place - lecture3
DESCRIPTION
Technical info and photographic inspirationTRANSCRIPT
![Page 1: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/1.jpg)
![Page 2: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/2.jpg)
Last week’s exercise
![Page 3: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/3.jpg)
1a. Far distance sharply in focus and as much as possible before it: f8, 1/80
![Page 4: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/4.jpg)
1b. Mid ground sharply in focus, but as little else as possible: f7.1, 1/125
![Page 5: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/5.jpg)
1c. Immediate foreground is sharp and as much of the rest of the scene as possible: f22, 1/10
![Page 6: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/6.jpg)
1d. Foreground is in focus, but little else in the scene is: f5.6, 1/125
![Page 7: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/7.jpg)
2a. Freezing movement f4, 1/200
![Page 8: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/8.jpg)
2b. Little blur: f9, 1/40
![Page 9: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/9.jpg)
2c. Lots of blur: f29, 0.6sec
![Page 10: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/10.jpg)
Read Zoe Reilly Sean Shapcott Joshua Sommer Hanna Stoss Alexander AlexTeekawong Arnon Thomson Kelsey Tran Son Wallace Taryn Whitehead Hayden Woon Shan Shan Yang Qiaoqiao Yang Xixi Cicide Friez Tobias Toby
Adams Rangi Badger Jesse Beale Desiree Bull Katelin Callus Christopher ChrisCowdell-Murray Sara Crow Jennifer Frances Maurizio Frontin-Rollet Grace Gilbertson Liam Guerin Francis Harvey Anna Hawkins Annabel Hogg Rebecca
Hughes Olivia Hunt Eleanor ElleJennings Gregory Jephson Sinead Law Bridget Lee Alice Manhire Cameron Meredith Larissa Mondares Jan Mowat Nicholas NickNeate Daisy Northcott Courtney Oakes Lauren Pexton Benjamin Ben
session1
![Page 11: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/11.jpg)
Technical Considerations
![Page 12: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/12.jpg)
Detail in the shadow and highlight areas
Correctly exposed image
![Page 13: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/13.jpg)
ExposureCombining the Shutter and Aperture:controls how much light will affect the image sensor.
Both the f:stops and shutter speed can be interchanged, but the changes to one must be compensated by changes to the other, to maintain balance.
![Page 14: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/14.jpg)
ExposureThe combinations below produce the same exposure.
f:1.7 f:2.8 f:4 f:5.6 f:8 f:11 f:161/500 1/250 1/125 1/60 1/30 1/15 1/8
If you reduce the aperture to half its original size (stop down) then you must double your shutter speed to obtain the same amount of light.
![Page 15: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/15.jpg)
ISO [INTERNATIONAL ORGANISATION FOR
STANDARDISATION]
– Sensitivity to light/film speed– Below 200 ISO - slow– Over 200 ISO – fast– Slow is good for studio photography– Fast is good for low light situations– Grain is silver halide emulsion particles
![Page 16: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/16.jpg)
200 ISO 1600 ISO
![Page 17: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/17.jpg)
Exposure Control
M = Manual
![Page 18: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/18.jpg)
18% greycard
![Page 19: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/19.jpg)
White cat in snow
![Page 20: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/20.jpg)
ExposureBracketing
White cat in snow
![Page 21: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/21.jpg)
Black dog
![Page 22: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/22.jpg)
Black dog
![Page 23: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/23.jpg)
ExposureBracketing
Middle image exposed to what camera considers best
Left image over exposed one stop
Right image under exposed one stop
![Page 24: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/24.jpg)
Assignment OnePlace
Anne Noble
![Page 25: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/25.jpg)
Transitory Space
Adam Bartos
![Page 26: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/26.jpg)
Martha Rosler, Public Passage from the series In the Place of the Public: Airport Services, 1980 to present
![Page 27: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/27.jpg)
Martha Rosler, Munich from the series In the Place of the Public: Airport Services, 1999
![Page 28: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/28.jpg)
Martha Rosler, Untitled (J.F.K.), 1990, from the series In the Place of the Public: Airport Services, 1980 to present
