photography holidays & courses - ultimate guide 2016

holidays& courses

PhotograPhy

Ultimate GUide 2016

© Sarah Lee

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Terms & conditions apply.

Please contact us today to discuss your requirements and book your place.

www.leica-storemayfair.co.uk/collections/akademie-workshops

or call 020 7629 1351

INSPIRATION AND CREATIVITY

WITH THE LEICA AKADEMIE UK

The Leica Akademie UK offers a collection of workshops that aim to

inspire a new generation of photographers and help capture the ‘decisive

moment’ through a Leica lens. A premier learning resource for Leica

owners, and prospective customers too, Leica Akademie UK workshops

are open to photographers of all levels of experience – from new users to

more seasoned photographers who wish to hone their skills.

LEICA MASTERCLASS SERIES (various dates)

A series of special two-day masterclass workshops featuring well-known guest

photographers. Learn new skills and have the opportunity to have your work

critiqued by the experts.

LEICA IN LONDON (various dates)

A one-day creative ‘project based shoot’ in London, to test and develop your

photographic skills.

LEICA BESPOKE (on request)

A personalised one hour workshop designed to help Leica camera owners gain

confi dence in using their camera and improve their photographic skills.

LEARN WITH LEICA (various dates)

Move away from the ‘Auto’ setting and unleash your true photographic potential!

For new owners of Leica D-Lux, V-Lux, X, Q and T cameras.

LEICA M PHOTOGRAPHER (complimentary)

Designed to help recent Leica M (Typ 240) and M Monochrom (Typ 246) owners

refi ne their photography skills and acquire new techniques.

LEICA M TASTER (complimentary)

For aspiring Leica M owners, this half-day experiential workshop gives you the

chance to explore the Leica M System hands-on.

LEICA T TASTER (complimentary)

A hands-on introduction to the innovative Leica T System.

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2 photography hoLIDayS & CoUrSES 2016

L earn by doing, learn from skilled teachers – and learn in the company of like-minded individuals who share your passion. That’s what the photography workshops, courses and holidays contained within these

pages are all about. They aim to inform, inspire and entertain – they also help to bridge the gap between knowledge and experience. Whether it’s a one-day training near your home or a week on the other side of the globe; whether you’re a professional or beginner, you’re sure to discover what you need to take your photography to another level.

To whet your appetite and help get you in the mood for discovery, we’ve also included an array of features from top photographers that share their tips and techniques to help you get the most out of your camera.

To be the best we can, we must never stop learning. So book the course that’s right for you, pick up your camera, pack a spare battery, and remember the words of the great Imogen Cunningham: ‘Which of my photographs is my favourite? The one I’m going to take tomorrow.’

Josh Alliston

Editor Sarah Doughty Designer Toby Haigh Advertising executive Raphael Pottinger, [email protected] (01273 402823)Production Anne Guillot, Amanda Allsopp, Jim Bulley Publisher Jonathan Grogan

WELCOME

PhotogrAPhy holiDAys & CoursEs 2016brought to you by

Black+White PhotograPhy

Cover image ©f11 Workshops

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Andy HowardNature Photography

images guiding workshops tours

www.andyhoward.co.uk

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50

ContEntS

7 LandscapeCourses to capture stunning scenes and locations

59 WildlifeAn opportunity to photograph rare animals and birds

73 PortraitureFocus on mastering the art of portraits: expression, personality and mood

77 Courses with a differenceFind inspiration and learn new techniques

87 Understanding your cameraGet to know how your camera works

91 Post-productionFind out how to work with your images

HOLIDAYS & COURSES

8 Wild white horses with a differenceSerge Krouglikoff shares the thrill of the Camargue festival

16 Shooting into the sunStephen Studd gives us his top tips

20 In the footsteps of giantsJonathan Chritchley walks in the path of photographic greats

© Chris Simmons © Digital photography holidays

© y.Macherez

27 An epic shoot in MoroccoTim Mannakee catches a spectacular scene on the coast of Morocco

34 Why use a graduated filter?Michael Pilkington explains why we should not give up using graduated filters

37 Winter landscape photographyJohn Gravett outlines some simple steps to help stay safe

fEAtURES

45

60

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photography hoLIDayS & CoUrSES 2016 5

ContEntS

© tim Mannakee

© Vlad Donkov

42 Capturing landscapeCharlie Waite shares his top tips for perfect landscape shots

46 Cornish virtuesCarla Regler on the popular Cornish landscape

50 Catching wavesChris Simmons reveals some of the techniques he uses for capturing dramatic seascapes

54 Our legendary coastsAndy Habin and David Clapp unlock the secrets of our dynamic coastlines

60 Preparing for a wildlife adventureMike Peters gives some advice on the right equipment and how to be well prepared for a wildlife adventure

74 From Cameron to KanderPaul Ellis looks at how the style of portraiture has changed through the years

78 Staying localRachael Talibart and Tony Antoniou share the knowledge of their local area and their favourite locations for photography

82 Into the wilderness Vlad Donkov shares his passion for adventure and photography

86 Travel adventuresWilf James goes around the world... and sees his own backyard with a fresh perspective

88 Long lens landscape photographyGary Groucutt encourages the use of a long lens for landscape shots

92 Managing a digital workflowColin Reynolds shows you how to manage your digital workflow effectively from import to print

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PHOTOGRAPHY HOLIDAYS & COURSES 2016 7

LANDSCAPE

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8 PHOTOGRAPHY HOLIDAYS & COURSES 2016

Wild white horses with a

differenceCreate Away’s Serge Krougliko shares with us the thrill of the

Camargue festival and fi nds a new star of dressage



W e have been photographing the wild white horses splashing

through the wild and untamed Camargue for some years now. Photographers and horse-lovers alike just can’t get enough of them and often come back for more.

A professional photographer who joined one of our workshops loved it so much she asked to come back for a custom workshop over a long weekend. She was keen to get something different and asked about a dressage shoot with a Camargue horse. Being the only photography

workshop company based in the Camargue region provides me with strong and well-established links with the local people of the Camargue, offering privileged access to private domain, inaccessible to everyone else. So, I set about making enquiries and found just the person (and horse) to give us that something extra special, ready for the arrival of our pro at the start of the Aigues-Mortes Camargue Festival.

On the practice runs, the single white Camargue stallion, who is trained for festivals and shows, soon got used to his new role of rearing

on the sand dunes at full height and dashing and diving in the sea and surf, galloping out of the waves and onto the beach with his beautiful blond mane blowing in the wind and highlighted by the sun.

With the festival in full fl ow, we started with ‘breakfast’ with the gardians (Camargue cowboys) in the meadow. The French call it a casse-croûte – which is usually bread, saucisson and wine (not a croissant or fruit juice in sight!). Standing in a shallow, muddy, stream with wellies on, the gardians eventually rounded up the bulls and with three gardians fl anking each



PROFILESerge Krouglikoff founded Create Away after an illustrious

career in international fashion photography. Create Away are Camargue specialists and arrange photography workshops and tours to capture the iconic Wild White Horses, Pink Flamingos, Black Bulls, Stunning Landscapes and Classic Portraits. Outside the Camargue, Create Away also offers breathtaking Landscapes of Provence Villages, Lavender & Sunfl ower Fields, Graphic Atlantic Seascapes and now exhilarating Classic Yachts Regattas in Antibes & Saint Tropez on the Cote d’Azur.

bull, they galloped into the medieval town, arriving with a clatter down the narrow cobbled streets – an entrance known as the abrivado.

On arrival the vachette took place, whereby young lads attempted, with all their means, to scare the horses into letting the bull escape into the crowds (with the most sensible staying behind the safety of the barriers). After a day of festivities and bull racing in town, it was time for the bandido (the late afternoon departure) with the process reversed as the cowboys fl anked the bulls once more as they galloped back through town towards the meadow. It’s exhilarating

to capture breathtaking action shots of the horses and bulls as they gallop through the old stone archways of the town with the warm autumn sun setting behind them.

After more wild white horses shoots in different locations in the marsh and on the beach, plus the stallions fi ghting, the highlight for our visiting pro was the single dressage stallion. A new star had been born and is now a staple on our Ultimate Camargue Horses workshops for all to enjoy.

For 2016, we have another exciting new idea that we will be working on this winter – it’s a secret, but think Black Beauty – shhhh!


Photographic Workshops & ToursIn the South of France

b y p h o t o g r a p h e r s - f o r p h o t o g r a p h e r s - s h a r i n g t h e p a s s i o nWebsite : www.create-away.com — Email : [email protected] — Tel : 44 (0) 20 3642 2448



Alan Ranger PhotographyLandscape photography workshops to inspireJoin award winning, professional photographer, Alan Ranger on a landscape workshop.

These workshops embrace a myriad of stunning outdoor settings across the UK. In the quiet and charm of nature, you are given the opportunity to illustrate your artistic vision through clever use of the camera and your personal interpretation of subject matter.

Shoot on location and you experience the exhilaration of refi ning your photography skills outdoors. Learn and apply technical theory to convey the intrinsic feeling of each location; produce your own intriguing and daring photographs that will enchant for years to come.

Available throughout the year, the carefully planned landscape workshops are an ideal chance to savour the fun and expertise of hands-on support from a renowned workshop practitioner.

Options for half-day to six-day excursions with or without accommodation to Devon, the Lake District, Wales, the Peak District, Northumberland, Norfolk, Dorset, Midlands and the South West.

Alan provides a full range of tuition including: private tuition, online mentoring and courses.

W: alanranger.comE: [email protected]: 0781 701 7994

Andy FarrerOutdoor photography specialist – coast & countryLearn from Landscape Photographer of the Year 2015 how to take your landscape photography skills to the next level.

Andy provides training in both the artistic and technical aspects of producing images. He offers one-to-one personal tuition for photography and digital processing and printing as well as running group workshops.

He is based on the Jurassic Coast in Dorset, but has an extensive knowledge of the whole of the South West of England.

W: andyfarrer.co.ukE: [email protected]: 0781 648 3448

LANDSCAPE | UK



LANDSCAPE | UK

Highland PhotographyLandscape & wildlife adventuresJoin award winning photographer and qualifi ed mountain leader, Chris Stuart, for a landscape or wildlife photography adventure.

Opt for easy walks or guiding to wild and remote locations. Experience a variety of wildlife species according to seasons. Small groups or one-to-one tuition is available or courses can be tailored to suit you.

Location planning, digital techniques in the fi eld and image processing for web and print are all covered.

W: highlandphotography.co.ukE: [email protected]: 07850 915042

Anthony Blake PhotographyLandscape photography workshops in the South & South WestTo photograph some of the most picturesque coastlines in the UK, why not join award-winning professional photographer Anthony Blake on a landscape photography workshop in Dorset or the West Country. Our group sizes are small (with a maximum of three) so there will be plenty of personal attention.

We visit classic Dorset locations such as Durdle Door, Kimmeridge Bay and Corfe Castle. Other workshops include, Cornwall, Wiltshire and the New Forest.

Anthony covers all aspects of camera craft from correct exposure to using fi lters creatively. One-to-one tuition is tailored to the individual. One, two and three-day group workshops are available to suit all abilities.

