photography for beginners - issue 24, 2013
TRANSCRIPT
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nd us on
nd share your shots!
www.photoforbeginners.com
ssential guides for
Great shots with any cameNo. 1 for beginners
Cameraphone | Compact | DSLR | Compact System Camera |
GOLDENRULESFORBETTERSHOTS
CandPortrai
10FantasticProjectsearn new skills & try fun ideasCapture GreatWildlife Shotsop tips for amazing animal images
5
MASTEREXPOSURE
OWTOCOMPOSE KEEPINFOCUS BALANCECOLOURS
EASILY
STEP-BY-STEP
ONLINE SHARINGBack up photos and sendthem to friends & family
WEAK COLOURSdd a creative colour castr a truly fantastic effect
LATEST KIT RATEDThe best camera reviews,action kit and more inside
Tricks for natural s
ISSUE 024
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Learn the photo rules withPhotography for Beginners
WelcomeIssue 24
Welcome!Meet the team...
Annabelle SingPhotoshop expert
Annabelle designs themag and provides youwith editing advice toenhance your shots
Jo StassOur staff writer Jo ison hand to give youthe best tips andshooting tricks toimprove your images
Ella CarterElla is our residentwordsmith, here tomake our tutorials assimple as possible for
you to follow
For more great photo tips, head tophotoforbeginners.coet in touch with us Ask questions, leave feedback on the magazine or share your shots via the following social s
For more great photo tips, head to photoforbeginners.co
@PFBMag PFBMag PFB Magazine [email protected] photoforbeginners
There are rules that every good photographer knows, so
we are here this issue to let you in on the secret.Turn
to p54 to discover the best tips for stronger shots, and
how to break them so you stand out from the crowd!
This issue we also have a Beginners Guide to WildlifePhotography on p22, fantastic water projects on p32
and great ways to edit shots starting on p60. Inside
youll also find some amazing sharing ideas, from
using on Nikons new storage website on p78 to
creating animations from your stills on p80!
Whether you stick rigidly to the imaging
rules or decide to go your own way, weve
got all the tips and tricks you need to
take your shooting to the next level.
I hope you enjoy this issues projects
and features.
Amy SquibbEditor
Follow us at @PFBMag
Hayley PaterekDigital Photographer
features editor Hayleybreaks things downand gives great advicein Camera School
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ContentsIssue24
CAMERA SCHOOLearn how to use yourcamera and take yourbest photos ever!
Get to know your camera
5 golden photo rules
How geotagging works
Practicalstartersection!p52
Shutter speed:The
time your shutter isopen for, in seconds
Cameraphone:
Smartphones thatare always with you
Compact: Small,
low-cost and easy-to-use cameras
Compact system
camera:Good imagequality, lightweight
Aperture: The depth
of field of an image,as an f-number
4
22Tips for tracking wildlife, setting up and shootingtechniques to get your best-ever animal images
Wildlife
photography
Beginners guide to
32 10 waterprojectsHow to take amazing images and
learn new skills with our fun ideas
Discover the
perfect wildlife
settings and
camera skills
Essentials06Your photos
A showcase of photos sent in by PFB
readers for you to be inspired by
11How to share your photosDiscover the best ways to share your
photographs with the PFBteam
12Readers ChallengeWin some slideshow software by getting
involved in our monthly shooting
challenge
14Need to knowLearn about the latest kit and join in our
debate over black-and-white methods
18Ask the teamYour questions answered and problems
solved by our panel of photo experts
4410 great images of plant lifeCapture great shots of flowers and
leaves using our tips and inspirational
photos
72Subscribe!Save money on your copy of Photography
for Beginnerswith our exclusive offer
84Camera reviewsThe latest models get rated, from a
full-frame DSLR to some great compacts
94Accessory reviewsFind out our recommended kit for action
and a group test of remote releases
98The great photo huntSend us your photos using natural light
and win a Forex print of one of your
shots!
Edit with Facebooks appShoot, edit and share shots in one go on p68
DSLR:Usually more
expensive but goodimage quality
Your quick-start guide to all the icons youll see in Photography for BeginnersWhat the icons mean
Hands-on guides
to create some
great images
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Subscribe to...72Get money off issues!
ContentsIssue 01
HANDS-ONPROJECTS
INSIDEShoot22Beginners guide to
Wildlife photographyCompose, master settings and more
305 tips for amazing eyesin portraitsEasy tricks for sharp and bright eyes
3210 fantastic projectsGet creative and have fun with water
38Create this shot: PanningCapture the speed of your subject
40Shoot, edit & share afantastic panoramaShoot a wide vista to print on canvas
46Capture candid portraitsGet natural images in five steps
485 tips for shooting ona bright dayHow to do battle with harsh light
50The story behind adramatic seascapeLearn how we took this great photo
545 golden rules forbetter shotsHow to compose, focus and more
Edit60Improve images with
Perfect Photo Suite 7Retouch, resize and more with ease
645 tips for giving dullshots more impactLearn to boost colours and exposure
66Add creative coloursUse a colour cast for a warm effect
68Edit with FacebookShoot, edit and share in just one app
70Add impact to yourimages using Camera MXOur multi-purpose app of the month
Share74Stream media to your TV
A great device for sharing shots
765 tips for sharingphotos with appsGet more from your smartphone
78Share and storephotos onlineBack up your images
80Animateyour stillsGet creative!
54Golden
rulesThe essential lessons to help
you get images with impact
Candidportraitsp46 Latestkitreviewedp84
Sha
reyour
shotsa
photoforbe
ginners.
c
Orsear
chforPFB
Ma
Tips for focusing,
composing and more
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Your photosBe inspired by these reader images and send usyour best shots for a chance to see them here WIN!ASamsung16GBmemorycardEveryissue,onewinnerwillrecieveaSamsung16GBHDSCmemorycardoraprizeofequalvaluewww.samsung.com/ukFulltermsandconditionsavailableonline
Your photosReaders gallery
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Reader : Ken WilsonIndustrial SunsetAnticipating a welcome sunset I wantedto be in a place where there was goodforeground interest together with aninteresting horizon. This shot was takenfrom South Gare by Redcar.Shot on: Nikon D90 at f16, 1/8sec, ISO 200Sent in via: Website
Winner!
Your photosReaders gallery
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Reader: Wiwit BoenTake A Rest
The photo was taken in ourfront yard. I took a walk around
and saw this cute butterflylooking tired under the sun.
Shot on: Nikon D5000 at f1.8,1/4000sec, ISO 200
Shareyour shots at...
photoforbeginners.com
Or search forPFBMagon...
Reader: Emily LeonardTree Backlit
The photo was taken at FleetDyke, Norfolk Broads. The sun was
behind the tree and gave it asilhouette effect. When I returned
home I processed the photo ingrayscale in Photoshop.
Shot on: Sony Cyber-shotDSC-W610 on Auto
Reader: Lynn BoltBarca DalvaThis photograph was taken inOctober while we were taking anight-time sail on the River Douroin Portugal. The lit-up bridgemakes a wonderful reflectionagainst the inky-black riverShot on: Panasonic DMC-FZ45, atf2.8, 1/13sec, ISO 800
Reader: Richard TuckerMambo SunsetThe photograph was taken atCafe Mambo in Ibiza at the endof this Ibizan season.Shot on: Fujifilm FinePixSD2500HD on Sunset mode
Reader: Ma TrevillionAlfa Romeo SpiderWe hired this 1971 Alfa RomeoSpider to drive around the AlmafiCoast in Italy. It was 20 degreesand sunshine all the way!"Shot on: Canon EOS 500D at f41/200sec
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Reader: Mark Andrew
LindsayLight TrailsI used a Nikon camera charger inmy dark bedroom, only movingthe camera to get light trails.Shot on: Lumix DMC-FN18 at f3.1,60sec, ISO 100
Reader: Neil BothamLily PondI was on a trip to the Isle of Wightand while we were there wevisited an exhibition. This pondwas one of the centrepieces. Itook three exposures and mergedthem to make the final image.Shot on: Canon EOS 400D at f10,1/50sec, ISO 100
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0
Reader: Andy Clar
Reader: Sabrina QuaTitle:Tunnel
Win cameraphone kit!Send us your cameraphone shots and you could win a ManfrottoKLYP kit worth 95/approx $150. For more info head to www.manfrotto.co.uk.Full terms and conditions available online.
ENTER NOW:Send your shots to [email protected]
Reader: Jemma GreefTitle:Sunny Hunny
Reader: Josh GortonTitle:Paw Print
Reader: Carole BensonTitle:Helmsley Castle
Reader: Jack DavisonLlandudno
It was a grey rainy day and the coloursjust caught my eye. I don't think it
wouldve had the same effect withoutthe rain drops but I grabbed a
cameraphone and took a snap.Shot on: iPhone
Winner!
