piano quartet - gavinosborn.weebly.com
TRANSCRIPT
Piano Quartetfor violin, viola, violoncello and piano
Gavin Osborn2003
!!
!!
!!
!!
!!
q=58-63
Gavin D. OsbornPiano Quartet
"!
"!
"!
"!
"!
!!
!!
!!
!!
!!
Violin
Viola
Violoncello
Piano
!
"
# $ $ #%non vib.
& 'ppp
() * poco vib.* 'molto sul pont.
mf
(nat.)
$$$(+, - (gliss. (-. / % % % & &sul III
p
(0) *3
1 con sord.$pp
poco sul pont
(, (2 (, (2 (+ (3 ( (3 & % #
p
sim.
(+ (, (, 'gliss. & % $ % & 'pp
4 sim.
( ( ((+3 ( (2 ( (+, (2 (, (2 &
ppp
% $sul I
$
5 $intense
$ #/-mp
6(, 6( 67-- 6(, --) / & % $ # & &pp
sul II(0) 7 7 7 () ' &p
(0) *3 3
# $ '
molto sfz
(8. 6
% #%delicato
& 'ppp
%(2 (, () * l.v. $
9
$delicato e tranquillo
% %pp
%(, (2 ( (,)l.v. $( ( (
33
5depress silently
&&
&&
4 9
l.v.
$Una Corda
$ $ $
Una Corda
# % % ' (3 5
l.v.((,, (
%9
silent
66663
9 :!
:!
:!
:!
:!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
#7- ;
mp
( (0 7 (-) /#
$p
67-- 67p
6( 67-- 67-- &# '
sfz(+, . ' '
sfz(+
. ' %
1 $ % 'sim.
f
(+ (, (( & # $p76-- 66
p(6 76 (633 76-- &# sim.
pp
(+, (2 (, ( (+3 ( (, (2 & mute off!%
#7- ;( (0 7 (-) / & # $ 5 &
mp
&pizz.
' (<,3 & (<, & # &
arco
'sul II
mp
(0 (03 5(0 (0 (0 (0 (03& ' '
pizz.
/p(, = %#
arco
&poco s.p.
/p f
molto s.p.
$$$(-.p
$$$( ((sul III)
#( (0
(0
(0
5
3
#molto sfz
4(83
. 4sfz
l.v.(>? & % $
#
tranquillo edelicato
pp
%(, (2 (, & ((2()
(
ppp
() &
%(( & $ $
()
$%(
( 'sfz
(8. 6
& '
9
f(@.
33
5666
6---- && $
9Una Corda
# & / (- ((,, (, () ( 5&9 *
p(<, (. & 7, # '
mp
( (3 (( (, 7 l.v.
5 '
9 *
(, (2 ' ' / (= (silent
66#
+) &&
4
3 3 3
5
3 3
1
!!
!!
!!
!!
!!
17 "!
"!
"!
"!
"!
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
"!
"!
"!
"!
"!
Vln.
Vla.
Vc.
Pno.
!
"
$ %poco s.p.
&p
molto s.p.
f
###''( ###''
% % % )mf
make accelerating accented rhythmic bow changes throughout gliss.
'* +,
-+$ $
'$ $
-.$ $ $ $ $ $ $ $ $ $ $
'$ $ $ $ $ $ $ $ $ $ $
'/ molto vib!
fff
'0*
1poco s.p.
&p f
molto s.p.###''( ###''
p
''( & %
mp
' '/ ' '. ' '/ '. '* '%
sfz
'0) '2
% &+mp
3'// 4 3-++mf
3'// '/ + 'ff
' '0 molto vib!
fff
'05
$ '5 '5 '5 '5 - ', & 6 %mf
&','. ' '* ' '0. ' ' '* ###''0
($
sul I
p
& '5
f
'04 ) & )pizz.'+0, ) 6
arco
&mf
'3
f
' '7 '7sul pont. --- molto
ff
' ' ' ' ' ' ' ' ' ' ###'sul pont.
'molto vib!
fff
'0. $3
$ &f
'8, % 9 )mp
'. '*''. )
f
'2: &
f
';., & 9mf
) '7+, ' < <6
633
silent
333. 333. +++ =9 % &+
> '
mf
'':)f
'7 '7 '7 '7 ' ''7 ''7. ''7 '' ''7. '7 %fff
'7()
5
gliss.
"!
"!
"!
"!
"!
22 "!
"!
"!
"!
"!
"!
"!
"!
"!
