phil lit
TRANSCRIPT
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C. Period of Self Discovery and Growth(1925-1941)
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Jose Garcia Villa, the first to break away from the conventional forms and themes of Philippines poetry placed the Philippines on the literary map with the publication of the books in the U.S.
1. POETRY
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1925: The Philippines Writers Association was organized in Manila
1926: Manila: A collection of Verses by Luis Dato
1932: BAMBOO FLUTE by Marcelo de Gracia Conception
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1934: An English-german Anthology of Filipino poets by Pabio Laslo
1936: MY BOOK OF VERSES By Luis Dato1937: FIRST LEAVES by Rafael Zulueta da
Costa1939: NUANCES by Aurelio S. Alvero
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1940: LIKE THE MOLAVE AND OTHER POEMS by Rafael Zulueta da Costa
1940: MANY VOICES won second award in the commonwealth Literary Contest
1941: POEMS by doveglion: by Jose Garcia Villa
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Probably because of the incentive provided by publications like Philippine Free Press, The Graphic, The Philippine Magazine and college publications like the UP Literary Apprentice, poetry and the short story flourished during these times.
2. THE SHORT STORY(1925-1941)
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1927: Paz M. Benitez published her first anthology of Filipino short stories entitled FILIPINO LOVE STORIES
1929: Jose Garcia Villa published Philippines Short Stories
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1930: Jose Garcia Villa Mir-in-isa won first place in The Age Press short story writing contest.
1932: Zoilo M. Galang published his first volume of short stories entitled TALES OF THE PHILIPPINES.
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floridsentimental exaggeratedbombastic
CHARACTERISTICS OF THE SHORT STORIES DURING THESE TIMES
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a. Political, social reflective essays: through their newspaper columns the following became very popular: Federico Mangahas, Salvador P. Lopez, Pura S. Castrence, Vicente Albano Pacis, Ariston Estrada and Jose A. Lansang.
3. ESSAYS AND OTHER PROSE STYLES
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b. Critical essays were espoused by Salvador P. Lopez, I. V. Mallari, Ignacio Manlapaz, Jose Garcia Villa, Arturo B. Rotor, and Leopoldo Y.Yabes. An example of this is Maximo V. Soliven’s THEY CALLED IT BROTHERHOOD.
3. ESSAYS AND OTHER PROSE STYLES
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c. Personal or Familiar essays were written by F.B Icasiano ( Mang Kiko, ), Alfredo E. Litiatco, Solomon V. Arnaldo, Amando G Dayrit and Consuelo Gar ( Catuca).
3. ESSAYS AND OTHER PROSE STYLES
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1940: Salvador P. Lopez LITERAURE AND SOCIETY which s a collection of critical reflections and serious essays and which won first prize in the Commonwealth Literary Contest of 1940.
Some of the notable works during this time were:
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1940: Camilo Osias published THE FILIPINO WAY OF LIFE, a series of essays on the Filipino way of life as drawn from history, folkways, philosophy and psychology of the Philippines.
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1941: F.B. Icasiano were reprints of the best of icasiano’s essays in the Sunday Times Magazine under the column From My Nipa Hut. It is an essay of the common “tao” and is written with humor and sympathy.
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Aug. 16, 1941: Carlos P. Romulo had an editorial printed in the Philippines Herald. Entitled I AM A FILIPINO, it was reprinted in his book MY BROTHER AMERICANS in 1945 in New York by Doubleday and Co.
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In 1935, I.P.Caballero and Marcelo de Gracia Conception wrote about QUEZON.
In 1938, THE GREAT MALAYAN won a prize in the national contest by the Commonwealth of the Philippines. This was written by Carlos Quirino, the most famous biographer of the period. He also wrote Quezon, the Man of Destiny.
4. Bibliography 1925-1941
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In 194, I.V. Mallari’s The Birth of Discontent revealed the sensitive touch of a writer who in simple language was able to reveal his profound thoughts and feelings.
4. Bibliography 1925-1941
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Not much about history has been written by Filipino writers.In 1937, with regard to literary history, we can cite Teofilo del Castillo’s The Brief History of the Philippine Islands.
5. HISTORY
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The Philippines Free Press provided the first incentives to Filipino writers in English by offering prizes to worthwhile contributions. Other publications followed suit.
6. PUBLICATIONS
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Drama during this period did not reach the heights attained by the novel or the short story. The UP provided the incentives when they introduced playwriting as a course and established the UP literature.
7. THE DRAMA (1941)
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