0
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Share on our social sites Join the Facebook, Twier and Flickr communities@PFBMag
Click the Compose New Tweet box then select
Add An Image. Find your shot and click Open.
Write some text, include @PFBMag then click
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Also share on our website Head to www.photoforbeginners.comnow
Share your shots at...photoforbeginners.com
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Share your shotsHeres how to show us your stunning snaps
Become our favourite!We pick our favourite shots tohighlight in our Featured Imagesection. This could be you soon,so get uploading!
Create a galleryYou can showcase your favouriteimages by creating your owngallery page on our website. Itsquick and simple to set up.
The best of the reston our great website
Alsoonline
Enter the Face-OffYour shots are entered into ourFace-Off section and pittedagainst other peoples have funwatching your score rise!
Be inspiredBrowse through all the differentcategories to be inspired byother readers photos and getideas of your own.
Tips and tutorialsOur website is piled high with step-by-steptutorials and useful tips to help you takebetter photos of any subject.
News and debateWe help you keep up to date with the latestindustry news and releases. You can also getstuck into hot topics with our debates!
CompetitionsHead to www.photoforbeginners.com andenter our weekly competitions to win somereally fantastic prizes!
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Just because the sun is setting, does not mean
you need to pack away your camera.Dusk and the
hours that follow open up a whole host of new and
exciting shooting opportunities. The city lights
captured using a slow shutter speed and a tripod
look magical at night, or you could fire your flash to
take beautiful night-time portraits.
There are plenty of fun projects for you to try as
the light fades too. Capturing light trails from the
traffic, painting an object using creative washes of
coloured light or taking photos of fantastic firework
displays are just some of the options open to you
at night. In Issue 23 of Photography For Beginners,
we showed you the tips and techniques behind
mastering low-light photography for all sorts of
subjects. We also challenged you to send us your
best low-light shots. As always, you
rose to the
challenge and
captured some
truly beautiful
images. Here
are just a few of
our favourites.
Low-light photographyOur Beginners Guide to shooting inlow light can be found in PFBIssue
23. Get back issues from
We challenged, you delivered
2
The OWL At NightI saw the new Observation Wheel inLeeds as an opportunity to practicewith long-exposure low-light shotsShot on:Nikon D5100 at 100mmand f32, 30sec, ISO 100Sent in via: PFB website
Winner!
Reader: Andy Brown
WIN!PhotoStoryonDVDsoftwareSendusyourshots fora chancetowinacopy
ofMAGIXPhotoStory onDVD, courtesy ofwww.magix.com.Thissoftware, whichallows
youtoturnyourphotosinto fantasticslideshows, isworth70/$70.
2
Readerschallenge
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Reader: Debbie MurrayTitle:Concert
Reader: Pinar Tuncbilek
Title:Light Painting
Reader: Tony WoodwardTitle:Just Chillin
Your photosReaders challengeSend us your shots at...
photoforbeginners.com
Search for PFBMag on...
Your nextphoto challenge:Wildlife photographyFollow the tips in our Beginners Guide to Wildlife
Photography and send us your best shots by02/05/2013 for a chance to win MAGIX PhotoStory
on DVD 2013 Deluxe.
Prize may be substituted for an item of equalvalue. Full T&Cs available online.
Reader: Paul CobbTitle:Liverpool
Reader: Sco ViggarsTitle:Lamp
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Self-portraits madeeasy with the NEX-3NPut yourself in the frame with Sonys all-new CSC modelThe new NEX-3N has a 180-degree tiltable LCD
screen which allows you to compose shots of
yourself with ease. There is also a textured grip
and zoom lever on the camera body twofeatures that make this model ideal for one-
handed shooting. Many photographers may
prefer to stay behind the camera, but self-
portraits are an unavoidable necessity of life.
Whether you need a new passport photo or a
profile picture on Facebook, we all have to get in
front of the lens at some point. Sony has taken
this into consideration
and saved you the hassle of having to ask
someone else to take the shot.
This camera is lightweight and compact, so
youll have no trouble holding it at arms lengthwhile you pose. With 16.1 megapixels and a
maximum ISO of 1600, your new profile picture
will be high quality too. Sonys model joins the
likes of Samsungs MV900F, which also has a
tiltable LCD screen ideal for framing self-portraits.
The NEX-3N is available now with a 16-55mm
power zoom lens for 399/$500, or with
16-50mm and 55-210mm lenses for 599/$TBC.
Need to knowA snapshot of whats exciting us this month
Reasons why we cant
wait to get our handson this camera
01The 180 degree tiltable LCDscreen, easy-to-hold textured gripand zoom lever make takingstunning self-portraits easy.
02Auto Object Framing automaticallycrops your shot for strongercomposition based on whatappears in the scene.
03We cant wait to see how theNEX-3N performs in low light. Willautomatic noise reduction helpproduce quality images at a max ISO of 1600?
Thetopthree
4
Colourful playbackExperience vivid, ultra-realistic colours whenimages are played back onany BRAVIA TV supportingTRILUMINOS Display.
Capture crisplow-light shotsNoise reduction andsharpness are auto-adjusted to ensure you getsharp low-light imageswithout a tripod or flash.
Plenty of lensesWith a range of 13 greatE-mount lenses to choosefrom, including telephoto,zoom, wide-angle andmacro, you will be able toshoot in any situation.
Smart compositionAuto Object Framing modejudges what is in the scene,
one person or two people, andcrops the shot to create morepowerful compositions.
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Sony A58450/TBCA 20.1-megapixelinterchangeable-lenscamera with tiltable LCDscreen and electronicviewfinder that can shoot8fps for fast shooting.
This month on photoforbeginners.comPlus all this
Top tweets
@PFBMag
How to photograph indoor events
www.worldphoto.org/2013exhibition @uppbeat
@PFBMag Lumix GF1.
Wicksteed Park in Kettering
Top new talent gets unveiled in Sonys imaging competition
Beginners get noticedin prestigious awards
Thetopthree
The latest models that have caught our aention this month
New beginner cameras
Fujifilm F900EXR310/TBCSuper-fast autofocus,start-up time and timebetween shots make this20x optical zoom camera aspeedy shooter and a greatoption for capturing action.
Nikon CoolPix A1,000/$1,100Nikon introduces theworlds smallest camerawith a DX-format sensor,allowing for DSLR-stylephoto performance in apocketable, compact body.
Metering modes explained
@PFBMagjust broughtIssue 22 sitting in the officereading through it now
@CB_Photographs
@PFBMaghappy to see mycity shot in last monthsissue of PFB!
@FidaiAzeem
@beesknees@PFBMag[Heres aphotograph of] one ofmy favourite places
@PFBMagReading my PFB
mag thats just arrived inthe post
@Claire Knighton
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Which should you shoot in?Black and white vs colourMonochrome images are classic, beautiful and
hugely popular to shoot. When taking black-and-
white photographs, the main dilemma that faces
many photographers is whether to shoot using
in-camera black-and-white mode, or shoot in
colour and then use editing software to transform
the shot later on. Join in the debate on Facebook,
Twitter or the PFBwebsite.
Thingswelove
Rik Freeman99 per cent of images Itake are colour, however, Ido sometimes take ashot knowing it will be
better in black and white.
Sent in via PFB website
Our poll stands at 12% shoot in black and white, 88% shoot in colour. Add your vote now!
6
OurstaffwriterJosays:When I want to take black-and-white shots, I
always shoot in colour and then convert the
shot later on. It is sometimes difficult to tell if a
scene will look good in black and white before
you take the shot, so by shooting in colour I can
make sure I have a colour shot to fall back on if
the converted photo doesnt work. This also
means that I get both versions of the shot for if I
decide I actually want the colour photo later.
What do you think?
What Photography For Beginners readers have to say
Join the debate at...photoforbeginners.com
Search for PFBMag on...
James SteadmanCapturing in colour ismuch better, so you haveoptions. Then you canuse colour selectively,
which looks really cool.
Sent in via email
Robert DickinsonShoot RAW colour sothen it can be converted,but on some occasionsmonochrome is a good
option for great results.
Sent in via PFB website
Angela BrownI shoot in black andwhite as its much quickerthan converting. I oftenswitch to colour to do a
backup, though.
Sent in via email
01Kata Revolver-8 PLRevolving backpack
Web:www.katabags.co.ukPrice:235/$275This cool bag has a revolvingsection at the bottom for quickaccess to up to five lenses.
02Giottos YTL8213vertical column tripod
Web:www.giottos-tripods.co.ukPrice:349/approx $520With a Y-shaped centre columninstead of a circular one, thistripod is much more compact.
03Diddpix kidscamera club
Web:www.diddipix.comPrice:FreeDidipix is an online camera clubfor kids aged 6-16, allowingthem to create a gallery, gettips, enter contests and more.