W: anthonyblakephotography.co.ukE: [email protected]: 01258 863436 / 07710 400586



Dawn 2 Dusk PhotographyDevelop your landscape photography skills!Dawn 2 Dusk Photography is run by three of the UK’s leading, award winning, outdoor photographers – Mark Bauer, Adam Burton and Ross Hoddinott. We provide a variety of residential and one-day workshops. Throughout each workshop, the tutors are on hand to offer friendly, practical and individual advice on subjects like exposure, fi ltration, sharpness, composition and creativity.

Beginner or enthusiast, the workshops are designed to help develop your skills as a landscape photographer, while visiting some of the most picturesque locations in the UK. With a maximum group size of 12, a high level of personal attention is guaranteed. We hope you can join us…

W: dawn2duskphotography.co.ukE: [email protected]: 01288 321387

Digital Photography HolidaysExplore creativelyLandscape photography workshops and weekends exploring the rugged coastline of the Gower, South Wales and the bluebell woods of Gloucestershire with award- winning professional photographer Stephen Studd.

Stephen’s intimate knowledge of the Gower and the bluebell woods will ensure that you will be in the right locations for the best light.

LANDSCAPE | UK

Small group sizes guarantee personal attention with expert tips and guidance tailored to your individual needs, giving you the tools and confi dence to master your camera and produce strong and compelling landscape images.

W: digitalphotographyholidays.comE: [email protected]: 07706 119609


CHERYL HAMER PHOTOGRAPHY

Whether you want to begin your photographic journey. Or if you want to improve, create and inspire. Cheryl Hamer Photography

will give you high class photography tuition. At great value prices.

BOOK NOW

www.cherylhamer.com, [email protected], 07837 014534

Take your photography to

the next level. Professional

photographer Cheryl Hamer

will provide you with expert

tuition in small groups - or

one to one - both on location

and in post processing

techniques, enhancing not

only your skill level, but also

your confidence and creativity.

UK – enjoy the inspirational

landscape of North Wales. With its endless scenic

variety, North Wales has

everything you could want

photographically.

Worldwide – enjoy tours

to Iceland and the Canyon

Lands of the USA all at great

value prices.

Take great photos in a relaxed,

friendly atmosphere and have

fun at the same time!

I’ve just had the two most amazing days of my photography life, so thank you

Neil B



Stephen Studd from Digital Photography Holidays shares his top tips for shooting into the sun

T hough shooting into the sun can be quite challenging, backlight images can

infuse drama and mystery into your photography. Here are a few of my tips:

KEEP YOUR LENS CLEAN: Dust, grease and scratches increases the risk of getting distracting fl are. If you have a lens-protecting fi lter on, take it off as sunlight can bounce in between the fi lter and the lens.

Shooting into the sun

USE MANUAL MODE: Choose the ISO you want, shoot in Raw and manual focus. Choosing your own aperture and shutter speed gives you control over the desired effect you are after. Underexposing the image will give you dark silhouettes; while overexposing gives detail in the subject and a more dreamy effect.



PROFILEStephen Studd is a professional travel and landscape photographer with over 25 years’ experience working in the fi eld. As founder of Digital Photography Holidays he runs small group photography holidays, workshops

and one-to-ones in the UK and overseas.W: digitalphotographyholidays.comE: [email protected]

TRIPODS MAKE LIFE EASIER:When shooting backlight with a tripod it’s easier to move the camera angle to control any distracting fl are.ND GRADUATED FILTERS:These will help balance the exposure in your photograph. Remember to keep your fi lters clean.

The times that work well for backlight photography are about an hour or so after the

sun rises or is setting as there is usually a softness to the sun. Get to really know your camera model and what the

“The times that work well for backlight photography are about an hour or so after

the sun rises or is setting as there is usually a softness to the sun.”

sensor can deal with. Have fun, try out different lenses and apertures to see what effects they give. Once you’ve mastered the technique with a tripod you can use it in other styles of photography where a tripod can’t be used.

Finally, be careful. Don’t look into the sun for too long as it can damage your eyes.


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Jonathan Chritchley of Ocean Capture walks on a Californian beach in the path of photographic greats

In the footsteps of giants

A s I made my way down the steps to the beach and looked along its silvery shore, I could

feel the percussive power of the Pacifi c Ocean, complaining as her progress was halted by the land on which I stood. Behind me, from the road, I could just hear, over the crashing surf, the sound of heavy V8 motors; huge, chrome-encrusted pick-up trucks, too early and too utilitarian to be tourists. Workers, starting the day early, paper coffee cups in little holders below the dashboard, winding their way along Highway 1, the legendary Pacifi c Coast Highway in the soft, misty light of dawn.

My attention turned back to the beach, its dark triangular rocks and soft light sand, the little sand fl ies darting in and out of bunches of black seaweed washed up during high tide. I couldn’t help but be slightly awestruck; this wasn’t just any beach. This was Garrapata Beach. A name I had been familiar with for years, having

discovered the work of photographer Brett Weston and the photograph he made here in 1954. Brett Weston is from a dynasty that is mentioned in every photography history book worth its salt. Edward Weston, Brett’s father, was born in 1886 and is dubbed ‘one of the most innovative and infl uential American photographers of all time; Brett’s brother Cole Weston,

is another hugely successful landscape photographer and the only man allowed to print his father’s photographs after his death. Their family friend, was ‘uncle’ Ansel, who used to drop into their family home in the mountains right above where I was standing, to drink coffee and discuss the light.

‘Hi Jonathan!’ came a voice behind me, and as I turned the moment just became even more surreal, for there striding along the beach, in a checked cowboy

shirt, jeans and a smile that could light up a darkroom, was Cara Weston, granddaughter of Edward, niece of Brett, daughter of Cole, and herself a very talented photographer.

Last year I had been lucky enough to work with some photographers whose work I had admired for some time. This had a positive effect on my own work and led to me booking a fl ight to the place

that, in my mind at least, had been the epicentre of landscape photography in the last century. A place where

Ansel Adams created some of his most beautiful work, a place where the Weston family live and work to this day. This is the Big Sur, the stunning stretch of Californian coastline south of Carmel and the Monterey Peninsular, where the Santa Lucia mountains rise abruptly from the cold, blue Pacifi c Ocean.

Cara and I talked for hours; about her childhood, growing up around the Weston men, the trips with her father and

“I couldn’t help but be slightly awestruck; this wasn’t just any beach.

This was Garrapata Beach.”



photographic journey. To be inspired by one’s peers, to shoot, talk, laugh, share and drink

decent wine. And I reminded myself, not for the fi rst time, that I really love my job.

grandfather, about Big Sur and the surrounding area, and about her own work. She suggested that we go back to her studio, in the grounds of the family home high above Garrapata beach and after a death defying drive we arrived, greeted by Cara’s daughters, both of whom have inherited her smile. And I thought to myself, this is a true

PROFILEJonathan Chritchley is a fi ne art photographer based in France. His company, Ocean Capture, was formed in 2006 and provides high quality workshops, courses and tours for small groups to the best water locations worldwide –

including to Big Sur with Cara Weston.W: oceancapture.comE: [email protected]

Cormorants and Sea Palms, Big Sur, 2015 ©Jonathan Chritchley



LANDSCAPE | UK

Chris Simmons PhotographyCornish seascapes – one-to-one workshops with Chris SimmonsCome and hone your landscape photography skills by learning how to approach the sea and start catching waves.

Award-winning photographer Chris Simmons invites you to explore Cornwall’s best coastal locations. It’s just you and him on a three, four or fi ve-day seascape adventure that focuses on advancing your DSLR photography and Raw post-production.

Learn to approach coastal locations, read the conditions and select the ideal techniques to capture superb images. From composition, manual settings and fi ltering through to advanced Photoshop post-production, your workshop will be a hugely rewarding experience.

W: c-simmonsworkshops.co.ukE: [email protected]: 01637 831251

Image SeenCreative landscape photography workshopsRun by leading landscape photographer, Sarah Howard, Image Seen specialises in small group workshops. Locations include the Cotswolds, the Lake District, the Peak District, the Yorkshire Dales and Dorset’s Jurassic coast.

Whatever your level of ability, our workshops are designed to both challenge and inspire you. With our expert guidance and friendly hands-on tuition, you will gain a greater understanding of your camera, improve your compositional skills and refi ne your technique to enable you to produce more satisfying and creative images.

Join us and take your photography to the next level.

W: imageseen.co.ukE: [email protected]: 07760 498112



Lakeland Photographic HolidaysInspiring photographers in the landscapeLakeland Photographic Holidays run a wide range of Photographic

workshops aimed at all levels of photographer. All workshops are based on landscape photography in the amazing area of the Lake District.

Workshops run from beginning of February through to end of November, taking in all seasons. Workshops include four- and six-night Landscape workshops, Active Walking workshops, Limited Walking workshops, Black & White workshops and and Photoshop workshops. Recommended by Countryfi le as the top landscape photography workshop in the UK.

W: lakelandphotohols.comE: [email protected]: 017687 78459

Slawek Staszczuk PhotographyAff ordable landscape photography workshopsWe offer one-day photography workshops across a variety of locations in Sussex and South-East England, led by an experienced local photographer and tutor.

With small groups with a maximum of six people, so everyone gets individual attention. All levels of experience are welcome on our one-day weekend dates. Bespoke one-to-one sessions can be arranged at the location of your choice.

Improve your photography skills in an informal and relaxed atmosphere, amidst some of England’s most beautiful countryside.

W: photoss.netE: [email protected]: 07892 682898

LANDSCAPE | UKThe Image ProjectStep up your photographyWant to elevate your skills to create eye-catching images you can be really proud of?

Offering workshops in great locations in the Midlands, Shropshire and the Dorset coast, The Image Project aims to help you achieve this with friendly and relevant tuition. Covering composition, controls and settings and post-processing, you will learn at the best time to do so – while you’re out taking photos.

You’ve got as far as reading this – now take the next step!

W: theimageproject.xyzE: [email protected]: 07793 046079



Photograph West CornwallCoastal photography workshops & toursWorkshops designed to help you improve your photography no matter what your ability. Based in Hayle, we are conveniently located to take you to beautiful locations in West Cornwall.

Workshops run on a one-to-one basis, or up to three friends and can be tailored for between one and three days. Photograph coastal landscapes, fi shing villages, ancient monuments, or tin mines. Choose the locations you wish to photograph or leave that to us.W: photographwestcornwall.comE: [email protected]: 07973 321181

CHANNEL ISLANDS

FototonicFortress Island, JerseyJoin us for a very unique photography tour of our Fortress Island. Jersey has castles, forts and batteries from many different eras of history, as well as bunker complexes and tunnel networks from World War Two, when the islands were occupied.

Many of our castles and offshore forts are set in beautiful landscapes, resulting in some quite spectacular photography.

A few of the World War Two complexes have been restored and others still lie empty as if the German armed forces have just left! Our Fortress Island photography tour includes private access to selected historical sites where you’ll capture some very unique images. Lightroom and Photoshop tuition are included.

W: fototonic.co.ukE: [email protected]: 07797 713 346



W e had reached our fi nal destination at the end of a 15-day tour of

Morocco. Everything had gone our way so far. From the moment we left our fi rst hotel in Rabat we only managed to drive 50 metres before we stopped to capture the beautifully lit town and moody sky. We’d had rainbows over turquoise lakes, a friendly shepherd appearing with her fl ock, fabulous skies in the Sahara… but nothing could have prepared us for what came next.

