pianka paul's architecture portfolio

PIANKA PAUL portfolioarchitecture

Rensselaer Polytechnic Institute

04 10 16

Urba[n]aturePurbachal, Dhaka, Bangladesh Critic: Jeremy Carvelho

Spring 2013; Fall 2012 Summer 2012 Fall 2011

Governors HookNew York City, NY Critic: Mitchell Joachim

Dynamic Horizontal BandsDundee, UK.

Critic: Mark Mistur; Demetrios Comodromos

CONTENT

24 26 30

Spring 2011 Fall 2010 Spring 2010

Operatic Operations Istanbul, Turkey

Critic: Sulan Kolatan

Radiant Air BalticRiga, Latvia

Critic: Joe McDonald

Shakers Regimen -Artifact -Pavilion -Museum Mount Lebanon

Critic: Erik Carver; Andrew Sanders

RAIN WATER COLLEC-TION CHAMBER

LANDSCAPE CONTINUES TO THE SKIN OF THE BUILDING

OPENING THROUGH THE EXTERIOR SKIN ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION

NETWORK OF ROADS

Urbanization that protects nature

URBA[N]ATURE

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|OPENING THROUGH THE EX-TERIOR ENVELOPE ALLOWS SUNLIGHT AND HELPS WITH THE NATURAL VENTILATION

MIX USE PUBLIC SPACES FOR RESIDENCE

SOME APARTMENTS WITH DOUBLE HEIGHT

INTERIOR SPACES OF THE RESIDENTIAL APARTMENT

WALKING PATHS

The design proposes a continuous woven structure along the river sides, where there is an integration of agricultural with housing and infrastructure. This continu-ous structure creates a landscape, where it works as an open public spaces, agri-cultural fields and sometimes become the roof top of a building. Through layering, it links different functions throughout the site. To control the flood and rain water, the drainage system directs the water flow from river and other areas to linked wetlands for collection and purifi-cation. As part of the program, bio-gas hills with open plazas at the top are used for energy production, different height of fields are used for agriculture growth, creating social integration by mixing resi-dential apartments for middle and upper class citizen and settlement housing for poor farmers.

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Flood prone areas

Rainfall totals

Flood Depth

The topography of Bangladesh is basically low-lying, flat alluvial land with an extensive network of rivers and channels. The total land area is 147, 570 sq km, where 80% is flatland, and 20% land is 1 meter or less above sea level. Its geographical lo-cation makes it prone to heavy rains, floods, and high intensity storms which cause immense loss of life and property almost every year. On top, the snow melt from Himalayas causing the sea water rise and making the extreme Floods more destructive in this deltaic country. The monsoon climate is definitely one of the reasons behind flooding; it brings lush green landscape all year round with rain-bearing winds, warm temperatures and humidity. Flooding also makes the land very fertile. Therefore, agriculture is the single largest producing sector of the economy for this poor country. Because of these natural disasters and seeking for better economic opportunities, many villagers have abandoned agricul-tural work and forced to move nearby cities, which increases the population density as well as the growth rate of slums or unplanned informal settlements of those areas. As population increases in the cities, problems of sanitation, air and water quality, energy consumption, and need of housing also increases. To reduce this load, areas near the cities are getting intro-duced with urbanization, which effecting the agricultural lands.

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SITE

SITE

SITE

SITE

Flood prone areas

Rainfall totals

Height above Sea Level (m)a

Flood Depth

SITE HEIGHT ABOVE SEA LEVEL ~ 8m OR 26ft.

TOTAL RAINFALL ON SITE~ 150 mm.

ON AVERAGE THE SITE IS NOT FLOOD PRONE AREA

SITE FLOOD DEPTH ~ (100-200)cm OR (3-6)ft.

