pittsburg film school

f a l l c l a s s e s s e p t e m b e r 4 - d e c e m b e r 1 4 , 2 0 1 2

s c h o o lfilm • photography • digital media

P i t t s b u r g hF i l m m a k e r s

412.681.5449 pfm.pittsburgharts.org

cover photo: Danielle Goshay, studentphoto above: Rick Thompson, student

all uncredited photos are by Pittsburgh Filmmakers staff

pfm.p i t t sburghar ts .org 3

4-5 About Us 6 Short Courses 6 Library Workshops 7-16 Regular Course Offerings

16-17 Student Opportunities 18 Certificate Program 19 Curriculum20-21 Faculty 22 Registration Form

Acting for the Camera...................................................10Advanced Digital Editing Techniques.........................9Animation Production......................................................8The Art & Business of Voice-Over Narration................10Basic Digital Photography......................................14Black and White Photography I....................................13Black and White Photography II...................................13Cinematography..........................................................9Directing Actors............................................................10 Elements of Film...............................................................11Experimental Camera.................................................14Film History Short Courses.............................................6Film Production I.............................................................7Film Production II: The Production Team.....................7Film Thesis I...................................................................12Film Thesis II.................................................................12Independent Study......................................................16Intermediate Digital Photography.................................14Internships.....................................................................16Introduction to Digital Editing.........................................8Introduction to Screenwriting.........................................11Introduction to Web Design...........................................9Motion Picture Fundamentals................................................7Photography on Location..............................................15Photoshop Foundations................................................14Portrait Photography..................................................15Script Development.......................................................11Sound for Film and Video...............................................10Technical Directing.........................................................9Video Production I...........................................................8Video Production II..........................................................8Video Thesis I.................................................................12Video Thesis II................................................................12

Highlights: Fall 2012Film, Photography andDigital Video CurriculumSeveral new full length classes have been added or have returned this term including: The Art and Business of Voice-Over Narration, Photography on Location and Animation Production. Course descriptions begin on page 7.

Or try one of these new short courses. Want a taste of film history? Our Film History Short Courses offer three 4-week sessions. Take one, two, or all three. In a new 9-week session, Art and Science: Film, Photography, Digital Video explore the science behind creativity. Course descriptions begin on page 6.

Table of Contents

OPEN HOUSE Wednesday, June 20 and Thursday, December 6

On Wed., June 20 and Thu., Dec. 6, Pittsburgh Filmmakers will host Open House events from 5:30 - 7:30 pm. During these evenings the public and all prospective students receive guided tours of Pittsburgh Filmmakers’ educational facilities and exhibition spaces. Everyone has the opportunity to meet the instructors and the education staff and to see many of our classes in session. For more infor-mation or to R.S.V.P. call Catherine Gimbrone at 412-681-5449 x 201.

Filmmakers at the center classes for Youth

Filmmakers at the Center offers workshops in filmmaking, video and photography for children and teens. Enrollment is limited, ensuring a small student to teacher and equipment ratio. Classes are held at the Pittsburgh Center for the Arts in the Annie Seamans Media Arts Lab, a state-of-the-art facility dedicated to the promotion of artistic excellence in media production and analysis. For questions on the Filmmakers at the Center program contact Susan Howard at 412-361-0455 ext. 326 or visit pittsburgharts.org.

4 pfm.p i t t sburghar ts .org

map: Matt Kambic

Pittsburgh Filmmakers

About UsPittsburgh Filmmakers is a non-profit, tax exempt organization founded in 1971 as an equipment access center for independent media artists. Now one of the nation’s leading media arts centers, Pittsburgh Filmmakers offers one of the most comprehensive artistic training programs in the media and photographic arts in the United States. Students have the opportunity to share in a broad range of experiences through seminars, workshops, internship programs, screenings and exhibitions. Classes may be taken for credit under the auspices of local colleges and universities or directly through Pittsburgh Filmmakers on a “credit transcript” basis (see “Receiving Credit”). In addition, classes may be taken for Act 48 continuing education hours. Pittsburgh Filmmakers School is an approved SAA provider for G.I. Bill benefits. All classes are also open to the public on a non-credit basis. Prospective students should have a high school diploma or GED; high school seniors may petition for admittance. In 2006 Pittsburgh Filmmakers (PF) merged with the Pittsburgh Center for the Arts (PCA, founded 1945). PF/PCA is committed to the artist and the advancement of artistic excellence.

LocationClasses, workshops and seminars are taught at 477 Melwood Avenue in Oakland near the corner of Baum Boulevard and North Craig St. Parking is available across the street.

RegistrationIndependent registration (see “Receiving Credit” for non-independent students) for classes and workshops may be completed by paying tuition and fees online at pfm.pittsburgharts.org/pf-registration, or in person at Pittsburgh Filmmakers’ administra-tive offices (477 Melwood Avenue in Oakland) or by mailing payment to: Registrar, Pittsburgh Filmmakers, 477 Melwood Avenue, Pittsburgh, PA 15213. (Registration form is on page 22.) Roster space is reserved only for students who have paid their tuition and fees in full. Payment must be made in full at the time of registration. Early registrants receive significant discounts (see “Tuition/Course Fees”). Students who register for advanced classes must have received a grade of “C” or better in prerequisite courses. All Pittsburgh Filmmakers students will be assigned a grade from their instruc-tors at the end of the course.

since 1971

4 pfm.p i t t sburghar ts .org pfm.p i t t sburghar ts .org 5

Receiving CreditClasses may be taken for credit by registering directly with any of the following schools: Carnegie Mellon University, University of Pittsburgh, Duquesne University, Robert Morris University, Carlow University, Seton Hill University, Point Park University and La Roche College (which offers a four-year Bachelor of Arts degree in Film, Video and Media). Students who want to receive credit from other institutions, outside the Pittsburgh area, may register directly with Pittsburgh Filmmakers on a “credit transcript” basis. Most colleges and universities recognize courses taken at Pittsburgh Filmmakers and will award credit based on our transcript. We recommend that you contact the school from which you want to receive credit prior to registering on a credit transcript basis. For more information on how to receive credit please call the registrar 412-681-5449 x 202.

Pittsburgh Filmmakers’ School of Film, Photography and Digital Media is an accredited institutional member of the National Association of Schools of Art and Design (NASAD).

Tuition/Course Fees“Non-credit” tuition for each full-length course is $390.00. Non-credit tuition is discounted to $350.00 for all registrants who pay tuition and course fees in full by Mon, August 27. Certificate program students pay a flat tuition rate of $390; no additional fees or discounts apply. Classes can be taken on a credit transcript basis directly through Pittsburgh Filmmakers at a tuition rate of $1060 for each 42 classroom hour course (the equivalent of three credits). There is no early registration discount on classes taken on a credit transcript basis. In addition to tuition, a course fee ($35 or $70) is charged to cover the use of equipment and facilities, software, chemicals and supplies used in the classroom. Unregistered students may only attend the first class if per-mission has been granted by the Registrar. A limited number of scholarships are now available for non-credit students demonstrating financial need. See page 16-17 “Student Opportunities.”