Essaouira, on the Atlantic coast, has been used for numerous fi lms, most recently Game of Thrones, and it is like a giant fi lm set. A storm had been brewing, so all the blue rowing boats were moored up together for shelter. The tide was high and the sky full of

seagulls, literally thousands of them, agitated by the storm. The waves crashed on the rocks and dark clouds gathered. We set up our tripods and waited for the scene to unravel. And what a scene! The seagulls dive-bombed us, shrieking as they fl ew millimetres away from our cameras.

We stood fast as the sky darkened. We added graduated fi lters to increase the drama in the sky. For a busy scene like this, composition is key. I used the boats to fi ll the foreground and placed the town to the far right of the image to cut out the distraction of people gathered on the walkways. The dark sky balanced the image, giving it an extra dynamic. Finally, I chose not to use my neutral density fi lter to create a smooth sea and blurry clouds. I prefer a more natural look for a scene,

which is already full of energy. When I processed the Raw fi le, I increased the contrast to give the image a gritty feel which I think suits the mood. As there is so much going on, the image looks great as a large print.

The next morning, the clouds had given way to clear skies and the seagulls had settled on the rocks after a hard night. The storm seemed a distant memory and we felt privileged to have witnessed such an epic scene.

Tim Mannakee catches a moody and spectacular scene on the Atlantic coast in Morocco

An epic shoot in Morocco

“We set up our tripods and waited for the scene to unravel. And what a scene!”

PROFILETim Mannakee is an accomplished photographer and tour leader with over 25 years of

experience in the travel business. He has lived in south-west France since 1992 and runs photo tours and workshops throughout the year in Europe and Asia. When not running tours, he supplies images for travel stock libraries and regularly accepts commissions for work, principally in France.W: timmannakee.comE: [email protected]



Dorcas Eatch LRPSLadies & gents, be not afraid

Imagine spending a week on the Hebrides or Skye, being driven to amazing photographic opportunities, being spoilt with single ensuite

rooms, locally produced food, the odd visit to a distillery... oh, and the turquoise seas, white shell beaches and the odd stone circle or two (the Callanish Stones) and the freshest and clearest of air.

We will be returning to the Hebrides 30 May–3 June 2016. We already have rooms reserved at Sligachan on Skye from Monday 26 September 2016 for 5 nights.

W: yorkshirelandscapephotography.com/hebrides-harris-lewisE: [email protected]: 07530 850198

aspect2iPhotograph the wilderness of Scotland’s landscapeWhether you are stood on the rugged Scottish coastline, beneath the mountains, exploring the forests or on the banks of one of the many lochs – we will work with you to ensure you get the best experience when you photograph Scotland’s landscapes. We work with you on a one-to-one basis – our leaders are there for you!

On all of our photography workshops we cover the entire journey from fi eldcraft to the digital darkroom to the fi nished prints that you take home with you.

W: aspect2i.co.ukE: [email protected]: 0845 505 1455

LANDSCAPE | SCOTLANDCHANNELISLANDS

FototonicBig tide photography workshopFototonic is going offshore from Jersey for this unusual tour. With one of the largest tidal ranges in the world, the immense body of water that fl oods our coastline makes for some breathtaking duels between the land and the sea.

Not only will you be photographing high tide seascapes at sunset and beyond, but also when the colossal tide recedes it uncovers a huge amount of foreshore known as the ‘lunar landscape’. Lightroom and Photoshop tuition included.

W: fototonic.co.ukE: [email protected]: 07797 713 346



LANDSCAPE | SCOTLANDLight & LandScotland landscape photography tourScotland’s mountain landscape is an unmatched fusion of rugged ancient peaks, glaciated valleys, atmospheric lochs, remnants of a once-vast pine forest, castles that remind us of a turbulent history… and, well, weather – lots of it.

Photographers have learned to revel in its climatic unpredictability, but patience and a philosophical approach is often needed.

This is a Leading Lights tour, which means that participants are limited to eight. The tour takes place between 2–11 December 2016 and is led by Joe Cornish and Antony Spencer.

W: lightandland.co.ukE: [email protected]: 01747 824727

Glencoe PhotographyScottish landscape tuitionExperience the grandeur of Glencoe, the rugged remoteness of Rannoch Moor and the iconic mountain views of Buachaille Etive Mor. Be inspired by the ever-changing moods and the magical light of the Highland landscape.

It was these changing moods and the unique light of Glencoe that originally inspired professional photographer Karl Griffi n to pursue his passion for landscapes. His landscape images now appear in several photography magazines and he has also written tutorials. Under his friendly and encouraging direction, you will experience an inspiring tour of stunning landscapes exploring the skills and techniques of digital photography.

Specialising in one-to-one or two-to-one tuition that is tailored to your individual requirements, Glencoe Photography gives you the fl exibility to creatively explore the landscape of the Scottish Highlands.

W: glencoephotography.co.ukE: [email protected]: 07769 809236



LANDSCAPE | EUROPE

Cheryl Hamer PhotographyIcelandThere’s nowhere more iconic than Iceland as a photographic destination – and it’s diffi cult to fi nd the superlatives that really do this landscape justice. Suffi ce to say that Cheryl’s tours are designed to give every opportunity to photograph at all the most iconic locations.July 2016: Summer Landscape & the Midnight Sun.February 2017: Winter Landscape & the Aurora Borealis.BOOK NOW for 8 days all from the amazing price of £1,994, including all transport and tuition, fl ights, lunches and top class hotels.

“I’ve just had the two most amazing days of my photography life, so thank you.” Neil B

W: cherylhamer.comE: [email protected]: 07837 014534

Create Away Photography WorkshopsAtlantic seascapesAccomplish both black & white and colour on this graphic workshop on the wild southern Atlantic coast of France.

Capture the stakes of the Cap Ferret oyster beds as they stretch out across the Bay of Arcachon with its inland sea, the colour of a lagoon, crowned by the impressive ‘Dune Du Pilat’ sand dune.

Take stunning landscape shots of limestone cliffs,

fi shing huts on stilts and swathes of marshland and white sand abandoned by the tides. Capture such scenes with your camera, in small groups with expert tuition.

W: create-away.com E: [email protected]: 020 3642 2448

Tim Mannakee Photography HolidaysLandscape & travel photography

From misty mornings in the Dordogne to the surreal landscapes of China, on our tours you will be taking some of the most original, memorable images of your life. Spectacular rice

terraces of Yunnan in the spring, colourful lavender fi elds in Provence in the summer, the magical landscapes of Burma in late autumn are just a few of our locations to tempt you.

Professional travel photographer Tim Mannakee will lead the workshops and offer his expert guidance and tuition.

W: timmannakee.comE: [email protected]: (00) +33 633 17 64 93


PRACTICAL DAYS ENJOY A DAY OUT WITH YOUR EOS CAMERAWe carefully choose locations for a great day of photography and keep group sizes small for maximum interaction with your tutor.

LISTEN AND LEARN AS THE CLASS OF ‘16Join a classroom-based workshop and learn how to use your EOS camera. Interactive and informal lessons to improve your images. Class size limited to 12 students.

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TRAINING ACADEMY

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Locations London, Lincoln, Chester, Farnham, Ely, Stratford upon Avon, Fakenham

Locations Oxford, London

Call 01869 331741 Monday-Friday 9am-5pm or visit www.eostrainingacademy.co.uk

From £69

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From £99



Michael Pilkington of aspect2i explains why we should continue to use a graduated fi lter

W ith the continuously increasing dynamic range of modern

cameras, why do we need to use a graduated fi lter? The argument is that if we look at the back of the camera at the histogram the whites and

blacks are all in without any clipping. Well, this may be true, but the answer is you still need to use a graduated fi lter.

The reason for this is simply the way in which picture information in the Raw fi le is stored. Much more space is

given over to the whites and highlights than the blacks and shadows. In fact, the brightest stop occupies half of the storage. The next brightest stop occupies a quarter, the brightest stop after that occupies an eighth and so on. So our blacks

Why use a graduated fi lter?

Figure 1: without graduated fi lter Figure 2: with graduated fi lter



and shadow details are given very little space to record the different tones that we want to pull out during post-processing and printing. Furthermore, we fi ght to keep the whites and highlights in check.

In this image (Figure 1), taken without a graduated fi lter, we see a clear peak on the right of the histogram, which is the sky. Using a graduated fi lter, this peak is completely fl attened and the whole histogram has moved to the left (Figure 2). This gives us the opportunity to increase the exposure and move the whole histogram to the right.

You will have heard of ETTR or ‘exposing to the right’ and this is the reason why. We are able to move the blacks and shadows to the right of the histogram, thereby giving them more space to record different tones.

Of course, the image on the screen on the back of your camera looks overexposed (Figure 3), but it is not – as no whites or highlights have been clipped. This is the biggest hurdle for most people. They want the image on the back of the camera to look great, whereas I want the image after post-processing to look great!

Figure 3: on-screen view looks overexposed, but the image will be fi ne

The fi nished image

PROFILEMichael Pilkington is a professional landscape photographer

and a co-founder and director of aspect2i one of the leading landscape photography workshops in the UK. Landscape Photography workshops are held in Scotland, Wales and England as well as internationally in the USA, Norway, Iceland and Faroe Islands. As well as running workshops in the fi eld, Michael is a principal tutor at the Epson Print Academy, which specialises in all aspects of post-processing and printing.W: aspect2i.co.ukE: [email protected]



O ne of the questions I get asked more than any is ‘what is your favourite season?’

Whilst I love every season, there’s something really special about shooting in the winter months. The Lake District usually gets a covering of snow, especially on the tops of the slopes. With a few simple steps, photography in cold conditions can be safe, rewarding and great fun.

SELF-PREPARATIONWith low temperatures, keeping warm is vital. Modern clothing allows layering with fabrics such as merino wool. Add a fl eece or down jacket and a waterproof layer and you should keep your body warm and dry. A hat and gloves are essential to keep your extremities warm, too. Boots should be waterproof and have plenty of grip on the snow. As an added safeguard, walking

aids such as studs or better still, decent spikes should keep you upright in all but the steepest conditions. If you are going high up steep mountains in the snow, crampons and an ice axe are the best choice. But remember, walking aids don’t keep you safe; you still have to concentrate.

With the shorter days, you should carry a headtorch and some food, such as energy bars. Always keep a change of

Winter landscape photography

Preparing to shoot in freezing weather? John Gravett of Lakeland Photographic Holidays outlines some simple steps to stay safe



clothing, including socks and shoes in your car to change into if you have got cold or wet.

EQUIPMENTAs you are likely to be carrying more outdoor kit, clothing and food than normal, I’d recommend trimming your camera kit down if you are covering any distance on foot. I often carry just one body, a couple of lenses, tripod and fi lters. Long-range zooms save you having to change lenses too often with cold hands, so carry a 18–200mm on a DX camera, a 29–300mm on an FX body. That leaves room in your bag for clothing you can shed when getting warm walking uphill.