OLD DHAKA INDIGENOUS PATTERN

NEW DHAKA INFORMAL LAYOUT

COEXISTENCE OF PLANNED & NON PLANED

NEW DHAKA GRID PATTERN

NEW DHAKA PLANNED SCHEME

COEXISTENCE OF PLANNED & NON PLANED

AT THE END OF THE DRAINAGE BRANCH

WETLAND NEXT TO ONE SIDE OF THE DRAINAGE BRANCH

WETLAND BOTH SIDE OF THE DRAINAGE BRANCH

WETLAND AND AGRICULTURE

FIELD BOTH SIDE OF THE DRAINAGE

BRANCH

WETLAND AND AGRICULTURE

FIELD NEXT TO THE DRAINAGE BRANCH

WETLAND NEXT TO THE MAIN DRAIN-

AGE

CREATING CORRIDOR SPACE

CIRCULATION THROUGH THE CROSS SHAPE KNOTTED STRUCTURE

| 8

GREEN SPACE

ELEVATED AGRICULTURE FIELD

CONTINUED PATH;CONNECTED WITH THE RESIDENTIAL APARTMENT BUILDING

RESIDENTIAL APARTMENTS FOR MIDDLE CLASS AND UPPER CLASS PEOPLE

DOUBLE LAYER SKIN; THE EXTERIOR MONOLITHIC FORM HELPS TO DIRECT THE RAINWATER FOR STORAGE AND TO DRAINAGE

|9

INFORMAL SETTLEMENTS FOR POOR PEOPLE

STRAWS LAID ON TOP OF TIN ROOFBAMBOO WOVEN WALL

HOUSING COULD BE DEVELOPED LATER BASED ON THE ABILITY OF THE RESIDENCE OPEN LOCAL FARMERS MARKET

PAVED OPEN PLAZA, EXTENDED LANDSCAPE FOR PUBLIC GATHERING

BIO-GAS PLANT

FARMERS COULD SELL THEIR GOOD AT THE NEARBY MARKET PLACE

SIMPLE INITIAL STRUCTURE

tidal marsh industry future

01 GOVERNORS ISLAND NATIONAL MONUMENT02 SERPENTINE CHANNEL + SEDIMENT CATCHMENT03 CORAL COAST SOFT INFRASTRUCTURE04 PARTY TOWER05 BROADWAY INFRASTRUCTURE + HOUSING

06 BROADWAY BRIDGES07 TRANSPORTATION HUB BUILDING08 ATLANTIC STADIUM09 BROOKLYN BATTERY TUNNEL ENTRANCE + BQE10 GREENBELT FINGERS

01

04

07

03

02

06

08

10

Resilient Waterfront InfrastructureGOVERNORS HOOK

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future

Commercial / Office Buildings

Transportation & Utility

Parking Facilities

Vacant Land

All Others or No Data

Industrial / Manufacturing

open Space and Outdoor Recreation

Public Facilities & Institutions

Residential Buildings

Mixed Residential & commercial Buildings

05

09

10

Resilient Waterfront Infrastructure

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| 12

>late 1600sBy 1684 all Native Americans were sold to European settlers

1900 - 1950sMass urbaniza-tion of the East River Shore

1776 - 1783 British occupation of NY metro area

1834 Brooklyn is officially a city

1934 - 1968 Robert Moses completes 13 expressways in New York City + Brooklyn

1936 - 1964 The Brook-lyn Queens Expressway is planned and complet-ed costing $137 million

early 1900s Fill from the excava-tion for the Lexington Subway line adds 103 acres of Governors Island to total 172 acres in 1912

> 1600s Governors Island is called Pagganck (Nut Island) by the Manha-tas Indians, who lived on the island, for the hickory, oak and chestnut trees

1966 - 1996 Governors Island is used for the National Coast Guard

1966 - 1996 Governors Island is used for the National Coast Guard

1920s - 1960s Red Hook is the busi-est freight port in the world

1960s - 1990s Hooverville is a nickname given to the Red Hook neighborhood due to large numbers of homeless