RefundsOnce payment has been made and a space reserved in a class, 20% of the total fee (tuition plus course fee) is completely non-refundable. 80% of the total fee is refundable until the class has had its first scheduled meeting. After the first class meeting but before the second class meeting, 60% of the total fee is refundable. No refunds will be made after the second scheduled meeting of any class. Tuition and course fees, in whole or in part, are not transferable to future terms under any circumstances.

Fall 2012 Datesclasses begin: Tues, sepT. 4no classes: Thanksgiving break - Tues, nov. 20-Fri, nov. 23classes end: Fri, dec. 14

Student AccessStudents of Pittsburgh Filmmakers receive access to a complete inventory of production and post-pro-duction equipment for HD video, super-8 and 16mm film, still photography, and digital media including a film sound stage, animation stands, Final Cut Pro digital editing suites, three community darkrooms, individual color and black and white labs, a non-silver printing lab and digital imaging labs. These facilities are available seven days a week for the duration of their courses. For more information, contact our Equipment Office. Students also receive discounts from Apple computer, significant film laboratory discounts and discounts on seminars, workshops and screenings at the Melwood Screening Room, Filmmakers at the Harris Theater and the Regent Square Theater. Students must pres-ent positive I.D. at the box office. In some cases, students are eligible for student production grants and motion picture film stock awards offered by Pittsburgh Filmmakers.

DisclaimerPittsburgh Filmmakers reserves the right to cancel classes or sections in cases in which inadequate enrollment makes offering the classes or sections impractical. Faculty assignments are also subject to change. Pittsburgh Filmmakers does not discriminate in its programs, activities or policies against students or prospective students because of race, national origin, religion, age, gender or physical handicap. Pittsburgh Filmmakers reserves the right to exclude from a course or program any student who is disruptive of the educational process, including those whose behavior presents a threat to the health and safety of others, or to others’ enjoyment of and progress in a course or program. Pittsburgh Filmmakers reserves the right to exclude or with-draw any student who, in the discretion of the school, is academically or intellectually unable to participate fully and satisfy the course requirements of any course, after reasonable accommodation for any disabilities. Students needing accommodations for disabilities should make the need known to the course instructor at the beginning of the course so that reasonable and appropriate measures may be taken. Students withdrawn by the school may receive tuition reimbursements if the reason for withdrawal was not behavioral or otherwise within the control of the student.

About Us


Art and Science: Film, Photography, Digital VideoPrerequisite: None. 27 classroom hours.Friday 10:00 – 1:00 September 7 – November 2 Abramson, Cantine and Lewis

Still and motion pictures can be emotionally charged, but there is a great deal of science as well as creativity involved in producing these images. This course attempts to demystify some of the scientific foundations of photography, film and digital video. Three weeks are devoted to each medium as students deal with topics such as camera construction, emulsion and darkroom chemistry, exposure relationships, manipulating lighting contrast ratios, the elements of the video image, compression and human perceptual traits. Students will gain an understanding of the ways in which traits can be manipulated to create different “looks,” perceptual effects and viewer responses. Grading is based on assignments, class participation and one exam. This course can be taken for two credits at most of our educational partner schools. The non-credit tuition for this course is $275 (course fee included).

Filmmakers in the libraries No online registration for library classes, call 412-681-5449 x 202 for information or to register.

Screenplay Basics at Monroeville Public Library Non-credit only. Tuition $150.

Wednesdays 6:30 - 8:30 pm 9/19, 9/26, 10/3, 10/10, 10/17, 10/24 HeidekatThis class addresses the fundamentals of screenwriting with an emphasis on short format storytelling. Students will concentrate on screenplay structure, formatting, character development and dialogue while creating a script for a short film or a scene from a longer film. Students will also view and discuss scenes from current films and learn about screenplay marketing.

Short Courses

Film History Short CoursesOffered in three 4-week sessions: take one, two, or all three. The non-credit tuition for each separate Film History Short Course is $150; for students who register for all three short courses, the tuition is $390. No other discounts apply to tuition for these courses; no course fee is added for these courses. Each of these short courses may be taken for one credit at most of our educational partner schools.

Dictating Morals: Movie Censorship Prerequisite: None. 14 classroom hours.Mondays 6:00 - 9:30 9/10, 9/17, 9/24, 10/1 O’Sullivan

The story of who controls the scissors in the film industry is a fascinating one. Discussions will cover early fears of immorality in the movies and local censorship boards, the formation of the iron-clad Production Code, the evolution of the MPAA ratings system, as well as current controversies. Stu-dents will watch examples of films that caused the censors to have conniptions, from 1930 to 1970, including Midnight Cowboy. Grading is based on class participation and one short paper.

Visionaries: Landmarks of American Cinema Prerequisite: None. 14 classroom hours.Mondays 6:00 - 9:30 10/8, 10/15, 10/22, 10/29 O’Sullivan

Citizen Kane was not initially a box-office hit yet it’s now widely-regarded as the best American film ever made. Students will watch and analyze groundbreaking movies that forever changed the way narrative films were made, considering the contributions of directors who were ahead of their time. Grading is based on class participation and one short paper.

Big Screen/Small Screen: How TV Changed the Movies Prerequisite: None. 14 classroom hours.Mondays 6:00 - 9:30 11/5, 11/12, 11/26, 12/3 O’Sullivan

In the 1950s, when televisions first made an appearance in the living rooms of America, the film indus-try feared it was a death sentence. In fact, it sparked a creative period, as movies attempted to give audiences what they couldn’t get at home. Whole new genres were born (such as the Teen Picture). Technical innovations include: widescreen, color, 3D, and stereo sound. Students will watch and discuss Rebel Without a Cause and more. Grading is based on class participation and one short paper.

Acting For Beginners at Shaler North Hills Library Non-credit only. Tuition $150. No prerequisite.

Thursday 6:00 – 8:00 pm 9/20, 9/27, 10/4, 10/11, 10/18, 10/25 RandaThis course covers everything from theory to actor preparation to performance, and it is designed for students with no experience as well as those with some acting background. The class will introduce students to techniques utilized by some of the world’s greatest actors.

4 Motion Picture Fundamentals:Film and Digital VideoPrerequisite: None. 42 classroom hours.

FLM 101 A Mon 2:00-5:00 ZavalaFLM 101 B Mon 6:00-9:00 KenlonFLM 101 C Tue 2:00-5:00 ZavalaFLM 101 D Tue 6:00-9:00 AbramsFLM 101 G Fri 10:00-1:00 Zavala

Filmmaking EmphasisFLM 101 E Wed 6:00-9:00 Bonello

Digital Video EmphasisFLM 101 F Thu 6:00-9:00 Bonev

Motion Picture Fundamentals is a hands-on introduction to key photographic concepts and the core concepts of self-expression with moving images. Students shoot photographs, digital video and motion picture film to learn the basic principles and techniques of light, compo-sition, camerawork, editing and storytelling. All equipment is provided, including 35mm still cameras, mini-DV video cameras, super-8 film cameras and digital workstations with Apple’s Final Cut editing program. Those unfamiliar with Mac OS should consider taking “Introduction to Digital Editing” prior to or concurrent with this course. Students pay for film, videotape and lab costs. Grading is based on student projects and written exams. In addition to tuition, a $70 course fee is charged.