![Page 29: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/29.jpg)
Martha Rosler, Untitled (O’Hare, Chicago), 1989, from the series In the Place of the Public: Airport Services, 1980 to present
![Page 30: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/30.jpg)
Doug Hall, X Corridor, 1989
![Page 31: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/31.jpg)
Doug Hall, Non-place, California #10, 1991
![Page 32: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/32.jpg)
Doug Hall, Non-place, California #31, 1991
![Page 33: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/33.jpg)
Locating Leisure
Xavier Ribas
![Page 34: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/34.jpg)
Massimo Vitali, Pic-Nic-Alee, colour photograph, 2000
![Page 35: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/35.jpg)
Massimo Vitali, Rosignano Solvay Sea 1, colour photograph, 1998
![Page 36: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/36.jpg)
Massimo Vitali, Piombino Jump, colour photograph, 1999
![Page 37: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/37.jpg)
Xavier Ribas, Untitled, from the series Barcelona, colour photograph, 1996
![Page 38: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/38.jpg)
Xavier Ribas, Untitled, from the series Barcelona, colour photograph, 1995
![Page 39: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/39.jpg)
Xavier Ribas, Untitled, from the series Barcelona, colour photograph, 1996
![Page 40: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/40.jpg)
Xavier Ribas, Untitled, from the series Barcelona, colour photograph, 1996
![Page 41: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/41.jpg)
J. Bennetts Fitts, Arroyo Seco Driving Range #1 from the series Golf, colour photograph, 2003-04
![Page 42: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/42.jpg)
J. Bennetts Fitts, Verdugo Hills #10 from the series Golf, colour photograph, 2003-04
![Page 43: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/43.jpg)
J. Bennetts Fitts, Arroyo Seco #8 from the series Golf, colour photograph, 2003-04
![Page 44: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/44.jpg)
J. Bennetts Fitts, Arroyo Seco #1 from the series Golf, colour photograph, 2003-04
![Page 45: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/45.jpg)
J. Bennetts Fitts, Arroyo Seco #6 from the series Golf, colour photograph, 2003-04
![Page 46: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/46.jpg)
J. Bennetts Fitts, Long Beach Driving Range #1 from the series Golf, colour photograph, 2003-04
![Page 47: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/47.jpg)
J. Bennetts Fitts, Victorville from the series No Life Guard on Duty, colour photograph, 2003
![Page 48: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/48.jpg)
J. Bennetts Fitts, North Shore from the series No Life Guard on Duty, colour photograph, 2003
![Page 49: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/49.jpg)
J. Bennetts Fitts, Huntingdon from the series No Life Guard on Duty, colour photograph, 2003
![Page 50: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/50.jpg)
J. Bennetts Fitts, Panama City Beach from the series No Life Guard on Duty, colour photograph, 2003
![Page 51: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/51.jpg)
Organised Space
Wout Berger
![Page 52: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/52.jpg)
Lynne Cohen, Laboratory, 1999
![Page 53: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/53.jpg)
Lynne Cohen, Spa
![Page 54: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/54.jpg)
Lynne Cohen, Military Installation
![Page 55: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/55.jpg)
Jacqueline Hassink, Mr Robert H. Benmosche, 2000
![Page 56: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/56.jpg)
Jacqueline Hassink, The Meeting Table of the Executive Board of Barclays Bank, London, England, 5 September 1996
![Page 57: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/57.jpg)
Jacqueline Hassink, The Meeting Table of the Board of Directors of NESTLÉ, Vevey, Switzerland 6 December 1994
![Page 58: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/58.jpg)
Doug Hall, Galapagos Tortoise Storage, colour photograph, 1997
![Page 59: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/59.jpg)
Doug Hall, Mammal and Bird Cold Storage, colour photograph, 1997
![Page 60: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/60.jpg)
J. Bennetts Fitts, Single Sapling from the series Industrial Landscape(ing), 2003
