percent for art annual report 2013-2014 - dca.wa.gov.au arts and culture/spaces a… · this year...

Western Australian State Government Percent for Art Scheme

Annual Report 2013–2014

Department of Culture and the Arts Gordon Stephenson House 140 William Street Perth WA 6000

Telephone: +61 8 6552 7300

Toll Free (country WA callers only): 1800 199 090

Email: [email protected]

Website: www.dca.wa.gov.au

Building Management and Works Department of Finance Optima Centre 16 Parkland Road Osborne Park WA

Telephone: +61 8 6551 1600

Email: [email protected]

Website: www.finance.wa.gov.au/works

Cover image: Kalgoorlie Courthouse courtyard sculptures by Tim Macfarlane Reid. Photo by Travis Anderson and Malcolm McGregor. Commissioned by the Department of the Attorney General.

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Every effort has been made to ensure that this publication is free from error and/or omission at the date of printing. The authors, publisher and any person involved in the preparation of this publication take no responsibility for loss occasioned to any person or organisation acting or refraining from action as a result of information contained herein.

This publication is current at August 2014.

© Department of Culture and the Arts (WA), Department of Finance (WA).

All rights reserved.

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mailto:[email protected]

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The State Government Percent for Art Scheme (the Scheme) was established in 1989 with two key objectives:

— to improve the quality of the built environment and value of public facilities; and

— to create new economic opportunities for Western Australian artists.

The Scheme achieves these objectives by using an allocation of a percentage (up to 1 percent) of the estimated total cost of the State’s capital works and major infrastructure projects for public art.

Since commencing the Scheme, more than 538 separate projects have been commissioned.

Western Australian State Government Percent for Art Scheme

Annual Report 2013–2014

Department of Culture and the Arts / Department of Finance

1

Image above: Kalgoorlie Courthouse courtyard sculptures by Tim Macfarlane Reid. Photo by Travis Anderson and Malcolm McGregor. Commissioned by the Department of the Attorney General.

Annual Report 2013-14

2

4 Message from the Director General Department of Culture and the Arts

6 Message from the Director General Department of Finance

15Executive summary

19Management structure

21Scheme operational statistics

24Focus projects

33Appendix 1 – New commissions

Contents


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This year the Western Australian Percent for Art Scheme celebrates a significant milestone; twenty five years of successful operation, making it the longest running scheme of its kind in Australia.

Since the Scheme’s inception over 538 projects have been completed, creating a community gallery that stretches across WA that brings art into our everyday experience and has established itself as a major employer of artists.

The Scheme however represents much more than financial support for the artist. It offers a variety of artistic opportunities that may otherwise be limited, such as the ability to create work at large scale or to collaborate with a broad range of people including local communities, fellow artists, and architects.

Just as significantly the Scheme gives artists the opportunity to engage with an audience far wider than those who frequent art galleries. Over the last 25 years these opportunities have inspired artists to extend their art practices to create some truly remarkable art.

The Scheme is managed through the active partnership between Department of Culture and the Arts (DCA) and Building Management and Works (BMW) that encourages public art across all government departments and agencies. This year saw the signing of a new Memorandum of Understanding between the partners, agreeing on focus areas to ensure the continued effective delivery and relevance of the program.

As the Scheme’s reputation has continued to grow it has been used as a best practice model locally and nationally and as a template by private developers and local government authorities eager to engage with art in the public domain. It has been gratifying to see more government departments and agencies such as the Metropolitan Redevelopment Authority, Department of Housing, and Main Roads WA adopt Percent for Art schemes and similar public art initiatives.

Perhaps the best indicator of the success of the Scheme is the quality and variety of artwork which is so evident in this publication. Congratulations to all those who have made the Scheme a success over the past 25 years, in particular the artists, the art coordinators who manage the projects, and the agencies who commission and embrace the program. I look forward to seeing many more engaging and challenging artworks being added to our community gallery for the benefit of all Western Australians in the years to come.

Duncan Ord

Director General Department of Culture and the Arts

Message from the Director General Department of Culture and the Arts


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Image above: L-R, Arif Satar, Jason Hirst, Beatrice Masia, Audrey Fernandes-Satar.

Image above right: L-R, Elizabeth Spencer and Judith Forrest.