One important thing – batteries don’t last as long in low temperatures, so make sure you take plenty of spares. With a regular DSLR, I’d usually have a couple of spares; if you use live-view frequently, or a mirrorless camera, you’ll need more. Batteries that give up when you have the best light of the day is one thing you really don’t need!

TECHNIQUESIf it’s snowy, the whole landscape is white and will typically lead to underexposed images as the camera meter will see everything as grey. The most important piece of advice is to watch your histogram!

This is particularly true when shooting light-coloured subjects. Expose to the right – make sure the histogram ends as far right as possible, without blowing highlight detail. Often on snowy scenes, this will need 1–2 extra stops of exposure compensation (+1.0–+2.0).

A blue sky can be enhanced with a polarising fi lter, grey skies might benefi t from a graduated fi lter. If the sun is shining on the snow, it might be brighter than the sky, and a grad positioned upside-down to subdue the snow may work to your advantage.

With a covering of snow on the ground, there might not



PROFILEJohn Gravett is a professional photographer with over

25 years of experience and is one of Britain’s foremost landscape photographers and tutors. John is the Photography Director of Lakeland Photographic Holidays, based in Braithwaite near Keswick.W: lakelandphotohols.comE: [email protected]

be as much foreground interest as in other seasons, try low viewpoints to bring out the texture of windblown snow. Keep a lookout for fences, stones protruding through the snow or similar. In really

heavy snowfalls, sheep huddling together sheltering make a strong image. If it gets really cold, frozen lakes can look striking.

Make the most of the conditions, take the necessary

precautions and enjoy the snowy weather, especially if you can get to somewhere beautiful like the Lake District. Make the most of it.

Lakeland Photographic Holidays winter workshops start on the 31 January 2016.Find details on our website.



LANDSCAPE | EUROPE

Light & LandAurora Borealis in Arctic NorwaySituated on a beautiful island, Tromsø is one of the world’s northernmost cities and the starting point for our adventure of a lifetime in pursuit of Aurora Borealis. We will be surrounded by a truly spectacular and rugged landscape in the early grips of winter.

The tour takes place 12–19 November 2016 and is led by Antony Spencer and Justin Reznick.


Wild Photography HolidaysTravel, landscape and people photography

Our travel photography holidays take you to some truly inspirational locations – in Iceland, Greenland, Ladakh, Assam and Nagaland, south India, Burma, Norway, Spain, the UK and Ireland.

On-the-spot expert help and guidance will help you to create some magical images including landscape, nature, people, architectural photography and the northern lights in Iceland. Our tuition naturally extends to post-processing, enabling participants to return home with a portfolio of professionally fi nished images.

Going on one of our trips or workshops is a holiday, lots of fun and a great learning experience with like-minded people.

W: wildphotographyholidays.comE: [email protected]: 01630 647828

Create Away Photography WorkshopsProvence villages; lavender & sunfl owersSwathes of lavender looking like purple velvet, splashed with Van Gogh’s yellow sunfl owers, sweeping through the valleys of Provence, is a once-a-year experience not to be missed. Perched high on the hillsides above the fi elds lie the picturesque honey-coloured stone villages of Provence and the Luberon.

Understandably, many famous artists came to this region to paint endless canvasses of the vibrant colours with such extraordinary light. Capture iconic, award-winning landscapes with your camera in small groups in the south of France.




LANDSCAPE | EUROPE

Ocean CaptureTh e best water locations worldwideFormed by fi ne art photographer Jonathan Chritchley in 2007, Ocean Capture is now one of the foremost photography tour and workshop companies in the world today.

Jonathan, along with other leading fi ne art landscape photographers such as Michael Levin, Rolfe Horn, Ted Leeming and Morag Paterson take groups to 15 different countries worldwide with the emphasis on producing creative, thought-evoking photographs in a safe, relaxed and convivial environment.

Ocean Capture has a rebooking rate of over 85 per cent. Our regular clients win international competitions, produce successful art books and work with galleries all over the world.

Whatever your level, if you are interested in having the time of your life whilst producing highly creative work aided by noted fi ne art photographers, then Ocean Capture may be for you. Oh yes, it helps if you like the water too!

W: oceancapture.comE: [email protected]: +33 (0)671 003 769

Tom Mackie WorkshopsTailored photography tuitionFrom small groups to individual tailored days, Tom Mackie’s workshops are taught with the aim of getting the maximum from you, your camera and the landscape beyond in a practical and relaxed way.

It doesn’t matter if you use the latest DSLR or a large-format plate fi lm camera, come and learn from one of the UK’s most experienced, respected and creative landscape photographers. With 35 years’ experience as a professional photographer, Tom’s work has been published worldwide.

W: tommackie.com E: [email protected] T: 01603 465292



T here are a number of key points for all aspiring landscape photographers

to remember when out in the fi eld. Here are a few of my tips:Be aware of the light: A photographer must be acutely aware of the nature and quality of light, and how the light is falling on the subject. Light is everything!

For fl are-free shots, do not assume that the lens hood will cover it. Use your hand, a piece of card or, better still, a friend standing alongside to keep unwanted light from your lens.High dynamic range (HDR): To use HDR, ensure you are familiar with natural lighting ratios and how certain surfaces absorb and refl ect

Light & Land’s Charlie Waite shares his top tips for capturing the perfect landscape shots

PROFILECharlie Waite is widely regarded as the doyen of English

landscape photographers. His style combines graphic fi nesse with an almost spiritual quality of calm and serenity. His distinctive treatment of historic Mediterranean landscapes in particular is instantly recognisable. Charlie is also an inspirational public speaker, who combines an actor’s training with his passion for landscape and photography. His reputation means his work is in demand worldwide. Charlie never fails to inspire and encourage the participants in his photographic workshops.W: lightandland.co.ukE: [email protected]

landscape

light. Don’t underestimate the human eye and brain’s ability to detect where these ratios are skewed, such as with too much light in a shadow.The sky’s the limit: If the sky is too bland, too blue or too grey, try leaving it out. If the sky is a good background, let it stay. Squint to evaluate the brightness range: the best way to see whether it is too great for the capacity of the sensor or fi lm to handle. Try devoting three-quarters of the image to the sky if it is remarkable. Include whole clouds if possible. With refl ections too, try to include entire clouds.It’s a matter of time: Try not to photograph expansive views in the middle of the day. Early light, offering long shadows, is preferable. Late evening just after the sun has set, the ‘afterglow’, can also produce a lovely, luminous light.

Capturing



LANDSCAPE | USA

aspect2iPhotograph stunning landscapes of the USAThe USA is home to some of the most staggering landscapes in the world – and our workshops here are designed for you to get the most of your time there.

Whether you are in the canyons, deserts or beneath the spires of Yosemite we will work with you on a one-to-one basis so you get the very best out of your trip.

On all of our international workshops we cover camera craft and the digital darkroom so you have fi les ready to print when you get home.

W: aspect2i.co.ukE: [email protected]: 0845 505 1455








LANDSCAPE | REST OF THE WORLD

Light & LandMaine and Vermont photography tourThis two-state tour gives you the opportunity to see the very best of New England’s varied landscape in a single journey.

We start in the ‘green mountain state’ of Vermont and fi nish in Maine. There are few tours that can offer such varied subject matter – spectacular mountain views, rocky surf-pounded coastline, serene lakes and ponds, fi shing boats and lighthouses.

The tour takes place 1–12 October 2016 and is led by Phil Malpas and Clive Minnitt.


Digital Photography HolidaysHolidays where the focus is on photographyPhotography holidays and tours to Myanmar, Vietnam, Cambodia and Marrakech with award-winning professional travel photographer Stephen Studd – who will guide you through these incredible destinations.

Small group sizes guarantee personal attention with expert tips and guidance

tailored to your individual needs, giving you the tools and confi dence to master your camera, explore your creativity whilst producing unique and powerful images. No single person supplement.New for 2016: Vietnam & Ha Long Bay photography tour Photography tour of Cambodia.

W: digitalphotographyholidays.com E: [email protected] T: 07706 119609

Wild Photography HolidaysTravel, landscape and people photography

Our travel photography holidays take you to some truly inspirational locations – in Iceland, Greenland, Ladakh, Assam and Nagaland, south India, Burma, Norway, Spain, the UK and Ireland.

On-the-spot expert help and guidance will help you to create some magical images including landscape, nature, people, architectural photography and the northern lights in Iceland. Our tuition naturally extends to post-processing, enabling participants to return home with a portfolio of professionally fi nished images.





I t’s true, we’re forever extolling Cornwall’s virtues. But there’s good reason! We challenge you to fi nd

anywhere else with golden beaches, rugged cliffs, river inlets and bewitching moorland all within a stone’s throw of each other. No wonder Cornwall’s stunning landscapes and incredible coastline are the muse of many writers, artists and photographers.

When Carla moved to Porthleven on the southern coast of Cornwall, she found herself beguiled by the area’s natural beauty, and started photographing the landscape, soon building up a local reputation, before reaching global acclaim for her now widely celebrated shots of the great storms of 2014.

Whether visiting or lucky enough to call Cornwall home, there’ll be moments you want

to cherish forever. And with Carla’s help, you can improve your photography skills and get those perfect shots too. The award-winning photographer runs a range of relaxed but comprehensive courses, workshops and one-to-one sessions, giving you a solid grounding in photography, both on-location and in post-production.

Why not join Carla for a half-day or full day one-to-one workshop, or a residential workshop, or simply some time away in Cornwall? There are so many fantastic locations on the doorstep. With her extensive knowledge of the area, and also being a successful restaurateur, Carla has excellent inside knowledge of great places to make every workshop complete with Cornish specialities!

Carla’s workshops are open to photographers of all abilities

Carla Regler of Cornwall Photographic Workshops reminds us why the Cornish landscape is ever popular

PROFILECarla Regler’s interest in photography began in 2010 after a move to Cornwall to run a

restaurant. It was from here that she fell in love with the amazing landscapes, seascapes and wildlife in the area, and her passion for photography grew from there. Since then she has taken a step back from running the restaurant to spend more time doing photography. Carla has had work published in various magazines and newspapers, as well as online.W: carlaregler.comE: [email protected]

Cornish virtuesand she tailors the time around you. She also takes her courses all around the world too, so if you fancy trying your photography even further afi eld, Carla is planning some amazing ventures. For more information, visit Carla’s website, then get snapping!



LANDSCAPE | REST OF THE WORLD

Patagoniaphoto.comPatagonia’s most complete photo safari!These unique photo safaris are specifi cally timed to take place in the Patagonian spring and fall, led by American photographer and guide Rex Bryngelson, who has lived for over 20 years in Patagonia. Participants get to see several unique off-the beaten-path locations not found in other Patagonian tours.

Visit the icons of Torres del Paine, Fitzroy and the Moreno Glacier but also explore Chile’s remote Aysen region, including the exotic marble caves of Lago General Carrera, the Northern Patagonian ice fi eld, Cerro San Valentin and the newly opened Patagonia National Park.

W: patagoniaphoto.comE: [email protected]: 56 98 290 9371








Wild Photography HolidaysTravel, landscape & people photographyOur travel photography holidays take you to some truly inspirational locations – in Iceland, Greenland, Ladakh, Assam and Nagaland, south India, Burma, Norway, Spain, the UK and Ireland.