1636 - 1776 Red Hook is settled by Dutch immigrants, who created tidal mill ponds in low lying areas

1840s Entrepre-neurs built ports along the coast

development timelineHISTORY

1600 1700 1800 1900 2000

BROOKLYN

RED HOOK

GOVERNORS ISLAND

1636 Dutch Coloniza-tion of New Amsterdam (New York) settled Roode Hoek (Red Hook)

1664 English Conquest of New Amsterdam (Dutch New York)

1637 Walter Van Twiller from Holland purchases Governors Island from the Lanape for 2 ax heads, a string of beads, and a handful of nails

1776 Forts constructed on Governors Island + Red Hook

1839 City of Brook-lyn publishes a plan to create streets

1964 BQE completed

1918 Governors Island rail road constructed 2001 22 acres

of Gover-nors Island is preserved as a national monument

2001 The US government sells Governors Island to the NY public for $1

2007 Design competition to redevelop Governors Island

1990 LIFE maga-zine named Red Hook as worst neighborhood in the US

1860 Brooklyn is the third largest city in the USA

1848 the Great Fire of Brooklyn

1883 Brooklyn Bridge is built

1858 water infrastructure established from Ridgewood Reservoir

RED HOOK

GOVERNORS ISLAND

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THE SITE

Brooklyn is the most populous of New York Citys five boroughs, with approximately 2.5 million residents, and the second-largest in area. Since 1896, Brooklyn has had the same boundaries as Kings County, which is now the most populous county in New York State and the second-most densely populated county in the United States, after New York County (Manhat-tan). It is also the westernmost county on Long Island.Brooklyn was an independent city until it was annexed by New York City in 1898. It continues to maintain a distinct culture. Many Brooklyn neighborhoods are ethnic enclaves where particular ethnic groups and cultures predominate.Brooklyns official motto is Eendraght Maeckt Maght. Written in the (early mod-ern spelling of the) Dutch language, it is inspired by the motto of the United Dutch Provinces and translated Unity makes strength. The motto is displayed on the borough seal and flag, which also feature a young robed woman bearing fasces, a tra-ditional emblem of republicanism. Brook-lyns official colors are blue and gold. (wikipedia.com)

278

278

495

495

UPPER BAY

LOWER

MANHATTAN

BROOKLYN

STATEN ISLAND

REDHOOK

GOVER-NORSISLAND

BROOKLYN HEIGHTS FORT

GREEN

EAST

RIV

ERHU

DSO

N

RIVE

R

WIL-LISAMS-BURG

PARK SLOPE

ProspectPark

Manhattan Bridge

WilliamsburgBridge

Queens Mid-town tunnel

Queensboro Bridge

Brooklyn Bridge

Brooklyn Navy Yard

Brooklyn Bat-tery Tunnel

CentralPark

GOWANUS

BAY RIDGE

GREEN WOOD

The Governor's Hook encompasses the south Brooklyn neighborhood of Red Hook and Governors Island. It focuses on the issue of storm water retention in the Brooklyn waterfront and feeds into a large research area of sea level affecting coastal areas and cities. The design proposes an investigation of adaptive reuse of former military ves-sels to create a riparian buffer zone that deals with issues of surges and flood management in New York Harbor. Instead of keeping the water out, the infrastructure is designed to let the water in.

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Brooklyn Battery

Tunnel

red hook + governors island

UPPER BAY

278

278RED HOOK

Brooklyn CruiseTerminal

Coffey Park

Governors Island National Monument

Fort Jay

Ikea

Erie Basin

Atlan

tic B

asin

Gowa

nas C

anal

CARROLL GARDENS

COBBLE HILL

COLUMBIA STREET WATERFRONT DISTRICT

The horizontal concrete bands imply a solid wall but have unique penetra-tions to provide a porous and solid juxtaposition of material. This dynam-ic motion confronts the urban waterfront, transitions into the facade and is embedded into the Tay River. A fluid language between context and build-ing envelope literally flow into the river to capture the rise and fall of the waters tide. Thus, the stepped waterfront is a variable use system which affords users to interact with the site and the river as they change.

