photoshop lesson3a

3
Photo Retouching Adobe® Photoshop® provides you with a variety of tools and commands for improving the quality of a photographic image. This lesson explains techniques for basic image correction by stepping you through the process of acquiring, resizing, and retouching a photo intended for a print layout. reserving an extensive body of work assembled by a team of photographers from 1991 to 1995, The Architecture of Italy CD-ROM disc is a compilation of more than three hundred sumptuous photographs. With crossreferenced text provided for each photograph, this collection can be used as a resource for many endeavors. Much more than a "digital coffee-table book, "you are free to modify, rent, lease, distribute, or create derivative works based upon the original images found in this collection. Included in this collection are St. Mark's Cathedral in Venice; the Tower and Baptistry at Pisa; the Colliseum, the Forum, the Vatican, and highlights from the Vatican Museum in Rome; the Duomo, the Medici Palace, the Ponte Vecchio, and the Gates of Heaven in Florence. More than 75 superb architectural examples, which have received little recognition, have also been included. Gina Antonelli is known for her works on Italian fine art, as well as several previous photographic publications: "Italy's Best Loved Gardens," the series "Italian Tradition in Color and Form" (Dress; Cuisine; Architecture; Pastimes), and two editions of the book "Italian Traditional Patterns." In addition to completing the Rome and Naples photography assignment, photographer and art historian Tomas Panini assembled and edited the explanatory notes for the 300 photographs. Photographer Anton Harris, having apprenticed at Maria Guerra Atelier in Paris for seven years, contributed his own unique insights to the Venice and Rome assignments. In 1984 Mr. Anton Harris won the Paris Exhibition Prize for his Design Study photographic series, consisting of three books. PHOTO RETOUCHING PAGE 2 OF 14 In this lesson, you will learn to do the following: Choose the correct resolution for a scanned photograph. Crop an image to final size. Adjust the tonal range of an image. Remove a color cast from an image using an adjustment layer. Use the Replace Color command to change the hue and saturation of a selected color in a photograph. Adjust the saturation and brightness of isolated areas of an image using the sponge and dodge tools. Use the rubber stamp tool to eliminate an unwanted object from an image. Replace parts of an image with another image. Apply the Unsharp Mask filter to finish the photo-retouching process. Save an Adobe Photoshop file in a format that can be used by a page layout program. Strategy for retouching In Photoshop, you can retouch photographic images in ways once left only to highly trained professionals. You can correct problems in color quality and tonal range created during the original photography or during the image’s scan. You can also correct problems in composition and sharpen the overall focus of the image. Basic steps Most retouching in Photoshop follows these general steps: Check the scan quality and make sure that the resolution is appropriate for how the image will be used. Crop the image to final size.

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Page 1: Photoshop Lesson3a

Photo RetouchingAdobe® Photoshop® provides you witha variety of tools and commands forimproving the quality of a photographicimage. This lesson explainstechniques for basic image correctionby stepping you through the process ofacquiring, resizing, and retouching aphoto intended for a print layout.reserving an extensive body ofwork assembled by a team ofphotographers from 1991 to1995, The Architecture of Italy CD-ROMdisc is a compilation of more than threehundred sumptuous photographs. With crossreferencedtext provided for each photograph,this collection can be used as aresource for many endeavors. Much morethan a "digital coffee-table book, "you arefree to modify, rent, lease, distribute, orcreate derivative works based upon theoriginal images found in this collection.Included in this collection are St. Mark'sCathedral in Venice; the Tower and Baptistryat Pisa; the Colliseum, the Forum, theVatican, and highlights from the VaticanMuseum in Rome; the Duomo, the MediciPalace, the Ponte Vecchio, and the Gates ofHeaven in Florence. More than 75 superbarchitectural examples, which have receivedlittle recognition, have also been included.Gina Antonelli is known for her works onItalian fine art, as well as several previousphotographic publications: "Italy's BestLoved Gardens," the series "Italian Traditionin Color and Form" (Dress; Cuisine; Architecture;Pastimes), and two editions of thebook "Italian Traditional Patterns." Inaddition to completing the Rome and Naplesphotography assignment, photographer andart historian Tomas Panini assembled andedited the explanatory notes for the 300photographs. Photographer Anton Harris,having apprenticed at Maria Guerra Atelierin Paris for seven years, contributed his ownunique insights to the Venice and Romeassignments. In 1984 Mr. Anton Harris wonthe Paris Exhibition Prize for his DesignStudy photographic series, consisting ofthree books.

