Pocket Product Guide

www.audixusa.com

OM3

OM5

OM6

OM7

OM11

OM2

OM SERIES MICROPHONESOPHONESOPHONESOM2 - All purpose, fullsounding mic with slight bass proximity. For small to mid-size PA

systems.

OM3 -Multi-purposemic, with excellenteedback rejection. Formid-size to large PA

systems.

OM5 - Club/Concert micwith mid-range boost.Outstanding isolationor singers who sing ght on the mic. Forpremium PA systems.

OM6 - Concert/Broadcast mic.

Natural vocal soundwith condenser-likeributes. For premium PA systems.

OM7 - Concert/Touring mic for those carryingtheir own PA system, or r high level, pro audiomanent installations. Unrivaled gain before

feedback.

OM11- Concert mic withthe lowest handling oise. Machined brass nstruction. Great

or rock n’ roll singers & cutting through themix. For Premium PA

systems.

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 50 Hz - 16 kHz Impedance: 250 ohms Sensitivity: 1.7 mV/Pa @1k Off Axis Rejection: >25 dB Max SPL: >140 dB Power Reqs: None

R CM3 Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 50 Hz - 18 kHz Impedance: 250 ohms Sensitivity: 1.7 mV/Pa @1k Off Axis Rejection: >25 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 48 Hz - 19 kHz Impedance: 200 ohms Sensitivity: 1.8 mV/Pa @1k Off Axis Rejection: >30 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 40 Hz - 19 kHz Impedance: 200 ohms Sensitivity: 1.5 mV/Pa @1k Off Axis Rejection: >25 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 48 Hz - 19 kHz Impedance: 150 ohms Sensitivity: 0.8 mV/Pa @1k Off Axis Rejection: >30 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 50 Hz - 18 kHz Impedance: 200 ohms Sensitivity: 2.3 mV/Pa @1k Off Axis Rejection: >30 dB Max SPL: >144 dB Power Reqs: None

MSRP $149.00

MSRP $199.00

MSRP $265.00

MSRP $329.00

MSRP $349.00

MSRP $359.00

VX5

VX10

HT2

HT5

VOCAL MICROPHONESONESONESVX5 - Premium ectret condenser forvocals and acousticinstruments. Switchesfor -10dB pad and bass

roll off.

VX10-Lo - Same as the 10 (above) with 15 dBlower sensitivity for livestage performances.

P - Supercardioidheadset mic with gh SPL handlingexcellent off-axisection for stage rmances. Includes hantom power adapter.

Ultra-lightweight set mic for wireless ems. Low profile, for presentations e or on air. Also available in beige (HT5-BG).

HT5-P - Hard wiredersion with phantompower adapter.

Type: Condenser Polar Pattern: Supercardioid Freq. Response: 40 Hz - 16.5 kHz (+/-3) Impedance: 150 ohms Sensitivity: 5 mV/Pa @1kOff Axis Rejection: >20 dB Max SPL: >140 dB (w/ -10db pad) Power Reqs: 9-52V Phantom

R CX10X1 Type: Condenser Polar Pattern: Cardioid Freq. Response: 40 Hz - 20 kHz Impedance: 250 ohms Sensitivity: 24 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >138 dB Power Reqs: 48-52V Phantom

Type: Dynamic Polar Pattern: Supercardioid Freq. Response: 50 Hz - 15 kHz Impedance: 250 ohms Sensitivity: 5 mV/Pa @1k Off Axis Rejection: >15 dB Max SPL: >140 dB Power Reqs: 9-52V Phantom

Type: Dynamic Polar Pattern: Omni-directional Freq. Response: 20 Hz - 20 kHz Impedance: 1000 ohms Sensitivity: 5 mV/Pa @1k Off Axis Rejection: N/A Max SPL: >140 dB Power Reqs: 9-52V Phantom

VX10 - Elite condenserfor lead and

background vocals. Forbroadcast, recordingand concert.

VX10-Lo CX10-LoX10-L Type: Condenser Polar Pattern: Cardioid Freq. Response: 40 Hz - 20 kHz Impedance: 250 ohms Sensitivity: 4 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >138 dB Power Reqs: 48-52V Phantom

MSRP $299.00

MSRP $599.00

MSRP $599.00

MSRP $249.00

MSRP $449.00

D2

D4

D6

i5

FireBall

FireBall V

INSTRUMENT MICROPHONESPHONESPHD2 - Great for rack toms, floor tom, congas &horns. Slight mid-bassboost offers a big soundand excellent transient

response.

