photographic approach

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I I I I I I I I I I I I I I I I I I I I Archival Photographic Heritage Record The Pavilion, Manly Cove November 2004 Photographic Approach MArJL- This archival p/'loto!Japhic heritage record was undertaken at the request of John Codlington and partner at the Pavilion, Manly Cove in November 2004. the survey records the state and situation of the Pavi l ion, the old dressing sheds for the no longer Manly Baths. The survey concentrates on items of heritage si9nificance as outlined In the Conservation Management Plan prepared by Noel Bell , Ridley Smith in 2002. On such an extensive building it was difficult keeping to a coherent sequence of photographic takes, but generally we commenced with long shots from Manly Wharf and up behind the Pavilion on Longnose Point. we then circled the Pavilion anti clockwise before going inside. There were no problems of access. Inside the Pavinon many small room divisions now divide the spaces and contents are duttered. As these are quite recent and not of heritage significance we only photographed samples of typical areas. One or two rooms looked onginal and we took care to record these along with the fine architrave mouldings in the original entrance whidl is now the Dive office. The Recording has a lot of material relating to the original 'art deco' building furniture, such as the lamps, the drinking fountain blind arches, the flag poles, the dolphin capitals, unique terra cotta shark fin ror:I tiles and the glazed tile friezes alonQ the feature eastem side facing the beach at Manly Cove. There are eighty four B&W "fakes and thirty two Colour Slide Takes in this recording. A Black and White Take catak>9ue shows the Take Number,then in brackets which roll of the five rol ls of B&W negatives it comes from and the actual frame number of that negative. It also records what direction the camera faced and what the image is showing. Black & white Takes are numbered and are shown with place and direction on scale plans in back of the Recording. The scale plans are printed on Conqueror stock with arcnval pigment inks and are archival. The Proof Prints are also archival, being printed with the same archival, pigment inks from digital scans on archival matte paper. One advantage of this is the printed size which is large enough to read without enlargement. The Proof Pri nts are fully archival having a shelf life 01100 years or more without deterioration even on daily display. Please see www.wllheimresearch. C0fT7 All photography was with 35mm cameras. We used two 35mm Contax RX camera bodies wi th Carl Zeiss lenses 18mm f4, 25mm f2.8, 28mm f2.8, 50mm f1.7 and 100mm Macro f2 .8. We used a Sigma apochromatic 70 - 210 zoom on tripod for the long shots from Manly Wharf. Interior takes were all from tripod and one or two Metz C61 portable flash units were used as needed. A two metre scale stick marked in 10 em divisions was also displayed in a number of the takes to give a scale to the spaces.

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Page 1: Photographic Approach

I I I I I I I I I I I I I I I I I I I I

Archival Photographic Heritage Record The Pavilion, Manly Cove November 2004

Photographic Approach

Q12~ . l

MArJL-

This archival p/'loto!Japhic heritage record was undertaken at the request of John Codlington and partner at the Pavilion, Manly Cove in November 2004.

the survey records the state and situation of the Pavilion, the old dressing sheds for the no longer existi~ Manly Baths. The survey concentrates on items of heritage si9nificance as outlined In the Conservation Management Plan prepared by Noel Bell, Ridley Smith in 2002.

On such an extensive building it was difficult keeping to a coherent sequence of photographic takes, but generally we commenced with long shots from Manly Wharf and up behind the Pavilion on Longnose Point. we then circled the Pavilion anti clockwise before going inside. There were no problems of access.

Inside the Pavinon many small room divisions now divide the spaces and contents are duttered. As these are quite recent and not of heritage significance we only photographed samples of typical areas. One or two rooms looked onginal and we took care to record these along with the fine architrave mouldings in the original entrance whidl is now the Dive office.

The Recording has a lot of material relating to the original 'art deco' building furniture, such as the lamps, the drinking fountain blind arches, the flag poles, the dolphin capitals, unique terra cotta shark fin ror:I tiles and the glazed tile friezes alonQ the feature eastem side facing the beach at Manly Cove. There are eighty four B&W "fakes and thirty two Colour Slide Takes in this recording.

A Black and White Take catak>9ue shows the Take Number,then in brackets which roll of the five rolls of B&W negatives it comes from and the actual frame number of that negative. It also records what direction the camera faced and what the image is showing.

Black & white Takes are numbered and are shown with place and direction on scale plans in back of the Recording. The scale plans are printed on Conqueror stock with arcnval pigment inks and are archival.