Image right: L-R, Andra Kins, Anne Neil, Maggie Baxter, Paola Anselmi.

Photos by Richard Jefferson.

Artists, Art Coordinators,

and clients attend

the 25th Year

Celebration event


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The Percent for Art program continues to be a stand out example of a successful government approach that enhances the built environment for all West Australians. This year marked the 25th year of the Percent for Art Scheme, which since inception has seen more than $46 million used to commission works from 530 artists.

During the past year, the Department of Finance has continued its strong collaborative working relationship with the Department of Culture and the Arts, which in conjunction with the joint operating structure established between the departments ensures the continued effective delivery of the program.

The Percent for Art Scheme continues to build the capacity of the local arts community to provide public art for both private and public forums. The works commissioned under the Scheme not only complement the built environment, but bring contemporary art into daily lives while creating opportunities for Western Australian artists.

During 2013-14 the Department of Finance, Building Management and Works commissioned 15 new art works valued at $2.2 million. The Department’s expenditure on art works in progress during the year was $3.7 million. These works engaged a wide range of government departments including Health, Education, Housing and the Department of the Attorney General. Regional projects again featured strongly this year, with several projects in the North West commissioning local Indigenous artists.

I would like to thank all those involved in the success of the Percent for Art Scheme, including our partners at the Department of Culture and the Arts, the dedicated project staff at Building Management and Works and the art coordinators who continue to make it all possible.

Anne Nolan

Director General

Department of Finance

Message from the Director General Department of Finance


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Image above: L-R, Gary Giles, Helen Curtis and Barry McGuire.


Artists, Art Coordinators,

and clients attend

the 25th Year

Celebration event


7

Percent for Art Scheme

Image right: L-R, David McLoughlin and Janet Yeap.


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Nullagine

Ravensthorpe

Boddington

Dalyellup

Australind

Safety Bay

Greenough

Yanchep

KIMBERLEY

GOLDFIELDS-ESPERANCE

WHEATBELT

MID WEST

GASCOYNE

PILBARA

PEEL

GREAT SOUTHERN SOUTH WEST

PERTH

Over 200 contributors to the Scheme including artists, art coordinators, architects and project clients came together in May to celebrate 25 years of the Scheme and reflect on its achievements. The event was held at the State Theatre Centre of WA and featured guest speakers, including artist Judith Forrest and Art Coordinator Malcolm McGregor.

Celebrating25 Years

Since the Scheme’s inception in 1989, 538 projects have been completed throughout the State creating a community gallery that stretches across WA and brings art into our everyday experience. The following pages indicate some of the main areas of activity and the diverse range of art that has been created over the past 25 years.

Celebrating 25 Years 9


Primary schools

Artists and architects work

with school communities

to leave a lasting legacy

of inspiration, identity

and quality of learning

environments

Image right: ‘School Stories’ by Judith Forrest, 2011. Aubin Grove Primary School. Photo by the artist. Commissioned by the Department of Education.

Image below: ‘Gryphon’ by Tony Pankiw, 2010. Lockridge Primary School. Photo by the artist. Commissioned by the Department of Education.

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Celebrating 25 Years

Hospitals and health

Inspiring child-friendly sculptures, sophisticated large

scale interior works and way-finding landmarks help

humanise and energise health care facilities in ways

that benefit patients, visitors and workers

Image top: ‘Fizz’ by Stuart Green, 2013. New Children’s Hospital Nedlands. Photo by Ben Price. Commissioned by the Department of Health.

Image right: ‘Lawn Mower’ by Anne Neil, 2013. Fiona Stanley Hospital. Photo by Michael Wearne. Commissioned by the Department of Health.

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Police and justice

Art brings important meanings of

community service and place to police

stations and justice centres in the most

urban or remote locations

Image right: ‘Tree Form’ by Robert Juniper (b.1929 d.2012), c.1992. Commonwealth Law Courts Perth. Photo courtesy of the Department of Culture and the Arts archives.

Image below: Artwork at Cannington District Police Complex by Jon Tarry assisted by Nicholas Compton Merrick Belyea and Lorenna Grant, 1998. Photo by Roel Loopers. Commissioned by the Western Australian Police Station.

Image far right: ‘Vision Screen’ by Rick Vermey, 2012. Rossmoyne Senior High School. Photo by the artist. Commissioned by the Department of Education.