Please note that there are three variations on this course, each with a slightly different empha-sis. Motion Picture Fundamentals: Film and Digital Video gives equal weight to filmmaking and to digital video. In the Filmmaking Emphasis section students work more with film than with digital video and in the Digital Video Emphasis section students work more with digital video than with film. However, stu-dents are exposed to all media in all sections.

Film Production IPrerequisite: Motion Picture Fundamentals. 42 classroom hours.

FLM 106 A Wed 6:00-9:00 Lewis

This course is designed to develop proficiency in the standard procedures of filmmaking and the use of equipment. Students participate in shooting two 16mm films, editing and building soundtracks. Basic aspects of cinematography, lighting, sound and editing are covered, including the use of 16mm cameras, sound equipment and digital editing software (Final Cut). Student projects are viewed and critiqued in class. Outside work is nec-essary for planning, shooting and editing. All equipment is provided, but students pay for their own film and lab expenses. Grading is based on each student’s films, exams on technical basics and class participation. In addition to tuition, a $70 course fee is charged.

Film Production II: The Production TeamPrerequisite: Film Production I. 42 classroom hours.

FLM 206 A Mon 6:00-9:00 Lewis

In this advanced 16mm filmmaking class groups of students work together to make a 16mm film with the instructor’s close supervision. At the beginning of the term students may submit scripts for consideration, and the class will choose the projects that will be produced. Each production team will prepare a detailed budget and do all necessary pre-production for their movie, and they will work together as a crew to shoot, edit and finish the film. Each chosen project will be supported by Pittsburgh Filmmakers with an allotment of 16mm film stock, significantly limiting the expenses for individual students. All participating students will receive screen credit and a copy of the finished film. Issues of sync sound and digital post-production are covered in this course. A fully edited film with edited soundtracks (voice, music, sound effects, etc.) must be completed by the end of the term. All projects are shot on film, but students edit digitally. Students who want to propose a script to the class should bring a written film treatment to the first class. Extensive outside work is necessary. All equipment is provided, but students pay for lab expenses and any supplies required for their group project. Grading is based on the quality of the student’s work, completing various stages of the process on a schedule and one written exam. In addition to tuition, a $70 course fee is charged.


Film, Digital and Video

NOTE: Classes marked with 4 are entry level courses, there is no prerequisite for these courses.

Classes may be taken for Act 48 continuing education hours.

Pittsburgh Filmmakers School is an approved SAA provider for G.I. Bill benefits.


Video Production IPrerequisite: Motion Picture Fundamentals. 42 classroom hours.

VID 115 A Mon 6:00-9:00 StazelVID 115 B Thu 2:00-5:00 CantineIn this hands-on course students acquire the skills required to design, shoot and edit high-definition video. The class combines demonstrations, lectures, exercises, projects and critiques. Emphasis is placed on visual and aural expression through technical mastery of the video medium. Topics include digital camera operation, lighting, audio recording, scripting, non-linear editing, special effects and audio mixing. Grading is based on the quality of work produced and performance on written exams. All necessary equipment is provided. In addition to tuition, a $70 course fee is charged.

Video Production IIPrerequisite: Video Production I. 42 classroom hours.

VID 212 A Tue 6:00-9:00 Cantine

This course challenges students to explore video lan-guage while producing a more ambitious work through improved technical skills, including digital modes of post-production. It integrates hands-on demonstrations, lecture, exercises, projects and critiques. Students use digital video cameras along with Final Cut Pro to pro-duce a final project. Topics include advanced lighting and audio recording, digitizing, non-linear editing, time code, digital audio mixing, and final output. Grading is based on the quality of work produced and performance on written exams. All necessary equipment is provided. In addition to tuition, a $70 course fee is charged.

Animation ProductionPrerequisite: Motion Picture Fundamentals (may be taken concur-rently). 42 classroom hours.

FLM 204 A Thu 6:00-9:00 Schwab

This comprehensive class in frame-by-frame animation is designed for both beginners and seasoned animators. Students are exposed to a wide variety of media and approaches, such as digital 2D, hand-drawn 2D, clay, cut-outs, puppets, time-lapse and pixillation. With an overview of animation history and technique, students will gain an understanding of the principles of animation along with the foundations of production planning. This includes storyboarding, character development, acting and story elements. While drawing is one approach to animation, this is not a cartooning class, and drawing skills are not required in order to succeed. Students may work together as a production team or as individual producers. Considerable outside work is necessary for preparation of production elements, shooting and editing. All equipment is provided but students pay for their own art supplies and media expenses. Grading is based on assignments, participation, exercises and final films. In addition to tuition, a $70 course fee is charged.

4 Introduction to Digital EditingPrerequisite: None. 42 classroom hours.

DIG 112 A Tue 6:00-9:00 HeistandDIG 112 B Wed 2:00-5:00 Heistand

This course is designed to familiarize students with the possibilities that digital technology offers for the manipulation of still images, sound, and motion pictures. After introducing beginners to the Macintosh Operating System, the course allows students to use Final Cut to edit video and sound and Photoshop to manipulate still images and text. Access to Macintosh computers with the necessary software is provided. Grading is based on assignments, a written exam and class participation. In addition to tuition, a $70 course fee is charged.


Friend us on Facebookfacebook.com/pghfilmmakers

Advanced Digital Editing TechniquesPrerequisite: Film Production I or Video Production I. 42 classroom hours.

DIG 315 A Wed 6:00-9:00 Cantine

In this course, students will explore the possibilities of digital post-production. Lectures will discuss a variety of editing styles and examples from short and feature-length films. Students will work with advanced digital editing software to develop proficiency in editing tech-niques, simple effects, color correction, sound design, as well as output options for a variety of platforms. Grading is based on assigned editing projects, student presentations, and participation. In addition to tuition a $70 course fee is charged.

4 Introduction to Web DesignPrerequisite: Familiarity with MAC OS. 42 classroom hours.

DIG 202 A Mon 2:00-5:00 BurgessDIG 202 B Thu 6:00-9:00 Burgess

This course provides students with the foundation to build web pages using current technologies. During the course students will be introduced to the process of modern web design, its languages, tools, theory and history. Students come away from the class with an understanding of HTML & CSS, basic usage of Adobe Illustrator & Photoshop and WYSIWYG editors. Other lecture topics include interface usability, internet security, and the business of the internet. Grading is based on web sites created for class, assignments and an exam. In addition to tuition, a $70 course fee is charged.

CinematographyPrerequisite: Film Production I. 42 classroom hours.

FLM 233 A Tue 6:00-9:00 Lewis

This course examines the tools and technology of the cinematographer. Cameras, lenses, light meters, sensitometry, emulsions, light sources, color, printing and the film laboratory are among the topics covered. The format is a combination of lecture, screening and hands-on exercise. Students participate in group shooting sessions, and are encouraged to show their current and previous work in class for the purpose of addressing issues of cinematography. Grading is based on written exams, shooting exercises and participation. In addition to tuition, a $70 course fee is charged.

Technical DirectingPrerequisite: Motion Picture Fundamentals. 42 classroom hours.