"!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
$ )mf
'. +, '* '+? '+? '+? '+? '+? '+?molto vib.
ff
'+'0 '0.
p
'0.& 3' 3'
f
3'04 ) &mp
)'3// ++( '3 '3
f
'3// '30) &
sfz
ricochet
';* ; ; ; ; ; ; ;&
mp
' 0 0 0 0
3 3
gliss.
1poco s.p.
mf
'. '. '* '* '0 '. '/ ' ' ' &+f&'* '/ '/
ff
'* ' '* '/ ' ' '. '* '/ ###'0)
gliss.
p f
'3// ++( '30: ) & pizz.% * arco', )
p
'4 'f
'0, & &mp
'/3
' '/ + ' ' ' '* '5
$ &sul III
f
'5( '
5 @'.
. @.'* ( '0
( & %sul I'5 -+
f
'0, & 6 &+mp
'/ 4 ' ###'gliss.3
$ &mf
'+ '+ '+ '+ff
'+/ '+ ''+
// '+ '+ '+ '+. ''+/ '0*+)
sfz
''';. 333+++ 333 '''
7 ''',.-
sfz
&'''; 333+++ 333 '
+)
3
'' ''7 ''7* '' ''* ''// '' ''+. ''7/ ''+. ''0. '' '''+7*/ ''+7*. ''+7
*3
5
6 '+0., & % % $''';/ 333
+++ 333'''7 '''
,/-
> %'''; 333
+++ 333
mf
'/,> 3
poco >',/- ''7/ ''7
,/- '' '' ''* '' ''+. ''7// ''+*/ ''0/ '' ''+7 ''
+7. ''+7
*3
5
2
!!
!!
!!
!!
!!
26 "!
"!
"!
"!
"!
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
A
q=54-56
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
$f
molto espr. e vib.%&' %%(&
' %%)&** %%' %)&* % %%
)&' %%*+ %%
)&+
ff
#%' ,%%+ %(& %%(
&'' %%(&**
fmf
-sul I'(rebow each accent)sempre molto trill!
%%&*' %& & & &
3 ff
& & &. / 0
G.P. Slightly slower
0 0 0 0G.P.
3 3
1f
%&+ % % %+ % %%& % %+ %+ %ff
%&
* %+ % %+ %+ % %+ %' %fff
%$$$
% %, / 2 %
sfz
%&, / 2
sfz
ricochet
0G.P.
0 0 0 0G.P.
%& 3 3 3 3 3 3 3
5 6
9
4f
%&, / $
p
%&'f
gliss.4
%)&%%)&
+ %)&ff
%%&' %+ % %%&++ % % %* %, $$$%3
fff
% %) %) %) % $$$% %&, / 0
G.P.
0 0 0 0G.P.3 3
$f
#%* ,%%%%&''' %&' %%
&' %+ %+ %%
& %+ -%* %' %* %%& %' %* %%
&++ &+'(-
)%+. &+'(
-%) %) %)+ '*
3 4
ff
%& %+ % %& %+ % 5*+
fff
2 6 2 0G.P.
$Slightly slower
0 2 2 /mp
%%' %' %* %,+
2 6 0G.P.
57
$ #%&
, 4%%&*+ %)* %* %+ % %* %%&'' % %
%%&' %%++ 7 %& %+ % 5%%(&+*
89 :& l.v.
0
;
2 /p
%%%++ ((( % 2 2 2 /pp
;%%++ %* % %
2*+
6 03
3
3 3
;
!!
!!
!!
!!
!!
33 #!
#!
#!
#!
#!
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
Vln.
Vla.
Vc.
Pno.
!
"
$ 0 0 0 2 /pp
%+3
% %- ( % %,+
%(. 7 2 2
pp
% < %. /
,+
0 2(loco)
2 /p
%.
%'gliss. %. / 2 0
mp
<(,+
1 0 0 0 0 0 0 0 0 0 6 /mf
%' , % %' ( 2 /mp%'3
%' ( % <mf
% %
4 sempre molto espr. e cantabile
/p%, % %, / 2 0 2 /(
%9% < 2 2 2 7 %+ (, % %+ <*mf
non vib.
% %+ ( <) 6 2 /mp%, %+ %* ,% % %' % % <( <( % /
mf
%'. %'3
3
$ 0 0 0 0
p
0 0 2 2p
#%), %0 2
p
%'2 0 0 0
4 0 0sempre
0; à B
2%%%)
+ 2 0 0 2 2%%+
0*+
0 0 0 0
3
45 !!
!!
!!
!!
!!
"!
"!
"!
"!