04Cokin PureHarmonie filters
Web:www.cokin.co.ukPrice:From 40/$55These UV, polarising and NDfilters are lightweight and thin,with a coating to protect themfrom dust, scratches and more.
Join the debate
Need to knowJoin the debate
#PFBLoves
Search for #PFBLoves onTwitter to see what we love
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15xZOOM
270mm
18mm
18-270mm f3.5-6.3 VC PZD Lens
The Ultimate
Travel Lens
*Lens shown for il lustration purpose only, sizes may vary. E&OE
Lens shownActual Size*
Travel Light!
Intro 2020 Ltd. Priors Way, Maidenhead, Berkshire SL6 2HP Tel: 01628 674411 New eyes for industry
Available from all fine camera stores
www.tamron.co.uk
The new small and lightweight lens from Tamron
is the ideal one solution lens for travelling.Its jam packed with features including our new
piezo ultrasonic motor for superfast and silent
autofocus, plus built-in Vibration
Compensation (VC). It also
comes with a 5 year guarantee,
not that we think youll need it!
Just put it in your bag and this
lens can handle almost any
situation you can throw at it.
Possibly the only lens
youll ever need!
The worlds lightest, most compact 15x Zoom i18-270mm F/3.6.3 Di II VC PZD
i) For SLR camera high-zoom-ratio lenses with 15x magnification capability. Current as of December 2010. (Source: Tamron).
Available for Nikon, Canon and Sony DSLR cameras.
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8
AmySquibbPFBseditorAmy
isheretohelpout
withourreaders
shootingconcerns
AnnabelleSingPhotoshopexpertan
d
PFBdesignerAnnabelle
isonhandtosolveany
photo-editingissues
JoStassPFBsstaffwriterJo
isatthereadyto
answeryourcamera
techquestions
04Add highlightsYoull notice that some partsof real clouds are whiter and otherswispier. Create this effect with theDodge tool and using a smaller brushto draw in loose, swirling motions.
C
Photo needs rescuing?Email it to our experts
You have the makings of a good
shot here; its correctly exposed
and sharp and we like how the
reflection creates a contrast
between old and new
architecture. The main element
that detracts from the striking
buildings is the not-so-
interesting expanse of blue sky.No one can help the weather
but there is a little trick in
post-production that can create
a more exciting backdrop. You
can also remove distracting
things like the lamp post quickly
and easily.
I took this shot when thepattern of the building caughtmy eye. I also really like thedistorted reflection of the
opposite buildings in theglass. However, I do feel itlooks a little dull. Is thereanything I can do?
John Barryvia Facebook
Dull skyThere is a lot of empty spacein the picture due to the lack of
clouds. Cheat Mother Natureusing image-editing software
A
Closer cropA tighter crop would cut outpart of the blank space andbring the focus back to themain subjects: the buildings
B
Distracting elementsThe lamp post juts into the
picture at an odd angle andthere is part of a buildingintruding in the corner
C
03Add depthPick up the Dodge tool againand draw a second cloud shape overthe first one. Make it slightly smallerthan the first shape in order to adddepth. Use the Smudge tool again.
02SmudgeSelect the Smudge tool andclick and drag around the edges ofthe makeshift cloud to soften theedges and make it look natural.Change the brush size in the Toolbox.
01DodgeClick File> Open and selectyour image. Then select the Dodgeicon from the Toolbox and create arough cloud shape by making circularmotions with the mouse.
Painting clouds Fill your blue skies with clouds in four simple steps in GIMP
How do I capture architecture?
A
B
Questions&answers,
tips&photo-fixes
Asktheteamquestionsat
photoforbeginners.com
PostquestionstothePFBMag
groupatwww.facebook.com
Tweetanyquickquestionsortipsyou
mayhaveto@PFBMag
UploadyourproblempicstoourFlickr
poolatwww.flickr.com/pfbmag
AmySquibbPFBseditorAmy
isheretohelpout
withourreaders
shootingconcerns
AnnabelleSingPhotoshopexpertan
d
PFBdesignerAnnabelle
isonhandtosolveany
photo-editingissues
JoStassPFBsstaffwriterJo
isatthereadyto
answeryourcamera
techquestions
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Ask the team questions at photoforbeginners.co
Ive always used my camera on auto mode but nowIm beginning to feel confident enough to experimentwith manual settings. Im slowly getting to grips withaperture and shutter priority modes but using fullmanual mode still intimidates me. Ive read that youmust think about the exposure triangle when changingthe settings but I have no idea what that means. Canyou talk me through it please?Isabelle Wiggins, via Facebook
The exposure triangle consists of three vital factors in image
making: ISO, aperture and shutter speed. Exposure is how
light or dark an image will be and its a case of juggling those
settings. Changing one will affect the others. For example, if
you have a wide aperture, plenty of light will enter the lens so
you need a fast shutter speed and a low ISO so the picture
isnt completely white. Its often a case of getting to know yourcamera and testing settings to see what works best. On bright
days, it can help to use a filter, like those in our sidebar here
4 of the bestWays to tidy upshots using theClone tool
Use the rubber stampIn GIMP, find the Clone tool which is located inthe Toolbox down the left-hand side; it looks likea rubber stamp icon. This is perfect for getting ridof things like lamp posts and, in this case, thecorner of a building.
Change the sizeIn the Tool Options (below the Toolbox), you canchange the size of the Clone stamp by draggingthe Size slider across, or increasing the numberby clicking on the up arrow. This can makecloning larger areas much easier.
Hit the Control keyTo clone out an unwanted area of your image,drag your mouse to a clean part of the picturenearby to the subject you wish to remove. Thenhold down the Control key on your keyboard andleft-click your mouse button.
Click, click, clickNow repeatedly click over the unwanted subjectand it will quickly be replaced with more pleasingpixels. You can change the size of the brush asyou go and its also a good idea to hit Controlagain as the colour changes slightly.
What is the exposure triangle?
Camera filtersfor perfectingyour exposure
3 of the best
Avoid over- or underexposed images bylearning about the exposure triangle
Polarising filterPolarisers aid your exposure as they combatharsh reflections and glare from the sun. Thesefilters can also help to boost the contrast andsaturation in your photos for vibrant images, soare great for punchy landscape shots.
Graduated Neutral-density
(ND-grad) filterBalance a bright sky and darker land by using anND-grad filter. It will be dark one end so placethis area over the sky to reduce the amount oflight coming through in this section only.
Sunset filterTransform a bright sunny day into a beautifulsunset by slotting a sunset filter over your lens.Its tinted with a natural warm-orange glowwhich translates into sunset-style hues for abeautiful evening vista.
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I really like the hazy, retro look that photoshave when they are taken and edited withthe Instagram app. Although smartphoneshooting is very popular, and very handy as
everyone has one these days, personally Iprefer taking photos with my digital camera.Landscapes are my favourite genre to shoot,and Ive seen some great Instagram vistashots that Id love to recreate. Im relativelynew to image editing but I would like to knowhow to do these retro-style photo effectsusing iPhoto can you help?Mark Gvia Facebook
The retro film camera look is so popular right now,
thanks in large part to Instagram. For the
uninitiated, its a free app that applies a filter to
your photos and gives them the coveted vintage
appearance. However, its really easy to replicate
this effect in any editing software. In Photoshop,
for example, just click Image> Adjustments>
Colour Balance and experiment by dragging the
sliders to create some interesting effects. Just
make sure you save the file separately so you dont
copy over the original image. Using iPhoto
(software that comes with your Mac) is even
easier. Read on to find out just how simple it is.
How can I recreate Instagram effects?
LikeThis month we
Post your photo to
our Facebook pageand well share it
with the world
Search for PFBMag
Make digital pics look like film Follow these steps to transform your shots in iPhoto
Apply the Antique filterOpen your image in iPhoto via File> Import ToLibrary and click Edit. Then select the Antiquefilter to apply an instant dated appearance.
Warm upClick the Warmer button to inject some colour,and Lighten/Darken for the desired effect. ClickVignette for the ultimate retro look.
Val Stone BrillAn amazing camouflage capture! Wildlifeshots look great with natural backdrops.
Carl SurryThe tilt-shift effect has been used in thisbeach scene for a great miniature look.
Susan HurstThis macro makes us squirm! The punchycolours and the level of detail is impressive.
Lisha FosterA beautifully detailed shot of a bird enjoyingbreakfast. We love the blurred background.
Adjust exposureLastly, click on the Adjust tab at the top and dragthe sliders to alter the Saturation (how punchythe colours are) and Contrast until youre happy.