D4 - Great for floor toms, djembe, brass, woodwinds & smallerkick drums. Natural accurate frequency

response with extendedlow end.

D6 - Designed for kick drum. Provides a huge kick drum sound with ground shaking lowend. Also great for floortoms, bass cabs & leslie

low.

i5 - Multi-purpose micwith clear accurate

sound and durable steelgrill. Great for snare, guitar amps, percussion,horns & leslie high.

FireBallTM - Ultra smallhigh performance harmonica or beatbox mic. Studio qualitysound. Special dualanodized finish & CNCmachined body.

FireBall VTM - Great forharmonica, beatbox & vocals. Enhanced for live playing with aconveniently placedvolume knob. Durableblack die cast body.

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 44 Hz - 18 kHz Impedance: 250 ohms Sensitivity: 1.2 mV/Pa @1k Off Axis Rejection: >30 dB Max SPL: >144 dB Power Reqs: None

R C4 Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 40 Hz - 18 kHz Impedance: 200 ohms Sensitivity: 1.4 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 30 Hz - 15 kHz Impedance: 200 ohms Sensitivity: 0.8 mV/Pa @ 80HzOff Axis Rejection: >20 dB Max SPL: >144 dB Power Reqs: None

Type: Dynamic Polar Pattern: Cardioid Freq. Response: 50 Hz - 16 kHz Impedance: 150 ohms Sensitivity: 1.5 mV/Pa @1k Off Axis Rejection: >23 dB Max SPL: >140 dB Power Reqs: None

CreBallreBa Type: Dynamic Polar Pattern: Cardioid Freq. Response: 50 Hz - 16 kHz Impedance: 150 ohms Sensitivity: 1.5 mV/Pa @1k Off Axis Rejection: >23 dB Max SPL: >140 dB Power Reqs: None

CreBall VreBa Type: Dynamic Polar Pattern: Cardioid Freq. Response: 50 Hz - 16 kHz Impedance: 150 ohms Sensitivity: 1.5 mV/Pa @1k Off Axis Rejection: >23 dB Max SPL: >140 dB Power Reqs: None

MSRP $219.00

MSRP $299.00

MSRP $349.00

MSRP $179.00

MSRP $249.00

MSRP $199.00

f5

f6

f50

f90

FUSION SERIES MICROPHONESMICROPHONESMICROPHONEf2 - Designed forrack toms, floor tom, congas, djembe, timbales, bass cabs &

brass.

f5 - All purpose mic.Great for snare drum,bongos, timbales,guitar cabs & acoustic

instruments.

f6 - Designed forkick drum, cajon &other low-frequencyinstruments. Excellentcombination of attack and low endfundamental.

f50 - Pro quality. The best vocal

microphone in its pricerange. Durable zinc

construction, slight mid-range boost for vocal

presence.

f90 - Pro quality,affordable gooseneck instrument mic withintegral clamp for

mounting to drum rims,horns & stands.

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 52 Hz - 15 kHz Impedance: 580 ohms Sensitivity: 2 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >139 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 55 Hz - 15 kHz Impedance: 580 ohms Sensitivity: 2.2 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >137 dB Power Reqs: None

Type: Dynamic Polar Pattern: Hypercardioid Freq. Response: 40 Hz - 16 kHz Impedance: 580 ohms Sensitivity: 0.6 mV/Pa @1k Off Axis Rejection: >23 dB Max SPL: >140 dB Power Reqs: None

Type: Dynamic Polar Pattern: Cardioid Freq. Response: 50 Hz - 16 kHz Impedance: 250 ohms Sensitivity: 2.5 mV/Pa @1k Off Axis Rejection: >20 dB Max SPL: >138 dB Power Reqs: None

Type: Condenser Polar Pattern: Cardioid Freq. Response: 50 Hz - 18 kHz Impedance: 250 ohms Sensitivity: 29 mV/Pa @1k Off Axis Rejection: >15 dB Max SPL: >135 dB Power Reqs: 9-52V Phantom

f9f9 - Designed forcymbals, overheads,high hat, goodie tableor as an audience mic.