FLM 225 A Wed 6:00-9:00 Vituccio

Basics of designing and directing scenes for motion pictures are addressed in this course. Some of the problems discussed include the relationship of film to reality, the meaning of cinematic techniques, continuity, shot selection, cut selection and visualization techniques. The format is a combination of lecture, screening and interactive group exercises. Students participate in analyzing and reworking scenes from well-known films. Extensive outside work is necessary, including attending current films to discuss directorial issues. Grading is based on written exams, practical exercises, homework and class participation. In addition to tuition, a $35 course fee is charged.




Sound for Film and VideoPrerequisite: Film Production I or Video Production I. 42 classroom hours.

FLM 235 A Tue 6:00-9:00 Benedict

Students in this class create quality soundtracks that complement the visual tracks of a film or video. Lectures and in-class exercises help students record clear, high-quality location audio by increasing their understanding of microphone characteristics and techniques, audio recorders and the recording process. Post-production techniques, including digital audio editing and mixing, are also covered. Grading is based on written exams, practical exercises, assignments and class participation. In addition to tuition, a $70 course fee is charged.

4 Acting for the CameraPrerequisite: None. (Filmmaking or acting experience is highly recom-mended.) 42 classroom hours.

FLM 241 A Mon 6:00-9:00 Early

This course is designed for actors who would like to improve their craft by better understanding the differ-ences between acting for the stage and acting for the camera, and for film and television directors who would like to work more effectively with actors. Contrasts between stage and screen acting in specific shooting scripts are examined and followed with appropriate script study, character analysis and exercises in film acting tech-niques. Each class includes a lecture, videotaped examples of performances for analysis and practical experience in working before a camera. Course requirements include outside reading, preparation and rehearsal of scenes for taping in class, outside viewing of film and television programs and written analyses of performances. Grading is based on performance, effort and written analyses. In addition to tuition, a $35 course fee is charged.

Directing ActorsPrerequisite: Technical Directing. 42 classroom hours.

FLM 335 A Mon 6:00-9:00 Rawson

This course explores the communication between directors & actors and how a director’s vision translates into playable action on the screen. Class sessions will provide examples & practical experience in successful director/actor collaboration. Students will learn how to judge a good performance and will practice direct-ing techniques that lead to better performances by actors. It is a laboratory class and students will direct each other. The format combines hands-on exercises, taping, screening and lecture. Grading is based on exercises, homework, taped scenes and participation. In addition to tuition, a $35 course fee is charged.

4 The Art and Business ofVoice-Over NarrationPrerequisite: None. 42 classroom hours.

FLM 130 A Wed 6:00-9:00 Hartman

This intensive course is designed for people who would like to pursue a career as a trained voice actor. The class covers all the aspects of creating professional voice recordings as well as creating a successful business plan and marketing yourself as a voice talent. Initially, students analyze existing voice-over narrations, finding material best suited for their own voice and recording a finished demo. Class demos involve vocal warm-ups, microphone techniques and breaking down scripts in order to make the copy suit each individual student. Other topics include picking a studio, an engineer and an agent, packaging your demo and finding work. Grading is based on assignments, class participation and the finished demo. In addition to tuition a $35 course fee is charged.


4 Introduction to ScreenwritingPrerequisite: None. (Motion Picture Fundamentals recommended.) 42 classroom hours.

FLM 228 A Mon 6:00-9:00 HeidekatFLM 228 B Thu 6:00-9:00 Heidekat

As an introduction to writing for film and video, this course combines theory, analysis and practical exercise. Screenwriting basics are covered including story, struc-ture, scene, character, dialogue and action. Students develop stories, scenes, and characters and examine the ways in which these elements can be combined in a screenplay. Writing for documentaries is also discussed. Students are required to see selected current films for discussion. Considerable outside work is necessary. Grading is based on the quality of the writing assignments, homework and class participation. In addition to tuition, a $35 course fee is charged.

Script DevelopmentPrerequisite: Introduction to Screenwriting. 42 classroom hours.

FLM 307 A Tue 6:00-9:00 Monahan

Geared for those who have an understanding of basic screenwriting principles, this class helps students develop an original idea into a full treatment. Weekly discussions and assignments focus on creating the plot, sub plots, character biographies and back story. Other elements examined extensively in this class are the scene, sequences and the setting of the story. Students are required to complete a 5 page scene-by-scene treat-ment of their original work. Considerable outside work is required. Grading is based on weekly assignments, the quality of the written treatment and class participation. In addition to tuition, a $35 course fee is charged.

Elements of FilmPrerequisite: None. 42 classroom hours.

FLM 107 A Thu 2:00-5:00 Howell

This course is an introduction to the critical viewing and understanding of film as an art form. Students learn the vocabulary necessary to analyze film. The function of various film elements is discussed and examples are shown in class from narrative feature films, anima-tion, documentaries and experimental films. Students develop the skills necessary to view, appreciate, understand and discuss film as a complex art, capable of multiple modes of expression and meaning. Grading is based on written exams, homework and attendance. Outside viewing may be required. In addition to tuition, a $35 course fee is charged.

Film History Short CoursesPrerequisite: None. •Dictating morals: movie censorship

•Visionaries: landmarks of american cinema

•big screen/small screen: how tV changed the movies

For a complete description of these three short courses please refer to the listing on page 6.




Film Thesis IPrerequisite: Film Production II and Cinematography. 42 classroom hours.

FLM 403 A Thu 6:00-9:00 Cantine/Lewis/Zavala

(Note: This class is taught as a combined section with Video Thesis I.)

This course allows students to develop their advanced filmmaking skills. Students create one 16mm film over the course of one academic year (two semesters). During the first semester (Film Thesis I) students prepare scripts and budgets and do all of the preproduction for their project. Beyond writing and planning, the student is responsible for doing all principal photography and syncing and assembling all material by the last class. Extensive independent production is required. The instructors serve primarily as advisors. Students should bring a first draft of a script to the first class. All equipment is provided but the students pay for their own film and laboratory expenses. Grading is based on the quality of the student’s production work. In addition to tuition, a $70 course fee is charged.

Film Thesis IIPrerequisite: Film Thesis I. 42 classroom hours.

FLM 404 A by appointment Staff

This course is a continuation of Film Thesis I. Students edit and do all post-production for the film that was shot during Thesis I. In order to complete this course the student must have an Answer Print of the film, or an exhibition-quality digital video master, and show a copy in an approved Pittsburgh Filmmakers Thesis Screening. Grading is based on the quality of the student’s finished work and the ability to meet deadlines. In addition to tuition, a $70 course fee is charged.

Video Thesis IPrerequisite: Video Production II and Electronic Cinematography. 42 classroom hours.

VID 403 A Thu 6:00-9:00 Cantine/Lewis/Zavala (Note: This class is taught as a combined section with Film Thesis I.)

This course allows students to develop their advanced video making skills. Students create one video project over the course of one academic year (two semesters). During the first semester (Video Thesis I) students prepare scripts and budgets and do all of the preproduction for their project. Beyond writing and planning, the student is responsible for doing all principal photography and syncing and assembling all material by the last class. Extensive independent production is required. The instructors serve primarily as advisors. Students should bring a first draft of a script to the first class. All equipment is provided but the students pay for their own production expenses. Grading is based on the quality of the student’s production work. In addition to tuition, a $70 course fee is charged.

Video Thesis IIPrerequisite: Video Thesis I. 42 classroom hours.