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Ask the team questions at photoforbeginners.co
Abeautiful landscapeshotwithagreatforeground!@sonsational
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needles
becket
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Afastshutterspeedhasfrozenth
strawberrysplash.@Cobs74
Do you want wow-worthy pics without
a bulky DSLR? Try a premium compact
Best professional compactcamera modelsId like to upgrade from my little compact point-and-shoot camera toa newer model that comes with more manual features. Im hoping toexpand my photography skills and so Im very interested in purchasinga higher-end compact camera for its portability and high image quality.Im not really fussed about having to change lenses on my camera, soa fixed lens is just fine. Can you suggest some good recommendationsthat are available please?Mark Hunt via email
Whats good about it
Theres a great variety of digital filters on board,including a neutral-density (ND) filter for sunny days
It comes with full-manual control and an aperturering that can be adjusted from f1.4 to f8.0
What could be better
It lacks a touch screen and flexible LCD screen,which can be found on rival premium models
Other competitors are opting for larger sensors;this one has the same size as 2010s LX5 model
The build quality of the Panasonic LX series
is excellent; its light and comfortable to hold
and looks the business. Highlights includethe Leica lens that opens up to f1.4.
Panasonic Lumix DMC-LX7450/$500
Whats good about it
Theres an optical viewfinder and a vari-angleLCD screen for improved composition
Take advantage of manual control, HDR mode andthe ND filter for better high-contrast images
What could be better
Its heavier than others so users might find ituncomfortable shooting for long periods
The 4x optical zoom could feel restrictive if you
prefer close-ups, consider a superzoom model
Available much cheaper online, this premium
compact has lots of external controls for
easy operation and it offers impressiveimages thanks to the large sensor.
Canon PowerShot G1 X700/$800
Whats good about it
A control ring around the lens lets you alter theaperture and flick a switch to manually focus
Theres a touch-screen LCD and this model isalso available in white for stylish shooting
What could be better
The LCD only tilts horizontally, which is a littlerestrictive and doesnt help with self-portraits
There is no macro mode for close-ups and fullmanual control isnt available for video capture
The ultra-fast 28-112mm zoom lens comes
with image stabilisation for steady shots
under a variety of lighting. It also has HDvideo and filters can be added to footage.
Olympus Stylus XZ-2480/$600
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Wildlifephotography
Over the next eight pages:Learn the simple tips and tricksfor getting great photos of wildlife, no matter where you are
Beginners guide to
2
Use natural lightSet up near to areas thatare well lit to make use of
natural light. You could try settingup a bird table in the most well-litpart of your garden, for instance
Kit for wildlife photographyTELEPHOTO LENS REMOTE SHUTTER RELEASE
CAMOUFLAGE COVER POLARISING FILTER
Wildlife can be found almost anywhere, and
is a great subject for practising your photo
skills.You dont have to go on a trip to thezoo or a safari park to get excellent images
of animals either, as lots of species can be
found in your back garden or local park.
Patience is important to master with
wildlife photography, as you cannot direct an
animal to pose for you. Capturing those
one-off fleeting moments is what makes it
so exciting, so dont be put off if you have to
wait around! There are also steps you can
take to boost your chances of a great shot,
such as putting out food to entice animals
like birds, hedgehogs and badgers into view.Just keep a safe distance so you dont scare
them off. Of course, taking photos at the zoo
also comes with challenges, but there are
easy tricks to ensure you get brilliant shots.
Follow our guide for the best way to plan
and take your animal shots, and learn the
best times of day to find certain species out
and about. Also check out our tips for editing
your images to make them truly stunning.
Discover when, where and how tocapture amazing photos of animals
Use a long lens to get close-ups while keeping yourdistance so the animal isnt aware of you.
Hides and other camouflage can help you to blend
in with the scenery and not scare off your subjects.
Use a tripod and remote release to take a shot a fewsteps back, leaving your camera among the animals.
Prevent capturing your reflection when youre
shooting through glass by using a polarising filter.
1/50sec F4
Discoverwhichareasofyou
r
gardenattract
wildlife,such
asaparticulart
reeora
flowerbed,soy
ouknow
wheretosetup
.
Observeyour
animalsu
bjects
ShootingBeginners guide
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Master our top techniques for solving common
wildlife-photography problems over on p26
ShootingBeginners guide
Discover when and where to find your wildlife
subjects and our tips for shooting on p24
Turn to p28 to learn how to edit the images that
you didnt quite get right the first time around
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ShootingBeginners guide
Setting up
Planning is a good idea if you want to capture your
best-ever animal shots. If you want to photograph
certain animals, it helps to know what time of day they
are usually most active, or what kind of food you might
be able to lay out to entice them, for instance. Having
the right settings prepared also makes it easier to get
great animal shots when the creatures arrive. In this
guide we will help you with these aspects of your
shoot, and also highlight the key environments to look
out for when wildlife spotting in your local area.
1. Be preparedWhere to find wildlife
and get set up
Look for bird hides and see what unusualspecies you can spot. Rest your arms onthe viewing gaps for steady shots.
Get a clear view of underwater creaturesboth great and small. Place your lens closeto the glass to avoid nasty reflections.
Go in search of animals in their naturalenvironment for shots in a stunning setting.Keep quiet and still so you can get up close.
Follow animal tracks in snow or mud to findwild critters. Remember to look up in thetrees as well as down on the ground.
Gettothezooearly.Theanimalsareoftenmoreactiveatthistimeandtherewillbefewerpeopleabouttogetinthewayofshots.
GettherefortheopeningtimeGet shotsof exoticanimals thatyou wouldntotherwisesee at home
Get yourself and your camera ready to shoot
Do your research
01If you are looking to capture a particular animal,research their habits and feeding times. Thiswill help you plan the best time to photograph themand give you an idea of the type of shot to aim for.
Chose your position
02Position yourself so that the background ofyour shots will not be distracting. Green plantsor trees make a suitably plain backdrop. You canalso crop in close to cut out any distractions.
Keep quiet
03Move slowly and quietly around wildlife so youdo not scare them off. Also be sure to turn thesound off on your camera as this could startleanimals and cause them to run away.
1/1000sec F5.6
4
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ShootingBeginners guide
1/200sec F4
Get the right angle Eliminate fences
Use a small f numberand zoom in to make
fences disappear!
Keep your lens closeto the glass to avoid
harsh reflections
Shoot at eye levelfor more natural,majestic images
Shoot through glass
Positioning yoursubject in the
centre of the frame canmake for a dull shot
Whether you are in your back garden or at the zoo, there are a few things that you
need to think about before you take your shot. Its easy to forget about composition
when you are trying to capture a split-second of action, but it can still help turn a
good shot into a brilliant one. By remembering a few simple tricks you can make it
easier to increase your chances of coming away with the perfect snap.
You also need to consider obstructions such as fences and glass windows which
make it tricky to get good shots of animals in captivity. However, it is easy to
overcome the problems they cause by implementing a few simple tricks.
2. TechniquesThe skills and tricks you need
when you start to shoot
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Leave some active spacein front of a subject so that
the viewer can see where theyare looking or moving towards
Use a strongcomposition
The benefitsof photo tours
Zoom in close Focus on the eyes
Zoom in so the subjectfills the frame, avoiding
distracting backgrounds
Move your AF selectionpoint over their eyes to
focus in that spot
ShootingBeginners guide
Where did you go onyour photo tour?I went on a seven-day photography tour toTanzania, visiting Ruaha National Park and theSelous Game Reserve.
How did the tour benefityou as a beginner?
It was very beneficial to have someone there inthe field with you, pointing out potentialphotography opportunities, getting you intoprime position and also coaching you whiletaking photos. It was also great to havesomeone to critique my photos at the end ofthe day. To be able to see where you wentwrong and then put lessons learnt into practicethe next day was great.
What sort of things didyou learn on the tour?How to form a strong composition (eg get lowand dont leave dead space above the subject)was a major aspect, and also how to use lightto your advantage.
Do you have any advice forothers thinking aboutbooking a photo tour?
Dont be afraid of going on a tour if youre abeginner. Its amazing how much you can learnin a week. I would also suggest renting a longlens for the trip and taking the time tounderstand how your camera works before yougo so that you can spend more time takinggreat shots.
For more info, visit www.capturesafaris.com
PFBreader Rob Unwin describeshis Capture Safaris Photo Tour
Sportsscenemodeishandyasitselectsthebest
settingsforfast-movingsubjects,soyoudontmissashot.
Makeuseofscenemodes
On a tour youll get access to amazing animals
Rob Unwin
Tour guides will help you with photo techniques
Rob Unwin
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Getting the perfect shot when your subject is moving
can be difficult and often a bit of post-production is
needed for wildlife photos. You may not have had time to
select the correct settings or think about composition if
the moment the animal pulled the perfect pose was fast
and unexpected. There may have also been some
unavoidable distractions in your shot, such as the fence
that was protecting you from a dangerous creature.
There are ways to clear up these issues, however,
which we will show you using Photoshop Elements 11. A
lot of the edits will also work in free software such as
GIMP, though, if you do not have Elements.