"!
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
#$ $
% &#$ %
' ( ) )mp
* $ $&# $+ ' ( ) ) ) ( (
(loco)
mf
$$,- $$, $$, **- $$. '3
/ $ $ $,0 $ $ $. *0 ( 'mp
$. $ $ $ $ $0 $ $ $1 $2 $ $ $. ' $ $, $ $ $. ' $ $ $mf
$- . $,. $,2 $,. $ $- $ $ $. ' $1 ( (più f
$ $3 3 3
3 $ $ $,0 $1 $+ $13
$,2 $- $ * ( (mp
$- $ $ $1 $ $1+ $ ' $+ $,1 $2 $ $ $+$,- $,+
$- $- $+ ' $- $- $+ $23 mf
$,+$,- $,+ #
$- $-$1 $1 $ $ $ ( ( $2 $1
3
# ) 4 (p
$$) ) ) )
mp
'$- .$
( ( ) ( (mp
$$$12 ***più f
$$$+ '
3 ) 4 ($$$- ) )
(#
) ) $$- ( ( ) ( (
$$1 ** $$. '
(#
!!
!!
!!
!!
!!
55 5!
5!
5!
5!
5!
6!
6!
6!
6!
6!
!!
!!
!!
!!
!!
B
Vln.
Vla.
Vc.
Pno.
!
"
#
always full bow each note
'mp
$+
* $ gliss.&#
) ) 4ff
$(
gliss.
( 'mf
$01 $0 $01 $01 $0 $02 $0- $017
3
&&#
'con sord.
( 4 ( ' &mf
$0 $0
6 3
/ $ $ $ $1 $ $ $ $ $- $-f
$. ' ( $ $- $- $2 ' $- . $0 $ $,fff
$,- ) # ( '00 $0- $01 $0 $0 $01 $0 $0 $0- 73
' con sord.( 4 ( 'mf
$0- $0- $0 $0-
#always full bow each note
$2 $1 $ $- $2 $1 $ $ $f
$+ ' ' $,1 $+ $ $- ' $ $-+fff
molto vib.
$ $,81 $,8 $,8 9,8- *0 mf
(p$:-- $:00
. & (p$:
.$:
3
3
# ) 4&#
f
'$. $gliss.
4)*
) 4ff
*4 '
mf
'$- $2 $+ '
&#
mp
$-3
$p
$ $,00 $- $ $,$-%
3 ) 4$$$- 4
#$ %
) 4 * ) )
4
61 !"
!"
!"
!"
!"
C
q=50-52
""
""
""
""
""
!"
!"
!"
!"
!"
""
""
""
""
""
#$
#$
#$
#$
#$
""
""
""
""
""
%"
%"
%"
%"
%"
Vln.
Vla.
Vc.
Pno.
!
"
& ' () () () () ()'))
()*+ , ')#$
Slow
-()% ()
.non vib.
,pp
(/ ( 0) ( '
sul II
p
(1/
( 2 (, , (3
p1 0 ,)pp2&443 3
& 5 () ()3 () ()3 ()3 () 5 ' 5 ()3 () , ' 6non vib.
() () ()3 , ,pp
(4 2 0'pp
7(/70)) 7( &
p
04 ) ( (('4(3 00 0'4( ( ' 6pp
2&443
33
& (7))8 5 , , ' (744
807)) 07 . 9 , ,
pp(744 07)) (7
p
03 ) (' &
mf
sul I
p
(:1/ (ff
( (: 5ff
sul I0:1
p
() 0) ,
&0 5 (;'4( )/ (
sempre p e delicato
04 ) 22#$
-() (())
#$
.00
#$
, 'mf
(:/ 0 0 ()mp
22;44
9 - &sempre e Una Corda a D
all piano notes should be struck gently and left to ring, unless marked tenuto-
<04 ) ( (= 0) 04 ) . 0043 - - 9 -
)$
&*(4 8
%"
%"
%"
%"
%"
70 ""
""
""
""
""
>"
>"
>"
>"
>"
""
""
""
""
""
!"
!"
!"
!"
!"
""
""
""
""
""
>"
>"
>"
>"
>"
D
!"
!"
!"
!"
!"
>"
>"
>"
>"
>"
Vln.
Vla.
Vc.
Pno.
!
"
& 07)) .)mp
2; (p
224 00)) , ')p
(* 0) 0 (/p(73
82&
? mutes off!