VID 404 A by appointment Staff

This course is a continuation of Video Thesis I. Students edit and do all post-production for the video that was shot during Thesis I. In order to complete this course the student must have an exhibition-quality digital video master, and show a copy in an approved Pittsburgh Filmmakers Thesis Screening. Grading is based on the quality of the student’s finished work and the ability to meet deadlines. In addition to tuition, a $70 course fee is charged.



Photography

Motion Picture FundamentalsPrerequisite: None. 42 classroom hours. Please refer to description and class listing on page 7.

4 Black and White Photography IPrerequisite: None. 42 classroom hours.

PHT 111 A Mon 2:00-5:00 MatolcsyPHT 111 B Tue 6:00-9:00 VitonePHT 111 C Wed 6:00-9:00 BentPHT 111 D Thu 2:00-5:00 ToharaDesigned to give an awareness and understanding of the technical and aesthetic aspects of photography as a fine art, this is a practical and theoretical course. Through a series of lectures and labs, students learn the process of seeing (making an exposure) and craftsmanship (making a photographic print). Some shooting assignments include using depth of field, light as subject, the self portrait and portraiture. 35mm cameras for this class are available for checkout at the equipment office. Students are expected to purchase their own film and photographic paper. Grading is based on assignments, written exams and a final portfolio. In addition to tuition, a $70 course fee is charged.

Black and White Photography IIPrerequisite: Black and White Photography I or Introduction to Photography: Darkroom and Digital. 42 classroom hours.

PHT 211 A Tue 6:00-9:00 Abramson

This production course is an extension of Black and White Photography I. Students learn to visually articulate their ideas and discuss their work and the work of others through group critiques. Students should have basic tech-nical skills and knowledge of camera mechanisms, film developing and printing. The course is designed to refine these fundamentals and explore other, more complex issues in photography. Assignments and critiques focus on content, long exposures, fine grain versus grainy film and medium format cameras. Fiber printing, archival preserva-tion, matting and an introduction to digital scanning and printing are also covered. Considerable outside work is necessary to complete the assignments. Grading is based on assignments, final portfolio and attendance. In addition to tuition, a $70 course fee is charged.

photo by: Megan Colussy, student

Classes may be taken for Act 48 continuing education hours.



4 Basic Digital PhotographyPrerequisite: None. 42 classroom hours.

PHT 120 A Mon 6:00-9:00 KellyPHT 120 B Wed 2:00-5:00 BlumPHT 120 C Wed 6:00-9:00 StaffPHT 120 D Thu 6:00-9:00 Kendall

This class introduces students to the fundamentals of photographic art using digital imaging techniques. Working with digital cameras, Macintosh computers and Epson ink-jet printers students will complete a number of assignments that emphasize camera controls, print quality, composition and subject matter. Class lectures and demonstrations will cover exposure, quality of light, the use of Light Room for digital file management, image manipulation and digital printing. The class will also be exposed to the work of contemporary and historical photographers. Students should have their own camera, a few digital SLRs will be available for use during the semester. Grading is based on assignments, written exams and a final portfolio. In addition to tuition, a $70 course fee is charged.

Intermediate Digital PhotographyPrerequisite: Basic Digital Photography or Introduction to Photography: Darkroom and Digital. 42 classroom hours.

PHT 240 A Mon 2:00-5:00 AbramsonPHT 240 B Tue 6:00-9:00 Burke

In this class students expand their digital processing skills while continuing to develop their photographic vision. After reviewing some basic Photoshop tools the class lectures focus on the use of Light Room for image editing and adjustments, basic color management, monochrome and color digital printing. Other topics covered are using HDR, preparing images for the web, creating contact sheets and archiving files. Shooting assignments over the course of the semester reinforce the use of these techniques while encouraging students to build on their personal photographic style. Grading is based on class participation, written exams and assignments. In addition to tuition, a $70 course fee is charged.

Photoshop FoundationsPrerequisite: Black and White Photography I or Basic Digital Photography or Intro to Digital Editing or Motion Picture Funda-mentals or permission. 42 classroom hours.

PHT 220 A Mon 6:00-9:00 AntonelliPHT 220 B Thu 6:00-9:00 Burke

An introduction to the Macintosh Operating System and Adobe Photoshop, this class helps students explore digi-tal imaging as a method for manipulating and presenting their work. Techniques covered include scanning, image retouching, correction and manipulation, printing and creative use of layers, selections, and masks. Assignments include restoration, digital colorizing of black and white imagery and digital color printing. Grading is based on class participation, assignments and individual projects. In addition to tuition, a $70 course fee is charged.

Experimental CameraPrerequisite: Black and White Photography I or Basic Digital Photography. 42 classroom hours.

PHT 261 A Mon 6:00-9:00 Abramson

This course deals with a variety of techniques using the camera as a tool for visual information outside of its normal function. The course considers the history of cameras and accessory devices including the camera obscura, antique cameras and lenses. Students make their own pinhole cameras, create camera-less imagery in the darkroom or digital lab and use their traditional cameras in non-traditional ways. Digital or film cameras may be used for all class assignments. Extensive outside work is necessary. Grading is based on participation in class, assignments and on a final portfolio. In addition to tuition, a $70 course fee will be charged.

Photography


Photography

Portrait PhotographyPrerequisite: Black and White Photography I or Basic Digital Photography. 42 classroom hours.

PHT 210 A Thu 6:00-9:00 KellyThis class explores the emotional and visual process of collaboration between subject and photographer that creates a photographic portrait. Students use a variety of cameras and formats in both the studio and on location. Available light and the use of artificial light are explored to complete each student’s vision, along with a wide range of processing strategies to support and add richness to the final work. Through film and video the class is introduced to some of the masters of this form like Diane Arbus, Arnold Newman, Richard Avedon and Irving Penn. Through field trips to exhibitions and photographer’s studios, students are introduced to original work and local photographers. Grading is based on assignments, class participation and the final portfolio. In addition to tuition, a $70 course fee is charged.

Photography on LocationPrerequisite: Black and White Photography I or Basic Digital Photography. 42 classroom hours.

PHT 160 A Wed 6:00-9:00 Spradlin

In this class students have the opportunity to shoot in a variety of locations while being supervised by their instructor. The class is encouraged to try many differ-ent approaches to their subject matter while working in the field in order to find their own style. The class will research historical and contemporary photographs made in similar types of locations in order to inform the work and understand their subject. Some of the location shoots include the industrial ruin of the Carrie Blast Fur-nace, street photography on Halloween and writing with light and flash photography in a city park. Class time will be split between field trips to locations, lab time, instruc-tion on Adobe Lightroom and Photoshop, and critiques. This class is open to any camera format and students may work in the darkroom or the digital lab. Students need to provide their own transportation. Grading is based on class participation and finished assignments. In addition to tuition, a $70 course fee is charged.

photo by: Catherine Delbarba, student

Friend us on Facebookfacebook.com/pghfilmmakers

Independent Study in Film, Photography or Digital MediaBy Appointment. Equivalent to 42 classroom hours.

FLM 299; VID 299; PHT 299; DIG 299

Advanced students may elect to study film or video production, photography or digital media on an independent basis by: 1) securing the permission of the instructor with whom you wish to study; 2) writing a preliminary proposal for your independent study; 3) discussing your proposal with your instructor and finalizing it by completing an Independent Study Contract. In addition to tuition, a $70 course fee is charged.

