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[1] Ehrlich, C. (1985). The Music Profession in Britain since the Eighteenth Century, A Social History. Oxford:

Oxford University Press.

[2] Davidson, J. and Jordan, N. (2007). '"Private teaching, private learning': an exploration of music

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[3] McPherson, G. E. and Gabrielsson, A. (2002). 'From Sound to Sign'. In R. M. Parcutt, G.E. (Ed.), The

Science and Psychology of Music Performance (pp. 99 - 116). Oxford: OUP.

[4] Ehrlich, C. (1985). The Music Profession in Britain since the Eighteenth Century, A Social History. Oxford:

Oxford University Press.

[5] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons. (p23)

[6] Golby, D. J. (2004). Instrumental Teaching in Nineteenth-Century Britain: Ashgate. (p96)

[7] Gellrich, M. and Parncutt, R. (1998). 'Piano Technique and Fingering in the Eighteenth and Nineteenth

Centuries: Bringing a forgotten Method Back to Life'. British Journal of Music Education, 15 (1), 5 - 23.

[8] Rohr, D. (1999). 'Women and the music profession in Victorian England: The Royal Society of Female

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[9] Golby, D. J. (2004). Instrumental Teaching in Nineteenth-Century Britain: Ashgate.

[10] Hildebrandt, D. (1988). Piano Forte A social history of the piano. (H. Goodman, Trans.). London:

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[11] Hildebrandt, D. (1988). Piano Forte A social history of the piano. (H. Goodman, Trans.). London:

Hutchinson. (p126)

[12] Rohr, D. (1999). 'Women and the music profession in Victorian England: The Royal Society of Female

Musicians, 1839 - 1866'. Journal of Musicological Research, 18 (4), 307 - 346.

[13] Golby, D. J. (2004). Instrumental Teaching in Nineteenth-Century Britain: Ashgate. (p8)

[14] Scholes, P. (1947). The Mirror of Music, 1844 - 1944. A Century of Musical Life in Britain as reflected in the

pages of the Musical Times. (Vol. 2). London: Novello and Company.

[15] Ehrlich, C. (1976). The Piano, A History. (Revised Ed.). Oxford: Clarendon Press.

[16] Scholes, P. (1947). The Mirror of Music, 1844 - 1944. A Century of Musical Life in Britain as reflected in the

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[17] Scholes, P. (1947). The Mirror of Music, 1844 - 1944. A Century of Musical Life in Britain as reflected in the

pages of the Musical Times. (Vol. 2). London: Novello and Company.

�REFERENCES

The Social History of Piano Teaching

PART 2

[18] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons. (p23)

[19] Golby, D. J. (2004). Instrumental Teaching in Nineteenth-Century Britain: Ashgate. (p96)

[20] Ehrlich, C. (1985). The Music Profession in Britain since the Eighteenth Century, A Social History. Oxford:

Oxford University Press.

[21] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons. (p47)

[22] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons. (p298)

[23] Curwen. (1886). Mrs Curwen's Pianoforte Method. [Online]. Available at: http://www.archive.org/details/

teachersguidecur00curwuoft. [Last accessed 28/3/10].

[24] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons.

[25] Fisher, H. (1888). The Musical Profession. London: J Curwen and Sons. (p300)