PHOTO RETOUCHINGPAGE 2 OF 14I n th i s l e s s o n , y o u w i l l l e ar n t o d o th e f o l l o w i n g :•C h o o s e th e c o r r e c t r e s o l u t i o n f o r a s c a n n e d p h o t o g r a p h .•C r o p a n i m a g e t o f i n a l s i z e .•A d j u s t th e t o n a l ra n g e o f a n i m a g e .•R e m o v e a c o l o r c a s t f r o m a n i m a g e u s i n g a n a d j u s t m e nt l a y e r.•U s e th e R e p l a c e C o l o r c o m m a n d t o c h a n g e th e h u e a n d s at u r at i o n o f a s e l e c t e d c o l o r i n ap h o t o g r a p h .•A d j u s t th e s at u rati o n a n d b r i g ht n e s s o f i s o l ate d ar e a s o f a n i m a g e u s i n g th e s p o n g e a n dd o d g e t o o l s .•U s e th e r u b b e r s t a m p t o o l t o e l i m i n ate a n u n w a n t e d o b j e c t f r o m a n i m a g e .•R e p l a c e p a rt s o f a n i m a g e w i t h a n o t h e r i m a g e .•A p p l y th e U n s h a r p M a s k f i lte r t o f i n i s h th e p h o t o - ret o u c h i n g p r o c e s s .•S a v e a n A d o b e P h o t o s h o p f i l e i n a f o r m at that c a n b e u s e d b y a p a g e l a y o ut p r o g r a m .Strategy for retouchingI n P h o t o s h o p , y o u c a n ret o u c h p h o t o g r a p h i c i m a g e s i n w a y s o n c e l e ft o n l y t o h i g h l y tra i n e dp r o f e s s i o n a l s . Y o u c a n c o r r e c t p r o b l e m s i n c o l o r q u a l it y a n d t o n a l ra n g e c r e ate d d u r i n g th e o r i g i n a lp h o t o g r a p h y o r d u r i n g th e i m a g e ’ s s c a n . Y o u c a n a l s o c o r r e c t p r o b l e m s i n c o m p o s it i o n a n d s h a r p e nth e o v e r a l l f o c u s o f th e i m a g e .Basic stepsM o s t r et o u c h i n g i n P h o t o s h o p f o l l o w s th e s e g e n e r a l s t e p s :•C h e c k th e s c a n q u a l it y a n d m a k e s u r e that th e r e s o l u t i o n i s a p p r o p r i ate f o r h o w th e i m a g e w i l lb e u s e d .•C r o p th e i m a g e t o f i n a l s i z e .•

Page 2: Photoshop Lesson3a

A d j u s t th e o v e r a l l c o n tra st o r t o n a l ra n g e o f th e i m a g e .•R e m o v e a n y c o l o r c a s t s .•A d j u s t th e c o l o r a n d t o n e i n s p e c i f i c p a rt s o f th e i m a g e t o b r i n g o u t h i g h l i g ht s , m i d t o n e s , s h a d o w s ,a n d d e s at u rate d c o l o r s .•S h a r p e n th e o v e r a l l f o c u s o f th e i m a g e .PHOTO RETOUCHINGPAGE 3 OF 14Intended useT h e ret o u c h i n g te c h n i q u e s y o u a p p l y t o a n i m a g e d e p e n d i n p a rt o n h o w th e i m a g e w i l l b e u s e d .W h e t h e r a n i m a g e i s i nt e n d e d f o r b l a c k - a n d - w h it e p u b l i c at i o n o n n e w s p r i nt o r f o r f u l l - c o l o rI n ter n et d i s t r i b ut i o n w i l l af f e c t e v er yt h i n g fr o m th e r e s o l u t i o n o f th e i n it i a l s c a n t o th e ty p e o f t o n a lra n g e a n d c o l o r c o r r e c t i o n th e i m a g e re q u i r e s .T o i l l u s trate o n e a p p l i c at i o n o f r et o u c h i n g te c h n i q u e s , th i s l e s s o n ta k e s y o u thr o u g h th e s t e p s o fc o r r e c t i n g a p h o t o g r a p h i nte n d e d f o r f o u r- c o l o r p r i nt p u b l i c at i o n . T h e i m a g e i s a s c a n n e d p h o t o g r a p ho f V e n i c e that w i l l b e p l a c e d i n a n A d o b e P a g e M a k e r® la y o u t f o r a n A 4 - s i z e m a g a z i n e . T h eo r i g i n a l s i z e o f th e p h o t o i s 5 i n c h e s x 7 i n c h e s a n d it s f i n a l s i z e i n th e p r i nt l a y o ut w i l l b e 3 . 7 5 i n c h e sx 6 i n c h e s .Original image Image cropped and Image placed into page layoutretouched

