petipa the person part i summer 2011
TRANSCRIPT
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The Age of PetipaPart 1: Marius Petipa
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Marius Petipa
March 11, 1818 – July 14, 1910
• Known as “the father of classical ballet”• Born in Marseilles, France• Moved to St. Petersburg, Russia in 1847• Choreographed more than 60 ballets
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Family history
• Jean Antoine Petipa (father) was a famous French dancer and teacher.
• Lucien Petipa (older brother) was a world famous dancer.
• At 7yrs old Jean began teaching Marius ballet.• Marius HATED it! (But he was talented.)
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Dance Scene of the 19th Century
• French was the international language• Famous dancers of the day: Marie Taglioni,
Fanny Elssler, Carlotta Grisi, Lucile Grahn, Fanny Cerrito
• Famed ballet masters: Jules Perrot, Filippo Taglioni, Arthur Saint Leon
• Famed teachers: Carlo Blasis, Enrico Cecchetti, Auguste Vestris
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Marie Taglioni
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Fanny Elssler
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Pas de Quatre
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Getting back to Marius…
• General education from Grande College in Brussels• Made performance debut in 1831 in father’s
production of La Dansomanie• Belgian revolution made family move to Bordeaux
then Nantes, where Petipa became a principal.• After touring North America, returned to Bordeaux
to continue dancing and begin experimenting with choreography.
• Partnered Carlotta Grisi in La Peri.
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Travels abroad
• Moved to Madrid, Spain • had a love affair with wife of Marquis de
Chateaubriand (member of French Embassy)• Challenged to a duel by Chateaubriand…• Promptly left Spain and never returned• 1847 moved to St Petersburg, Russia
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Russian Connection
• End of 17th century, Peter the Great evolves arts in Russia by inviting artists from other countries.
• 1738 Empress Anna begins the Imperial Ballet School.
• Most of the great European dancers performed in Russia.
• Taglioni’s partner, Christian Johanson, stayed as teacher and choreographer.
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Petipa In Russia
• Continued dancing, staging works and dabbling in choreography
• 1854 marries ballerina Maria Sergeyevna Surovshchikova
• 1858 retires form dancing, focuses energy on choreography
• Created A Regency Marriage, The Parisian Market, & The Blue Dhalia for wife.
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Politics of dance
• 1862 La Fille du Pharaon • Appointed company ballet master• 1869 replaces Saint-Leon as director of
Maryinsky• Established “ballet a grand spectacle”• 1882 married ballerina Lubova Leonidovna• Retired 1903 after The Magic Mirror failed
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Petipa’s impact on ballet
• Established Classical over Romantic by focusing on technical virtuosity rather than pantomime or dramatic expression
• Emphasized central role of the female ballerina and bravura steps of the male danseur
• Used elaborate stage designs and large casts• Created choreographic formula still used
today
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Petipa ballets
• Don Quixote• La Bayadere• Bluebeard• Cinderella• Raymonda• Harliquinade• Le Corsair
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Tchaikovsky ballets
• Pyotr Ilyich Tchaikovsky composed:• Swan Lake• Sleeping Beauty• The Nutcracker
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Sleeping Beauty 1890
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The Nutcracker 1892
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The Nutcracker (Sugarplum pas de deux)
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Swan Lake 1895
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Lev Ivanov
• February 1834- July 1901• Incredibly musical• 1852 joined Imperial Ballet under Jules Perrot• 1885 appointed assistant to Petipa at
Maryinksy Theater• In shadow of others throughout career
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Ivanov’s choreographic contribution
• Tendency towards Romantic over Classical • Petipa took full credit despite Ivanov’s
contribuions• Believed to have choreographed :– Sleeping Beauty romantic vision scene– Swan Lake Act 2– The Nutcracker (Petipa was sick, had to give credit)
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Changes and endings
• Early 1900s fashions and audience interests began shift away from Petipa’s Classical style
• 1903 Petipa creates The Magic Mirror under pressure to change… flopped miserably
• 1903 retired • 1906 Petipa’s memoirs are published; met with
criticism and attacks• 1907 moves to southern Russia because of bad health• 1910 dies