Internships in Film, Photography or Digital MediaBy Appointment. 126 hours.

FLM 298; VID 298; PHT 298; DIG 298

Working in consultation with a faculty member, advanced students wishing to pursue careers in film, video, photography or digital media have the opportunity to work with independent media artists, film, video, audio or television production companies, or to work with art directors, gallery curators, photographers and printers while earning college credit (3 or 6 hours). This program is designed to give students valu-able experience in their chosen field of study outside of the college and classroom environment. Before registering, interested students should contact the Internship Coordinator, Will Zavala.

photo by: Justin Dawber, student


Student Opportunities


Pittsburgh Filmmakers Scholarship ProgramsScholarships are available to new and continuing low-income students who wish to study at Pittsburgh Filmmakers. The Scholarship program is open only to non-Certificate students taking full-semester classes on a non-credit basis. A scholarship covers all or part of the tuition and course fees for a single class in a single semester. Awards range from $100 to $405. Students must apply for each individual semester.

First-time students can apply to the Scholarship Program for New Students. Students who have taken at least one semester-length class at Pittsburgh Filmmakers can apply to the Continuing Student Scholarship program to attend intermediate or advanced classes.

Applications and guidelines are available at http://pfm.pittsburgharts.org/scholarships or contact John Cantine, Scholarship Coordinator at 412-681-5449 x 215 or [email protected].

Pittsburgh Filmmakers First Works GrantThe Pittsburgh Filmmakers First Works Grant is designed to assist beginning film and video makers in creating a polished first work, which can then be used as sample work to secure future funding. Through this, we hope to encourage a new generation of artists with new perspectives on life and art. Several cash awards of up to $1,000 are given out once every other year in the spring.

Pittsburgh Filmmakers Eastman Film AwardEastman Kodak has made it possible for Pittsburgh Filmmakers to award 16mm film to students in our film production classes. This grant is intended to support projects that will be completed, and any current student who is working on a film begun in a Pittsburgh Filmmakers production class can apply. This is a competitive grant and only the most promising work will receive film stock. Several awards of up to 1600’ each are given out every semester.

Pittsburgh Filmmakers Emerging Photographers GrantThe Pittsburgh Filmmakers Emerging Photographers Grant is designed to assist photographers in creating a polished portfolio which can then be used to secure future exhibitions. Several cash awards are given out once every other year in the fall.

Access MembershipsPittsburgh Filmmakers and Pittsburgh Center for the Arts provide a forum for members to share ideas, discuss new technologies and participate in the governance of the organization. During the year, there are three quarterly meetings and an annual meeting. Film, video, photography, digital, printmaking, ceramics facilities and equipment are available to Access Members who are proficient in their use. Members also receive support from the Artist Services Department, which keeps you informed about the vibrant arts community. Interested in becoming an Access Member? For details contact Jasdeep Khaira, Artist Member Services Director, 412-681-5449 x 246 or [email protected].


Student Opportunities


core requirements

Motion Picture Fundamentals Film Production IFilm Production IICinematographyFilm Thesis IFilm Thesis II

technical theory electives

(choose 3) Introduction to ScreenwritingScript DevelopmentAdvanced Screenplay WorkshopSound for Film and VideoAdvanced Digital Editing TechniquesLighting for Film and VideoProducing for Film and VideoTechnical DirectingDirecting Actors

history/theory electives

(choose 2) American Film HistoryInternational Film HistoryElements of FilmExperimental Film/Video ArtIntroduction to Film Theory and Criticism

general elective

Choose one full-length (42 classroom hours) course from Pittsburgh Filmmakers’ curriculum

core requirements

Motion Picture FundamentalsB&W Photography I or Basic Digital PhotographyB&W Photography II or Intermediate Digital PhotographyB&W Photography IIIColor Photography I or Advanced Digital PhotographyStudio LightingView Camera TechniquesPhotoshop Foundations


(choose 1) History of Photography IHistory of Photography II


(choose 2) Non-Silver Printing IExperimental CameraExperimental DarkroomAdvanced Photo SeminarColor Photography IIAdvanced Digital Photography

general elective


Pittsburgh Filmmakers’ Certificate programs are accredited by the National Association of Schools of Art and Design (NASAD) and licensed by the Pennsylvania State Department

of Education, Division of Private Licensed Schools.


Pittsburgh Filmmakers’ students may earn a Certificate in Film Production, Digital Video or Photography by completing a program of twelve full-length required courses (504 total classroom hours)on either a non-credit or a credit transcript basis. Certificate Students must earn an overall grade point average of “B” (3.0) or better. In core requirement courses, a maximum of one “C” grade will be accepted. In addition, students must present an exhibition-quality copy of Thesis level (Film or Digital Video) or Advanced course level (Photography) work in a Pittsburgh Filmmakers public Thesis show. Information packets, including a Certificate Program Handbook and an Application Form, are available from the Registrar. Students are eligible to apply after completing two courses at Pittsburgh Filmmakers. (Veterans using G.I. Bill benefits may waive this requirement.) There is a nonrefundable application fee of $40. The course requirements for the respective Certificate Programs are as follows:

Film Production(504 total classroom hours)

Digital Video(504 total classroom hours)

Photography(504 total classroom hours)

core requirements

Motion Picture FundamentalsVideo Production IVideo Production IIElectronic CinematographyVideo Thesis IVideo Thesis II


(choose 3) Introduction to ScreenwritingScript DevelopmentAdvanced Screenplay WorkshopSound for Film and VideoAdvanced Digital Editing TechniquesLighting for Film and VideoProducing for Film and VideoTechnical DirectingDirecting Actors


(choose 2) American Film HistoryInternational Film HistoryElements of FilmExperimental Film/Video ArtIntroduction to Film Theory and Criticism

general elective Choose one full-length (42 classroom hours) course from Pittsburgh Filmmakers’ curriculum

Certificate Program

This represents all courses currently in our curriculum. Most of these courses are offered on a regular, rotating basis.

Film and VideoMotion Picture FundamentalsFilm Production IFilm Production IIFilm Thesis IFilm Thesis IIVideo Production I Video Production IIVideo Thesis IVideo Thesis IICinematographyElectronic CinematographyActing for the CameraActing for the Camera: Advanced TechniquesThe Art of AuditioningWrite-Act-Produce-DirectAnimation BasicsCrew Production Workshop Documentary ProductionAdvanced Documentary ProductionThe Art and Business of Voice-over NarrationMake-up for Film and VideoLighting FundamentalsLighting for Film and VideoProducing for Film and VideoIntroduction to AudioSound for Film and VideoAdvanced Sound: Recording & Post-productionTechnical Directing

Directing ActorsIntroduction to ScreenwritingScript Development Advanced Screenplay WorkshopScreenwriter’s Master ClassScript Analysis Writing and Producing the Short ScriptIntroduction to DigitalDigital Effects and CompositingAdvanced Digital Effects and CompositingAdvanced Digital Editing TechniquesIntroduction to Web DesignIntermediate Web Design3-D Computer AnimationFlash Animation MultimediaDVD AuthoringElements of FilmExperimental Film/Video ArtThe Film Director (Hitchcock, Fassbinder, etc.)Film Genre (Horror, Film Noir, etc.)American Film HistoryInternational Film HistoryIntroduction to Film Theory and CriticismNational Cinemas (Italy, Japan, etc.)Independent StudyInternship