![Page 61: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/61.jpg)
J. Bennetts Fitts, Tree with Two Benches from the series Industrial Landscape(ing), 2003
![Page 62: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/62.jpg)
J. Bennetts Fitts, Three Red Trees from the series Industrial Landscape(ing), 2003
![Page 63: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/63.jpg)
J. Bennetts Fitts, Yellow Tree from the series Industrial Landscape(ing), 2003
![Page 64: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/64.jpg)
J. Bennetts Fitts, Line up of Pine Trees from the series Industrial Landscape(ing), 2003
![Page 65: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/65.jpg)
Traces
Wendy Burton
![Page 66: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/66.jpg)
Martina Mullaney, Untitleds from Turn In, colour photographs, 2002
![Page 67: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/67.jpg)
Martina Mullaney, Untitleds from Turn In, colour photographs, 2002
![Page 68: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/68.jpg)
Martina Mullaney, Untitleds from Turn In, colour photographs, 2002
![Page 69: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/69.jpg)
Natalie Czech, Untitled from Anderswo (Elsewhere), colour photograph, 1999
![Page 70: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/70.jpg)
Natalie Czech, Untitled from Anderswo (Elsewhere), colour photograph, 1999
![Page 71: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/71.jpg)
Natalie Czech, Untitled from Anderswo (Elsewhere), colour photograph, 2001
![Page 72: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/72.jpg)
Alec Soth, Future City II from the series Sleeping by the Mississippi c-print, 2000
![Page 73: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/73.jpg)
Alec Soth, Dallas City IL from the series Sleeping by the Mississippi c-print, 2000
![Page 74: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/74.jpg)
Alec Soth, Dallas City II from the series Sleeping by the Mississippi c-print, 2000
![Page 75: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/75.jpg)
Alec Soth, New Orleans IA from the series Sleeping by the Mississippi c-print, 2000
![Page 76: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/76.jpg)
Mary Farmilant, from the series Chicago Hospital, colour photograph, 1999
![Page 77: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/77.jpg)
Mary Farmilant, from the series Chicago Hospital, colour photograph, 1999
![Page 78: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/78.jpg)
Mitch Epstein
Private Space
![Page 79: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/79.jpg)
Mitch Epstein, from the series Family Business, c-print, 2000
![Page 80: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/80.jpg)
Mitch Epstein, from the series Family Business, c-print, 2000
![Page 81: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/81.jpg)
Mitch Epstein, from the series Family Business, c-print, 2000
![Page 82: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/82.jpg)
Mitch Epstein, from the series Family Business, c-print, 2000
![Page 83: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/83.jpg)
Gareth McConnell, Untitled from the series My Grandfather’s House, colour photograph 2002
![Page 84: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/84.jpg)
Gareth McConnell, Untitled from the series My Grandfather’s House, colour photograph 2002
![Page 85: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/85.jpg)
Gareth McConnell, Untitled from the series My Grandfather’s House, colour photograph 2002
![Page 86: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/86.jpg)
Martin Parr, Untitled, from the series Sign of the Times, c-print, 1991
![Page 87: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/87.jpg)
Martin Parr, Untitled, from the series Sign of the Times, c-print, 1991
![Page 88: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/88.jpg)
Martin Parr, Untitled, from the series Sign of the Times, c-print, 1991
![Page 89: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/89.jpg)
Poetic Space
Adam Holtzman
![Page 90: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/90.jpg)
the camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
Walter BenjaminThe Work of Art in the Age of Mechanical Reproduction, 1936
![Page 91: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/91.jpg)
Annie Hogan, Untitled 1 from the series Big Silence, c-print, 1997
![Page 92: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/92.jpg)
Annie Hogan, Gray Road, c-print, 1998