Resolution and image sizeT h e f i r s t s t e p i n r et o u c h i n g a p h o t o g r a p h i n P h o t o s h o p i s t o m a k e s u r e that th e i m a g e i s th e c o r r e c tre s o l u t i o n . T h e ter mresolutionre f er s t o th e n u m b e r o f s m a l l s q u a r e s k n o w n a spixelsthat d e s c r i b ea n i m a g e a n d e s ta b l i s h it s d eta i l . R e s o l u t i o n i s d et er m i n e d b ypixel dimensionso r th e n u m b e r o fp i x e l s a l o n g th e w i d t h a n d h e i g ht o f a n i m a g e .Pixels in photographic imagereserving an extensive body ofwork assembled by a team ofphotographers from 1991 to1995, The Architecture of Italy CD-ROMdisc is a compilation of more than threehundred sumptuous photographs. With crossreferencedtext provided for each photograph,this collection can be used as aresource for many endeavors. Much morethan a "digital coffee-table book, "you arefree to modify, rent, lease, distribute, orcreate derivative works based upon theoriginal images found in this collection.Included in this collection are St. Mark'sCathedral in Venice; the Tower and Baptistryat Pisa; the Colliseum, the Forum, theVatican, and highlights from the VaticanMuseum in Rome; the Duomo, the MediciPalace, the Ponte Vecchio, and the Gates ofHeaven in Florence. More than 75 superbarchitectural examples, which have receivedlittle recognition, have also been included.Gina Antonelli is known for her works onItalian fine art, as well as several previousphotographic publications: "Italy's BestLoved Gardens," the series "Italian Traditionin Color and Form" (Dress; Cuisine; Architecture;Pastimes), and two editions of thebook "Italian Traditional Patterns." Inaddition to completing the Rome and Naplesphotography assignment, photographer andart historian Tomas Panini assembled andedited the explanatory notes for the 300photographs. Photographer Anton Harris,having apprenticed at Maria Guerra Atelierin Paris for seven years, contributed his ownunique insights to the Venice and Romeassignments. In 1984 Mr. Anton Harris wonthe Paris Exhibition Prize for his DesignStudy photographic series, consisting ofthree books.

PHOTO RETOUCHINGPAGE 4 OF 14Types of resolutionI n c o m p u t e r g r a p h i c s , th e r e ar e d i f f er e nt ty p e s o f r e s o l u t i o n :T h e n u m b e r o f p i x e l s p e r u n it o f l e n gt h i n a n i m a g e i s c a l l e d th eimage resolution, u s u a l l y m e a s u r e di n p i x e l s p e r i n c h ( p p i ) . A n i m a g e w i t h a h i g h r e s o l u t i o n h a s m o r e p i x e l s , a n d th er e f o r e a l ar g e r f i l es i z e , tha n a n i m a g e o f th e s a m e d i m e n s i o n s w i t h a l o w re s o l u t i o n .T h e n u m b e r o f p i x e l s p e r u n it o f l e n gt h o n a m o n it o r i s th emonitor resolution, u s u a l l y m e a s u r e d i nd o t s p e r i n c h ( d p i ) . I n A d o b e P h o t o s h o p , i m a g e p i x e l s ar e tra n s l ate d d i r e c t l y i nt o m o n it o r p i x e l s .T h u s , i f th e i m a g e re s o l u t i o n i s h i g h e r tha n th e m o n it o r r e s o l u t i o n , th e i m a g e a p p e ar s l ar g e r o ns c r e e n tha n it s s p e c i f i e d p r i nt d i m e n s i o n s . F o r e x a m p l e , w h e n y o u d i s p l a y a 1 - i n c h - b y - 1 - i n c h ,1 4 4 - p p i i m a g e o n a 7 2 - d p i m o n it o r, th e i m a g e f i l l s a 2 - i n c h - b y - 2 - i n c h ar e a o f th e s c r e e n .3.75 in. x 6 in. @ 72 ppi; 100% view on screen 3.75 in. x 6 in. @ 200 ppi; 100% view on screen