Motion Picture FundamentalsBlack and White Photography IBlack and White Photography IIBlack and White Photography IIIColor Photography IColor Photography IIIntroduction to Photography: Darkrom and DigitalBasic Digital PhotographyIntermediate Digital PhotographyAdvanced Digital PhotographyAdvanced Photo SeminarPhotoshop FoundationsDesign Foundations for PhotographersDigital Still CameraDigital Image OutputDigital Black and White Printing

Digital Color ManagementPhoto RestorationThe Photographic BookFine Print WorkshopNon-Silver Printing IStudio LightingStudio Lighting IIExperimental CameraExperimental DarkroomDocumentary PhotographyZone SystemView Camera TechniquesPortrait PhotographyHistory of Photography IHistory of Photography IIIndependent StudyInternship

Photography

core requirements

Motion Picture FundamentalsB&W Photography I or Basic Digital PhotographyB&W Photography II or Intermediate Digital PhotographyB&W Photography IIIColor Photography I or Advanced Digital PhotographyStudio LightingView Camera TechniquesPhotoshop Foundations


(choose 1) History of Photography IHistory of Photography II


(choose 2) Non-Silver Printing IExperimental CameraExperimental DarkroomAdvanced Photo SeminarColor Photography IIAdvanced Digital Photography

general elective



Photography(504 total classroom hours)

Curriculum

Adam AbramsB A , P h i l o s o p h y & History of Mathematics, St. John’s College. Film-maker, educator, obsolete equipment technician, and former board member of Pittsburgh Filmmakers, C u r a t o r o f J e f f e r s o n Presents, a micro-cinema since 2000.

Sue AbramsonB.F.A., Maryland Insti-tute College of Art. She is an Associate Professor at Pit tsburgh Fi lmmak-ers. Award-winning fine art photographer; exhibited nationally and internation-ally; published Extended Frames (1981); included in the collection of the Carnegie Museum of Art.

Karen Antonelli M.F.A., Vermont College Exhibits regionally and internationally. Instructor at the Art Institute of Pittsburgh. Works in photographic media and installation; included in many private collections.

Tim BenedictCertificate, Audio Tech- nology, Brown Institute. Director of Audio Services, Summit Film Lab; Sound recording, editing and mixing for video, film and multi-media; extensive exper-ience with fundamental recording technololgies and techniques as well as the continuing digital evolution.

Mary Jane Bent B.A. Mount Holyoke Col-lege. FreelanceMphotog-rapher; Manager, Photo-graphic Services CIDDE University of Pittsburgh; Instructor, Carnegie Mellon University; published re-gionally and nationally; exhibited regionally.

Mike BonelloB.A. Penn State University. Independent media artist; exhibited at the Warhol Museum and the Mattress Factory; regional exhibits in Brooklyn, Buffalo, Louisville and Murphreesboro, TN.

Kamen BonevM.F.A. Film and TV, National Academy for Theater and Film Arts of Bulgaria. Independent photographer and cinema-tographer; Lecturer in fo-rensic photography, BPA; Underwater visual media specialist for UNESCO research team; Visual media artist of Ensemble Palimp-sest group, performing inter-nationally.

Jeffrey BoydB.F.A. Carnegie Mellon University. Award winning Graphic/industrial designer, Grant Paul Design, Inc.; Former manager of the corporate design group for PPG Industries; Won first ever digital imaging award by the Printing Industry of America.

Derek BurgessB.S. Graphic Design, The Art Institute of Pittsburgh Designer/Developer, Serial Entrepreneur, and Docu-mentary Producer; Views the world in Cascading Style Sheets.

Jim Burke B.A., Psychology, Point Park College. Graduate study at Rochester Institute of Technology; member and past President of Photo Imagers Guild of Pittsburgh; exhibits nationally.

Frank J. CaloieroB.A., Communications, Duquesne University. Cameraman and director for broadcast programming, music videos and com-mercials; editor for national public television.

John CantineM.F.A. Film Produc-tion, Ohio University, B.F.A. Creative Writing, Carnegie Mellon Univer-sity. He is an Associate Professor at Pittsburgh Filmmakers. He is also co-author of the filmmaking textbook, Shot By Shot: A Practical Guide to Film-making, a freelance video editor and script consul-tant, and an independent film and video artist. His videos and current class information can be found at johncantine.com.

David Early M. Ed, University of Pitts-burgh. Actor, director, with international acting credits, most notably Silence of the Lambs.

Amy Hartman Studied at New York Uni-versity and Hunter Col-lege. Produced hundreds of demo cd’s; producer and director wi th NPR and for regional radio and television spots; national voice-over spots include American Express, Pepsi, Levi Jeans, McDonald’s and many others; appeared in Emmy-winning Titanic documentary ; member of S.A.G; A.F.T.R.A. and Actor’s Equity Association.

Lorraine Heidekat B . A . , J o u r n a l i s m , Duquesne University. Emmy-winning freelance writer of industrial video-tapes, television commer-cials and documentaries; award winning playwright.

Teresa HeistandB.A., Film Studies, Uni-versity of Pittsburgh . Independent digital artist; freelance video producer, editor, writer; 2D and 3D graphics.

Susan Howard B . A . , F i l m P r o d u c -tion, Penn State Uni-versity. Director of the Annie Seaman’s Media Arts Lab; film/videotape editor for industrials and public television, including 12 years as the editor of Mr. Rogers’ Neighborhood.

Barry HowellM.A., University of Pitts-burgh. Teaches courses on film analysis, politics and film, television analysis, and writing about film at the University of Pittsburgh; editorial assistant for an internationally acclaimed syndicated car toonis t ; participated in conceptual arts projects with the multi-media arts group Bewegung Nurr, based in Berlin and Dresden, Germany.

William JudsonM.A., Art History, Oberlin College. During doctorate at Yale, held Fulbright-Hays Fellowship to France for film studies; former Curator of Film and Video, Carnegie Museum of Art; on the fac-ulty of Fine Arts, University of Pittsburgh; panelist for several state Arts Councils and the NEA.

Rich KellyPresident of American Soci-ety of Media Photographers, former director of Photog-raphy, WQED Multimedia; freelance photographer, Forbes, Time Inc., Glamor, Parenting;exhibits regionally.


Faculty

Seth KenlonDesigner of render tests for Final Cut and Xserve for Apple Inc, multimedia artist, journalist, filmmaker, writer, package maintainer for Slackbuilds and Slack-ermedia Linux

Brady Lewis B.F.A., Film and Televi-sion, New York University. PittsburghEFilmmakers’ Director of Education; Two-time NEA Fellow; seven-time Mid-Atlantic Fellow; panelist for several state and regional Arts Councils and the NEA; independent producer of motion picture optical effects; co-author of Shot By Shot: A Practi-cal Guide to Filmmaking; internationally exhibited award-winning short and feature filmmaker.