3. Editing
Enhance yourcreature captures
Getting colourstrue to life will
really make yourshot stand out
Boost colours and sharpen Adjust levels and colour curves for a more eye-catching shot
Colour casts anddull colours canspoil an otherwisebrilliant shot
Remove colour cast
01If your image has anunusual colour tint to it,then go to Enhance> AdjustColour> Remove Colour Cast.Then select a part of your shotthat is either black, grey or white,and Elements will correct thecolour cast for you.
Adjust the levels
02Go to Enhance> AdjustLighting> Levels. Select theblack, white or grey Dropper tooland click on the correspondingcolour in your shot. This willautomatically alter your Levels, butto boost them further, move thearrows under the histogram.
Adjust colour curves
03Go to Enhance> AdjustColour> Adjust ColourCurves and select Default fromthe Select a Style menu. Movethe Highlights, Shadows andBrightness sliders until you arehappy with how your shot looks inthe preview box.
Sharpen up
04Shooting moving animalscan sometimes leave youwith slightly blurry shots. Tosharpen them up, go to Enhance>Adjust Sharpness and preview ablurry area of your shot. Move theAmount and Radius sliders untilyour shot looks a little sharper.
ShootingBeginners guide
Youmayfindthefreeeditingsoftware,suchasPicasaorGIMPeasiest
touse,soresearchwhatyouneedbeforebuying.
Findtheperfecteditingsoftware
AFTER
BEFORE
8
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Two methods for removing distracting fences
Remove the fence
02Now drag your cursor overthe fence in your shotand the editing software willremove it. This works byblending the area to the rest ofimage as best as possible, andthis method works really well inmost situations.
Remove a fence
Spot healing tool
01The simplest way toremove a distractinganimal-enclosure fence fromyour shot is to use the SpotHealing Brush tool. Select it fromthe toolbar on the left-hand sideof the screen in Elements andadjust the brush size.
Clone out the fence
04The Clone Stamp toolworks by copying aspecific area of the image andpasting it over another area.Select an area similar to thatwhich is covered by the fence(Alt+click on it), and then drawover the fence to paste it on top.
Clone Stamp tool
03If your fence is in a slightlytrickier position, then youmay wish to use the CloneStamp tool. Select it from thetoolbar on the left-hand side ofthe screen in PhotoshopElements and adjust the brushsize to suit.
AFTER
RecomposeStraighten and crop your shot for stunning composition
Automatic straighten
01Photoshop Elements 11 hasa great tool to automaticallystraighten your image. Go toImage> Rotate> Straighten Imageand wait for Elements to work itsmagic. It is usually pretty accurate,but if it doesnt look quite rightyou can straighten it yourself.
Straighten manually
02If you want to straightenyour image yourself, thenin Elements head to Image>Transform> Free Transform. Nowhover your cursor over the cornerof your image until you see a littlecurved-arrow icon, then drag theimage around until it is straight.
Crop in
03Now you need to crop yourshot in order to straightenup the edges. Select the Crop toolfrom the toolbar on the left-handside, drag your cursor over theimage to highlight the area youwant to keep, then click the greentick to make the crop.
Recompose
04Using the Crop tool again,improve the compositionof your shot. Use the gridlines toposition your subject off-centre inthe frame, leaving some activespace in front of them. When youare finished, click the green tick tocomplete your shot.
AFTER
For more great guides head towww.greatdigitalmags.com
ShootingBeginners guide
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5 tips for amazing
eyes in portraitsThe eyes are the most important part of aportrait, as they are what we are instantlydrawn to. As such, the quality of the eyes inan image can make or break your shot. Thesuccess of your portrait could hang in thebalance, so here are some hints on how toget an image with perfect peepers!
Get sharp, bright eyes with these easy tricks
Sharpen upUse Unsharp Mask in editing software tosharpen up the eyes in the post-productionstage. You could even use a layer mask toselect just the eyes and sharpen these whilekeeping the skin nice and soft.
Create catchlightsCatchlights are the light source reflected inthe eye, and they can help make a portraittruly shine. Simply place a small white pieceof card at the top of your flash to achievethis with ease.
Use fill-in flashIf you dont have enough available light andyour subjects eyes are in shadow, simplyset your flash to fire this will fill in any darkareas. This works particularly well on bright
days when your model is backlit.
Think about lightWhen youre lighting your shot, whether youreworking with natural light or flash, make surethe eyes are brightly lit. This may meanrepositioning your model or using a reflectorto bounce some light back up.
Focus on the eyesMake sure the eyes of your subject are
perfectly sharp by setting your focus pointover them. You could also try manuallyfocusing for ultimate control, making surethey are crystal clear on the LCD screen.
0
ShootingQuick tips
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The fluidity and versatility of water has made it an
incredibly popular subject for photography. There are so
many ways to incorporate it into your photos, whether
you are out and about, or stuck inside on a rainy day. In
fact, even going out on a rainy afternoon will give you the
chance to take great water shots. It doesnt matter what
camera you have either, as compacts and
cameraphones, as well as CSCs and DSLRs can capture
fantastic images of water.
Water can be incorporated into almost any genre of
photography that you choose to shoot. If you come
across a lake or a river you can capture it as part of a
landscape shot, or if you are near the coast you can
shoot some stunning seascapes. Water also makes a
great subject for shooting abstract close-up
photographs. Using just a few common household items
you can get creative with water or ice and produce some
beautiful and colourful images. Even portraits can be
given a watery touch by shooting them as reflections in
lakes or puddles.
Of course, it is important to remember that your
expensive camera equipment and water are not the
best of friends. Make sure that you are careful with your
photo kit and keep it at a safe distance from the water
that you are shooting. Alternatively, if you really love
capturing the wet stuff you could invest a waterproof
case for your camera, or even a waterproof camera
model. This will open up even more opportunities for
capturing interesting water shots.
In this guide, we will tell you what you need, and how
to go about taking cool water photos. We will also
explain some of the photography jargon that is likely to
come in useful for water photography. Take inspiration
from our guide of ten stunning yet easy-to-achieve
water-photography projects and have fun taking some
watery photos yourself.
Have fun and get creative with these watery photo ideas
JargonexplainedThe top terms tounderstand forshooting beautifulwater photos
Neutral-density filterBlocks some of the light from enteringyour lens and allows you to use a longexposure in daylight.
10WATERPHOTOGRAPHY
Long exposureThe shutter is open for a long time usinga slow shutter speed and shows themovement of the water in your shot.
Shooting10 water projects
PROJECTS
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MacroExtreme close-ups of a subject so thatthey appear larger than life. Usuallyrequires a special macro mode or lens.
Continuous shootingAn option available on many cameras totake several shots in quick successionwhen you press the shutter.
Shutter priorityA mode on most mode dials. You setthe shutter speed and the camera willthen work out the correct aperture.
Use continuous shooting to capture action
In shutter priority, select a fast shutter
Pour water into a glass and snap away!
Shooting10 water projects
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Magically magnify objects in droplets of water
It may look like a pro technique, but it is very easy
to shoot these images! The spherical water drops
act as an organic lens, magnifying whatever is
behind them. You simply need to position and
focus your camera just right. Remember that your
subject will appear upside down in the droplet, so
choose a symmetrical object or turn it up the
other way. You can try this anywhere, it just takes
a bit of patience and experimentation.
Water
droplets
Focus and shootUse a tripod and self-timer to avoidshake. Position yourself so thatyou can see the refracted object,focus on the droplet and shoot.
Go macroUse macro mode or a macro lensand set a wide aperture (lowf-number) to keep the droplet infocus but the background blurred.
Pick your subjectYour subject could be alreadynearby, or you could put a subjectin place. Ideally it should be aroundthree inches behind the droplet.
Find a dropletLook for a droplet of water or dewon a plant, or create your own.The bigger the water droplet theeasier it will be to get a great shot.
01
A rainy day may not seem like a
great time to go out shooting,
but you can capture great
shots in bad weather. Just be
sure to keep your kit wrapped
up in a cover or plastic bag if
its not waterproof! To capture
the rain, use a shutter speed of
around 1/50sec and a high
f-number to keep the entire
scene in focus. Also make sure
that your shot is backlit to
illuminate the rain. You may
need a high ISO to make your
camera more sensitive to light
on darker days. Shooting after
the rain is also great for
capturing raindrops on flowers.
Dont be put off by wet weather
03
ReflectionsThe reflective nature of water
gives you the chance to take
creative shots. Try capturing
reflections of trees or buildings
in lakes for an interesting vista;
either shoot just the reflection,
perhaps disturbing the water to
distort the subject, or you could
include the original subject in
the frame too. If you want an
exact mirror image, wait for a
calm day with no wind so that
the water is still. If there are
ripples, use a slow shutter
speed to prevent them showing
up in your image. You can also
take unique portrait shots by
shooting someones reflection
in a lake, puddle or even your
bath at home.