- 'mf
7(44 /7( ')
mp
sul IV(1*
6 07)) .) &mp
2;4 ( , 6sul tasto
p0) 0) , , 5
p
nat.(4 )/ 0 0) 2 ?&
mutes off!.) , 'mf
'sul III(1* ( '))
mp
sul III(1*+ ())/ 6@3
& - 9mp
2;
#$
(,
0733 )) (7)) ' &p
sul I01ff
(: , 'p
sul I(1/ (ff
(: ')sul I
p
(1* ( 2 ? mutes off! - ,mf
5sul I(1 )/ (
&mf
22)) , ,((4 / (()) (
(/00
p00
))
mf
loco2: . ,(((3 000
#$ ((((3 224=
?
f
*(800
4 ))
(( (; , , ')
mf
(4*
3
& 2244 )) , , (/ ()((3 8 00'3( *(800))
)$
9 - & . , (((33 000))) -con Ped
0) 0 , , ') (A3
5
!"
!"
!"
!"
!"
79 ""
""
""
""
""
!"
!"
!"
!"
!"
""
""
""
""
""
#"
#"
#"
#"
#"
Vln.
Vla.
Vc.
Pno.
!
"
$ % & ' &pizz.
()mf
sul IV%*+ & arco%*, (p
-%.. -% (mf
/%0% %. & (
p
sul IV%*, % 1 %, ( 2sul IV
pizz.%* ), & %*, &3
&arco-1..
mf
3 ' /p
%%% %0. %4 % %. %0%2 ( & $pizz.
&mf
2sul III%* ), &
arco
p
%* % &f
%0 %. %5 % %0% % %. & ()p
-%.+
-1#.$#.$ -%, ( pizz.()sul III%*+ &
arco
( %*3
& %* %+ 2 3 %0 %. %/
$ & (p
sul IV
%* %* %* %*. %* %* %* %*5 %* %* *, (
pizz.
*mf
sul IV
%6 ( (p%* %
* %* %*. %* %* %* %*5 %* %* *+ (
*p
sul IV
%7 %6 ( (sul III%*3
% (*
sul IV
* *% % * *% %. % %* %* %*5 % * *()
*pizz
%7 (*
arco
%6 % &3
3
3
3
3
3
$ ( %, & ')f
%%611
. 11
.& % 2
%. ), '
1.(
p
%%6%%,
11 ' (
mf
%,%%
$ 8 1
mp
&%,1
p
% ( %6 1 % % & ( %6 1 & 1 %%5'''''''
''''
''''
''''
''''
'''
#"
#"
#"
#"
#"
84 ""
""
""
""
""
""
""
""
""
""
E
!"
!"
!"
!"
!"
q=58-63 (Tempo Primo)
""
""
""
""
""
Vln.
Vla.
Vc.
Pno.
!
"
$ -%#.$#.$ , ( & & ' & (mf
%. % %. % % %) %5 &sul II
p
%*,
% 1& 2
p f
%. % %. % %4 %. % %4 ) % (((%0 %f
% %(((%%0
(((%%% %7 () ' &p
2%. % %. % %4
3 6 6
3 & 2mp
% %. %) (p
%. % 2 8 ()mf
%%+ %%0, ( & ( /% %5 % %95 % % %% %, ( ' (
f
%%. 6 %) % %(((%0,
f
(((% %)
(((%0. ) % %+ () &
pp
1sfz
%0+ ()3 3
$ ' &pp
: s.p.
%4 6gliss.
6 ( & ' ' &p%-
6%-
(3
%9 %5 %. ( & ' ; 8 'pp
1.sfz
%0+ ()3 33
$11)) ' & (
mp
%. % %. % % %%5 6% %. % % %, %, %3
( 2mp mf
%5,
1111052p f
%. % %. % %4 %. % %4 ) ( ( '0f
8 2p
%. % %. % %43 3 6 6
$ 115#5$ )) ' & ( 2 %. %4 ( %%3
%% %9. %. )) % ( %6 1) (
Una Corda
&%.,;%) % 2
p
&%.,(((%)6 %)*
%
%. %%%#.$ <<#.$
&3
3
6
!!
!!
!!
!!
!!
90 "#
"#
"#
"#
"#
$!
$!
$!
$!
$!
Vln.
Vla.
Vc.
Pno.
!
"
% &mf
' '( ') ' & ' ' '* ' '(
f
' '* '+
',*
3ff
gliss. ',+ - &
f
' '( ') ' &mp
' ' '* ' '( poco s.p.' '( ' '( -f
.')',(+ -
3
-f
. ')',*+ -3
.*
f
',/ gliss.sempre trill.
(as high as poss.)