On-the-spot expert help and guidance from professional photographers will help you to create some magical images including landscape, nature, people, architectural photography and the northern lights in Iceland. Our tuition naturally extends to post-processing, enabling participants to return home with a portfolio of professionally fi nished images.



LANDSCAPE | REST OF THE WORLDTim Mannakee Photography HolidaysLandscape & travel photographyFrom misty mornings in the Dordogne to the surreal landscapes of China, on our tours you will be taking some of the most original, memorable images of your life. Spectacular rice terraces of Yunnan in the spring, colourful lavender fi elds in Provence in the

summer, the magical landscapes of Burma in late autumn are just a few of our locations to tempt you.Professional travel photographer Tim Mannakee will lead the workshops and offer his expert guidance

and tuition. We make every effort to help you get the best shots and have an unforgettable holiday.




Chris Simmons reveals some of the techniques he uses for capturing dramatic seascapes

Catching waves



T he sea conjures an elemental dynamic that, in my view, sets seascapes apart

from the generalised category of landscape photography. For from tempestuous lashings to lapping caresses, the sea’s expressive fl uidity is uniquely demanding when successfully interpreting its ever-changing moods. In the viewfi nder its textures and refl ections constantly evolve. Yet show patience; study and respect

the sea’s predictable unpredictability. Get your approach, settings and timing right and you can refl ect the scene’s emotion and start ‘catching waves’.

Seascapes are governed by two fundamental truths. The fi rst; compared to land mass, a large refl ective body of water will see scudding clouds mopping-up more light, while dawn and dusk levels will rise and fall exponentially. In time, an inner sense tells you when

the light is just right, to freeze a wave, catch swirling motion or add ethereal ghosting. The second; accept that the tides will constantly movethe goalposts and seascapes become an exciting photographic adventure.

A rolling breaker can add a cornerstone to your composition, yet its foaming wake will send your metering see-sawing. You must watch closely and balance the action. Consider ND fi lters to gain a

Gull Rock Winter StormIn 80mph winds, fl ying spray added to the emotion in this tempestuous scene.

“Get your approach, settings and timing right and you can refl ect the scene’s emotion and start ‘catching waves’.”



PROFILEChris Simmons has been fascinated by photography since childhood. After developing his camera and darkroom skills in college, he moved to London and a career in advertising as

an art director. He also travelled widely around the UK and abroad, building a body of ‘vista’ seascape work in remote coastal locations. In 2011, Chris won the ‘Cornish Point of View’ award, then held his fi rst exhibition and launched a dedicated website in 2012. In 2013, he moved to Cornwall to live the dream and extend his photographic work.W: c-simmonsworkshops.co.ukE: [email protected]

Kelp, Rocks, DawningA long exposure balanced by a ND06 grad and a burst of second-curtain sync’d fl ash.

slightly longer exposure and instil foreground motion. Mid-ground focusing and a tighter f-stop will retain detail in the following wave ranks. Maybe even punctuate with bounced second-curtain fl ash to bring the crest to a sparkling full stop. These are just a few options from a whole range of techniques.

For me, the sea engenders a tremendous spirit of freedom that inspires me to constantly evolve my award-winning photographic approach. That’s why I moved to Crantock on Cornwall’s magnifi cent

Atlantic coast. From here I offer one-to-one, B&B workshops to DSLR photographers of all levels who want to hone their seascape skills on some of the UK’s fi nest

coastline. You will learn to use and rely on manual settings and capture images ‘in camera’ with refi nement of Raw fi les through considered use of Photoshop post-production.


Set in the heart of England in Stratford-upon-Avon, the PermaJet Print Academy provides professional quality training to photographers at all levels.

Course options include:• Photoshop• Digital Printing• Colour Management• Location Photography• Digital Black & White Printing• Lightroom• Nature & Wildlife Photography

For more info & to book go to:www.permajet.com

Image © Vicki Boulter

PermaJetPrint Academy



W ith hundreds of miles of beautiful coastline in the Channel

Islands and Northern France, Fototonic invites you to explore a landscape like no other. From beautiful beaches and coves, to lighthouses and breathtaking clifftop vistas, your landscape

experience will be unique and truly memorable.

The Channel Islands offer a unique and charismatic experience. Photogenic islands like Jersey, Guernsey, Sark and Alderney are renowned for their island life and maritime charm. In springtime the coast is

carpeted with bluebells, thrift and coastal fl owers that turn the paths and viewpoints into a wash of colour. In winter, the drama of the sea captures the heart and invigorates the spirit. No matter where you are, no matter what time of year, great photography is always within

Andy Habin and David Clapp from Fototonic unlock the secrets of our dynamic coastlines

Our legendary coasts



easy reach. Experience stunning and dramatic coastlines, intimate local knowledge, professional and technical excellence, with great food and quality accommodation. Fototonic are your partners for a unique Channel Islands experience.

On our southern doorstep just a ferry ride away, we have the legendary coastline of Brittany. The geology here is unusual and photogenic – pink granite surrounds the coast and standing proud on rocky outcrops and islands are some of the most beautiful

lighthouses in the world. With the drama of the western Atlantic, the fresh sea air and ever changing light, you’ll be amazed at what you can capture.

The Finistère region, which translates to ‘The End of the Earth’ is a truly unforgettable experience and our bespoke



PROFILESAndy Habin was born and brought up in Jersey. He worked at

the top of the photography business in the UK and has now returned to his island home to lead photography workshops and continue with commercial photography.

David Clapp is one of the UK’s leading professional landscape and travel photographers

with a career spanning ten years. He has taken photographs in over 40 countries and is highly regarded for his technical and compositional teaching.W: fototonic.co.ukE: [email protected]

Brittany tour covers the very best that the French coastline can offer.

Andy Habin and David Clapp are your leaders and inspiration. They know the entire coastline

intimately and will ensure that you get to the very best locations in the best possible light. Andy’s years as an adventure guide have paid dividends and his remarkable

historical knowledge of World War Two is second to none. David is an internationally acclaimed UK photographer. His experience of leading photographic tours all over the world puts you in the safest of hands.

Both Andy and David have remarkable camera skills, extensive digital knowledge and unrivalled computer skills, priding themselves on their ability to tutor all levels, from beginner to advanced. Not only will you leave their photo tour with a memorable experience but also with great images and new skills – both camera and digital.

For the very best in photography, in the very best of the world, choose a Fototonic tour this year.



WILDLIFE

©dangdumrong



P reparation is key to getting the best shots and that starts before you even leave home.

Firstly, make sure you travel with the right equipment. For wildlife photography you are going to need a long lens. I’d

suggest a minimum of 200mm, but 400mm or more will get you much closer to the action. It’s not all about the animals, though. Pack a wideangle lens too; it should be something in the region of 18–22mm, so you don’t miss out on those

spectacular landscapes.Having got your equipment in place, make sure you are familiar with your camera and its operation before you leave. There’s nothing worse than missing out on that magical shot because you are fumbling

Mike Peters, who works part-time with the African Conservation Experience (ACE), gives some advice on getting ready for a wildlife adventure

Preparing for a wildlife adventure



with the controls, trying to fi nd the right setting.

Pin-sharp images require a fast shutter speed and steady hands. Whilst fast shutter speeds are not usually too much of a problem in the bright African sun, holding

your camera rock steady with a long lens can be diffi cult, especially in situations where a tripod is impractical.

That is where the humble bean bag can come to the rescue, allowing you to support your long lens on

vehicle door frames, convenient rocks or even on tree branches. If you are worried about carrying a heavy bean bag in your luggage, you can always fi ll an empty bag with beans or rice when you get there.

TOP TIPS1. Be well prepared for your trip.2. Know your equipment and how to use it.3. Find a way to support your equipment, especially when using fast shutter speeds or long lenses. Improvise if necessary.4. Trust local knowledge about where to get the best shots.5. Be patient! Observing or tracking wildlife takes time. You may need to return to the same place a number of times to get the shots you want.6. Get close to the action by using a long lens. However, a wideangle lens gives a better sense of habitat and you can shoot spectacular landscapes.7. Get down low with your camera. Try and get an eye level perspective or get down lower if you can for more impact.8. Enjoy the moment, stay safe and have fun.

“Preparation is key to getting the

best shots and that starts before you even leave home.”

© C.Moen Wing



You’ll need to rely on local knowledge of the wildlife to get you the best shots possible. Travellers with African Conservation Experience (ACE), the organisation that I work for part-time, have placements at professional

wildlife conservation projects. Spending all day tracking and observing wildlife, equipped with monitoring equipment and accompanied by experienced researchers with a wealth of knowledge of wildlife behaviour gives them amazing

opportunities for close-up wildlife encounters.

Finally, remain safe – and remember occasionally to put down your equipment and enjoy the scenery and wildlife for what it is rather seeing it only through a camera lens.

PROFILEMike Peters splits his time between working

as ACE’s resident techie and freelancing. At ACE Mike is responsible for the smooth running of the IT infrastructure and website. Working for ACE allows Mike to combine his passion for wildlife and conservation with his technical expertise. Outside of ACE he works as a freelance web developer and photographer, specialising in landscape and wildlife photography.W: conservationafrica.netE: [email protected]

These images are the work of photography-keen ACE travellers and showcase their experience of Africa and its wildlife.

© B.Vogel

© Y.Macherez


PHOTOGRAPHIC TOURSTO DESTINATIONS IN THE UK AND OVERSEAS FOR WILDLIFE, NATURE AND LANDSCAPE PHOTOGRAPHYFor the absolute beginner to experienced amateurs and professionals

U K , Z a m b i a , I n d i a , M y a n m a r , F r a n c e , F i n l a n d , M a d a g a s c a r , S r i L a n k a , S l o v e n i a

Take the next step up in your photography, contact us for latest tour dates:e. [email protected] t. 07913 415 701 www. naturalwondersphotography.co.uk



WILDLIFE | UK

Bird Photography CoursesBird photography in Wales

Highland PhotographyLandscape & wildlife adventuresJoin award winning photographer and qualifi ed mountain leader, Chris Stuart, for a landscape or wildlife photography adventure.

Opt for easy walks or guiding to wild and remote locations. Experience a variety of wildlife species according to seasons. Small groups or one-to-one tuition is available or courses can be tailored to suit you.

Location planning, digital techniques in the fi eld and image processing for web and print are all covered.

W: highlandphotography.co.ukE: [email protected]: 07850 915042

John Daniels is a professional wildlife photographer with over 25 years’ experience. His one-to-one courses are tailored to your needs, so you learn at your own pace.

Based at Bird Cottage in mid-Wales, with Redstarts, Flycatchers and Warblers nesting in the garden, you won’t have to go far to get great shots, and a Kite-feeding centre 20 minutes away offers fantastic fl ight shots.

Courses are suitable for both beginners and more accomplished photographers.

W: birdphotographycourses.co.ukE: [email protected]: 01483 200079



WILDLIFE | EUROPE

Natures ImagesPhotographic trips and workshopsFrom stunning pelicans and penguins, to majestic polar bears, pumas and bison, we have a range of amazing trips to suit all interests. With top award-winning photographers on hand, you will experience the most remarkable wildlife encounters in the best possible locations.