Page 3: Photoshop Lesson3a

file size 342K file size 2.48 MBT h e n u m b e r o f i n k d o t s p e r i n c h p r o d u c e d b y a n i m a g e s etter o r l a s e r p r i n ter i s th eprintero routputresolution. H i g h e r r e s o l u t i o n p r i nt er s c o m b i n e d w i t h h i g h e r r e s o l u t i o n i m a g e s g e n e r a l l y p r o d u c eth e b e s t q u a l it y. T h e a p p r o p r i ate r e s o l u t i o n f o r a p r i nt e d i m a g e i s d et er m i n e d b o t h b y th e p r i nterre s o l u t i o n a n d b y th escreen frequencyo r l i n e s p e r i n c h ( l p i ) o f th e h a l ft o n e s c r e e n s u s e d t ore p r o d u c e i m a g e s .Resolution for this lessonT o d et er m i n e th e i m a g e re s o l u t i o n f o r th e p h o t o g r a p h i n th i s l e s s o n , w e f o l l o w e d th e c o m p u t erg r a p h i c s r u l e o f th u m b f o r c o l o r o r g r a y s c a l e i m a g e s i nte n d e d f o r p r i nt o n l ar g e c o m m e r c i a lp r i nter s : S c a n at a r e s o l u t i o n 1 . 5 t o 2 ti m e s th e s c r e e n fr e q u e n c y u s e d b y th e p r i nte r. B e c a u s e th em a g a z i n e i n w h i c h th e i m a g e w i l l b e p r i nt e d u s e s a s c r e e n fr e q u e n c y o f 1 3 3 l p i , th e i m a g e w a ss c a n n e d at 2 0 0 p p i ( 1 3 3 x 1 . 5 ) .Note:For more information on resolution and image size, see Chapter 3, “Getting Images IntoPhotoshop,” in theA d o b e P h o t o s h o p U s e r G u i d e.PHOTO RETOUCHINGPAGE 5 OF 14

Getting startedB e f o r e b e g i n n i n g th i s l e s s o n , d e l ete th e A d o b e P h o t o s h o p P r e f e r e n c e s f i l e t o r e st o r e th e p r o g r a m ’ sd e f a u lt s e tt i n g s . T o d e l et e th e P r e f er e n c e s f i l e i n W i n d o w s®, e x it P h o t o s h o p , a n d th e n d e l ete th eA d o b e P h o t o s h o p 5 P r e f s f i l e i n th e A d o b e P h o t o s h o p S e tt i n g s s u b d i r e c t or y i n s i d e th e P h o t o s h o p 5d i r e c t or y. T o d e l ete th e P r e f er e n c e s f i l e i n M a c® O S , q u it P h o t o s h o p , l o c at e th e A d o b e P h o t o s h o p 5P r e f s f i l e i n th e A d o b e P h o t o s h o p S e tt i n g s f o l d e r i n s i d e th e A d o b e P h o t o s h o p 5 . 0 f o l d e r, d r a g th ef i l e t o th e T r a s h , a n d c h o o s e S p e c i a l > E m p t y T r a s h .A f t e r y o u h a v e d e l et e d th e P r e f e r e n c e s f i l e , r e start th e P h o t o s h o p p r o g r a m . T h e n o p e n th e f i n a li m a g e t o s e e h o w th e a d j u s t m e n t s y o u ’ l l m a k e af f e ct th e f i n a l art w o r k .1C h o o s e F i l e > O p e n . L o c a t e a n d o p e n th e T r a i n i n g\ L e s s o n 0 3 f o l d e r i n th e A d o b e P h o t o s h o p 5 . 0a p p l i c at i o n f o l d e r o r o n th e tut o r i a l C D . T h e n s e l e c t E n d 0 3 . p s d a n d c l i c k O p e n .2I f y o u l i k e , c h o o s e V i e w > Z o o m O u t t o m a k e th e i m a g e s m a l l e r, a n d l e a v e it o n y o u r s c r e e n a sy o u w o r k . I f y o u d o n ’ t w a n t t o l e a v e th e i m a g e o p e n , c h o o s e F i l e > C l o s e .N o w o p e n th e s tart f i l e t o v i e w th e p h o t o g r a p h y o u w i l l b e r et o u c h i n g . ( A l t h o u g h th e p h o t o g r a p hf o r th i s l e s s o n w a s o r i g i n a l l y s c a n n e d at 2 0 0 d p i a s d e s c r i b e d a b o v e , th e f i l e i n w h i c h y o u w i l l b ew o r k i n g i s a c t u a l l y a l o w - re s o l u t i o n f i l e . T h e r e s o l u t i o n w a s c h a n g e d t o l i m it th e f i l e s i z e a n d t om a k e w o r k o n th e e x e r c i s e s m o r e e f f i c i e nt. )3C h o o s e F i l e > O p e n . L o c a t e a n d o p e n th e L e s s o n 0 3 f o l d e r, s e l e c t S t a rt0 3. p s d , a n d c l i c k O p e n .4C h o o s e F i l e > S a v e A s , t y p e th e n a m e Work03.psd, a n d c l i c k S a v e .