5 65 6 3
0 -f
',( ' '( ') -/ %mf
molto espress.'(1 ' '2 ' ') / '2* ')f
' '/ '2( ' ',(f
0' ' 'f
'( '( ' '2,3
sfzp ff
###',* ', &%
3
3
4 5mf
6$'( '' '( '( ') '* ' ',) '* '
- &f
',) '- % 6 '* ' '( ') '* ') 6
ff
6', '( & ' ') '( ' '( ' ') &6
-/molto s.p.
sfz
'( '' -mp
non legato
') ') '* '*ff
'( ') '( ') - 4 %',3
sfzp ff###',* ', &
3
3
% &mp
' ' '( ' '( ' '* ') ' ''** ''
f
''',**+
''' 5f
-f
''2( ' '( ') -f
'''2( ' ' 6mp
&'( '( '( ' '( & '* ' '* ' & ') ' '* ' '(
5&'( )
') 3 77777777&' '
6 5 36 5
6
4mf
'2 ' '2( /f
$',3'2 ' ' - &
mf
' '* $'3'*
' '',**6',//+ ' ' ' ' ''2* //
$'3
%
ff' ' ( *
',
* ',*''((
3
$!
$!
$!
$!
$!
93 !!
!!
!!
!!
!!
8#
8#
8#
8#
8#
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
% 5fp
9*f
',+ - 5mp
.*
f mf
'( ' '( ' ', '( '( '( ' '( '( ' '( ') '): ;
mp
.*
f mp
'( ' '( '', '( '(
f
'( ' '( '( ' '( ') ') ' '( '( '( ' ') ' ' ') '( '( '6 -
5
% 5fp
9f
',+ - 5 &mp
mf
'( ' ' '( '( ') '( ') '( ' '( ') : ; &mp
mp
'( ' ' '( '(
f
') '( ') '( ' '( ') 0' '( '( ' '( '( ' '( ' ' '( '( 6 -
6
7
6
75
4 ; &mf
'2 '2( '2) '2fp
%
alternate both tremolo + nonand s.p. + nat.'2( '2( '2 '2) 9, '+ ###
' 4 &mf
espress.
',* /3 'ff
''//3 &gliss. 5
5
% &f
'',* //+ ''
mf
$'( ' '( ' '/,+ - 5$'( ') '( '
$'( ') '( ''/,+ -f
.'/, '( - .
ff
&''3'* '( 7777 ',-
+,
5 ; : 5 46f
%'( '( ' '( ') ' '(
% : $'( ') '/+ - 5 $'( ') $
'(')'/+ - &
mf
'( ' - '' ' ' -
(*
&'( )''(( + - 5 ; 4 &mp
'* /3 ' ''
4'
'( ') / 6 %'( '( ') ' '( '( '6
3 3 3
7
97 !"
!"
!"
!"
!"
F
""
""
""
""
""
#"
#"
#"
#"
#"
$"
$"
$"
$"
$"
Vln.
Vla.
Vc.
Pno.
!
"
% &ff
sul I
' ( (gliss.
'() *+ ,
p
sim.-'./00 -'. -'. -'.00 -'. -'. -'. -'.11 -'. -'. -'.p
-' , * -'./00sim-' -'. -'. -'.11 -'. -'. -'. -'.++ -'. -'2 -'.
3
-'++ -'( & &mp
, -'++ -' -' -'00 -'++ -' -'2 *3
3 5 3 3
3 4 ,p
sim.-'./ -'. -'. -'. -'. -'.
p
-' , * -'./ sim-' -'. -'. -'. -'.++ -'. -' -'. -' *mp
5'63
' *3
&mp
-'00 2-' -' -'2 *
3 3 33 3 3
7 4 % &p
sim
'-/.00 '-. '-. '-. '-.
p
sim
'' '-/.00 '-. '-. '-. '-. '-. '-. '-++ '-. '-. '-. '- '-.
8''#0$#0$ & & 5
mp
'12 ' & ,mf
'6 '0 '1 '0 '5
3
36
% '0 ' ' ' ' '0 '0 '%&# $fff
' ' '0 '0 ' ' ' ' '(99999999%&
& 4 4 *+mf
')
'0 '+&
mp
::%&
&
% ' ' ' '0 ' ' '0 '0 0'' ' '0 '1 ' '0 '0 ' ''(00 & 4 4 & &
'62 4' '6 +
3
$"
$"
$"
$"
$"
102 #;
#;
#;
#;
#;
$;
$;
$;
$;
$;
#"
#"
#"
#"
#"
Vln.
