philippine cinema in nation building
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Philippine Cinema in Nation Building. 1945-1969. Victory Joe (1946) Manuel Silos. Second Golden Age. After World War II, filmmakers went back to work with studios dominating the movie scene Established reliable standards for work, encouraging professionalism and love for the medium. - PowerPoint PPT PresentationTRANSCRIPT
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Philippine Cinemain Nation Building
1945-1969
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Victory Joe (1946) Manuel Silos
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Second Golden Age
After World War II, filmmakers went back to work with studios dominating the movie scene
Established reliable standards for work, encouraging professionalism and love for the
medium
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Gerardo De Leon
● Sisa (1951)● Noli Me Tangere (1961)● El Filibusterismo (1962)● Ifugao (1954)● The Moises Padilla Story (1961)● Hanggang sa Dulo ng Daidig (1958)● Huwag Mo Akong Limutin (1960)
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Noli Me Tangere
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Lamberto Avellana
● Anak Dalita (1956)● Badjao (1957)● Kundiman ng Lahi (1959)● Portrait of the Artist as a Filipino (1965)
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Lapu-Lapu, 1955
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Portrait of the Artist as a Filipino
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Manuel Conde
● Juan Tamad Goes to Congress (1959)● Genghis Khan (1950)● Juan Tamad Goes to Society (1960)● Ibong Adarna (1941)● Ikaw Kasi (1955)● Molave (1961)
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Ibong Adarna, 1941
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Gregorio Fernandez
● Malvarosa (1958)● Higit sa Lahat (1955)● Luksang Tagumpay (1956)● Heneral Gregorio del Pilar (1949)● Dagohoy (1953)
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Malvarosa
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Manuel Silos
● Biyaya ng Lupa (1959)● Biyaya● Tuloy ang Ligaya (1958)● Hagdanan ng Kalayaan
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Chat Gallardo
● Geron Busabos (1964)
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Studio System
SAMPAGUITAWomen pictures& Comic adaptations
LVNComedies & Swordplay
PREMIEREAction
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“Formula”
Formula-oriented movies to ensure easy accpetability among audiences who were thought
to be passive viewers seeking only to be entertained.
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LVN Movie Stars and Directors
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Breakdown of Studio System
Labor problems
Rise of indepentent producers
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Movie Stars and the “Hits”
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Mainstream Moviemaking
● Action Films -increased fight sequence● Melodrama -sentimental sarswela narratives● Bomba -melodrama celebrating sex urge● Comedy -slapstick● Horror -Christmas & Halloween● Musical -competition with TV
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Awards● Maria Clara Awards
● 1950-51● Manila Times Publishing Company● Best Picture & Best Performances
● Filipino Academy of Movie Arts and Sciences● FAMAS● May 31, 1953● “a picture should be judged in its totality as it strikes the
perceptual senses”● Formal aspects of filmmaking-scriptwriting, direction,
acting, cinematography, editing, sound and music
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Government Intervention
Cinema as a source of income
Heavy taxation
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Censorship
● Board of Review for Moving Pictures● 1940s
● Premiere's Ako Raw ay Huk, 1946● Philippine Constabulary intervention● Principle of prior censorship
● 1950s & 1960s● Crime and violence
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Publication
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Criticism
● 1960s● Philippine Studies● Bienvenido Lumbera's “The Tagalog Film and
the Logic of Irony”, 1962● The Manila Chronicle
● Nestor U. Torre, Behn Cervantes, Ishmael Bernal● Pilipino Reporter
● Reviewer for komiks magazine Clodualdo del Mundo Jr.
● Early 1970s
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Metro Manila Film Festival
1966Manila's Anniversary Day
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Resurgence of Nationalism
Increase in the number of reputable venues for Filipino movies to broaden the audience for local
films including college students and young professionals