And with expert tuition available when you need it, you will be rewarded with great images and a memorable wildlife experience. Where will your photography take you next?

W: natures-images.co.ukE: [email protected]: 01952 411436

Reisen in die NaturWildlife hide photographyWe offer nature photo tours worldwide, for photographers of all levels.We use cabins and special hides to see birds such as Bearded

Vulture, Black Vulture, Spanish Imperial Eagle, Bonelli’s Eagle, Great Bustard, Little Bustard, Hoopoo and Bee-eater in Extremadura and Catalonia in Spain.

You can also visit Slovenia and Finland to photograph brown bears and wolves. We also offer tours to Brazil to the Pantanal, the Kerkini Lake wetlands in Greece and nature and travel trips to Cuba and the Svalbard islands in Norway.

W: reisen-in-die-natur.deE: [email protected]: +49 7151 99 46 10

Create Away Photography WorkshopsCamargue wild white horsesSo many people across the globe fulfi l their life-long dream with us to photograph the iconic wild white horses of the Camargue.

You can’t beat the adrenalin rush of this noble breed splashing through the shallow waters of the marsh and lakes. Action shots, sparring stallions and gorgeous portraits under Mediterranean blue skies, make for award-winning photography.

There will be expert tuition, in small groups, by Camargue specialist, Serge Krouglikoff, whose international photography career spans over 30 years.




WILDLIFE | REST OF WORLD

Tim Mannakee Photography HolidaysTravel & wildlife photography

Join us on an action-packed photo workshop in the Camargue. Capture the beauty of the iconic white horses and be among the fi rst to photograph the black bulls

thundering through the marshes for a truly outstanding experience you will never forget.

Professional travel photographer Tim Mannakee will lead the workshops and offer his expert guidance and tuition. We make every effort to help you get the best shots and have an unforgettable holiday.


Wild Photography HolidaysIceland – landscapes & birds of the Arctic summer, 2016Join us for our two summer workshops in Iceland. Pål Hermansen from Norway leads our fi rst workshop in June 2016. Pål is rated as one of the world’s top 10 nature photographers. He will be joined by local photographers Martin Sammtleben and Geraldine Westrupp. Together they will be encouraging you to take your bird and landscape photography to the next level of creativity. The second workshop, in July 2016, is with with George Jardine, a former Adobe Lightroom product manager and creative photographer. He will be joined by Scotland-based environmental photographer, designer and writer, Niall Benvie. Both have excellent local knowledge. Together they will ensure that you return home with an unusual portfolio of well-crafted images.


Afreco ToursWildlife photography workshops & safarisAfreco offers a range of African photographic safaris and workshops and photographic safari trips.

We have options for beginners looking to learn about wildlife photography, or enthusiasts who are looking to improve their skills – or capture that perfect shot. These are photographic safaris designed by photographers using the best guides, best locations, with hides and customised photographic vehicles.

Our tours are suitable for beginners, high-end enthusiasts and also professionals. Non-photographers also welcome.

W: afrecotours.com/photography.aspE: [email protected]




Images in NaturePhoto adventures worldwide – for over 15 yearsNow in our 16th successful year, we have a reputation for professionally run small group nature photography workshops and tours.

We believe our photography adventures are second to none, offering you the very best experiences and opportunities out there.

You will be provided with expert guidance and tuition by Lee Mott, who has over 30 years’ experience in nature photography.Tours on offer are: ● Tigers India ● Ultimate Iceland ● Japan – Winter Wonderland● Kenya – Masai Mara and Rift Valley Lakes● Shetland Islands ● Osprey Workshop

... and much more. Our workshops offer the best opportunities for the beginner and seasoned photographer alike.

W: imagesinnature.co.ukT: 01950 422385

Falkland Islands HolidaysWildlife & landscapes, remote & unspoilt

With 227 species of birds, the Falklands provides some of the best bird photography the world. Highlights include fi ve species of penguins, two-thirds of the world’s black-browed albatrosses and a variety of raptures, pond, song and seabirds. The mammals are also impressive with sea lions, elephant seals, dolphins and whales.

Experience the Falklands at your own pace, with stunning seascapes and landscapes, along with seclusion, accessible close-up wildlife with an unwary demeanour, in a natural untouched environment.

W: falklandislandsholidays.comE: [email protected]: +500 22622


www.wildphotographyholidays.com

WILD PHOTOGRAPHY HOLIDAYS

Photography Workshops and Expeditions Worldwide

Breathtaking destinations and outrageously good loca-

tions. Assam & Nagaland, Ladakh, Myanmar, Rajasthan

and the Pushkar Camel Fair, Undiscovered South India,

Iceland, Lofoten Islands, Spain, Scotland and Ireland.




Galápagos TravelGalápagos photo toursThe Galápagos Islands are one of nature’s greatest shows. Experience and photograph this exuberance of life – much of it found nowhere else on Earth –first-hand and at close-range.

Offering the longest and most in-depth itineraries in the islands, Galápagos Travel operates roughly 30 departures annually, each spending either 11 or 15 days in the islands.

Daily schedules are planned to maximise both wildlife observation and photographic opportunities, including ‘best-light’ early morning and late afternoon outings.

W: galapagostravel.comE: [email protected]: ++1 831 689 9192

Sun Bird ToursThe best of birdwatching tours

Red-footed Falcon by Stuart Elsom

With 35 years’ experience, Sunbird is one of the UK’s oldest companies specialising in worldwide birdwatching tours. Building on that they now offer a series of tours dedicated to photographing birds and other wildlife.

Join them to capture images of dazzling hummingbirds or a powerful jaguar in the wilds of Brazil, or to photograph the amazing birds and wildlife of Hungary or Sri Lanka. All tours are led by Sunbird leader Stuart Elsom, LRPS.

W: sunbirdtours.co.ukE: [email protected]: 01767 262522

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St Brides Bay Cottages Pembrokeshire

Thinking of getting your lens up close and personal with Pembrokeshire, then look no further – choose one of our self-catering cottages for your perfect Pembrokeshire

holiday. We are a small family business, offering friendly, personal service. 4-star and 5-star self-catering cottages in great locations. Pets, WiFi, log burners, hot tubs. Free brochure.

01437 720027 ST BRIDES BAY COTTAGES www.stbridesbaycottages.com

PHOTOGRAPHIC TOURSTO DESTINATIONS IN THE UK AND OVERSEAS FOR WILDLIFE, NATURE AND LANDSCAPE PHOTOGRAPHYFor the absolute beginner to experienced amateurs and professionals

e. t.

U K , Z a m b i a , I n d i a , M y a n m a r , F r a n c e , F i n l a n d , M a d a g a s c a r , S r i L a n k a , S l o v e n i a

Take the next step up in your photography, contact us for latest tour dates:

[email protected] 07913 415 701 www.naturalwondersphotography.co.uk



J ulia Margaret Cameron had a huge influence on studio portrait photographers. Her

shallow depth of field style, with an emphasis on capturing emotion as opposed to the technical perfection of capturing a likeness, influenced generations of photographers.

Photographers wanted more than to simply reproduce a likeness; they wanted their portraits to signify the psyche of their sitter, to reveal the individual’s character and essential nature. Now 150 years later we might think this to be audacious, to say the least, but for many generations this was the aspiration of the serious portrait photographer.

The studio portrait photographer, as opposed to the environmental portrait photographer, tended to concentrate their lens on the face (or waist-up portraits) against a plain background of white, grey or black. For many years north daylight was the preferred light source with artificial light gaining in popularity last century and flash becoming increasingly

popular from the 1960s.For the viewer the only

‘clues’ to the sitter’s inner identity are found through the sitter’s expression and gestures. The exemplars of this tradition would be Karsh of Ottawa, Irving Penn and Richard Avedon. Penn and Avedon in particular stripped back everything to simple lighting and plain grey or white backgrounds. This minimal approach to studio portraiture influenced another generation of portrait photographers.

The current pre-eminent studio portrait photographer is Nadav Kander. Where Cameron used long exposures (because of Victorian technical limitations) combined with shallow depth of field to create her signature style, Kander also uses long exposures but combined with flash to create his signature style. This creates a blur-flash image. That is, the blur part of the image is made by the long exposure under continuous lighting combined with an instant of flash to freeze the subject. Kander neatly

Photofusion’s Paul Ellis looks at how the method of portraiture has changed through the years.

From Cameron to Kander

ProfilePaul Ellis is Photofusion’s in-house tutor and

Education Manager. Paul has over 30 years of photography experience. He specialises in lighting and alternative and historical processes and has taught everything from large format camera workshops to cameraless image-making. Paul believes in learning by doing, with detailed theory underpinning the learning process.W: photofusion.orgE: [email protected]

completes the circle, returning to a style of studio portraiture that can trace its roots and influences back to Julia Margaret Cameron.

This year at Photofusion we will be exploring styles of portraiture in a series of workshops held in our studios and darkrooms in Brixton, London. The first workshop, ‘In Search of Julia Margaret Cameron’, takes place over the weekend of 27–28 February 2016, and will include the opportunity to study and work in her manner, both in the studio and in the darkroom where we will be making albumen prints. Other workshops will look at the work of Paul Strand (to coincide with the much anticipated exhibition at the V&A) and Irving Penn.

Please see our website below for booking information.

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PORTRAITURE

Paul’s EventsNude and glamour location workshopsShoot glamour and nude at our exclusive locations. Perfect for both beginners and experienced photographers. Working in small groups, our models are experienced professionals.

Manor House day event: Spend the day in a beautiful Grade 2 listed Jacobean manor house, with splendidly furnished rooms and classical gardens in Berkshire.

Wales weekend: An elegant 18th-century mansion house estate in Carmarthenshire is the setting for this event. Includes beautifully furnished interiors and walled gardens.

W: pauls-studio.co.ukE: [email protected]: 07930 462906

Tim Mannakee Photography HolidaysTravel and portraitureFrom the exquisite costumes of the Venice Carnival to the smiling faces of Burma, we offer tours and workshops that give you the opportunity to capture some outstanding images to add to your portfolio.

Learn new skills under the expert guidance of professional travel photographer, Tim Mannakee. With years of experience photographing different parts of the globe, Tim will help you take the best possible photographs and have an unforgettable holiday.




T here are many pleasures in running workshops. One of the greatest is

introducing clients to our favourite places. Local knowledge is so important, enabling us to understand how angles of light and other variables, such as tide and weather, will affect a particular landscape. This means we get you there at the right moment. All of our workshops are in places where one of us has actually lived. Clients are often amazed to discover exciting locations almost on their doorstep, and we make sure they know how to fi nd them again, should they want to return on their own.

We do not make our own images while leading tours, so we can concentrate on our clients, but seeing them discover favourite places is enough reward. Prioritising lesser-known locations means there is no jostling with other photographers for space. Other landscapes may draw the crowds, but photographers overlook their local area at their cost and, who knows, there is even a chance you might bring home an image

Rachael Talibart and Tony Antoniou from f11 Workshops look to share their local knowledge

Staying localthat is a little bit different from the norm.

Rachael and Tony are experienced photographers dedicated to leading small group workshops with individual attention. Their workshops are based around areas of London, Surrey and West Sussex and cater for all levels of photographer from beginner to experienced.