03

The facade consists of corbelled pre-fabricated concrete units that are post-tensioned with horizontal cables to create stabilization. The exterior facade is covered with a layer of insu-lation and steel panels. The resulting openings are sealed with glass bricks to allow an ambient interior lighted condition. The filtered light prevents damage to the museum pieces inside.

5 mCONCRETE WALL UNITGLASS BLOCK UNIT

.25 m

FACADE DIAGRAMS

V&A MUSEUM DUNDEE

ITZLI CEJA + PIANKA PAUL

DUNDEE, SCOTLAND, UK

LOCATION PLAN

DESIGN DEVELOPMENT

DYNAMIC HORIZONTAL BANDS

FALL 2011

DRAWING TITLE

ELEVATOR CORE

FIRE EXITSERVICE ENTRANCEPUBLIC CIRCULATION

| 16

V&A MUSEUM DUNDEE



LOCATION PLAN

DESIGN DEVELOPMENT


FALL 2011

SCALE :

DRAWING TITLE

DRAWING NUMBER

REVISIONSDATE DESCRIPTIONN0.

PRELIMINARY 210/13/11

9/19/11

5

4

3

2

PRELIMINARY 11

10/26/11 MIDTERM

AFTER MIDTERM

SITE PLAN

A-100

1 : 500

11/16/11

FINAL REVIEW12/09/11

|A museum that becomes a artDYNAMIC HORIZONTAL BANDS

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TIDE

HIGH

LOW

TIDE

FL1

FL

FL2

FL3

FLROOF

GROUND

10/26/11 MIDTERM

AFTER MIDTERM

2ND FLOOR PLAN

A-102

1 : 200

11/16/11

V&A MUSEUM DUNDEE



LOCATION PLAN

DESIGN DEVELOPMENT


FALL 2011

SCALE :

DRAWING TITLE

DRAWING NUMBER



9/19/11

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PRELIMINARY 11

GALLERIES

OBJECT PREPARATION

OBJECT STORAGE

STORAGE

MACHINE ROOM15

15

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A2A3

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B2B3B4

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LOW

HIGH

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TIDE

FL1

FL

FL2

FL3

FLROOF

GROUND

HIGH

FL1

TIDE

TIDE

FL

FL2

FL3

FLROOF

GROUND

LOW

GLASS BLOCKS

PLASTER ON TOP OF SHEETROCK

WEAR COURSE

GRAVEL

ROOF DECK

RIGID INSULA

STEEL ANGLE

METAL GRAVEL STOP

ROOFING MEMBRANE

TREATED WOOD NAILER

ANSION STRIP

PRECAST CONCRETE UNITS

TIO

EXP

N

PRECAST CONCRETE WHITE PANEL

STEEL JOIST

PRECAST CONCRETE STEPS

TENSILE REINFORCEMENT

CONCRETE PILES

MORTER JOINTS

LIGHT WEIGHT CONCRETE

STEEL DECK

STEEL CAP

RAFTER

PURLIN

PRECAST CONCRETE STAIRS

SUPPORT WIRE

LIGHT GAUGE FRAME

CASTELATED BEAMS

GLASS ROOF

FASTENING PLATES

10/2

6/11

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TERM

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ER M

IDTE

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ECTI

ON1

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PIAN

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PAUL

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LOCA

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SFALL 201

SCALE

:

DRAW

ING TITLE

DRAW

ING N

UMBE

R

REVISIONS

DATE

DESC

RIPTION

N0.