Vla.
Vc.
Pno.
!
"
% ,p
' '6 '6 '1 ' '0 '0'1 '6 '6 '1 ' '0 '1
' '6 '6 '1 '1 '0 '' '0 '0 ' '1
f
'0 ' '0 ' '0 ' '1 ' '( ' '0 '1 '(0 '1 ' ' '(
6 ' ' ' & , (
sfz
'(< &
66 7
3 &mp)))'(0 gliss. ,
mp)))'(0 +2 &gliss.
mf
)))'(08 ,gliss.
f
'-(00 '-( '-(11 ,+sfz
('0)= * ,sfz
(') & *++(
sfz
'()= * %3
% '0) , * 7mp
> )))'(++2 ,
gliss.
mp
)))'(+2 &gliss.
mf
)))'(2 *gliss.
f
'-(00 '-( * >sfz
*'+) *alternate both tremolo + nonand s.p. + nat.
fp
'( '+3
3
%p
'0 '0 ' ' '6 '6 '' '0 ' ' '6 '6 '
'1 '0 ' '1 '6 '6 ''0 '0 '1 ' '0 '0 '1
'4
'+ '+0 '+0 '+'+1 '+6 '+6 '+ '+1 '+6 '+6 '+
7 7 77
% ? ?@
7,+'02 %
f
' '1 ,'+0 '+0 '+1 > '+1 '+0 '+1 >
5
'+ '+0 '+1 ,5@
7 *mp
%'6
'6 ''11 ' ' '0 '0
5
3 3
8
!"
!"
!"
!"
!"
105 ""
""
""
""
""
q=84-88
!"
!"
!"
!"
!"
G
Vln.
Vla.
Vc.
Pno.
!
"
# $f
% %& %sfz
highest possible 'whistle' harmonic
%' %&()
* +,- .
sul tasto
p
/& 0 % % % % /0 / % % % % % % /
# .f
% %&sfz
% %' %&()* +
gliss. ,- . sul tasto.
mp
/ / % % / /1 %& % %1 0%* % /
3
23/0 gliss.
. $mf
espress. ,%04 % . #
sul tasto. .sul I
p
%)
f
%( . 2p
5%11 5/ .5%11 5%'' 5%* + # /& %1 / %1
#f
. .66666666666
(loco)%1 %' % % %& %& % %1 %
+ff
,%%%%7(
& *////
#$
mp
%' %& %%%&#$ % % %
%#$ %%1 /
/ %%#$ %%11 %' %% %
%#$
% %%#$ %
. .5
# % %& % %1 %' %& %1+ %%7(
4 // %18
. %%%&& . . %%&%
//11 00 . . %%&& %% %1 . %1 % %13
113
q=c.96 q=100-104
""
""
""
""
""
Vln.
Vla.
Vc.
Pno.
!
"
#/0 % /
mf
/(1
ff
% %7%7 %7%7 %1 gliss. %& %%+
gliss.
+fp pp
sul tasto%* %%%
%%%%%
%%%
%%%%%
/%%%%1
%%%%
%%%
%%%%%
%%%/0
%%%
//&%%%
%%&%%%
//sul tasto
ppp
%1 %5 6 3
# / %1 % %%1 %
mf
/(
ff
% %7%7 %7%7 % gliss. %%% +gliss.
fp
%13 pp
sul tasto
%%%% %%%/1
%%%//&& %%%%1
%%%%
%%%%
%%%%1
%%%%& %%%// %%%%%%%%
//'&%%%
%%'&&' %%%
/5 6
# /0 %&1' %' %1mf //( ff
% %7%7 %7%7 % gliss. %1 %% +gliss.
+fp pp
sul tasto%%1* %%%//'' %%%%5
%%%%5%%%/5
%%%//11 %%%
%%%%%
%%%%* +
sul I
%%%%)
%%%%(* + %%%
//& %%%%%&&' %%%/5 6
3
#//
#$ %1 % %+
(
%
%1
%%*
%%%
(.
mf
(%4
%
%
ff
%
%1+ .
f
%p
%% %% %% %%'1 %%' %%'1 %% %%&
# /0 . %%'1 %%1 9 9each note in each chord may be played in any order, and may be carried into the next,although generally the chord pattern should be followed. try for 2 complete cycles. sempre Una Corda.
dreamily, espressivo
%%'1 %1 %%&& %%&& %%&& % %%
& %%&'
9
!!
!!
!!
!!
!!
123 "!
"!
"!
"!
"!
rall.