The Proof Prints are also archival, being printed with the same archival, pigment inks from digital scans on archival matte paper. One advantage of this is the printed size which is large enough to read without enlargement. The Proof Prints are fully archival having a shelf life 01100 years or more without deterioration even on daily display. Please see www.wllheimresearch.C0fT7

All photography was with 35mm cameras. We used two 35mm Contax RX camera bodies with Carl Zeiss lenses 18mm

f4, 25mm f2.8, 28mm f2.8, 50mm f1.7 and 100mm Macro f2.8. We used a Sigma apochromatic 70 - 210 zoom on tripod for the long shots from Manly Wharf.

Interior takes were all from tripod and one or two Metz C61 portable flash units were used as needed.

A two metre scale stick marked in 10 em divisions was also displayed in a number of the takes to give a scale to the spaces.

Page 2: Photographic Approach

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Archival Photographic Heritage Record The Pavilion, Manly Cove November 2004

With Its fine arch colonnade and columns featuring 'dolphin' capitals, the Pavilion. once the change rooms for bathers at the Manly Baths, has many 'art deco' and quite unique features,. There are bronze lantems and elegant flag poles. The hipped and tiled roof forms with 'shark fin' finials and the glazed tile frieze under the eaves facing the beach are of high Significance as are the drinking fountain panels, with a shallow tiled arch and scroll moulding with glazed um atop ..

Page 3: Photographic Approach

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Conventional silver halide black & white fine grain film was used for all the monochrome Takes. It was developed rotating drums at 24° and washed normally. It was then re fixed in used fixer for 4 minutes and washed normally again. It was then steeped for 10 minutes in Ilford Wash Aid, which has fixer neutralisers. The film was then washed a further 20 minutes at 24° in fresh water with constant agitation. This fulfils the requirements specified by Ilford for archival processing.

Colour slides are Fuji Provia developed in a standard, monitored E6 process. All film was processed in-house. The clear polypropylene sleeves are archival quality, as it the grey satchel and the labels. Three copies Qf the Archival PhotographiC Heritage Record were produced.

Along with the proofs and documentation which they all have, the first copy contains the original black and white negatives and all four contain original Colour Slides.

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Archival Photographic Heritage Record The Pavilion, The Esplanade, Manly November 2004

Black & White Take Catalogue Take Direction Showing

exterior Takes and Setting BW 01 W Western headland Manly Cove, pool, Pavilion, environment BW 02 W Medium shot, Pavilion in context from Manly Wharf BW 03 S W Pavilion building from Esplanade BW 04 NE Pavilion building, looking from Longnose Point BW 05 NE Pavilion buildiF1Q, rooves and water BW 06 NE Pavilion on its ptles, standing out into the bay BW 07 E Rear of Pavilion extension near walkway, southern side BW 08 E Walkway beside southern side of Pavilion extension BW 09 S W Facade of the Pavilion building BW 10 WI up Detail, decorative period frieze under roof BW 11 WI up Detail, mouldings and frieze, soffit and windows BW 12 SI up Detail eX projections & contour treatment of Pavilion, bronze fittings BW 13 W Shortened walkway, south end of Pavilion extension

Details of the Pavilion and external fittings BW 14 W Detail, south end section of Pavilion eastern arcade facing the Baths BW 15 W Detail glazed terra cotta wall tile insert BW 16 S Detail, bronze wall bracket on eastern facade BW 17 W Detail blind round archway with glazed terra cotta and tile BW 18 W Detail glazed terra cotta fan light above drinking fountain BW 19 W Detail glazed tile pattern fountain surround BW 20 W Detail of base of original drinki~ fountain BW 21 S W Detail wall brackets for decoratiVe flagpoles BW 22 S W Detail, lower wall flagpole bracket BW 23 S W Detail top wall flagpOle bracket BW 24 N Arcaded walkway along eastern facade of Pavilion BW 25 SE Shell pattern bas relief on concrete fence post, iron railings BW 26 N Eastern facade walkway, archways, ciinking fountain BW 27 NE Colonnaded arches atfront of Pavilion BW 28 N W Bronze lantern side on, no glasses BW 29 N W Bronze lantern front on BW 30 E Arch under eastern facade of Pavilion, columns, wrought iron BW 31 E Detail of decorative wrought ironwork BW 32 W Detail dolphin motif on capital . BW 33 S W Detail oblique view of dolphin ~ital BW 34 W Detail northern section of main Pavilion facade, arches and columns BW 35 W Detail 16 petal chrysanthemum motif BW 36 W DetaU section eX Pavilion facade BW 37 S W Detail =ng flag pole bracket. main facade BW 38 W Three at original S1airs, under Pavilion, eastern facade BW 39 S Detail wrougn iron treatment stair hand rail and newel BW 40 NE Stairs hand rail, arches BW 41 N Stairway from entrance to restaurant at top BW 42 S Interior of restaurant, first floor eX Pavilion BW 43 S E Detail flag poles, ornamental pot and head of decorative section BW 44 S Arcades under main Pavilion, blind archway drinking fountain BW 45 S W Northernmost section of the Pavilion eastern facade BW 46 W Detail blind arch, flag poles and drinking fountain, north side