Shoot beautiful mirrored images in water
02
Raindrops4
Use macro mode to get in close
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The increasing number of
waterproof cameras and cases
available has opened up a host
of new opportunities, allowing
you to take photos from a new
perspective underwater.
Capture your family as they
splash around the pool on
holiday or try photographing an
object submerged in a bath for
a unique still life shot. You
could try taking a photo of an
object at water level, capturing
it half-submerged so you can
see the distortion from the
water. Hold it in the liquid, so
that water line is halfway up
the lens and take a shot.
05Seascapes
Shoot subsurface for a new perspective06Underwater
Shutter prioritySet your camera to shutterpriority and use a fast shutterspeed. This will enable you tocapture the splashes as it willfreeze the action.
Fill your glassFind a transparent glass or cupand fill it three-quarters fullwith water. Make sure therewill be nothing distracting inthe background of your shot.
Shooting modeUse your cameras continuousshooting mode to take a seriesof photos when you press theshutter. This will increase yourchances of getting a great shot.
Fire the shutterUse self-timer to take the shotand time it so that the shutterwill fire as the object hits thewater. You may need a few trialruns before you get it right.
Splashing04Splash around for dramatic water shotsIt is incredibly simple to create dramatic water shots at home. Allyou need is a see-through container and an object to drop into
it. A really colourful object, such as a piece of fruit, will make for
a more eye-catching shot, but make sure that the object you
use is waterproof.
The coast is fantastic for landscape photos as
it is ever-changing and theres plenty of scope
for creativity. Just be sure to stay safe and
check the tide times. A great time to shoot
seascapes is at dawn or dusk for a lovely
golden light. Set your camera to shutter
priority and use a slow shutter speed to
for smooth water. Use a tripod and
self-timer to prevent camera shake.
Composition-wise, look out for some
foreground interest such as rocks,a boat or a pier and position them
off-centre in the frame.
Take stunning coastal-landscape shots
Using shutter priority and a fastspeed will capture the action
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Make moving water look silky and smooth
As an incredibly versatile
substance by nature, of course
water does not just have a liquid
state. You can have plenty of fun
with it when its frozen. For a
really colourful abstract shot, fill
a transparent container with
crushed or cubed ice and then
drip food colouring over it. Set
your camera to macro mode, or
if you are using a CSC or DSLR,
experiment with a macro lens.
This will allow you to get
close-up shots of the colour as
it travels through the ice.
Experiment with using more
than one colour and shoot from
different angles, including
top-down and side-on.
Another great abstract ice
project that you can try is to
freeze objects into ice cubes
and shoot them suspended in
the frozen water.
Get creative with frozen water
When capturing waterfalls on
camera, it is great to try using a
long exposure. Set your camera
on a tripod or place it on a
sturdy surface, select shutter
priority and choose the slowestshutter speed. To avoid camera
shake, you may want to use
your cameras self-timer or a
remote shutter release to take
the shot so you do not jog the
camera. Also, keep your ISO as
low as possible to ensure your
shot is crisp and grain-free. The
long exposure will capture the
movement of the water in your
shot, making it look silky and
smooth. When shooting indaylight, you may also need to
use a neutral-density filter, or
hold a pair of sunglasses in
front of the lens to block out
some of the light and prevent
your shot from overexposing.
08
09
Waterfalls
Ice
Set up your shotFill a shallow, plain-glass dishwith water and place it on topof a colourful piece ofwrapping paper or perhaps apage from a magazine.
Add your oilDip a straw in some cooking oiland drip it into the water.Space out the drops to createclearly defined circles, andnudge them into position.
Light your subjectIf you're shooting in the daytime,position your glass dish by awindow for a naturally lit shot.Alternatively, use a desk lamp toilluminate your subject.
Take the shotUse your cameras macro modeor use a macro lens to get closeto the water and take your shotfrom above, using a tripod if youneed to.
Oil &
waterCreate colourful and abstract shotsWhen oil is dropped into water, the two do not combine,leaving perfectly circular droplets in the water. This providesa fantastic subject for macro photography, and you can
personalise the background to achieve truly unique effects.07
Add coloured backgroundsfor extra interest in your oiland water images
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RipplesCapture perfect ripples in your bath at home
The circular shapes of ripples in water make fantastic abstract
shots. It is really easy to capture this effect in your bathroom at
home using just a torch, a cloth and your bath. Follow our simple
steps below to recreate the effect.
Unless you have a waterproof camera, remember to be really
careful when you're working with water. You may wish to secure your
camera to a tripod to reduce the risk of dropping it in the bath. Also
be careful with splashes around electrical equipment.10
Use a torchPlace a torch near the bath andangle it so that it lights the waterfrom the side. This will help youcapture clearly defined ripples inyour photos.
Fill the bathFirst off, fill your bath with a fewinches of water and wait until thewater is calm and still so that onlythe ripples you intentionally createlater will be visible in your shot.
Create ripplesSoak a cloth in water, hold it overthe bath and gently squeeze tocreate water drops that createripples. Then hit the shutter. It maytake a few attempts to get it right!
Select settingsUse aperture priority and a narrowaperture (high f-number) to keepripples sharp. Use continuousshooting mode to take a series ofshots, then you can pick the best.
Shooting10 water projects
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Capture the speed of your subject
8
What youll needA camera with
manual settingsA monopod
We usedSamsung NX200
You could useA tripodA smooth surface
to lean on
What youll learnSmooth panning
Shutter speed tipsHow to keep yoursubject in focus
Consider the backgroundEven though the background will be
blurred, it is still important to ensure
there are no distractions visible. You
may need to reposition yourself to get a
better backdrop.
Createthisshot!
Panning
ShootingPanning
With continuousautofocus yourcamera cantrack yoursubject andkeep it in focusas it moves inthe frame
Account for shutter lagSome cameras have a short delay
between the time you hit the shutter
and when it fires. Try taking your shot a
second or two before your subjectenters the frame.
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ShootingPanning
Share your shots at...
photoforbeginners.com
Search for PFBMagon...
S
P
A
AUTO Aperture: f8 ISO: 200Shutter speed: 1/30sec
Take the shotWhen you press the shutter, gradually
turn your camera with your subject,
keeping a steady pace. Continue
panning for a short while after the
shutter has closed for a smooth shot.
Pre-focusIf your camera does not have
continuous autofocus, select manual
focus or selective focus and focus
your camera on the area where you
subject will enter the frame.
Secure yourcamera to a
monopod or asturdy tripod toensure smoothpanning and a
sharp subject
Get into positionFind a safe place to take your shot
from, making sure that you will not
get in the way of the path of your
subject. Also make sure that you will
get a clear shot with no obstructions.
Select shutter priority and choose a slow shutter speed try around 1/30sec - 1/50sec and adjust from there
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ShootingBig project
Capture a sweeping scene on your cameraphone and turnit into a canvas print to take pride of place in your home
A panorama onyour cameraphone
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ShootingBig project
Get rid of obstructions
04Before you take your panorama shot,make sure there are no obstructions inthe way. Wait for any people to move,
otherwise they could appear at several points
in your image. Also stand clear of any pillars or
posts that will obstruct your view.
Sweep smoothly
05For a steady panorama, hold your phonewith your elbows tucked in. Slowlyswivel your body around; the iPhone 5 will tell
you if you are moving too fast. Keep moving for
a while after you have taken the photo to
ensure it is smooth from start to finish.
Use your smartphone01If you have an iPhone 5, open the phonecamera, tap Options and then selectPanorama. If you have a different phone, then
download a panorama app. They are all really
easy to use, just sweep your camera across
the scene and it will stitch it all together.
Panoramas involve stitching several photos of the same
scene together to include more in the frame than is
possible with a normal photo.This is great for landscape
or group shots as you dont have to cut anyone or
anything out of the photo.
It is possible to take a panorama with any camera,
even your cameraphone, and many will even stitch the
photos together for you. Some cameraphones, such as
the iPhone 5, come with a panorama mode built in. But if
yours does not, then there are a huge number of free
and paid-for apps that you can download to do the job. If
you are using a digital camera that does not have a
panorama mode, simply take a series of shots that line
up and overlap each other slightly, then use software
such as Photomatix or Photomerge in Photoshop to
stitch the photos together.
Panoramas make for great wall art, and in this tutorial
we will show you how to turn yours into a canvas using
Print Panoramics. This company specialises in panorama
prints, with a wide range of canvas and print dimensions
available. Due to the increasingly good-quality images
produced by cameraphones, their size specifications are
in fact optimised for panoramas taken on iPhone
cameras, which we will use for this tutorial. However, you
can use shots taken on any smartphone or camera and
even create non-panoramic prints of various sizes.
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Shoot! Take a smooth and sweeping panorama with your smartphone
Dont forget composition02Think about the composition. Look forforeground interest, such as trees orbuildings, and position skylines a third of the
way up or down the frame. It is also important
to get the horizon straight, so activate your
gridlines to line it up along them.