Type: Condenser Polar Pattern: Cardioid Freq. Response: 40 Hz - 20 kHz Impedance: 200 ohms Sensitivity: 8 mV/Pa @1k Off Axis Rejection: >24 dB Max SPL: >137 dB Power Reqs: 12-48V Phantom

MSRP $129.00

MSRP $129.00

MSRP $239.00

MSRP $189.00

MSRP $79.00

MSRP $139.00

f2 R C22 Affordable Excellence

INSTRUMENT MICROPHONES

ADX20i-P

M44

ADX10-FLP

PHONESHONADX10-FLP - Mini

instrument mic with shock absorbent clip specificallydesigned for standard sized

flutes.

ADX20i-P - Miniinstrument mic with shock mounted gooseneck & integral clamp designed specifically for brass &

woodwinds.

M44 - Drum and percussion mic. Fully integrated

circuit, no external poweradapter needed. Includes both DVICE and DCLAMP mounts & 12 foot cable. Also available in hypercardioid.

(M44-HC)

Type: Condenser Polar Pattern: Cardioid Freq. Response: 50 Hz - 18 kHz Impedance: 800 ohms Sensitivity: 4.5 mV/Pa @1k Max SPL: >120 dB Power Reqs: 9-52V Phantom

CDX20i PDX20 Type: Condenser Polar Pattern: Cardioid

Hypercardioid Freq. Response: 40 Hz - 20 kHz Impedance: 250 ohms Sensitivity (C): 5.8 mV/Pa @1k (HC): 5.4 mV/Pa @1k Max SPL: >135 dB Power Reqs: 9-52V Phantom

44 Type: Condenser Polar Pattern: Cardioid

Hypercardioid Freq. Response: 50 Hz - 19 kHz Impedance: 150 ohms Sensitivity (C): 3 mV/Pa @1k (HC): 3 mV/Pa @1k Max SPL: >150 dB Power Reqs: 18-52V Phantom

MSRP $259

MSRP $199.00

M44: MSRP $379.00M44-HC: MSRP $399.00

Micro-D - Miniature percussion mic with shock mounted gooseneck & patented DVICE clamp foreasy drum mounting.

MSRP $259.00

MICRO-D Type: Condenser Polar Pattern: Hypercardiod Freq. Response: 40 Hz - 20 kHz Impedance: 250 ohms Sensitivity (C): 5 mV/Pa @1k (HC): 5 mV/Pa @1k Max SPL: >130 dB Power Reqs: 9-52V Phantom

ADX51ADX51 - Pencil condensermic for overheads, cymbals,hi-hat and acousticinstruments. Includeswitchable -10 dB pad and 150 Hz bass roll off.

Type: Condenser Polar Pattern: Cardioid Freq. Response: 40 Hz - 18 kHz Impedance: 100 ohms Sensitivity: 17 mV/Pa @1k Off Axis Rejection: >15 dB Max SPL: >132 dB Power Reqs: 9-52V PhantomMSRP $299.00

M1280M1280 - Miniature

condenser microphone withintegrated circuit, low noiseand wide response. Greatfor cymbals, overheads & acoustic instruments. Available in four polar

patterns.

Type: Condenser Polar Pattern: Cardioid

Hypercardioid Omni

Supercardioid Freq. Response: 40 Hz - 20 kHz Impedance: 150 ohms Sensitivity (C): 10.4 mV/Pa @1k

(HC): 9.8 mV/Pa @1k (O): 12 mV/Pa @1k (S): 18.3 mV/Pa @1k

Max SPL: >150 dB Power Reqs: 48-52V PhantomMSRP $439.00

STUDIO MICROPHONES

CX212

CX112

SSCX112 - Large 1.2 inchdiaphragm mic for vocals,acoustic instruments,guitar cabs & overheads.Includes switchable 10dB pad & bass roll off.

CX212 - Large 1.2 inchDUAL diaphragm studio microphone allows for cardioid, omni, and figure 8 patterns. Bass roll off filter. Shockmount & case

included.

Type: Condenser Polar Pattern: Cardioid Freq. Response: 20 Hz - 20 kHz +/-3 Impedance: 200 ohms Sensitivity: 14 mV/Pa @1k Max SPL: >145 dB Power Reqs: 48-52V Phantom

Type: Condenser Polar Pattern: Multi-Pattern Freq. Response: 30 Hz - 20 kHz Impedance: 200 ohms Sensitivity (O): 11 mV/Pa @1k (C): 16 mV/Pa @1k (Figure 8): 11 mV/Pa @1k Max SPL: >132 dB Power Reqs: 48-52V Phantom

MSRP $499.00

MSRP $599.00

SCX25A - Elite largediaphragm studio mic with extremely small footprint for vocals, choir & overheads.