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Secondary schools and training

Artwork at secondary

schools and specialised

training facilities

reflects ambition and

motivation, and raises

awareness of identity

through specialised skills

development and pride

in learning


Artists at work

Since the Scheme’s inception more than

400 artists have applied their creative

practice to delivering 538 projects

across the State, worth $46 million to

the economy

Working alongside these artists are fabricators, architects, suppliers, project managers and communities, whose collective skills and stories create quality public buildings and spaces throughout Western Australia.

Image top: Rangeview Juvenile Detention Centre works in progress c.1995. Artist Gina Moore with Liz Gibbs. Photo courtesy of the Department of Culture and the Arts archives. Commissioned by the Department of Justice.

Image middle left: Gomboc Sculpture Park workshop, c.1995. Works in progress for Rangeview Detention Centre. Photo courtesy of the Department of Culture and the Arts archives.

Image middle right: Forbes and Fitzharding c.1995. L-R, Sally Douglas, Susan Kendrew and Gary Giles. Photo courtesy of the Department of Culture and the Arts archives.

Image bottom: Stuart Green preparing wall relief with optic fibre clock, c. 1995. Warnbro Community High School. Photo courtesy of the Department of Culture and the Arts archives. Commissioned by the Department of Education.

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2013 – 2014 Financial year

24 Projects completed

15 New projects

Money allocated to new projects

$2.2 million

Expenditure on works in progress $3.7 million

11 Regional and remote projects

13 Metropolitan Perth projects

Lifetime of the Scheme

538 Projects completed

Money allocated

$46 million

The Western Australian State Government Percent for Art has much to celebrate in its 25th year of operation with over $46 million allocated to 538 artwork projects over its lifetime.

Executive summary

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This year saw more State authorities delivering major public art projects based on the principles of the Western Australian Government Percent for Art Scheme, leading to a further increase in community engagement with art in the built environment. Many of these projects are part of the Government’s new infrastructure program, ‘The Bigger Picture’ to transform Perth into a more vibrant, connected city – and public art is playing a critical role in this process.

The Fiona Stanley Hospital completed 10 significant art projects this year while the new children’s hospital is in the process of installing works. The hospital’s striking artwork ‘Fizz’ by Stuart Green is fast becoming an iconic landmark along Winthrop Avenue, Nedlands. The Perth Airport and Freight Access Project will include major Indigenous artworks marking this main gateway to our State. These are but a few of the projects in The Bigger Picture that will benefit from public art and WA can look forward to seeing more art projects emerge as these capital city projects are completed.

The Department of Education is a well-established participant in the Scheme being responsible for over half the completed projects this year. The collaboration between artists and the school communities supports the Government’s mandate of quality design for the learning environment and the creative engagement with our children and young people.

Department of Culture and the Arts (DCA) and Building Management and Works (BMW) have dedicated resources to manage, promote and advocate for the inclusion of public art on capital builds. The Management Group meets on a quarterly basis to set future directions and develop strategies to implement jointly endorsed priorities.

Image previous page (detail) and above: ‘Grouped Cross Form-Vertical, Horizontal and Form Field’ by Stuart Green, 2013. Atwell Secondary College. Photo by the artist. Commissioned by the Department of Education.

Image right: ‘It’s Your Move’ by Denise Pepper, 2014. Oxford Foyer Project. Photo by the artist. Commissioned by the Department of Housing with Foundation Housing Ltd, Anglicare and Central Institute of Technology.

Executive summary

continued


16

This year also saw the signing of a new Memorandum of Understanding (MOU) between the partners, agreeing to focus on four key areas for the next five years, ensuring the continued strength and relevance of the scheme:

• Improve the involvement of Western Australian Indigenous artists and community

• Establish further evaluation processes and data collection

• Develop and implement an advocacy and communications strategy

• Develop budget and commissioning guidelines for Government for major public/ private builds.

Regardless of the project’s location, artists

continue to make public art that is engaging,

inspiring and reflects our diverse and unique

Western Australian community

DCA and BMW maintain websites that promote the Scheme. Along with project archives, the DCA website presents case studies on selected projects featuring evaluations of the artwork as well as client and artist feedback.