Choose your direction03Select which direction you want to takeyour panorama in, left to right or right toleft. If you are using the iPhone 5 then simply
tap the screen to change the direction. If you
are using an app, check the instructions of
how to change it.
It is possible to take a panorama with any camera, even yourcameraphone, and many will even stitch the photos together
Take your shot
06You can either keep moving until thecamera automatically stops taking thepicture, or tap Done when you have captured
as much as you want. The phone will then
stitch your panorama together and save it to
your Camera Roll
What youll needA cameraphoneA photo-editing appPrinting serviceWe usediPhone 5Adobe Photoshop
ExpressPrint Panoramics
You could useA digital cameraAdobe Photoshopphoto-canvas.com
What youll learnHow to take a
panorama on yoursmartphone thenprint it and displayit for all to see
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ShootingBig project
Sharpen up
11Tap the next icon along on the toolbarand select Sharpen. Drag your finger upor down the screen to sharpen or soften the
look of your shot until you achieve the results
that you want. This menu also allows you to
reduce noise if theres some grain present.
Adjust the colours10You can also select Hue/Saturation orTint/Temperature from the Exposuremenu. These will allow you to adjust the
colours of your photo by either warming or
cooling them or making them brighter and
more saturated.
Recompose a shot
08You can crop and straighten up yourshot in the Crop menu on the toolbar.Print Panoramicss size specifications are
optimised for the iPhone camera, so you may
come into difficulty when uploading your shot
to the website if it has been cropped.
Correct the exposure09Tap the Exposure icon on the toolbarand select Exposure. Drag your fingerupwards if your shot is underexposed (too
dark) and drag your finger down on the screen
if the shot is overexposed (too bright). Keep
going until you are happy with the results.
Edit!Perfect your panorama with Adobe Photoshop Express
Add an effect
12By tapping the Effects icon on thetoolbar and selecting Effects, you canchoose from a number of different creative
options and filters. You may wish to select a
Vintage filter or convert your shot to Black &
White. When you have finished, tap the tick.
Get the app
07Download the free Adobe PhotoshopExpress app onto your phone and thenopen up your panorama photo by selecting it
from your Camera Roll. Once it is open, tap
the pencil icon at the bottom of the screen.
You are now ready to start editing.
5 of the bestSmartphoneapps for easypanoramas
360 Panorama 0.69/$0.99Pan your camera in any direction and360 Panorama will stitch in secondsto capture the entire scene. You canthan instantly share your shot.
Photaf Panorama FreeThis app has an orientation sensorthat knows the exact angle eachpicture was taken, allowing it tostitch together shots seamlessly.
AutoStitch Panorama 1.49/$1.99This app helps you take panoramas,and stitch together photos takenwith any camera app. You can thencrop the results and share.
Wondershare Panorama FreeTake a great panorama and then addeffects, such as Crossprocess, OldPhoto and Sketch, to make it standout. Then share it with one tap.
Panorama ++ 0.69/$0.99Take or build 360-degree panoramasthen share them instantly. You canalso merge more than one to createvertical overlapping panoramas.
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Buy your canvas17You will now go through to view yourshopping cart, where you can see whatyou are about to purchase and how much it
will cost. You can also select the quantity you
would like to order. Next, click Proceed to
Checkout and purchase your canvas.
Fix it to the wall18Once your canvas arrives, fix it to thewall of your choice. Make sure there isenough room for it as it will be very wide, and
avoid placing it on coloured walls that will
clash with the colours in your photo. You may
wish to consider this when taking the shot.
Upload your photo16Now click on Upload a file! and selectyour panorama photo from yourcomputer. It may take a little while to upload,
but when it does you will be able to view a
preview of what your canvas will look like on a
wall. When you are happy, click Add to Cart.
ShootingBig project
Share! Turn your smartphone panorama into stunning wall art
Select your canvas size
14Now select the size and type of print youwant. There are three different canvassizes to choose from, as well as six poster
print sizes, all at varying prices. You can also
select a non-panoramic canvas if you want to
upload a regular photo.
Choose canvas options
15Once you have selected your chosencanvas, choose whether you want yourimage to wrap around your canvas or whether
you would like to leave a white or coloured
edge on each side. Simply click on the circle
next to the option you would like to choose.
Head to Print Panoramics
13First you need to open up the website.Type www.printpanoramics.co.ukintothe address bar of your internet browser.
Once you have found the home page, click
Purchase in the top right-hand corner of the
screen to go through to the next stage.
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ContrastUse a panoramic scenewith plenty of contrast andinterest to avoid a flat ordull piece of wall art
ColourBright colours will reallymake your canvas printstand out on your walland enhance the room
PersonalChoose a location that isspecial to you. It will makea great talking point forvisitors and friends
EdgesUnless you add a whiteborder, allow for some spaceat the edge to be wrappedaround the canvas
Technical tipPrint Panoramicss productsare optimised for the iPhone,but you can use a panoramataken on any camera.
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02
02
10Inspirationalimages of...
Plant life
01
4
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ShootingInspirational images
04
03
04
Shar
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photoforbe
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05
01Draw on the weatherTry and capture frost onplants during the winter or go outto shoot after it has rained tocapture the water drops.
02Keep in focusFor sharp shots, use atripod to steady your camera andput up a piece of paper near theflower to stop the wind moving it.
03Blur the backgroundUse a wide aperture (lowf-number) to create a nice, blurrybackground and make the plantreally stand out.
04Capture textureKeep an eye out for plantswith interesting texture and colourand make sure the light is softlyhitting it to capture these.
05Get up closeMany plant species are fullof detail, which is amazing formacro shots switch your camerato macro mode and get up close.
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Shooting5 minute project
Master the art of taking natural shots under cover
fiveminuteproject
Learn how to capture
candidportraitsWhat youll needA fun event
to attendCamera
We usedSony NEX-6
You could useAny camera
What youll learnThe best settings
for sharp shotsTo compose
candid photos
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Face detectionThis feature locks onto faces and concentratesits autofocus to ensure they are sharp. Once aface is detected it will track it around the frame.
Shooting5 minute project
Think about composition01Include foreground interest such asdoorways, decorations or other peoplein a crowd. This will add interest and help the
shot to tell a story, while also adding to the
candid feel of the shot. Also, always leave
space for your subject to look into.
Shoot from the hip02Hold your camera at waist level andshoot upwards. You can take photosdiscreetly like this and it lends images a
low-angle perspective. Compositions can look
a little messy, but this can actually boost the
spontaneous feel of your shots.
Kill the flash
03Be sure to turn off the flash. It will givethe game away and spoils the relaxedatmosphere like a shark in the water. If the
room is pretty dark, boost your ISO setting to
400 or more to increase your cameras
sensitivity to light.
Use your burst mode
04A great candid photo captures people inthe moment and burst mode can helpwith this. Turn this function on, then hold
down the shutter button to fire multiple shots
in seconds. Youll capture the moment, and
the moments before and after too.
Switch to aperture priority
05The easiest way to blur the backgroundand keep your subject in focus is to useaperture priority. Select a low f-number (wide
aperture), which will throw the background out
of focus so that we only focus on the subject.
Its a simple way to de-clutter busy backdrops.
Paparazzi-style photography is no longer
reserved for shots of celebrities falling out
of clubs at 4am. Its now one of the most
popular approaches to portraits and event
photography, as it captures the true story of
what happened. A candid image isnt posed
or staged in any way, its spontaneous and
ideally the subject wont suspect theyre
even having their photo taken. This creates a
beautifully natural image as the person will
be completely at ease.
Parties and weddings make great
backdrops for candid photography for this
reason. The guests will be distracted and
having fun, which will come across in your
images. To slip under the radar, you need to
learn how to shoot from the hip and frame
pictures quickly. Use covert camera settings
by turning the flash off and using the zoom
to take photos from a comfortable distance.
That also means leaving bulky equipment at
home such as tripods and reflectors, as
theyll only draw attention to yourself.
Bring a spare memory card along and hit
the shutter button until your finger hurts,
since youre bound to capture a few closed
eyes or blurred movements. Look out for
groups of people talking and laughing, or
even posing for formal photos, and then
zoom in on faces. As a candid photographer,
you need to blend in with the crowd so
people feel comfortable around you, but
there are plenty of other tips to come armed
with. In these steps, were going to show you
how to easily replicate this candid feel in
your own shots of friends and family.
Becoming invisible Capture candid portraits
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On-camerafeatures for
candid shots
3 of the best
Telephoto lensThe further you are away from your subject, theless likely they are to spot you taking a photo.Use the zoom and shoot from a distance.
Tilting screenA tilting LCD screen enables you to compose yourshots without looking through the viewfinder. Ithelps with shooting from the hip.