Delivers a pure open airsound unlike any othermicrophone, regardless

of size or cost.

MSRP $799.00

SCX25A Type: Condenser Polar Pattern: Hypercardiod Freq. Response: 20 Hz - 20 kHz Impedance: 200 ohms Sensitivity : 28 mV/Pa @1k Max SPL: >135 dB Power Reqs: 48-52V Phantom

SCX1-CSCX1-C - Cardioid pencil condenser. Ideal fordirectional recording or sound reinforcement of piano, acoustic instrumentsand overheads. Gold leaf diaphragm & brass housing. Also available in omni

(SCX1-O) and hypercardioid(SCX-HC).

SCX1-C : MSRP $599.00SCX1- HC: MSRP $629.00SCX1-O: MSRP $599.00

SCX25A-PSPACKAGED SET OF 2PIANO MICS

Aluminum road case2 x SCX25A piano mics2 x DFLEX mic clips2 x 20 foot mic cables

MSRP $1,829.00

Type: Condenser Polar Pattern: Cardioid

Hypercardioid OmniFreq. Response: 40 Hz - 20 kHz Impedance: 200 ohms Sensitivity (C): 26 mV/Pa @1k

(HC): 17 mV/Pa @1k (O): 15.5 mV/Pa @1k

Max SPL: >130 dB Power Reqs: 48-52V Phantom

SCX1-HC

SCX1-O

INSTRUMENT MICROPHONES

FP7PACKAGED SET OF 7 DRUM

MICSAluminum road case

3 x f2 rack toms, floor tom mics1 x f5 snare mic

1 x f6 kick drum mic2 x f9 overheads, high hat mics

6 x DCLIP mic clips1 x MC1 mic clip

FP5PACKAGED SET OF 5 DRUM

MICSAluminum road case

3 x f2 rack toms, floor tom mics1 x f5 snare mic

1 x f6 kick drum mic4 x DCLIP mic clips1 x MC1 mic clip

FP4PACKAGED SET OF 4 DRUM

MICSAluminum road case

2 x f2 rack toms, floor tom mics1 x f5 snare mic

1 x f6 kick drum mic3 x DCLIP mic clips1 x MC1 mic clip

Studio Elite 8ACKAGED SET OF 8 STUDIO MICS

Aluminum road case1 x i5 mic2 x D2 mics1 x D4 mic1 x D6 mic

2 x SCX25A mics1 x SCX1-HC

4 x DVICE gooseneck clips1 x MC1 mic clip4 x DCLIP mic clips

2 x SMT25 shockmounts1 x WS81C windscreens

DP Elite 8PACKAGED SET OF 8 DRUM MICS

Aluminum road case1 x i5 snare mic2 x D2 tom mics1 x D4 floor tom mic1 x D6 kick mic

2 x SCX1-C overhead mics1 x SCX1-HC hi-hat mic4 x DVICE gooseneck clips

1 x MC1 mic clip4 x DCLIP mic clips

3 x WS81C windscreens

DP7PACKAGED SET OF 7 DRUM MICS

Aluminum road case1 x i5 snare mic2 x D2 tom mics1 x D4 floor tom mic1 x D6 kick drum mic

2 x ADX51 overhead mics4 x DVICE gooseneck clips

1 x MC1 mic clip3 x DCLIP mic clips

2 x WS81C windscreens

DP5APACKAGED SET OF 5 DRUM MICS

Aluminum road case1 x i5 snare mic2 x D2 tom mics1 x D4 floor tom mic1 x D6 kick mic

4 x DVICE gooseneck clips1 x MC1 mic clip1 x DCLIP mic clip

MSRP $1,149.00

MSRP $1,747.00

MSRP $2,569.00

MSRP $2,999.00

MSRP $449.00

MSRP $559.00

MSRP $749.00

CROPHONESCROPHONESDP SERIES FUSION SERIES

PH3-S Power: 20 watt stereo amp Freq. Response: 100 Hz - 20 kHz Impedance: 4 ohms Sensitivity: 87 dB SPL (1watt/1meter) Crossover Freq: 3 kHz

PH5-VS Power: 25 watt stereo amp Freq. Response: 75 Hz - 20 kHz Impedance: 4 ohms Sensitivity: 89 dB SPL (1watt/1meter) Crossover Freq: 2.5 kHz

PH3-S - Superior quality, ultracompact stereo powered speaker. 3.5” woofer, .75” tweeter. Composite materialswith video shielding, accepts12VDC remote power. RCA

Inputs.