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Black & White Catalogue continued

Take Direction Showing BW 47 W Detail of head Of decorative panel with urn BW 48 S W Detail flag pole brad<ets on blind arch panel BW 49 W Section of modem office additions to north end of Pavilion BW 50 Sw North end of Pavilion building and extensiOns, cafe BW 51 E llie roof of Pavilion, aquarium behind BW 52 E llied hip tile roof shapes BW 53 S E Detail 'shark fin'terra cotta finial tile BW 54 E External wall, first floor at rear behind Water slide BW 55 S E External wall, first floor at rear, western side BW 56 E External wall, ground floor at rear, western side BW 57 S External wall, ground floor at rear, western side BW 58 N W External wall, windows, hip roof, first floor BW 59 NE External wall, windows, hip roof, first floor BW 60 NE Restaurant doors, northem end of the first floor of Pavilion

Ground floor Interiors BW 61 BW 62 BW 63 BW 64 BW 65 BW 66 BW 67 BW 68 BW 69 BW 70 BW 71 BW 72 BW 73 BW 74 BW 75 BW 76 BW 77 BW 78 BW 79 BW 80 BW 81 BW 82 BW 83 BW 84

NE Ground floor interior, original entry hall N Ground floor interior, Original entry hall S W Ground floor interior, oriQinal entry hall W Detail pIastef detaiHng with arch original entry hall N W Detail plaster arch and moulding at architrave, original entry hall W Detail of ceifing moulds and architrave original entJy hall N Detail of ceifing moulds and architrave original entry hall S W Detail of ceiHng moulds and architrave original entry hall N Detail pippi shell architrave mould over ventilator S Detail moulded capital, interior original entry hall S E Detail moulcled capital, interior original entry hall, ceiling beams S W Interior original ladies changing rooms, now dive training pool NE Interior original ladies changing rooms N Interior change room W Interior entrance doorways and passage N Interior original room W Interior original stairs, passage S W Interior store room NE Interior store room E Interior passage S Intenor present day office N W Intenor present day office NE Interior south westernmost room, extended Pavilion S E Interior present clay office

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BW 01 (1.2)

BW04(1 .14)

BW 07 (3.21)

BW 10 (1 .34)

BW02 (1 .1) BW 03 (1 .4)

BW 05 (1.15) BW 06 (1 .16)

BW09 (2.7)

BWll (1.35) BW 12 (2.15)

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BW 49 (2.18 BW 50 (2.21) BW 51 (2.33)

I BW 52 (5.33) BW 53 (5.34) BW 54 (4.15a) ...

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I I BW 55 (4.16a) BW 56 (3.23)

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I BW 58 (4.21 a) BW59 (3.25) BW 60 (4.24a)

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BW 61 (4.2a)

BW70 (3.34)

BW 62 (3.31) BW63 (3.26)

BW 65 (5.16) BW66 (3.35)

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BW68 (4.1a) BW 69 (3.32)

BW 71 (3.33) BW72 (4.3a)

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BW 73 (4.5a)

BW76 (3.4)

BW79 (3.1)

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BW78 (2.37)

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---­BW 25 (1.28)

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BW 29 (2.2)

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BW33 (5.28)

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BW 37 (2.16)

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• BW 43 (4.36)

BW 46 (2.9)

BW38 (2.22)

BW 41 (3.16) BW 42 (3.12)

BW 44 (2.10) BW 45 (2.20)

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BW 13 (1 .6)

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BW 14 (1 .9) BW 15 (2.13)

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