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5 tips for shooting
on a bright day
Bright sunny days are lovely for going outwith your camera, however there are someproblems that can arise when you areshooting in glaring sunlight. Sometimes it isbetter to wait for the sun to set for moregolden light. However, if this is not possible,follow these helpful tips.
Combat the issues caused by shooting in the sun
Shoot a silhouetteWhy not have a go at making the most ofthe sunlight by taking a silhouette shot?Position yourself so that your subject isdirectly in front of the sun and be sure toturn off your flash.
Use a filterIf your shots are too bright, or you wish touse a slow shutter speed or wide aperture(low f-number) for your sunny-day shots,use a polarising or neutral-density filter toblock out some of the light.
Find shadeIt may sound like an obvious suggestion,but simply moving into a bit of shade cansolve your problems. Or you could even useyourself to shield your subject by standingin the way of the sun.
Fill in shadowsShooting in bright sunlight can cause harshshadows, which are particularly unflatteringfor portrait shots. Use a reflector or fire yourflash to fill them in for a more evendistribution of light.
Avoid glareShooting in the sun can cause lens glare tocreep into your shots. To prevent this, gethold of a lens hood or make your own out ofcard. Alternatively, just use your hand toshield the end of your lens.
8
ShootingQuick tips
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Check our website www.castlecameras.co.uk or call us
on 01202 526606 for our latest prices and event detailsCanonPowerShot G1 X 499.00PowerShot G15 439.00EOS 1D X Body: f ree bag 4,849.00EOS 5D Mk III Body: Half price Battery gripBG-E11 - please phone for details 2,335.00EOS 5D Mk III, 24- 70mm MkII: Half price Battery gripBG-E11, ask for detai ls 4,029.00EOS 5D Mk III, 24-105mm: Half price Battery grip BG-E11, ask for details 2,975.00EOS 6D Body Only 1,599.00EOS 6D, 24-105L 2,199.00EOS 7D Body 1,059.00
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EF 35mm f2 209.00EF 35mm f2 IS 779.00EF 50mm f1 .2L USM 1,179.00EF 70- 200mm f 2. 8 L U SM 979.00EF 70-200mm f2.8L IS II USM 1,829.00EF 70-200mm f4 L USM 499.00EF 70-200mm f4.0 L IS USM 929.00EF 70-300mm f/4-5.6L IS USM 1,099.00EF 70-300mm f4-5.6 IS USM : 369.00
EF 85mm f1.2L II USM 1,679.00
EF 100-400mm f4.5/5.6L IS USM 1,229.00EF 100mm f2.8 USM Macro 415.00EF 100mm f2.8L IS USM Macro 709.00EF 180mm f3.5L USM Macro USM 1,179.00EF 200mm 2 .0L I S US M 4, 499.00EF 200mm f 2.8 L/ 2 U SM 599.00EF 300mm f2.8L IS I I USM 5,099.00EF 400mm f/2.8L IS I I USM 8,249.00EF 400mm f5.6L USM: Special lowp ri ce whi le s tocks l as t 1, 049.00EF 500mm f4.0L IS I I USM 7,749.00EF 600mm f4.0L IS II USM 10,590.00
EF-S 10-22mm f3.5/4.5 USM 619.00EF-S 15-85 f3.5-5.6 IS USM 529.00EF-S 17-55mm f2.8 IS USM 769.00EF-S 17-85mm f4/5.6 IS USM 299.00EF -S 18- 135 f 3.5 -5 .6 I S 279.00EF-S 18-135mm f/3.5-5.6 IS STM 349.00EF-S 18-200 f /3.5-5.6 IS 389.00EF-S 60mm f2.8 Macro USM 349.00Extender EF 2x III 399.00
TS-E 24mm f3.5L MkII 1,579.00TS-E 45mm f/2.8 1,079.00EF-M 18-55mm f3.5-5.6 IS STM 244.00
FujiX100S 1,149.99X20 Black 519.00X-E1 Body Black 629.00X-E1 Kit Black 949.00X-Pro1 Body Only: Special offers in-storeP lease phone for detai ls 1,079.00
XF-18-55mm f2.8-4 R LM OIS : 599.00XF-18mm f2 429.00XF-35mm f1.4 429.00XF-60mm f2.4 469.00
NikonD4 body: With Tamrac Explorer 400 4,249.00D90, 18-105VR 579.00D3100, 18-55VR 319.00D3100, 18-55VR, 55-300VR 579.00D3200, 18-55 VR, 55-300VR, Black 699.00D3200, 18-55 VR , B la ck 429.00D5100, 18-55VR 419.00D5100, 18-55VR, 55-300VR 659.00D5100, 18-105VR 549.00D5200 Black, 18-55VR 699.00D600 Body 1,449.00D600 Body, 24-85 1,849.00D7000 Body 649.00D7000, 18-105VR 799.00
D7100 Body due on 21st March 1,099.00D7100, 18-105VR due on 21st March 1,299.00D800 Body 1,959.00D800e Body: With NX2 software 2,349.00SB-910 Speedlight 339.00
AF-S 2x Teleconverter TC-20EIII 369.00AF-S 14-24mm f2.8 G ED 1,329.00AF-S 16-35mm F/4G ED VR 829.00AF-S 24-70mm f2.8G ED 1,249.00AF-S 24-120mm f/4G ED VR 819.00AF-S 24-85mm f/3.5-4.5G ED VR 419.00AF-S 24mm f1.4G ED 1,479.00
AF-S 28-300mm f/3.5-5.6G ED VR 669.00AF-S 50mm f1.4G 279.00AF-S 60mm f2.8G ED Micro 409.00AF-S 70-200mm f2.8 G IF-ED VR MkII 1,629.00AF-S 70-200mm f4G ED VR 1,079.00AF-S 70-300mm f4.5-5.6 G IF-ED VR 429.00AF-S 85mm f1.4G 1,159.00AF-S 85mm f1.8G 379.00AF-S 105mm f2.8G IF-ED Macro VR II 619.00AF-S 200mm f2.0G IF-ED VR II 4,099.00AF-S DX 18-300mm f3.5-5.6G ED VR 679.00AF-S DX 55-300mm f/4.5-5.6G VR 279.00
PanasonicLumix DMC-LX7 349.00DMC-G3 14-42, Bl ack 299.00DM C- G5 14-42X , B la ck 629.00DMC-GH3 14-140 1,579.00DMC-GH3 Body 1,179.00DMC-GX1 Body, Black 349.00
PentaxK-30 Black, DA 18-135mm WR 749.00K-30 Black, DA 18-55mm WR 529.00K-5 II DA 18-135 WR Lens kit 1,049.00K-5 I I DA 18-55 WR Lens k it 799.00
AF 540 FGZ 349.00
SMC DA* 16-50mm f/2.8 ED AL (IF) SDM 799.00SMC DA* 60-250mm f4AL SDM 1,059.00SMC FA 43mm f/1.9 Limited, Black 699.00EM-1 40 DG Macro EOS 299.00
Sigma10-20mm f3.5 EX DC HSM 459.00120-300mm f2.8 EX DG APO OS 1,799.00120-400mm f4.5-5.6 DG APO OS HSM 629.00150-500mm f5-6.3 DG APO OS HSM 749.00150mm f2.8 EX DG Macro IF HSM OS 679.00
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Alpha 77 Body 799.00Alpha 77 with 16-50mm f2.8 1,169.00Alpha 77, 18-135 SAM 899.00Alpha 99 Body: With Free Holdall 2,149.00Alpha 99 Body with grip and Batteries 2,249.00DSLR Lens, 2X Teleconverter 339.00DSLR Lens, 11-18mm f4.5-5.6 (D) 449.00DSLR Lens, 18-250mm f3.5-6.3 (D) 449.00DSLR Lens, 24-70 F2.8 ZA T* 1,399.00DSLR Lens, 55-300mm SAM 299.00DSLR Lens, 70-200mm F2.8 G 1,519.00DSLR Lens, 70-300mm f4.5-5.6 689.00DSLR Lens, 70-400 F4-5.6 G SSM 1,329.00DSLR Lens, 100mm f2.8 Macro (D) 549.00NEX-5R Double lens kit with 16-50 compact power zoomand 55-210 telephoto zoom 899.00NEX-5R, B lack w ith 16-50 699.00NEX-5R, Black with 18-55 zoom 459.00NEX-6 Body 599.00NEX-6 double Lens kit with 16-50 and55-210 zoom Lenses 929.00NEX-6 zoom kit with 16-50 zoom Lens 729.00NEX-7 Black Body 774.00NEX-7 with Black 18-55 Lens 859.00NEX-F3 with Black 18-55 Lens 349.00E 10-18mm F4 OSS 729.00
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What time of day did you shootthis image at?I took the shot at around 4pm when the sun
had started to set, meaning the light was
low to add to the drama. This was also the
ideal window to shoo