PH5-VS - Superior quality,ultra compact stereo powered speaker. 5.5” woofer, .75”tweeter. Composite materialswith video shielding. RCA

Inputs.

MSRP $229.00

MSRP $349.00

PH5VS-W - Superior quality,ultra compact stereo poweredspeaker. 5.5” woofer, .75”tweeter. Composite materials with video shielding. White.

MSRP $365.00

POWERHOUSE SPEAKERSUSE SPEAKERSUSE SPEAKER

SPECIALTY MICROPHONESMICROPHONESMICROPHONESTR40A - Test and

measurement mic for RTA and room analysis systems.

USB12 - USB desktopondenser microphone with gooseneck, bass roll off, push-to-talk/push-to-lock witch and 6 foot cable. For ocal & instrument recording, podcasting, live chat, IP communication, medical/legal reporting, internettelecommunication &nferencing (Black or white).

MSRP $249.00

MSRP $179.00

TR40A Type: Condenser Polar Pattern: Omni Freq. Response: 20 Hz - 20 kHz Impedance: 200 ohms Sensitivity (C): 12 mV/Pa @1k Max SPL: >120 dB Power Reqs: 9-52V Phantom

USB12 Type: Condenser Polar Pattern: Cardioid Freq. Response: 50 Hz - 16 kHz Impedance: 1000 ohms Sensitivity: 1.3 mV/Pa @1k Max SPL: >132 dB Sampling Rate: 16 bit, 44.1k / 48k both play back and recording

MICROPHONE ACCESSORIES

CBL-2020 ft quad conductor twisted pair XLR-XLR microphonecable for balanced low impedance microphones. 6mm diameter rubber jacketed cable, shielded.

CBL-DR2525 ft quad conductor twistedpair XLR-XLR microphone cable with right angle XLRf for balanced low impedance

microphones. 6mmdiameter rubber jacketed cable, shielded. Ideal forinstrument mics.

CASE-DPAHeavy duty aluminum road case. Includes foam tray for up to 11 microphones with open compartment for clips, cables,

accessories.

CASE-PH5Padded canvas style bag withdivider, accessory pouch, and carrying strap. Ideally suited for PH3-S and PH5-VS powered speakers or for use

as a gig bag.

P1Stock pouch provided with OM Series, D Series, i5, Fusion Series and VX

Series.

DCLAMPFlexible mini-gooseneck with drum tension lugmount. Includes DCLIP D Series but can beused with any standard

mic clip.

DCLAMP-MICROFlexible mini-gooseneck lug clamp for drums,congas and percussion. Aluminum ring with rubber shockmount

holder.

DCLIPHeavy duty nylon moldedsnap on clip for D Series, ADX51 & SCX series. May also be used with ADX112, ADX118 & TR40. Alsoprovided with DVICE,DCLAMP and DFLEX mounting clips.

DFLEXDual pivot rim mounted clipwith extra wide butterfly jaws. Attaches firmly to drums (both standard and rims mount), congas, mic stands, drum stands, goodie table.Comes stock with DCLIP but can be used with any standard

mic clip.

DFLEX-MICROOptional DFlex mountingclip for Micros series. Dualpivot arm and extra wide butterfly jaws. Works withdrums, percussion, stands,

and piano rails.

MC1Standard nylon molded clip with brass insert. Fits all standard vocalmics and the i5.

DVICEFlexible mini-gooseneck with spring loaded rim mount clamp. Includes DCLIP for D series butcan be used with anystandard mic clip.Provided with all D Series mic packs.

DVICE-MICROOptional flexible mini-gooseneck with spring loaded rim mount clamp for Micro D and Micros. Aluminum ring withrubber shockmount. Fits drums with standard rims.

Clips/MountsHigh Performance Cables

Cases/Pouches

STAND-MBPedestal stand with heavy duty

weighted base. Ideally suited for usewith the MicroBoom for presentation style vocal. Minimum height is 12.8inches and maximum height is 21

inches.

CAB GRABBERThe Cab Grabber is atension-fit microphoneholder that clamps onto most combo amps or cabinets between 8-14inches in depth. Can be used with any microphone weighing up to 16 ounces.