“Clients are often amazed to discover exciting locations

practically on their doorstep”



PROFILERachael Talibart is a fi ne art landscape photographer,

and a judge and lecturer for the Surrey Photographic Association. She exhibits frequently, including a solo exhibition, ‘Focused Moments’, in autumn 2015.

PROFILETony Antoniou is an award-winning post-production expert with a specifi c

interest in urban photography and enjoys all aspects of studio work. W: f11workshops.comE: [email protected]

Above Newark Priory, SurreyLeft West Wittering, West Sussex



COURSES WITH A DIFFERENCE | UK

Chris Simmons PhotographyCornish seascapes – one-to-one workshops with Chris SimmonsCome and hone your landscape photography skills by learning how to approach the sea and to start catching waves.

Award-winning photographer Chris Simmons invites you to explore Cornwall’s best coastal locations. It’s just you and him on a three, four or fi ve-day seascape adventure that focuses on advancing your DSLR photography and RAW post-production.

Learn to approach coastal locations, read the conditions and select the ideal techniques to capture superb images. From composition, manual settings and fi ltering through to advanced Photoshop post-production, your workshop will be a hugely rewarding experience.


PermaJet Print AcademyPerfect prints, every time

If you have trouble getting your prints to match what’s on screen, then we have the course for you. A dedicated team of top lecturers help photographers

and printers at all levels to achieve the best possible print results.Hosted across a number of venues including Dumfries,

Hertfordshire and Stratford-upon-Avon, courses include: Digital Printing Workshops, Black and White Printing, Adobe Lightroom, Adobe Photoshop and weekend photography workshops.

W: permajet.com/academyE: [email protected]: 01789 739200

f11 WorkshopsStreets of London day tourCome with us to discover some of London’s hidden locations. Leaders Rachael Talibart and Tony Antoniou have lived in London and their local knowledge informs our tour.

From quirky graffi ti-strewn tunnels to ruins reclaimed by nature, with spectacular viewpoints and vibrant city life in between, this tour provides opportunities to capture London’s many moods, its people, architecture and landscapes – and some gritty urban decay!

Small groups with two leaders ensure individual attention no matter what your level.

W: f11workshops.comE: [email protected]: 020 3051 6774



europeonlineBrigitte Lucke PhotographyBeyond photography

Experience unforgettable experiential imaging with our courses:

earth – wind – fire, Lanzarote, 2–9 July 2016: Eight-day photographic experience in a unique, sublime

and wild landscape shaped by numerous volcanic eruptions.New Mexico – Land of Enchantment, 29 July–3 August 2016:

Six-day travel photography workshop tour in scenic New Mexico.Histories, Mysteries and Culture of the American South West,

6 August–15 August, 2016: Ten-day travel and photography experience visiting and exploring the Four Corner region of the South West.

W: brigitte-lucke-photography.comE: [email protected]

Create Away Photography WorkshopsClassic yachts sailing regattaCome and join the excitement of classic wooden yachts, sea spray flying and the challenge of a regatta during the exhilarating ‘Voiles d’Antibes’ and ‘Voiles de Saint Tropez’ races.

Enjoy exclusive close-up access from a chase boat, shooting a fleet of legendary yachts from the 1930s America’s Cup, with brass and varnished wood in abundance. Accompanied by our experienced photographers and a sailing expert, you will capture breathtaking action shots and stunning scenery while soaking up the local culture.


The Photography InstituteProfessional photography diploma courseWe specialise in a diploma course in professional photography. It is the most in-depth online diploma course that you will find anywhere on the internet, covering all aspects of photography.

The Professional Photography Course is delivered online and consists of 12 modules and 12 interactive assignments. The normal time required to complete the course is 24 weeks.

W: thephotographyinstitute.co.ukE: [email protected]

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F rom the very start of my photography career, it became clear that regular

photography workshops and tours did not work for me. I felt uncomfortable with large groups of photographers – sardined into minivans turning up at over-popular locations. So although I tended to work alone, I was keen to share my experiences in remote locations with smaller, dedicated groups.

To take others with me on location, I needed means of getting there that was safe, but also an adventure for those taking part. This didn’t seem possible until I gathered together the right team of Arctic sailors, dog mushers, kayakers and photographers.

Vertical Shot Expeditions was born out of the need to run photography expeditions the way we all feel they should be run – full of interest and adventure, and at great locations where you can shoot undisturbed.

On our trips, we don’t take more than six photographers on an expedition with us. We also don’t drive packed minivans. Instead we sail on yachts, mush dog sleds, cross ice-caps, paddle kayaks and trek to some of the world’s most amazing remote locations.

Our photography is driven forward by the same thing that has always driven humans to remote landscapes: exploration. We hope you can join us.

Vlad Donkov from Vertical Shot Expeditions shares his passion for adventure and photography

PROFILEVlad Donkov is an outdoor photographer and adventurer with a passion for polar areas

and remote mountains. He has travelled alone and unsupported for up to two months in a remote area of Greenland, has been rescued from K2 on horseback, and has hitched boat rides with Inuits in the Arctic. Vlad’s work has been published internationally and he is a regular speaker for organisations such as the Royal Geographical Society. Together with his colleagues at Vertical Shot Expeditions, he runs adventures for photographers in remote locations.W: verticalshotexpeditions.comE: [email protected]

Into the wilderness



COURSES WITH A DIFFERENCE | EUROPE

REST OF WORLD

Vertical Shot ExpeditionsSailing photography expedition – Lofoten Islands

Our sailing photography expedition in the Lofoten Islands is suitable for fervent adventurers and passionate photographers, who are willing

to go beyond even ‘the extra mile’ to reveal the hidden gems of Arctic Norway.

Join us for a week of sailing, photography and constant discoveries between the 20–27 August 2016 with the iconic adventure photographer Michael Clark and the local expert Vladimir Donkov.

W: verticalshotexpeditions.com E: [email protected]: +35 9878 300517

Vertical Shot ExpeditionsOverland photo expedition in the Australian OutbackAn overland expedition for photographers into the heart of the red continent, led by two of the most experienced outback guides.

Join us for 17 days (21 September–6 October) of exploration of the Australian Outback: with whimsical rock formations, coral beaches and extraordinary animals. The ever-changing scenery will transform our days – and starry nights – into wonderful wildlife spectacles.

W: verticalshotexpeditions.com E: [email protected]: +35 9878 300517

Ventura HolidaysPhoto holiday workshopsOur photo holiday workshops combine a fabulous holiday with a creative learning experience, travelling with a small group of like-minded people while experiencing beautiful locations, amazing food, wine and culture.

For beginners and enthusiasts alike, tuition throughout is fun and informative with a blend of hands-on learning, discussions and inspiration; the perfect way to learn and improve your photography skills.

We visit the UK, Europe and beyond – destinations such as Venice, Rome, Cinque Terre, Florence, Bruges, Marrakech and Abruzzo.

W: venturaholidays.co.ukE: [email protected]: 07779 008990

Ventura is part of Mango Holidays Limited | ATOL 6200



REST OF WORLD

World Photo AdventurePhotography courses, workshops & toursWorld Photo Adventure has fast become a leading operator of exciting, fun photography excursions, courses and workshops in the UK, Africa, Europe and Asia.

Our trips are as much a life experience as they are a holiday. We accompany small groups of like-minded photographers of all levels to off-the-beaten-track picturesque locations, while making it our mission to explore the true nature and identity of our carefully chosen destinations.

W: worldphotoadventure.comE: [email protected]: 01306 230004



P hotography and travel go hand in hand and, for a photographer, little

can beat the excitement of going on a trip – cameras, lenses and a multitude of accessories packed with great care and anticipation. Arriving at the new destination the eye seems to adapt and become revitalised. Everything is new and we are ready for anything.

On one trip we arrived in Death Valley, Nevada, with the sun rapidly descending towards the horizon. We found images were being created everywhere and changing constantly. It was exhilarating and yet, it was only after a few

deep breaths and with cameras ready did we begin to really see what was around us.

We returned home having witnessed wonderful sights, but also came to realise there is much everyday that we do not see. We started to appreciate what is right here, in our own backyards. We discovered that great images were to be had in the garden, in nearby cityscapes and landscapes, and suddenly, as if for the fi rst time, we were ‘seeing’ with fresh eyes.

That was many years ago. And ‘seeing’ is a very important lesson has become the core philosophy of World Photo Adventure’s approach to our

Wilf James of World Photo Adventure goes around the world... and sees his own back yard with a fresh perspective

PROFILEOver the past four decades, photographer and

World Photo Adventure Founder Wilf James has gathered a wealth of experience by doing what he does best: taking photographs. Today Wilf takes pleasure in sharing his lifelong passion of taking photograph with others through the photo courses, workshops and tours by World Photo Adventure.W: worldphotoadventure.comE: [email protected]

Travel adventurescourses, workshops, and tours. We hope you will join us.



Gary Groucutt from Lightscapes Photography encourages the use of a long lens for landscape shots

L andscape photography doesn’t always have to be with a super wideangle lens. It’s not

always necessary to show your admiring viewer the whole world! With a longer lens you can give your interpretation of the scene in front of you.

So, why not just reach for the long lens? This lens can be anything from 50mm to upwards of 300mm. With a long lens the world becomes compressed in your viewfi nder.

Life through a long lens is very liberating. You can work low down or high up – but you

generally just have to position yourself further back to frame up what you want. Over the tops of trees with a far-off vista can work perfectly; the distant horizon is brought forward so it’s right in front of you. This makes abstract framing so much easier too: buildings trees, refl ections can all become fi ne art masterpieces.

It can only get a little tricky when you want to produce a wider shot using a 50mm lens. If you shoot portrait and set the tripod level, it’s possible to make images like a vertical panoramic, but just using three

or four images. By going lower and further away from your intended subject you can then produce your shots.

Once back in the studio, stitch them together to create a perfect wideangle image, but with a 50mm lens. The beauty here is that the foreground has masses of detail and the horizon is middle distance. This makes it much easier to see and it is revealed with stunning clarity. So, give long lenses a go. I guarantee you’ll be hooked. Here’s a few pointers to remember when shooting with long lenses:

Long lens landscape photography



PROFILEGary Groucutt leads workshops in the UK and Europe and his

photographs and paintings are held in collections all over the world. All his workshops include an additional free post-production day at his studio in Shropshire. See his website for details and more examples of his work.W: garygroucutt.comE: [email protected]

ERADICATE SOFT IMAGES: Make sure you have a fast shutter speed if hand holding, get into the habit of turning the ISO up to 500, 640 or even 800 sometimes. Increasing the sensitivity of the sensor will automatically help you too.TRIPOD: Use a tripod where you can to be sure of no blurred/soft images. Get the camera locked down and level the tripod.THE CLASSIC 50MM: Use a 50mm lens instead of a super wideangle; go further back to frame up your closer foreground detail.TRAIN YOUR EYES: Practice – go out as often as you can shooting abstract images, distilling what’s in front of you and removing as much as possible in the frame. How minimal can you go? You will soon start seeing the world in a very different way.COMPRESSION: Flatten all those hills and dales! Go higher for the big country shots. Get above the trees, preferably on a slight incline or hill and squash all the detail into the image. The land and sky will look superb.