![Page 93: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/93.jpg)
Annie Hogan, Silence, c-print, 1998
![Page 94: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/94.jpg)
Elisa Sighicelli, Untitled, lightbox, 2003
![Page 95: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/95.jpg)
Elisa Sighicelli, Untitled (Iron chairs), lightbox, 2003
![Page 96: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/96.jpg)
Michael Keena, Hilltop Trees, Teshikaga, Hokkaido, Japan, 2003
![Page 97: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/97.jpg)
Michael Keena, Ratcliffe Power Station Study 31, Nottinghamshire, England, 1987
![Page 98: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/98.jpg)
Michael Keena, Ten and a Half Trees, Peterhof, Russia, 2000
![Page 99: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/99.jpg)
Michael Keena, Hillside Fence Study 2, Teshikaga, Hokkaido, Japan, 2002
![Page 100: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/100.jpg)
Surveyed Space
Scott Fortino
![Page 101: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/101.jpg)
Thomas Ruff, Nacht 4 III, c-print, 1992
![Page 102: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/102.jpg)
Thomas Ruff, Nacht 9 II, c-print, 1992
![Page 103: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/103.jpg)
Thomas Ruff, Nacht 14 II, c-print, 1994
![Page 104: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/104.jpg)
Jono Rotman, from the series Chambers, colour photograph, 2003
![Page 105: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/105.jpg)
Jono Rotman, from the series Chambers, colour photograph, 2003
![Page 106: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/106.jpg)
Jono Rotman, from the series Chambers, colour photograph, 2003
![Page 107: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/107.jpg)
Maxe Fisher from the series There is Always Something Between Us and It, 2008
![Page 108: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/108.jpg)
Maxe Fisher from the series There is Always Something Between Us and It, 2008
![Page 109: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/109.jpg)
Maxe Fisher from the series There is Always Something Between Us and It, 2008
![Page 110: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/110.jpg)
Maxe Fisher from the series There is Always Something Between Us and It, 2008
![Page 111: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/111.jpg)
Fabricated Places
Michael Schnabel
![Page 112: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/112.jpg)
Sarah Pickering, Semi Detached from the series Public Order, colour photograph, 2003
![Page 113: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/113.jpg)
Sarah Pickering, Farrance Street from the series Public Order, colour photograph, 2005
![Page 114: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/114.jpg)
Sarah Pickering, Behind the Flicks Nightclub from the series Public Order, colour photograph, 2004
![Page 115: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/115.jpg)
Bridget Smith, Glamour Studio (Chaise Lounge), 1999
![Page 116: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/116.jpg)
Bridget Smith, Glamour Studio (Locker Room), 1999
![Page 117: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/117.jpg)
Hiroshi Sugimoto, Lion from the series Diorama, 1994
![Page 118: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/118.jpg)
Hiroshi Sugimoto, Antelope from the series Diorama, 1994
![Page 119: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/119.jpg)
Andrea Robbins and Max Becher, Entrance from Global Village 2003 – 2005
![Page 120: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/120.jpg)
Andrea Robbins and Max Becher, Shanty Store from Global Village 2003 – 2005
![Page 121: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/121.jpg)
Andrea Robbins and Max Becher, Wall Shelf from Global Village 2003 – 2005
![Page 122: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/122.jpg)
Andrea Robbins and Max Becher, Church from Global Village 2003 – 2005
![Page 123: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/123.jpg)
Andrea Robbins and Max Becher, Knapsack and Plastic Bag from Global Village 2003 – 2005
![Page 124: Place - Lecture3](https://reader033.vdocument.in/reader033/viewer/2022042519/568c38171a28ab02359dc9fb/html5/thumbnails/124.jpg)
Project 1 Final Hand-in – next week
• Series of 5 to 10 images• Visual narrative > images working together to tell
a story
• Visually coherent as a series• Avoid repetition • Remember statement and workbook• Submit on Flickr and R:drive