STAND-KDShort pedestal stand with telescoping boom arm. Idealfor kick drum and guitar cabs. Minimum height is 12.8 inches, maximum height is 21 inches and boom arm extends to 31

inches.

Microphone Stands / Bases

CAB GRABBER-XLThe Cab Grabber-XL is atension-fit microphone holder that clamps onto most combo amps orcabinets between 14-20inches in depth. Can beused with any microphoneweighing up to 16 ounces.

PD133Optional two-layer mesh pop diffuser for controlling acoustic plosives. Used with condenser microphones such as the CX112, CX212 and SCX25A. May be screwed directly onto any standard 5/8 inch mic stand or used with the 11 inch gooseneck which

attaches to the mic stand.

SMT-25Low profile shockmount system with nylon cable and thumbscrew for positioning. Works with Audix models SCX25, SCX1, ADX51, TR40.

SMT-CX112Heavy duty aluminum caged shockmount system with nylon cable provided with CX112 and CX212. May be used safely with microphone

in any position.

WS357Optional high quality

external foam windscreen for reducing wind, sibilance, and pop noise. Fits over GR357 grill on OM Series mics.

WSi5External foam

windscreen for reducing wind, sibilance, and pop noise. Black. Provided with the i5. Fits D2 and

D4 mics.

APS-2Two-channel 48 volt

phantom power supply for condenser microphones. 110 volt switchable to 240 volt. Detachable power cord.

APS-91048 volt phantom power adapter for use with electret condenser microphones. Provided with ADX40, Micro-D, HT2P, ADX10-FLP, ADX10-P, ADX20i-P, ADX60. Connectors are standard XLR-m

to mini XLR-m.

APS-911Optional phantom power adapter for use with electret condenser microphones, also runs on AA batteries when phantom power is not available. Features on-off switch and bass roll off filter. May be used with ADX40, Micro-D, HT2P, ADX20-FLP, ADX10-P, ADX20i-P or ADX60. Connectors are standard XLR-m to

mini XLR-m.

Phantom Power Adapters

Impedence Transformers

T50KProfessional impedance matching

transformer that allows a low impedance microphone (100-600 Ohms) to be connected to a high impedance input

(10k - 50k Ohms).

Pop-Filters

Shockmounts

Windscreens

SWB-101Optional ball and socket

mounting hardware for PH5-VS and PH3-S powered speakers. Mounts to side of speaker via threaded bolt and may be

placed horizontally or vertically and angled as needed. (Black)

SWB-101WOptional ball and socket mounting hardware for

PH5VS-W powered speakers. Mounts to side of speaker via threaded bolt and may be placed horizontally or vertically and angled as needed. (White)

MB-3Optional C-Clamp wall bracket for PH3-S powered speakers. Attaches at ends of speakers via thumb screws and allows for vertical or horizontal

placement. Does not include wall mounting hardware.

Mounting Brackets

MC20iMini-instrument shock mounted gooseneck with integral clamp designed specifically for brass and woodwinds. Provided with ADX20i. Also works with Micros Series mics.

To our valued customers,

Since our beginning in 1984, Audix has remained committed to our original goal: to design, engineer and produce high performance and innovative microphone products for renowned artists and engineers worldwide. Year after year, Audix microphones are recognized for their design, performance, quality, consistency, durability and value, while continually gaining respect from the professional audio community.

At Audix, we are determined to push the limits of technology, efficiency and productivity. The Audix brand continues to grow and evolve because we continue to provide you, our valued customer, with products that exceed your expectations. Our success can not only be measured by our state of the art R & D and manufacturing facility, but by the team of talented people working each day to help produce the excellent products that our customers have come to rely on for their performance needs.

In a world that has become plagued with impersonal voice mail and fading customer support, we strive to maintain that personal touch. You are guaranteed to talk to a real person whenever you call us. Whether you are a dealer, an artist, an engineer or an inquiring patron, chances are that your questions and concerns will be answered within one phone call.

Sincerity, ingenuity, and passion are alive and well at Audix ‒ and we have every intention to keep it that way.

From all of us here at Audix, thank you for your continued trust and support.

Clifford J. CastleCo-Founder, Audix Corporation

www.audixusa.comPhone: 503-682-6933 Fax: 503-682-7114

Toll Free: 1-800-966-8261Audix Corporation

P.O. Box 4010 Wilsonville, OR 97070®Audix Corporation 2009. All rights reserved.

Audix and the Audix logo are trademarks of Audix Corporation. Specifications subject to change without notice.