UNDERSTANDING YOUR CAMERA | UKChris Simmons PhotographyCornish seascapes – one-to-one workshops with Chris SimmonsCome and hone your landscape photography skills by learning how to approach the sea and start catching waves.

Award-winning photographer Chris Simmons invites you to explore Cornwall’s best coastal locations. It’s just you and him on a three, four or five-day seascape adventure that focuses on advancing your DSLR photography and Raw post-production.

Learn to approach coastal locations, read the conditions and select the ideal techniques to capture superb images. From composition, manual settings and filtering through to advanced Photoshop post-production, your workshop will be a hugely rewarding experience.


Colin Reynolds PhotographyAchieve more with your camera

Would you like to take better photographs with your camera?

From beginners through to intermediate level, our one-to-one tuition

will help you become a better photographer. Friendly, informative and jargon-free one-to-one tuition will help you achieve this goal.

Based in Cumbria we have wonderful locations to act as a backdrop and inspiration for your journey. The tuition is tailored to suit your individual needs and goals.

W: colinreynoldsphotography.co.ukE: [email protected]: 07768 225099

Cameras and CakeGoodbye old hobby – hello new passionJoin our online and on-location photography workshops. We believe ANYONE can learn to take better photographs with our no-nonsense, easy to understand information.

Finally master your camera and take better photos. Learn from an expert in professional photography, Tina Bolton, whose works have been published in major newspaper, lifestyle and photography magazines and books.

Come along to our friendly, on-location workshops in the South Downs National Park, Hampshire or London.

Oh, we hope you like cake – we ALWAYS stop for cake!

W: camerasandcake.co.ukE: [email protected]: 07976 302937

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M any people are daunted by the perceived

complexities of creating a digital workfl ow, especially if they are making the transition from fi lm. However, with most modern software such as Lightroom and Photoshop,

it is relatively easy to create a simple digital workfl ow from import, cataloguing and development through to export and printing.

With the advent of large memory cards photographers are tending to take more and more photographs. By using

the power of the Catalog, Keywords, Ratings and Collections it is relatively simple to keep track of your images in a straightforward and logical manner.

Additionally, in the days of digital images, tablets and smartphones, less than 3% of

Managing a digital workfl ow

Colin Reynolds shows you how to manage your digital workfl ow e ectively from import to print



“Printing is the only way that a photographer can be sure that the colour rendition of the image is to their specifi cation and not left

to the vagaries of the viewer’s screen.”

the total images taken are actually printed. I believe that to realise the full potential of an image, it needs to be printed. Printing is the only way that a photographer can be sure that the colour rendition of the image is to their specifi cation and not left

to the vagaries of the viewer’s individual screen.

At its simplest, a digital workfl ow will take you from import, through cataloguing and indexing. Then you can move into development via the same software or additional software or plugins. Finally,

you get to the export and printing stage. Digital printing can seem complex but with a few simple rules and a little knowledge of ICC profi les and the printing dialog box you will soon have prints that you can be proud of. I see this as little different from an analogue workfl ow – the import process is the same as the development of the fi lm and indexing/fi ling of the negatives, then the software development and output is similar to the printing of an image in the darkroom.

As with most things in life, the aim is to keep it as simple as possible; with all the options it is easy to over-complicate the process. But by mimicking your analogue fl ow then it really is possible to create a simple, effective and easy-to-use digital workfl ow.

PROFILEColin Reynolds has been taking photographs for most

of his life His passion is for black & white or subdued minimal colour photography. In the last four years he has set up Colin Reynolds Photography and has a studio/gallery in Kendal, Cumbria. He runs a selection of residential, one-day courses and bespoke, tailored one-to-one courses, including digital workfl ow.W: colinreynoldsphotography.co.ukE: [email protected]



POST-PRODUCTION | UKf11 WorkshopsComprehensive Lightroom trainingWe offer full and half day Lightroom workshops in Surrey. Learn all the elements of the ‘Library’ module to enable you to import, organise, search and export your images. We will also explore every aspect of the ‘Develop’ module, which is the place where your image really comes to life.

PermaJet Print AcademyPerfect prints, every time

If you have trouble getting your prints to match what’s on screen, then the PermaJet Print Academy has the course for you. A dedicated team of top lecturers help photographers

and printers at all levels to achieve the best possible print results.Hosted across a number of venues including Dumfries, Hertfordshire

and Stratford-upon-Avon, courses include: Digital Printing Workshops, Black & White Printing, Adobe Lightroom, Adobe Photoshop and weekend photography workshops.

W: permajet.com/academyE: [email protected]: 01789 739200

Colin Reynolds PhotographyCreate a digital workfl owWould you like to create and understand an effective digital post-production workfl ow?

This one-to-one, one-day tuition will take you right through from importing, storing, cataloguing, developing and printing your digital photographs. Using easy to understand, jargon-free language we will help you develop a simple but effective digital workfl ow, based on the currently available tools.

These one-day, one-to-one courses will help you to become confi dent in your digital processing/workfl ow.

W: colinreynoldsphotography.co.ukE: [email protected]: 07768 225099

Your post-processing workfl ow will gain a streamlined approach and you will be amazed at what can be achieved in Lightroom.

Small groups mean that we can adapt the training to the individual.

W: f11workshops.comE: [email protected]: 020 3051 6774



POST-PRODUCTION | UKChris Simmons PhotographyCornish seascapes – one-to-one workshops with Chris SimmonsCome and hone your landscape photography skills by learning how to approach the sea and start catching waves.

Award-winning photographer Chris Simmons invites you to explore Cornwall’s best coastal locations. It’s just you and him on a three, four or fi ve-day seascape

adventure that focuses on advancing your DSLR photography and Raw post-production.Learn to approach coastal locations, read the conditions and select the ideal techniques to capture

superb images. From composition, manual settings and fi ltering through to advanced Photoshop post-production, your workshop will be a hugely rewarding experience.


Colin Reynolds Photography1 - 1 tailored tuition



AFRECO TOURSWeb: afrecotours.com/photography.asp

Email: [email protected]

Tel: 01280 442240

AFRICAN CONSERVATION EXPERIENCEWeb: conservationafrica.net


Tel: 01454 269182

ALAN RANGER PHOTOGRAPHYWeb: alanranger.com


Tel: 0781 701 7994

ANDY FARRERWeb: andyfarrer.co.uk

ANTHONY BLAKE PHOTOGRAPHYWeb: anthonyblakephotography.co.uk

Email: tony@anthonyblakephotography.

co.uk

Tel: 01258 863436 / 07710 400586

ASPECT2iWeb: aspect2i.co.uk


Tel: 0845 505 1455

BIRD PHOTOGRAPHY COURSESWeb: birdphotographycourses.co.uk


Tel: 01483 200079

DIRECTORY

BRIGITTE LUCKE PHOTOGRAPHYWeb: brigitte-lucke-photography.com


CAMERAS AND CAKEWeb: camerasandcake.co.uk


Tel: 07976 302937

CARLA REGLERWeb: carlaregler.com


CHERYL HAMERWeb: cherylhamer.com


Tel: 07837 014534

CHRIS SIMMONS PHOTOGRAPHYWeb: c-simmonsworkshops.co.uk


Tel: 01637 831251

COLIN REYNOLDS PHOTOGRAPHYWeb: colinreynoldsphotography.co.uk

Email: colin@colinreynoldsphotography.

co.uk

Tel: 07768 225099

CREATE AWAYWeb: create-away.com


Tel: 020 3642 2448

DAWN 2 DUSK PHOTOGRAPHYWeb: dawn2duskphotography.co.uk

Email: ross@dawn2duskphotography.

co.uk

Tel: 01288 321387

DIGITAL PHOTOGRAPHY HOLIDAYSWeb: digitalphotographyholidays.com

Email: info@

digitalphotographyholidays.com

Tel: 07706 119609

DORCAS EATCH LRPSWeb: yorkshirelandscapephotography.

com/hebrides-harris-lewis


Tel: 07530 850198

FALKLAND ISLANDS HOLIDAYSWeb: falklandislandsholidays.com


Tel: +500 22622

F11 WORKSHOPSWeb: f11workshops.com


Tel: 020 3051 6774

FOTOTONICWeb: fototonic.co.uk


Tel: 07797 713 346

GALÁPAGOS TRAVELWeb: galapagostravel.com


Tel: ++1 831 689 9192

GLENCOE PHOTOGRAPHYWeb: glencoephotography.co.uk

Email: enquiries@glencoephotography.

co.uk

Tel: 07769 809236

HIGHLAND PHOTOGRAPHYWeb: highlandphotography.co.uk


Tel: 07850 915042

IMAGE PROJECTWeb: theimageproject.xyz


Tel: 07793 046079

IMAGE SEENWeb: imageseen.co.uk


Tel: 07760 498112

IMAGES IN NATUREWeb: imagesinnature.co.uk

Tel: 01950 422385

© Afreco Tours



PHOTOGRAPHY INSTITUTEWeb: the photographyinstitute.co.uk

Email: support@

thephotographyinstitute.co.uk

REISEN IN DIE NATURWeb: reisen-in-die-natur.de

Email: j-griesinger@reisen-in-die-

natur.de

Tel: +49 7151 99 46 10

SLAWEK STASZCZUK PHOTOGRAPHYWeb: photoss.net


Tel: 07892 682898

SUN BIRD TOURSWeb: sunbirdtours.co.uk


Tel: 01767 262522

TIM MANNAKEE PHOTOGRAPHY HOLIDAYSWeb: timmannakee.com


Tel: (00) +33 633 17 64 93

DIRECTORY

LAKELAND PHOTOGRAPHIC HOLIDAYSWeb: lakelandphotohols.com


Tel: 017687 78459

LIGHT & LANDWeb: lightandland.co.uk


Tel: 01747 824727

LIGHTSCAPES PHOTOGRAPHYWeb: garygroucutt.com


NATURES IMAGESWeb: natures-images.co.uk


Tel: 01952 411436

OCEAN CAPTUREWeb: oceancapture.com


Tel: +33 (0)671 003 769

PATAGONIAPHOTO.COMWeb: patagoniaphoto.com


Tel: 56 98 290 9371

PAUL’S EVENTSWeb: pauls-studio.co.uk


Tel: 07930 462906

PERMAJET PRINT ACADEMYWeb: permajet.com/academy


Tel: 01789 739200

PHOTOFUSION PHOTOGRAPHY CENTREWeb: photofusion.org


Tel: 020 7738 5774

PHOTOGRAPH WEST CORNWALLWeb: photographwestcornwall.com

Email: info@

photographwestcornwall.com

Tel: 07973 321181

TOM MACKIE WORKSHOPSWeb: tommackie.com


Tel: 01603 465292

VENTURA HOLIDAYSWeb: venturaholidays.co.uk


Tel: 07779 008990

VERTICAL SHOT EXPEDITIONSWeb: verticalshotexpeditions.com


Tel: +35 9878 300517

WILD PHOTOGRAPHY HOLIDAYSWeb: wildphotographyholidays.com

Email: enquiry@

wildphotographyholidays.com

Tel: 01630 647828

WORLD PHOTO ADVENTUREWeb: worldphotoadventure.com


Tel: 01306 230004

© Wild Photography Holidays


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photography holidays & courses - ultimate guide 2016

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