PRELIMINAR

Y 2

10/13/11

9/19/11

5432

PRELIMINAR

Y 1

1

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V&A MUSEUM DUNDEE



LOCATION PLAN

DESIGN DEVELOPMENT


FALL 2011

SCALE :

DRAWING TITLE

DRAWING NUMBER



9/19/11

5

4

3

2

PRELIMINARY 11

10/26/11 MIDTERM

AFTER MIDTERM

SITE PLAN

A-100

1 : 500

11/16/11


CORE

FACADESTEPPED ROOF

EMBEDDED FACADE STAIRMAIN CIRCULATION

ADA SITE CIRCULATION

GLASS ROOF ENCLOSURE

10/26/11 MIDTERM

AFTER MIDTERM

STRUCTURE DIAGRAMS

11/16/11

V&A MUSEUM DUNDEE



LOCATION PLAN

DESIGN DEVELOPMENT


FALL 2011

DRAWING TITLE



9/19/11

5

4

3

2

PRELIMINARY 11

N

CORE

FLOOR PLATE

WALL ELEMENTSand BEAMS

PILES

In order to create a dynamic space, the concept of dynamic horizontal bands was incorporated into every aspect of the museum; the site, the facade, the roof. These general af-fects are inherent to the museums enclosure. Additionally, museum cu-rating and circulation are unique to this building because they follow the logic of the dynamic horizontal bands. In order to differentiate, the cores and floor plates juxtapose the facade; the floors act as varied viewing plates that allow the user to literally move from main circulation embedded into the facade onto the plates. This motion repeats itself and in order to move through the building, one must always return to the facade in order to walk to the next plate. Certain wall elements are further extruded into shelves to house curated museum pieces.

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Physical Models

12

SEATING

STAGE

Inside of the main opera

The Opera house driven from minimal surfacesOPERATIC OPERATIONS

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|1

4

4

6

751

1

2

2

4

5

6

7

SEATINGSEATING

STAGESTAGE

DRESSING ROOMSDRESSING ROOMS

REHEARSAL ROOM

TICKET OFFICE

LOBBY

The main opera

Inside of the main opera

The Opera house driven from minimal surfacesOPERATIC OPERATIONS

By studding cell iteration, the initial design goal was to produce a variety of spac-es through attractor points across the grated mat mor-phologies. The tessellation of the cells helped to create an urban park consists of opera houses, theater, shopping plac-es, administrative buildings and parking garage. Because the site encompasses a large urban exterior span that meets the subway station underground. The main opera house acts as a monument connecting the ex-isting the Republic Monument of Taskim Square and other parts of the connected form abut-ting edge mimics the residential row housing to create distinct neighborhood parks/ lawns.

25 |

Since Riga, Latvia has a distinctive quality of light, the concept of the terminal is to create a dynamic skin by parametric modeling that will respond to the light. Para-metrically the skin could be open both horizontally and vertically and three attrac-tor points control the openings. The vertical openings are highest around the middle of the terminal and it decreases as it moves towards the piers and the horizontal openings are the opposite. The extruded skin will help to prevent direct light into the building. Both the Schengen and Non-Schengen sides of the terminal are identi-cal that the entire passenger could enjoy the same experience. The arrivals people are greeted by the grand scale arrival zone and it gives them a friendly welcome.

SCALE = 1:1000SECTION : B- B

SCALE = 1:1000SECTION : A - A

SECTION: A-A

SECTION: B-B

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A terminal where the performative skin respond to the light

|SCALE = 1:1000SECTION : B- B

SCALE = 1:1000SECTION : A - A

AIR BALTIC TERMINAL, RIGA

EXTERIOR SKIN

MULLION

FLOOR SLAB

COLUMNS

STRUCTURAL GRID

RADIANT AIR BALTIC

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A terminal where the performative skin respond to the light

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2 nd FLOOR PLAN

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DUTY FREE

RETAIL

FOOD AND BEVERAGE

BAR

RESTROOMS

OFFICES

AIR SIDE

LANDSIDE

TICKET AND BOARDING PASS CHACK IN

SECURITY CHECK

B737-500

F-70

AB737-500

B737-500

F-70

PassportControlPoint PassportControlPointPassportControlPointPassportControlPoint