Through utilising such initiatives as the Government’s new Aboriginal Business Development Directory, the Scheme shows an ongoing commitment to increasing the representation of Indigenous artists and communities.


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Three projects using the Aboriginal Business Development Directory came to fruition this year, with the Kalgoorlie Courthouse, featured as a focus project, being an outstanding example. Strategies are in place for the next five years of the MOU to encourage Aboriginal participation more broadly.

The partnership continues its commitment to promoting public art across the State, with close to half of the projects completed this year in regional and remote locations. Regardless of the project’s location, artists make public art that is engaging, inspiring and reflects our diverse and unique Western Australian community.

Image right: ‘Constellation One’ by Pamela Gaunt, 2014. Foyer Oxford. Photo by Robert Firth. Commissioned by the Department of Housing with Foundation Housing Ltd, Anglicare and Central Institute of Technology.

Executive summary

continued

For further information on the Scheme and a summary of each project visit the following websites:

Department of Culture and the Arts www.dca.wa.gov.au/percentforart

Building Management and Works www.finance.wa.gov.au/cms/Building_Management_and_ Works/New_Buildings/Percent_for Art.aspx


_

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Management structure

The Management Group meets on a quarterly basis to review work and set future directions and strategies for implementation of jointly endorsed priorities. It aims to work towards agreement on the priorities and directions of the work program, including roles and responsibilities, review of key operational and strategic documents, implementation of priority recommendations and communications strategy.

In broad terms, Building Management and Works (BMW) implements the operational aspects of the Scheme and Department of Culture and the Arts (DCA) takes responsibility for advocacy and policy.

The key objectives of the Scheme are to:

• improve the quality of the built environment and value of public facilities and

• identify and create new professional and economic opportunities for WA artists.

All key documents used within the Scheme have now been reviewed and updated including the Guidelines and the Artists Commissioning Agreement.

The maintenance of the DCA and BMW websites are ongoing.

This year also saw the signing of a new Memorandum of Understanding between the partners, agreeing to focus on four areas for the next five years, ensuring the continued strength and relevance of the scheme:

• To improve the involvement of Western Australian Indigenous artists and community

• Establish further evaluation processes and data collection

• Develop and implement an advocacy and communications strategy for the Scheme’s sustainable development

• Develop guidelines for Government for major public/private builds.


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Art Coordinators Panel

The Art Services Panel provides Government with the services of ten consultant art coordinators who manage the art projects. They are the primary link between Building Management and Works, the commissioning agency, the community, the artists, the builder and the architect.

The Art Coordinators Panel meets quarterly with Department of Culture and the Arts and Building Management and Works to report on current commissions and to discuss issues of impact on artists, commissioning agents, and project management.

Scheme operational statistics

Operational statistics provide a snapshot of the year’s activity.

New commissions, total annual expenditure and project completions are the three measurements which provide information on how the Scheme is tracking and its contribution to both the arts sector and building industry. Typically, State infrastructure building projects take two to three years to complete and as such art projects and commissions can fall over more than one financial year.

New commissions During the 2013-14 financial year 15 building projects commissioned public art to the value of $2.22 million.

The average commissioned art budget was $148,204 with a range of budgets from $40,000 through to $375,000. The majority of art budgets were in the $100,000 – $150,000 range.

Appendix 1 provides a breakdown of new commissions for 2013-14.

Total annual expenditure During the 2013-14 financial year Building Management and Works made art budget payments on 99 projects in the construction phase to the value of $3,688,006.

Image left: (foreground) ‘Handle Me Gently’ by Olga Cironis, 2013. (background) ‘The sound of an orchid opening’ by Anne Neil, 2013. Fiona Stanley Hospital, Murdoch. Photo by Matt de Byl. Commissioned by the Department of Health.

Image right: ‘We live here too’ by Helen Clarke, 2013. Wandina Primary School. Photo by the artist. Commissioned by the Department of Education.


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completed and installed on site


Project completions

This year 24 projects were

KIMBERLEY

GOLDFIELDS

WHEATBELT

MID WEST

GASCOYNE

PILBARA

PEEL

GREAT SOUTHERN SOUTHWEST

METROPOLITAN PERTH

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Electronic brochures of the projects are available on the Department of Culture and the Arts and Building Management and Works websites. Each brochure contains essential information about the particular art project. New brochures are added regularly after projects are completed.