#!
#!
#!
#!
#!
H
q=c.66
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
Vln.
Vla.
Vc.
Pno.
!
"
$ % %& % %' % %& %& % % % %& %' nat.% %( % %' % %& % % %( % %' %& % % %' % % %)mf
%& *+ % , %' % % %%*+ ) - - -
p
%% ..** .. .3 3 3 5 3 3
$sul tasto
p
% %& .( %( %( % %& %( %( nat.% % %( % %+ %&3
% %( % %' ,*mp
%& / % , %0&
mf3 %' % % %' %( -
p% .* 1
3
$ ) #
sfz%& *2 - ,* #
sfz%( 3 - #
sfz%( 2 , ,*
sfz
#%/ , #
sfz
%+ -mp
%2 % %( * %( % % %( % %(+ 4%' %( %' %( - ,mp
5%&& +5% ,
5%& 5% - - -p
%& .& * .&63 3
33 3
$7 * 8
,mf
$%2%%
& .. % %& +
% %' % % %6* - -
sfz
%%%9:& ..& - ;
3 5
$%
, % . , %&3
%(%%((
$%( 2% %' 6* 4 - -
%%%9:&
; ;
#!
#!
#!
#!
#!
130 "!
"!
"!
"!
"!
!!
!!
!!
!!
!!
#!
#!
#!
#!
#!
Vln.
Vla.
Vc.
Pno.
!
"
$ . %2 ,
non vib.
ff
.:* <sfz
%9+ , - - 6 ; ; ; ;
fff
%:(- 6
gliss.
; ;
$ . %2 ,non vib.
ff
..:( **<
sfz
%%9(+ , - - 6 ; ; ; =ricochet
%>: > > > > - 6 ; 6 -pp
sul III%?+ % . %+ , -5
3
4 ;non vib.
ff
..:(( ** <sfz
%%9(( + , - espress.6f
%0:
poco a poco s.p.
1(almost
grating)
molto s.p.
fff
& %* -glis
s. - )ff
%0:*2 % %&gliss.
molto vib.
gliss.% %' %
sfz
; ,ff
%:2 .* .* - ;
$ ;sfz
%%9:
- -<
ff
110
-
mf
; ; ; - -sfz
) %>) %
>(
55 ; 6 -
mp
% ;
@4 ;
%%%9:(((
- -1110(((
- 4(((1
molto!fff ; mf f
$% % % % %- - mf, (((%
2%:
2 , -silent
55
( sfz
; ; ;
10
!"
!"
!"
!"
!"
140
I
!#
!#
!#
!#
!#
""
""
""
""
""
$#
$#
$#
$#
$#
""
""
""
""
""
!#
!#
!#
!#
!#
!"
!"
!"
!"
!"
%#
%#
%#
%#
%#
Vln.
Vla.
Vc.
Pno.
!
"
& 'G.P.
mp
() (# * + ($,(- () (# . .
mp mf
%(- /() (# * (0
- ( () (#.
%(1 /(0 ($ (- (), (1gliss.
3
. 2 2%(3 /
(01,pp
( (0$ ()1 ('
G.P.()- (# *3 3
4 'G.P. ' ' & 5 . 2mp
() (#%(1 /
( 2 (0
- (, () gliss. (#, . 2 %(3 /(01 ( gliss.(# ()3 (3 . ' ()* ($ (, (gliss.
3
6 () ($ 6 'G.P.
3 3
3
7 'G.P. ' ' ' ' ' ' ' 'G.P.
& 'G.P. ' ' ' ' ' ' 2mp
( (- (1 (3 (- ( ( ( (- (1 (- (-. 'G.P.
7 ' ' ' ' ' ' ' 'Una Corda
' &
%#
%#
%#
%#
%#
149 !"
!"
!"
!"
!"
""
""
""
""
""
!"
!"
!"
!"
!"
""
""
""
""
""
Vln.
Vla.
Vc.
Pno.
!
"
& %(/ (3 * (3 (, (13
'mf
( ( (3 * (3 ( () (# ** (8 2* . 2
%(- /() (# * (0- ( (12 9
%(/ (-(/ (/ 2 5sfz
s.p.
&&&(01/ 2 . .
mp
() (# ** (8 2* '
3
& : ;(33 ** ;(11 ;( ;( ';( ;( ;(** ;( 2mf
() (# *(8 2* . .%(1 /
() (# * (0- (( (1 2 . . .sfz
s.p.