InmigrationControlPoint



PassportControlPointPassportControlPoint PassportControlPoint





PassportControlPointPassportControlPointPassportControlPointPassportControlPoint PassportControlPoint


PassportControlPointPassportControlPoint PassportControlPointPassportControlPoint PassportControlPoint PassportControlPointPassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPoint PassportControlPointPassportControlPointPassportControlPoint PassportControlPoint PassportControlPoint


PassportControlPointPassportControlPointPassportControlPointPassportControlPoint

AIR SIDE

LAND SIDE

BUS STAND

TAXI STAND

| 30

SHAKER ARTI-

HEAT STACK

MULTIPLE FUNCTIONS

OBSCURATION

PIANKA PAULAD3 2010ERIK CARVER

09

SHAKER COMMODESHAKER TOWN COLLECTIONLOCATION: HANCOCK SHAKER VILLAGEDATE : 1830

The three performances and affects in-herent in the Shaker commode are: heat stack, obscuration, and multiple flow.

Similar to heat stack, the odors travel from the commode through holes, metal tubes and the chim-ney and released in the air. This type of commode was mainly used in the infirmary because of the hy-gienic quality of this. The odors also had a chance to travel from different part of the commode. The shakers used tri-folded screen for privacy.

Dance pavilion: performance driven from Shaker commode

SHAKERS REGIMEN

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The Horizontal two-way frame structure of the pavilion will ar-rive from the performance of the artifact (Commode). It also helps to bring the natural light inside as well as the ventilation in to the space. The overall structure of the pavilion will represent the heat stack where the hot air from the dance floor will rise up and the cool air will come from the bottom. The panels from the overhangs and the walls will be obscure that those obscured the sun and the view from others. The program is separated into three-separated area to create different airflows. They are, a big en-closed open roof dance hall, a open small dance hall shaded by a overhang, and the enclosed area including the rest rooms, storage and the kitchen.

Dance pavilion: performance driven from Shaker commode

The concept of the museum arrive from the three perfor-mance of the shaker Commode, heat stack, obscurity and multiple flow. The design of the museum assisted the exhibi-tion of shaker culture at varying scales: artifacts, family, village, and the society. The tower act as core and it is a unusual space in the museum, where there is a indoor garden at the ground level. Being inside the tower, a person will feel holy because of the darkness and the little light comes from the top and from the opening in the facade. The tower also creates a heat stack effect. The faade of the mu-seum is perforated metal and it creates obscurity. The size of the holes depends on the side of the museum. Southern side has smaller holes then northern side. The openings al-low day light but prevents direct sunlight into the museum. The inverted pyramid shape also help shading the building.

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Shaker museum: performance driven from Shaker commodeSHAKERS REGIMEN

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|7.

7

8.

8

14.

1415.

15

COLLECTION STORAGE

LOADING DOCK

LOBBY/ TICKETS

LEVEL : 1

LOUNGE/ CAFE

A

B

A

B

18.

17. FIRE STAIRS

9. FREIGHT LIFT

ELEVATOR

18

17

9

Shaker museum: performance driven from Shaker commode

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GALLERY SEQUENCE

INTERIOR CIRCULATION

ADMINISTRATION

STORAGEPUBLIC AMENITY

EXHIBITION

NORTH ELEVATION

SECTION : B - B

NATURAL VENTILATION THROUGH NEGATIVE SPACE

STRUCTUREGIRDER = W-SHAPE

JOIST = OPEN WEB STEEL JOISTCOLUMN = SQUARE TUBINGFOUNDATION = CONCRETE

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NORTH ELEVATION

SECTION : B - B

PIANKA [email protected]: 515-612-0917

pianka paul's architecture portfolio

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bangladesh critic

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