They can be viewed at:

Department of Culture and the Arts: www.dca.wa.gov.au/percentforart

Building Management and Works: www.finance.wa.gov.au/cms/Building_ Management_and_Works/New_Buildings/Percent_ for_Art.aspx

Esperance Residential College, Additions and Refurbishment Department of Education

Esperance Primary School Replacement Department of Education

South West Institute of Technology Automotive Training Facility Bunbury Department of Education

South Metropolitan Area Health Service Bunbury Department of Health

Treendale Primary School, Australind Department of Education

Broome Hospital, Mental Health Unit and Paediatrics Wing Department of Health

Carnarvon Community College Department of Education

Greenough Regional Prison Perimeter Upgrade Corrective Services

Wandina Primary School Department of Education

Kalgoorlie Health Campus Redevelopment, Stage One Department of Health

Kalgoorlie Courthouse Department of Justice

WA College of Agriculture- Narrogin Student, Accommodation and Services Department of Education

West Byford Primary School Department of Education

Atwell Secondary School Department of Education

Makybe Rise Primary School Baldivis Department of Education

Byford Secondary College Department of Education

Foyer Oxford, Leederville Foundation Housing

Albert Facey House, Perth Department of Finance

Queen Elizabeth II Medical Centre Car Park, Nedlands Department of Health

Perth Rectangular Stadium Department of Sport and Recreation

Bullsbrook College, Stage 2 Department of Education

Fremantle Hospital Ward V5 Department of Health

Yanchep Beach Primary School Department of Education

WA Comprehensive Cancer Centre – Stage 2, Sir Charles Gairdner Hospital Nedlands Department of Health


23

Albert Facey House The Albert Facey House artworks are an excellent example of artists responding to a particular brief for a specific location. The result is high quality public art that acts as a permanent art gallery within the heart of the city.

Focus projects


Image top: ‘The 6D City’ by Sohan Ariel Hayes, 2011. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.

Image bottom left: ‘Level field’ by Paul Caporn, 2012. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.

Image bottom right: ‘Carbon sun’ by Joshua Webb, 2013. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.


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Albert Facey House

Focus projects

Six artists; Paul Caporn, Ben Forster, Mike Gray, Sohan Ariel Hayes, Brad Rimmer and Joshua Webb were commissioned to develop work based on light, transparency, projection and photography. The brief evolved in response to the location, the walk way between William Street and Forrest Place. The space provided a shaded area within the inner city to support light based works throughout the day rather than only at night.

Each artist produced work that takes full advantage of the location while extending their individual artistic approach and concerns. The resulting ensemble is at once coherent and individually distinctive, making for an engaging experience for the viewer.


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Image top left: ‘Silo pinhole’ by Brad Rimmer, 1998. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.

Image top right: ‘Are we there yet?’ by Mike Gray, 2011. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.

Image bottom left: ‘281474976710656: The catalogue of forms iterated over time’ by Ben Forster, 2012. Albert Facey House, Perth. Photo by the artist. Commissioned by the Department of Finance.


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Kalgoorlie Courthouse The new Kalgoorlie Courthouse has reinvigorated a much-loved local landmark. The challenge in developing this complex was to restore the character of the original buildings while providing a modern courthouse that meets expectations for service and accessibility. Artworks for the new courthouse connect the complex to its architectural and cultural heritage.

Focus projects

Kalgoorlie Courthouse. Photos by Travis Anderson and Malcolm McGregor. Commissioned by the Department of the Attorney General.

Image top: Artist: Marlene Young.

Image right: Artists (in descending order): Jason Dimer, Dawn Ranger, Daniel Hume.

Image opposite page: Artists (in descending order): Wendy Boyle, Brent Johnston, Regina Donaldson, Valma Shultz.


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The stories that

the artworks tell

relate to the region

and the diversity of

language groups that

live there

Paintings and designs by Aboriginal artists from the Goldfields-Esperance region make a significant contribution to the public areas of the complex. The fourteen artists represent a vast area that extends to Esperance and the Northern Territory/South Australian borders. The stories that the artworks tell relate to the region and the diversity of language groups that live there.

The artworks give a sense of travelling across the region serviced by the courts. They depict waterholes, tracks, meeting places, ceremonies, animals, hunting and food gathering. Collectively, they act as narratives that provide insights into the rhythm of traditional Aboriginal life.