Zsuzsi Matolcsy MFA, photography, Maine Media College. PA Council on the Arts Fellow. Exhibited locally, nationally and inter-nationally; included in the collections of the Carnegie Museum of Art and the State Museum of Pennsylvania.

William (Buzz) MillerB.A., University of Pitts-burgh. Freelance videogra-pher, editor and AV systems integrator; Installation artist and video designer for live performance; recent col-laborators include Attack Theatre and Squonk Opera. Formerly designed and inte-grated multimedia into live science demonstrations at Carnegie Science Center.

Jeff MonahanWriters Guild of America, Actor ’s Equity, Screen Actors Guild, American Fed-eration of Television and Radio Artists; feature films writer, professional actor, (Lone Star, Bruiser, Target Earth); screenwriter, Hits, w/Martin Sheen and Spree w/Michael Ironside; Instructor, N.Y.U. and Carnegie Mellon University.

Nancy Mosser B.A. Speech Communi-cations, Broadcasting, Penn State University. Owner/Casting Director, Nancy Mosser Casting; TV/Film Production; casting of actors and extras for feature films, television movies and programs, national, regional and local commercials, websites, and corporate communications.

Dean MougianisB.A., University of Pitts-burgh. Freelance video producer, editor and writer; computer animator; former station manager WYEP- FM 91.3.

Carol O’SullivanB.A., Film Studies, Univer-sity of Pittsburgh. Adjunct Assistant Professor of Film History at LaRoche College; former Assistant Curator of Film and Video at The Carnegie Museum of Art; freelance writer.

Mark PerrottB.F.A., Carnegie Mellon University. Fine art and commercial photographer; exhibi ts nat ional ly and internationally; included in the collections of the San Francisco Museum of Art, the Brooklyn Museum of Art and the Baltimore Museum of Art; published two monographs of his photographs, Eliza and Hope Abandoned. Tom PersingerBGS, Kent State Univer-sity. Photographer, writer, curator, and founder of f295, an international photogra-phy organization; exhibited in numerous galleries in the US and Europe; published in Photographic Possibilities (3rd Edition), Afterimage, Ag, Black and White Pho-tography (UK), PhotoEd, and View Camera; member of Freestyle Photographic’s Advisory Board of Photo-graphic Professionals


Faculty

Mary Rawson M.F.A . Thea t re Ar ts : Acting, Point Park Univer-sity.Independent filmmaker and Emmy award-winner. Writer/producer of dramas and documentaries shown on PBS and A&E. Film, television, and stage actor. Improv performer, broadcast coach, member of Pitts-burgh Playhouse Repertory Company, and Cousin Mary on Mister Rogers’ Neighbor-hood. Proud member of AFTRA, EQUITY and SAG.

Robert Rutkowski B.S., Engineering, Rens-selaer Polytechnic Insti-tute. Partner, The Magic Lantern, a film/video pro-duction company; writer, producer, director.

Michael SchwabB.F.A., Kansas City Art Institute. Owner, Kensing-ton Falls Animation Motion Picture Production; producer, director, animator; instruc-tor at the Art Institute of Pittsburgh.

Ivette SpradlinM.F.A. Tyler School of Art. Photographer and multi-media artist. Exhibited nationally and internation-ally.

Brian StaszelB.F.A., Film and Televi-sion, NewMYorkMUniver-sity. IndependentMwriter-director; award-winningM filmmaker; interactiveM-multimedia designer and videographer for Carnegie Mellon’s Robotics Institute.

Kaoru ToharaM.F.A. , Photography, Indiana University. Award winning fine art photogra-pher; exhibits regionally and nationally.

Dylan Vitone M F A M a s s a c h u s e t t s College of Art. Assis-tant Professor, Carnegie Mellon University; exhibits nationally and regionally at Museum of Fine Art Florida State University, Notre Dame University, Blue Sky Gallery, Sean Kelly Gallery; 2004 fellowship winner, Silver Eye Center for Pho-tography.

Ralph Vituccio B.S., Communications and Psychology, Univer-sity of Pittsburgh. Pro-ducer/Director, Film and Video, Carnegie Mellon University. Award-winning videographer.

Bill Wade B.F.A., Communications, Ohio University. Staff photographer, Pittsburgh Post-Gazette; freelance photographer; exhibited internationally; PA Council on the Arts Fellow; twice named PA Press Photogra-pher of the Year.

Will ZavalaMA, Stanford Univer-sity. Media producer & freelancer specializing in documentaries; works with business and institutional clients, has credits on pro-ductions for ITVS, PBS, MTV, and HBO. Film/video artist, exhibited in festivals nationally, internationally and on public television.

Nancy ZielinskiM.A. History of Art and Architecture, University of Pittsburgh. Graduate Certificate, Multimedia, Duquesne University. In-structor University of Pitts-burgh; exhibits regionally.

Registrar, Pittsburgh Filmmakers477 Melwood AvenuePittsburgh, PA 15213(412) 681-5449

This form may be used by Independent students not affiliated with a local college or university. Independent students may also register online at pfm.pittsburgharts.org/pf-registration or scan the qr code on the opposite page.

HS Graduation date / GED

How did you hear about Pittsburgh Filmmakers?

Day Phone

City State Zip Code

Address

Name

Please list any prerequisite courses taken at Pittsburgh Filmmakers for the classes listed above.

Please list the courses you would like to register for.

check/money order cash

Signature

Account #

Charge Only: Visa Master Card

Expiration Date:

Total Amount enclosed: $

course title instructor semester

course feetuitionday/timenumber/sectioncourse title

return to: Registrar Pittsburgh Filmmakers ~ 477 Melwood Avenue ~ Pittsburgh, PA 15213(412) 681-5449 ~ fax (412) 681-5503

Date of Birth (required)

All Pittsburgh Filmmakers students will be assigned a grade by their instructor at the end of the course.

Once payment has been made and a space reserved in class, 20% of the total fee is completely non-refundable. 80% of the total fee (tuition plus course fee) is refundable until the class has had its first scheduled meeting. After the first class meeting but before the second class meeting, 60% of the total fee is refundable. No refunds will be made after the second scheduled meeting of any class. Tuition and course fees, in whole or in part, are not transferable to future terms under any circumstances. Please check to show that you have read and understood the above refund policy.R

efun

ds

Check One:credit transcript (see Tuition/Course Fees, page 3)

non-credit

email

please report as ACT 48 hours to PA Dept. of Education

(if checked please enter your SSN)

Print Name on Card

Are you a member of Pittsburgh Filmmakers / Pittsburgh Center for the Arts?Not a Member

if new or renewing please include fee $

Would like more info

Access Member

expires

Discover

Associate Member

expires

Fall 2012 Regis t rat ion Fo rm

Renewing Member: Access / Associate

New Member:

Donation to Pittsburgh Filmmakers Scholarship Fund: $


Access / Associateor

Security code:

above photo: Becky Zahn, studentback cover: Bruce Blumenfeld, student

Are you a member of Pittsburgh Filmmakers / Pittsburgh Center for the Arts?

Associate

Scan to register online.

Non

-Pro

fitU

.S. P

osta

gePA

IDPe

rmit

#208

4Pi

ttsbu

rgh,

PA

477

Mel

wo

od

Ave

nue

Pit

tsbu

rgh,

PA

152

13

pittsburg film school

Documents