&&&(0-/ &&&(
/ 2 . . 2mp
() (# * ( '3
3
7 ' ' ' ' . 2mp
(- (1 (3 ( (0 (- (1 2 . .p
( ()*/ 6 2(3
( ( (-
& 2( (3 (3 ( ( ( (3 ((* (3 * ( (
, 2 . ' ' ' 7 .()* ( &&&( &&&( &&&( &&&(
&&&(-3 6
& 2 : (3 (3 (3 2 (1 ( (3 6 (3 (3 (1 ( ( (, 2 . ' ' 7
Una Corda
. 2mp
( (3 (1 (3 (3 ( (3 2 . .( (- (1 ( (- ( (- (
. '5
11
!!
!!
!!
!!
!!
156 "!
"!
"!
"!
"!
!!
!!
!!
!!
!!
"!
"!
"!
"!
"!
Vln.
Vla.
Vc.
Pno.
!
"
# $ % &'p()
*+)'' % % %
pp
( (, (# '' ( ( (- (' (. +' /pp
/ (0 &' % $ 1fff
(2(((& % $ % %
mf
(34 ( (2. (# '
3 3
# $ %p
() +)'' % 1 5 %mf
(,' (# ( (4 (,-3
(.#
p
( /pp
/ (0 &' % $ 1fff
(2(((& % $ # $ % &mf
6(, (#3
7+. ('8 6 % 1 1 1 1 #
f
(2- ' (- % $ 7 %mf
)(,-- )(--gliss. % #
pizz.('2-0 &' % arco% %sul I(94 / / + $
3
7(8 & % $ # $
p
++, ++'' 1 1 1 1sfz
((: ))'' ))mf
((, 1
;
fff
$(2
(2
(2
/
/
21
;7 $
pp
%%%+ ( (8 & $ 1 1 1 1 $ #silent))
<))'' % 1 1 1
"!
"!
"!
"!
"!
167 !!
!!
!!
!!
!!
J
=!
=!
=!
=!
=!
!!
!!
!!
!!
!!
Vln.
Vla.
Vc.
Pno.
!
"
#(, ( (- ( (. +'
1 1ff
(2- ( ( ( ( +' (2-4 & % $ 1 1 1
3
#( ( (' ( ( (- +' % %
mp
(4 ( /ff
/2 (24 & % $ sempre sul IV% &p
(9 (9 (9 (9- (9 (9 (9 9 9 9% & (9 (9 (9 (9- (9 (9 (9 9 9 9
3 3 5 3 5
# 1 1 7 % &mp
)(--3
)(4 & 1ff
(2 ( ( ( ( +' (24 & % sempre sul IV%p
#& (9 (9 (9 (9- (9 (9 (9 9 9 9% & (9 (9 (9 (9 (9 (9 (9 9 9 9
3 5 3 5
# 1 $mf
((,- ++''mf
//
&
f
$(
(-
(
/
/
-
f
'(8///
- /// 1 $
ff
$
((
(-
((
( +++ $
# 1 1 1 1& ; sempre al fine
1 1 1 1 1
12
!!
!!
!!
!!
!!
176
Vln.
Vla.
Vc.
Pno.
!
"
" # $%mp
&' & &( & &( & &) &) & &' # *mp
&' & &( & &( & & & & &( & &( & & &' # + &' & &) &( & &( & & & & &( & &( & &' # , + &' & &( & &' &' & &) + $ # $ & & &'7 5 3
3
"
"
" #mp
&'&
&(&
&(&
&) &)* # $
&'&
&(&
&( &&) &'
$ # *%mf
#
&&
&(
&&
& &&&
--- # $
mp
&'& &(
&&' &'
&
&)$ # *
" , ,mp
, , ,
181
Vln.
Vla.
Vc.
Pno.
!
"
" &' & &( & &' + # * #mp
&' &' &' & & & & &) &' &) & &' $ # ,con sord.
, , , , ,
Violin leads to stop vla + vclPlayers should freeze in tableauuntil after the piano harmnics have faded.
*% $pp
,&. &' & &'
"gradually isolate upper harmonics in smaller cells
$ ,
"gradually isolate upper harmonics in smaller cells
$ ,
"mp
&
& &' &' &&( &
&'# * #
&
&&'
&&(
&(
&& &
&(& &) $ # #
mf
%&/&&&
(#
mp
%
&& &'&'
*%p
%& & &'&'
*p
%&/ --'&'
,pp
---' %%%mf
&&&(&'
,
0
*% $ /mfz
,
0
&1 2
" , ,mp
, , , , *%&&&&''
,
silent
((
3((
13