29

The courtyard sculptures, by Tim Macfarlane Reid, invite touch and interaction. They are robust forms that echo the free-flowing design of the landscaped courtyards. In the central courtyard the split circular form alludes to the concept underpinning the courts buildings – the bringing together of the Old and the New.

The weather-resist steel used in both sculptures complements the buildings and visually connects them to the Goldfields landscape.

More images on this project can be viewed on the DCA website.

Kalgoorlie Courthouse

Focus projects

Image top left: Artist: Marlene Young.

Image right and top opposite page: Artist: Tim Macfarlane Reid.


Artist Tim Macfarlane ReidI have been involved in the Percent for Art Scheme since 2011. After 20 years as a full time studio artist, it was a big adjustment working on a project for the Scheme. Malcolm McGregor was the Art Coordinator for the Kalgoorlie Courthouse project and did a great job facilitating the process.

This particular project was very rewarding as I especially like to create works that can be touched, embraced and interacted with – and this project encouraged this approach. The work is aimed at a varied audience, and I wanted it to be approachable, engaging and uniquely suited to the site and location.

Working on a series of projects for the Scheme since, I have enjoyed the challenges of creating site-specific artworks that are also an extension of my studio practice. The scheme has enabled me to make artworks on a larger scale and with a wider variety of materials, and has allowed me to expand my studio space significantly. It has also introduced me to the rewarding journey of working on large-scale projects with a team of professionals–architects, art consultants, engineers etc.

The ‘big adjustment’ has proven to be a great step forward for myself as an artist. I feel fortunate to be involved with the Scheme and the professional growth it has provided.

I especially like to

create works that can

be touched, embraced

and interacted with

Department of Culture and the Arts / Department of Finance 31

Commissioning agent Tina ArthurDepartment of the Attorney General

It was our requirement that the public art for the Kalgoorlie Courthouse express the identity and culture of the vast region that the courts service. We worked with the art coordinator to develop a brief to reflect this intention and are delighted with the results. The artwork plays an important role in unifying the old and new elements of the Courthouse which not only offers aesthetic harmony but signals a deep respect for the region’s past, present and future cultural identity.

The colour, texture and cultural significance of the twelve Aboriginal artworks in the public court waiting areas are captivating in their beauty, and lift the spirit of the admirer. The artwork design applied to the glass balustrade adds interest and maintains the light and airy feel of the architectural space, whereas the Tim Macfarlane Reid sculptures are sympathetic to the building’s materials while alluding to the Goldfields landscape.

Image top: Artist: Valm Shultz.


Appendix 1 – New commissions

Projects July 2013 – June 2014 Project Category

Construction Budget

Art Budget % spent on Art

Exmouth and Carnarvon Health Health $24,000,000 $105,000 0.66%

Carnarvon Health Health $54,000

WA Museum CRC Welshpool Culture and Arts $11,000,000 $74,000 0.67%

Cathedral and Treasury Precinct Redevelopment Strategic Projects $77,824,000 $299,999 0.39%

Lockridge Justice Centre Law and Order $4,506,532 $50,700 1.13%

Esperance Health Campus Redevelopment Stage 1 Health $20,000,000 $97,262 0.49%

Kalgoorlie Boulder Community High School Education $32,000,000 $320,000 1.00%

Byford High School Stage 2 Education $30,557,800 $305,000 1.00%

Pilbara Institute Education $4,060,000 $40,600 1.00%

Pundulmurra Health and Allied Services Training Facility Education $11,610,000 $116,100 1.00%

Karratha Electrical and Instrumentation Centre of Specialisation

Education $6,209,260 $62,092 1.00%

Annie’s Landing Primary School Education $115,000,000 $115,000 0.10%

Rivergums Baldivis Primary School Education $10,415,000 $104,150 1.00%

Trinity Primary School Education $10,415,000 $104,150 1.00%

Harrisdale Secondary College Stage 1 Education $45,565,249 $375,000 0.82%

$403,162,841 $2,223,053 0.55%

Department of Culture and the Arts / Department of Finance 33

‘Lift 3’ by Judith Forrest, 2013. Fiona Stanley Hospital Murdoch. Photo by the artist. Commissioned by the Department of Health.

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