWestermarkt 2 D1016 DK AmsterdamTel +31 (0)20 638 12 17Fax +31 (0)20 638 51 [email protected] www.namemodels.nl
vertical vision internationalFlevolaan 221382 JZ WeespTel +31 (0)294 48 43 60Fax +31 (0)294 48 27 [email protected]
PANL greatly appreciates the assistance and support of all its volunteers, without whom the exhibitions, this book and many other activities would never been accomplished
254 255
coloPhon
photographer panl jury The PANL jury Vincent Kruijt
jury members Dennis Baars (NL) Ruth Eichhorn (D) Marc de Groot (NL) Kai Uwe Gundlach (D) Julia Llamas (NL) Nick Meek (UK) jury report Pim Milo
panl board members Eugene Bay (Chairman) Frank Deelstra (Treasurer/secretary) Ton Damen Edo Kars Annemiek Klijn Vincent Kruijt Maarten Modderman Carlfried Verwaayen Manon van der Zwaal publisher Photography Association of The Netherlands (PANL) office manager Laura Marsproject manager Jacqueline van Stiphout
Nieuwe Kerkstraat 20 1018 EB Amsterdam Phone +31 20 4893154 Fax +31 20 4893155 [email protected] www.panl.nl
concept & design, Mattmo concept | design, Amsterdameditorial production www.mattmo.nlinterviews
photographer interviews Vincent Boon
print production Modderman Drukwerk, Amsterdam www.modderman.nl
translation Bosch & Bosch Translation and Copy Amsterdam www.boschbosch.nl
lithography Straight Premedia www.straightpremedia.nl
print Thieme, Amsterdam www.thiemeamsterdam.com
Therefore Mattmo is sponsoring PANL by giving strategic advice followed by the concept and design of the website, the awards night presentation and this book.
Copyright 2008. The Photographers Association of the Netherlands, PANL The copyright of the individual photographs in this book remains with the photographers or clients credited, unless otherwise stated.
The compilation of the photographs is subject to the copyright of The Photographers Association of the Netherlands.
All rights reserved. No part of this book may be reproduced in any other form by print, photoprint or any other means without prior written permission from publisher.ISBN/EAN 978-90-806287-8-6
255
254 255
coloPhon
photographer panl jury The PANL jury Vincent Kruijt
jury members Dennis Baars (NL) Ruth Eichhorn (D) Marc de Groot (NL) Kai Uwe Gundlach (D) Julia Llamas (NL) Nick Meek (UK) jury report Pim Milo
panl board members Eugene Bay (Chairman) Frank Deelstra (Treasurer/secretary) Ton Damen Edo Kars Annemiek Klijn Vincent Kruijt Maarten Modderman Carlfried Verwaayen Manon van der Zwaal publisher Photography Association of The Netherlands (PANL) office manager Laura Marsproject manager Jacqueline van Stiphout
Nieuwe Kerkstraat 20 1018 EB Amsterdam Phone +31 20 4893154 Fax +31 20 4893155 [email protected] www.panl.nl
concept & design, Mattmo concept | design, Amsterdameditorial production www.mattmo.nlinterviews
photographer interviews Vincent Boon
print production Modderman Drukwerk, Amsterdam www.modderman.nl
translation Bosch & Bosch Translation and Copy Amsterdam www.boschbosch.nl
lithography Straight Premedia www.straightpremedia.nl
print Thieme, Amsterdam www.thiemeamsterdam.com
Therefore Mattmo is sponsoring PANL by giving strategic advice followed by the concept and design of the website, the awards night presentation and this book.
Copyright 2008. The Photographers Association of the Netherlands, PANL The copyright of the individual photographs in this book remains with the photographers or clients credited, unless otherwise stated.
The compilation of the photographs is subject to the copyright of The Photographers Association of the Netherlands.
All rights reserved. No part of this book may be reproduced in any other form by print, photoprint or any other means without prior written permission from publisher.ISBN/EAN 978-90-806287-8-6
255
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TARA FALLAUXwww.panl.nl
+31 626120180
TARA FALLAUXwww.panl.nl
+31 626120180
ILYA VAN MARLEwww.panl.nl
+31 626358146
ALICE WOLFSwww.panl.nl
+31 617236468
POLLEAUBERTwww.panl.nl
+31 10 4332803
SIMON WARMERwww.panl.nl
+31 653488494
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MAURITS GIESENwww.panl.nl
+31 653831326
MAURITS GIESENwww.panl.nl
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TOBIAS REYMONDwww.panl.nl
+31 652540248
TOBIAS REYMONDwww.panl.nl
+31 652540248
JOCHEM SANDERSwww.panl.nl
+31 648766518
TOBIAS REYMONDwww.panl.nl
+31 652540248
TOBIAS REYMONDwww.panl.nl
+31 652540248
MIRJAM BRINKHOFwww.panl.nl
+31 650955829
MAURICE HEESENwww.panl.nl
+31 624633142
MAURICE HEESENwww.panl.nl
+31 624633142
EBOFRATERMANwww.panl.nl
+31 653344548
JAAPVLIEGENTHARTwww.panl.nl
+31 655162183
MARCEL CHRISTwww.panl.nl
+31 654295484
EBO FRATERMANwww.panl.nl
+31 653344548
MARCEL CHRIST
MARCEL CHRIST
MARCEL CHRIST
MARCEL CHRIST
JAAP VLIEGENTHART
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www.panl.nl www.panl.nl www.panl.nl
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+31 654295484 +31 654295484 +31 654295484
+31 655162183
MARCEL CHRISTwww.panl.nl
+31 654295484
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FREDVAN 'T SLOTwww.panl.nl
+31 622656801
ROEL VAN LANENwww.panl.nl
+31 614437511
SONJADE RIDDERwww.panl.nl
+31 26 4422428
MARCO KUISwww.panl.nl
+31 651422289
MEREL VAN BEUKERING www.panl.nl
+31 614911873
SONJA DE RIDDER
MARC DRIESSEN
HENRI BLOMMERS
MARC DRIESSEN
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BUMPERSTICKERS
2008
#17
2008 #17